bigshot
Headphoneus Supremus
The most temperamental thing I've tried to encode is the Rhino Sammy Davis Jr box. There was a slight gurgle to the strings even at 192/AAC. For 99% of the recordings I encode 192/AAC is plenty though. (For MP3s, I generally use 256.)
If I were you, I'd encode one notch above the line where you can't hear the difference any more. Sometimes subtle artifacting becomes more apparent (and more annoying) on repeated hearings. If you give yourself a little buffer, you'll never have to go back and reencode anything.
See ya
Steve
If I were you, I'd encode one notch above the line where you can't hear the difference any more. Sometimes subtle artifacting becomes more apparent (and more annoying) on repeated hearings. If you give yourself a little buffer, you'll never have to go back and reencode anything.
See ya
Steve