Eleazar
New Head-Fier
- Joined
- Sep 30, 2005
- Posts
- 13
- Likes
- 0
Very simple setup, XFi Forte w/ built-in amp->A900. Using 10-band equalizer from the XFi software suite.
Made two presets to decided which I liked better.
First (pronounced)
31
62
125
250 +2
500 +5
1k
2k +2
4k +5
8k +6
16k +5
Second (recessed)
31
62
125
250 +1.3
500 +3
1k
2k +2
4k +3
8k +4
16k +3
Music used for testing:
ASMF Mariner: Brandenburg Concertos
ATB Seven Years: Let U Go, Ecstasy, Triologie Part 2, Humanity, Let U Go
ATB DJ In the Mix 3: Summer Rain [136 BPM Mix]
Orpheus Chamber Orchestra: Handel, Arrival of the Queen of Sheba
Orpheus Chamber Orchestra: ArcAngelo Corelli Concerto in G Minor
Goerne and Brendel: Schubert, Wintereisse Gute Nacht
Streicher, Koln, and Gobel: Telemann, Concerto Polonois G-dur
Some piano compliation CD(average recording quality, good performance): Debussy, Clair de Lune
Itzhak Perlman Vivaldi Four Seasons (btw, Itzhak is amazing)
I chose music I was very familiar with and had listened to with the A900's for quite some time(months) before I finally decided to do some equalizing. I have also listened to this music extensively on my Klipsch Promedia Ultra 5.1's.
One thing is for sure since using these equalizer settings, I will not go back to the original sound, it is a definite improvement. The best way I can describe using general terms is that everything is more engaging, whether it's the bass in ATB or the harpsichord in Telemann. I have had the chance to here many of the classical instruments in person, except for period instruments in the Baroque era and not these specific concertos or orchestras. I can say the intruments sound much closer to how they should, especially the violin and harpsichord. As a general rule I used the recessed mostly, only using the pronounced on certain ATB songs and to my surprise, Vivaldi and Bach.
Going back to unequalized, it sounds like only part of the instrument's sound there, most especially when listening to Telemann with the harpsichord.
Was hoping to hear from others and see what settings they use with the A900s.
Made two presets to decided which I liked better.
First (pronounced)
31
62
125
250 +2
500 +5
1k
2k +2
4k +5
8k +6
16k +5
Second (recessed)
31
62
125
250 +1.3
500 +3
1k
2k +2
4k +3
8k +4
16k +3
Music used for testing:
ASMF Mariner: Brandenburg Concertos
ATB Seven Years: Let U Go, Ecstasy, Triologie Part 2, Humanity, Let U Go
ATB DJ In the Mix 3: Summer Rain [136 BPM Mix]
Orpheus Chamber Orchestra: Handel, Arrival of the Queen of Sheba
Orpheus Chamber Orchestra: ArcAngelo Corelli Concerto in G Minor
Goerne and Brendel: Schubert, Wintereisse Gute Nacht
Streicher, Koln, and Gobel: Telemann, Concerto Polonois G-dur
Some piano compliation CD(average recording quality, good performance): Debussy, Clair de Lune
Itzhak Perlman Vivaldi Four Seasons (btw, Itzhak is amazing)
I chose music I was very familiar with and had listened to with the A900's for quite some time(months) before I finally decided to do some equalizing. I have also listened to this music extensively on my Klipsch Promedia Ultra 5.1's.
One thing is for sure since using these equalizer settings, I will not go back to the original sound, it is a definite improvement. The best way I can describe using general terms is that everything is more engaging, whether it's the bass in ATB or the harpsichord in Telemann. I have had the chance to here many of the classical instruments in person, except for period instruments in the Baroque era and not these specific concertos or orchestras. I can say the intruments sound much closer to how they should, especially the violin and harpsichord. As a general rule I used the recessed mostly, only using the pronounced on certain ATB songs and to my surprise, Vivaldi and Bach.
Going back to unequalized, it sounds like only part of the instrument's sound there, most especially when listening to Telemann with the harpsichord.
Was hoping to hear from others and see what settings they use with the A900s.