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Originally Posted by undo /img/forum/go_quote.gif
does it mean er4 isn't er4 unless it's er4s?
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Well, it sort of means exactly that. But also sort of not.
The ER-4S and ER-4P share the same transducers, the same sound-making parts. But those parts are elements of an overall system that also includes some electronics (just resistance) that serve to adjust the frequency response. With one set of electronics, you get the ER-4S, their most accurate product. With a different set of electronics, you get the ER-4P, a more efficient but (because the frequency response is different) less accurate product according to the way they measure accuracy.
That doesn't mean the 4P lacks the 4S' general sonic signature, level of detail, and so forth. In those respects they're the same, at least for many people's purposes. But because the 4P adheres less closely to Etymotic's idealized frequency response than the 4S does, the 4P is rated less accurate. The ER-6 is a different design that can't keep up sonically with the ER-4S, but still rates as more accurate than the 4P according to the way Etymotic measures things.
That accuracy rating does not necessarily translate to musical enjoyment. Whether the ER-4P will sound better or worse to you than the ER-6 is
highly subjective. Personally I find the 4P hard to listen to for more than a song or two at a time, because there's something subtly yet annoyingly wrong with its frequency response that just gets on my nerves. I have no such problem with the ER-6 or the ER-6i. Yet
lots of people consider the ER-4P a sonic upgrade from the ER-6i or (less frequently, because fewer people have them) the ER-6.
I own most of the Ety line and would rank them as ER-4S > ER-6 > ER-6i > ER-4P. But your mileage may vary, and there are certainly lots of folks who disagree with me.