jopi
100+ Head-Fier
- Joined
- Jan 1, 2002
- Posts
- 397
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- 11
Dear fellow Headphone geeks,
Over the long weekend I finally finished my Bottlehead Paramour 2A3 tube amp kit and I would like to share with you my initial impressions.
My system consists of a Clearaudio Champion turntable with a Rega ST250 Quintwire arm and a low output moving coil Benz Glider cartridge along with a Phenomena phono stage as the analog front end and the Sony 775 SACD as the digital front.
Both are connected to a Bottlehead Foreplay preamp and the Bottlehead Paramour 2A3 mono blocks. Foreplay and Paramours are all stock without any modifications or tweaks and I haven't put in the recommended upgrades like C4S and stepped attenuators yet. I've decided to wire up the power amp for 8 Ohm speakers for now.
The musical presentation with classic and accoustic jazz is marvelous. Very convincing soundstage and tight imaging of instruments. I couldn't say whether the bass or the highs or the mids are great, they're all represented well without one area dominating. It's so good that I can't read the paper while listening.
I've used a vintage Marantz Solid State amp before and didn't listen with the K1000 a lot, because the sound was too harsh and metallic even with vinyl. With those tubes, there's no hint of harshness anymore. I could also only bear to listen to the K1000 with very good recordings, especially with vinyl, but the past days anything I've put on the platter spun all the way through. This could actually mean, that the tubes are smoothing out some of the detail I was hearing before. This may be bad and good depending on the recording and how you feel about Hi-Fi in general.
The one rock SACD (Rolling Stones) I've listened to was not quite as convincing, it may be because of the source (SACD) or that the amp is not as quick and fast as my Headroom Max/AKG 501 combination.
One bad thing is a constant audible hum (same level independent of volume) that comes from the Paramours. According to AudioAsylum's Bottlehead's support forum this will be drastically reduced by installing the C4S power upgrade that shipped with the kit, but I haven't put it in yet.
So far it's very encouraging. It can only get better from here. It was a lot of fun so far putting these babies together and for classic and jazz this combination beats the Max/501 easily in the imaging, soundstaging, representation of instruments department. The AKG 1000 sounds like standing on top of a high mountain and taking a deep fresh breath of air.
Let me have a couple of more weeks of listening and upgrading and tweaking and will give you an update.
Cheers
Joerg
Over the long weekend I finally finished my Bottlehead Paramour 2A3 tube amp kit and I would like to share with you my initial impressions.
My system consists of a Clearaudio Champion turntable with a Rega ST250 Quintwire arm and a low output moving coil Benz Glider cartridge along with a Phenomena phono stage as the analog front end and the Sony 775 SACD as the digital front.
Both are connected to a Bottlehead Foreplay preamp and the Bottlehead Paramour 2A3 mono blocks. Foreplay and Paramours are all stock without any modifications or tweaks and I haven't put in the recommended upgrades like C4S and stepped attenuators yet. I've decided to wire up the power amp for 8 Ohm speakers for now.
The musical presentation with classic and accoustic jazz is marvelous. Very convincing soundstage and tight imaging of instruments. I couldn't say whether the bass or the highs or the mids are great, they're all represented well without one area dominating. It's so good that I can't read the paper while listening.
I've used a vintage Marantz Solid State amp before and didn't listen with the K1000 a lot, because the sound was too harsh and metallic even with vinyl. With those tubes, there's no hint of harshness anymore. I could also only bear to listen to the K1000 with very good recordings, especially with vinyl, but the past days anything I've put on the platter spun all the way through. This could actually mean, that the tubes are smoothing out some of the detail I was hearing before. This may be bad and good depending on the recording and how you feel about Hi-Fi in general.
The one rock SACD (Rolling Stones) I've listened to was not quite as convincing, it may be because of the source (SACD) or that the amp is not as quick and fast as my Headroom Max/AKG 501 combination.
One bad thing is a constant audible hum (same level independent of volume) that comes from the Paramours. According to AudioAsylum's Bottlehead's support forum this will be drastically reduced by installing the C4S power upgrade that shipped with the kit, but I haven't put it in yet.
So far it's very encouraging. It can only get better from here. It was a lot of fun so far putting these babies together and for classic and jazz this combination beats the Max/501 easily in the imaging, soundstaging, representation of instruments department. The AKG 1000 sounds like standing on top of a high mountain and taking a deep fresh breath of air.
Let me have a couple of more weeks of listening and upgrading and tweaking and will give you an update.
Cheers
Joerg