Albums that have very interesting soundstage
Sep 4, 2005 at 11:57 PM Post #2 of 19
Just a couple very quickly off the top of my head:

The Mars Volta - De-Loused in the Comatorium
The Postal Service - Give Up
The Constantines - Shine a Light
 
Sep 5, 2005 at 12:02 AM Post #3 of 19
Ryuichi Sakamoto: Love is the Devil OST- interesting use of strings, white noise and ambient sounds. Definitely an acquired taste. Rather unsettling in a "makes you think too much" kind of way...

Ryuichi Sakamoto: Gohatto "Taboo" OST - very 3D, spatial, extreme treble and bass, not that much in the mids. Great CD for testing soundstage.

Pillow Book OST: Eclectic collection of Euro-technopop, Buddhist chants, Old Shanghai Classics....
 
Sep 5, 2005 at 12:35 AM Post #4 of 19
Pretty much everything put out by Shpongle. Lots of fun trying to follow specific threads around in the stereo field.

A few others:

Ott - Blumenkraft
Paul Simon - Graceland
Amon Tobin - Out From Out Where
Queens Of The Stone Age - Songs For The Deaf
Pearl Jam - Ten
Poe - Haunted
 
Sep 5, 2005 at 1:33 AM Post #5 of 19
Yes - Tales from Topographic Oceans

It has one of the most incredible soundstages I've ever heard on an album. The album itself is kind of sub-par, but the instrumentals (especially the up-and-down bass lines and the really high-pitched, energetic moog) are so cosmic!
 
Sep 5, 2005 at 1:35 AM Post #6 of 19
Quote:

Originally Posted by Aman
Yes - Tales from Topographic Oceans

It has one of the most incredible soundstages I've ever heard on an album. The album itself is kind of sub-par, but the instrumentals (especially the up-and-down bass lines and the really high-pitched, energetic moog) are so cosmic!



Heh, I am listening to this album right now, and was just about to post it!
 
Sep 5, 2005 at 6:07 AM Post #7 of 19
Quote:

Originally Posted by Aman
Yes - Tales from Topographic Oceans

It has one of the most incredible soundstages I've ever heard on an album. The album itself is kind of sub-par, but the instrumentals (especially the up-and-down bass lines and the really high-pitched, energetic moog) are so cosmic!



Yeah, I agree. The Moog solo approximately 17 minutes into the first song is incredible. I finally have equipment that can play this part back with clarity and without much harshness.
 
Sep 5, 2005 at 9:10 PM Post #8 of 19
Every single example cited here (that I am familiar with) utilizes artificial soundstages created by phase and echo effects. No amount of "underwater Enyaesque gurgle" will match the startling soundstage of a cleanly miked live performance. For that I would suggest Paavo Jarvi's Stravinsky collection on the Pentatone label. You can play that and sit on the couch with your eyes closed and point out each instrument as it's placed right to left and front to back. *That's* a three dimensional soundstage.

See ya
Steve
 
Sep 5, 2005 at 9:29 PM Post #9 of 19
Quote:

Originally Posted by bigshot
Every single example cited here (that I am familiar with) utilizes artificial soundstages created by phase and echo effects. No amount of "underwater Enyaesque gurgle" will match the startling soundstage of a cleanly miked live performance. For that I would suggest Paavo Jarvi's Stravinsky collection on the Pentatone label. You can play that and sit on the couch with your eyes closed and point out each instrument as it's placed right to left and front to back. *That's* a three dimensional soundstage.

See ya
Steve



Actually, I get the feeling from time to time that a vertical axis also is present, creating a true 3D presentation right-left, back-front and high-low.

One of the most striking stereo effects in a well recorded piece, IMHO, is when a singer, usually in the front/centre of the orchestra, all of a sudden turns the head and sings in another direction for a brief moment, or changes position all together. If the microphone arrangement is well done, the amount of realism in the soundstage is breathtaking.
 
Sep 5, 2005 at 10:49 PM Post #10 of 19
John Culshaw used these sorts of effects to great effect in Solti's Ring cycle. If you ever see the documentary on the recording of Gotterdammerung, check it out... They had a stage constructed with marks on the floor. The singers were choreographed to move around the stage to suit the action in the opera. On a set of speakers that mesh well, the effect is uncanny.

See ya
Steve
 
Sep 6, 2005 at 12:59 AM Post #12 of 19
the older beatles albums?
cool.gif
 
Sep 6, 2005 at 1:38 AM Post #14 of 19
Quote:

Originally Posted by fante7
Yeah, I agree. The Moog solo approximately 17 minutes into the first song is incredible. I finally have equipment that can play this part back with clarity and without much harshness.


I suppose you could call it a moog solo, but I think it's more of an 'everything solo' because everything just becomes so frantic and energetic at that point.

Another one that I came up with today is:

The Alan Parsons Project - I Robot.
 
Sep 6, 2005 at 5:07 AM Post #15 of 19
Head-Fi'ers --

Any binaural recording.

BANGPOD
 

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