From the technical point of view: how can some amps be more versatile than others?
For example, my Gilmore Reference drives with fantastic results both the Grado RS1 (low impedance) and the Sennheiser HD600 (high impedance).
I mean, when somebody is designing an amp, there must be some particular headphone (or at least category of headphones, impedance speaking) which are supposed to be synergetical with that amp. And if you use other phones, then the amp would maybe still be good, but not at its best.
So which is that technical detail that makes some amps to be... more versatile and other amps... less versatile ?
For example, my Gilmore Reference drives with fantastic results both the Grado RS1 (low impedance) and the Sennheiser HD600 (high impedance).
I mean, when somebody is designing an amp, there must be some particular headphone (or at least category of headphones, impedance speaking) which are supposed to be synergetical with that amp. And if you use other phones, then the amp would maybe still be good, but not at its best.
So which is that technical detail that makes some amps to be... more versatile and other amps... less versatile ?