DCofficehack
100+ Head-Fier
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I know the choice between the HD600 and the HD650/6xx is something that many have pondered, and I wanted to add some of my own experience for the sake of others who want to make the choice.
As of a week ago I own both Sennheisers. I listen to the same music but in different locations, with different rigs. The Hd650 is at home, plugged into an SMSL AD18, which is connected to my MacBook Pro. At work, using the same MacBook, I listen to the HD600s plugged into a Schiit Magni 2, which is connect to the MacBook via the Mac's headphone jack.
I suppose some of the difference I'm hearing might be due to the SMSL and the Schiit, but I have no way of knowing without setting up both rigs side by side, which I haven't done.
Both sets of cans are terrific, but there's a clear difference that comes out when listening to classical music. The best example is a high quality FLAC recording I have of the Brandenburg Concertos, specifically the 3rd, although the comparison applies to all of them.
The Brandenburg concertos commonly are performed with three violins, two violas, three cellos, a double bass, and a harpsichord. Sometimes recorders/flutes. The recording I have is by the Musica Antiqua in Köln:
https://www.amazon.com/Bach-Brandenburg-Concertos-Brandenburgische-Brandebourgeois/dp/B0000057D4
You can watch a fine performance, although by another ensemble, below. What happens is that with the HD650s, the cellos and bass are powerful and boomy. I'd describe the lower end as "thick." Not muddy, of course. Nothing like muddy. Everything is clear and detailed. But man that upright bass digs, and I can imagine the bassist working hard. I can feel it.
The same music through the HD600s is a very different experience. The bass is there but much reduced, and in exchange, the highs and mids feel more pronounced, although I believe the difference to be only a matter of perception. Meaning, I suspect the highs and mids coming out of the two cans might be the same, but the presence of the thick bass in the HD650s overshadows them a bit. They feel less prominent (is this the so called veil?), while with the HD600s the ear can savor them.
The question is, which is better? Or, which is more accurate? I suppose I'd have to hear a live performance to judge, as the answer hangs on how pronounced the bass really is relative to the other players. But I suspect that what I'm hearing with the HD650 is too much. Not a lot too much, like what I'd get through some crappy cans with boosted bass, but just enough to be out of proportion. That said, the question then becomes, is the bass with the HD600s too slight? Maybe a smidge? I wonder what Bach would say.
For this kind of music, I prefer the HD600 sound, ultimately, because I want to lavish in the mids and highs. But clearly with other kinds the HD650 are just the ticket. Rush, for example, is fantastic.
As of a week ago I own both Sennheisers. I listen to the same music but in different locations, with different rigs. The Hd650 is at home, plugged into an SMSL AD18, which is connected to my MacBook Pro. At work, using the same MacBook, I listen to the HD600s plugged into a Schiit Magni 2, which is connect to the MacBook via the Mac's headphone jack.
I suppose some of the difference I'm hearing might be due to the SMSL and the Schiit, but I have no way of knowing without setting up both rigs side by side, which I haven't done.
Both sets of cans are terrific, but there's a clear difference that comes out when listening to classical music. The best example is a high quality FLAC recording I have of the Brandenburg Concertos, specifically the 3rd, although the comparison applies to all of them.
The Brandenburg concertos commonly are performed with three violins, two violas, three cellos, a double bass, and a harpsichord. Sometimes recorders/flutes. The recording I have is by the Musica Antiqua in Köln:
https://www.amazon.com/Bach-Brandenburg-Concertos-Brandenburgische-Brandebourgeois/dp/B0000057D4
You can watch a fine performance, although by another ensemble, below. What happens is that with the HD650s, the cellos and bass are powerful and boomy. I'd describe the lower end as "thick." Not muddy, of course. Nothing like muddy. Everything is clear and detailed. But man that upright bass digs, and I can imagine the bassist working hard. I can feel it.
The same music through the HD600s is a very different experience. The bass is there but much reduced, and in exchange, the highs and mids feel more pronounced, although I believe the difference to be only a matter of perception. Meaning, I suspect the highs and mids coming out of the two cans might be the same, but the presence of the thick bass in the HD650s overshadows them a bit. They feel less prominent (is this the so called veil?), while with the HD600s the ear can savor them.
The question is, which is better? Or, which is more accurate? I suppose I'd have to hear a live performance to judge, as the answer hangs on how pronounced the bass really is relative to the other players. But I suspect that what I'm hearing with the HD650 is too much. Not a lot too much, like what I'd get through some crappy cans with boosted bass, but just enough to be out of proportion. That said, the question then becomes, is the bass with the HD600s too slight? Maybe a smidge? I wonder what Bach would say.
For this kind of music, I prefer the HD600 sound, ultimately, because I want to lavish in the mids and highs. But clearly with other kinds the HD650 are just the ticket. Rush, for example, is fantastic.