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Originally Posted by AmanGeorge /img/forum/go_quote.gif
Yeah, definitely some discrepancies. God knows I love the ER4P, but I don't think that Ety deserves to be in the conversation without a larger product line that can be evaluated - one outstanding product does not a great company make (this besides the fact that I also consciously limited myself to full-size companies only).
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I think that Etymotics lineup is notably consistent, particularly in terms of signature. It just so happens that this particular signature is to my taste. They certainly don't have a lot of products, but I think the way they produce notably audiophile products consistently is commendable. I don't think I've heard a bad product from etymotic like I have from every other company, so I give them credit for that alone as well as the wonderful ER4. They are, in my experience, the company I am currently most pleased with.
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Originally Posted by AmanGeorge /img/forum/go_quote.gif
I can't really take rating Sennheiser as a "crap" company seriously. Besides the HD800, I haven't heard a Sennheiser that I truly love. The willingness to make a statement product like the Orpheus that is so revered as an all-time great also speaks to their importance within the industry.
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I'm more or less in the same position, except that I haven't heard the HD800. I also haven't heard the Orpheus so I left it out of my rating. There are a lot of sennheiser headphones besides the HD580 and HD600, and I think that the majority of them are quite frankly crap (particularly when you take into account pricing and politics that exists in Australia).
The house sound in the HD6xx line is really not for me.
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Originally Posted by AmanGeorge /img/forum/go_quote.gif
Add the fact that the HD595 and HD-25 are prominent features in the <$200 and the closed/portable categories, respectively, and that they have a very well-received pair of IEMs, and you have a headphone company that is deservedly on top of the world.
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The HD595 has a strange sound IMO, the highs are brittle and the bass is, for lack of a better word, odd. I think that this is one of the few headphones I've really heard that makes music sound artificial, not due to resolution, but due to fault in the headphone. Add this to the price of it in australia, coupled with alternatives like the DT440 and the AD700/AD900 which I think play music much better and IMO the HD595 becomes a non-option.
The HD25 is released by sennheiser distributors at something in the region of
$500 locally as opposed to $200 or something in America. Couple this with the ESW9 at (about $400 locally), and the DT250 (~$350). It, too, is a poor performer for the price locally, IMVHO.
The IE8 is the antithesis of what I look for in a pair of headphones, so I also rate it poorly.
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Originally Posted by AmanGeorge /img/forum/go_quote.gif
Grado... I'm a little torn. This is a weird company. On the positive side, they've been around a long time, have a large and loyal following, possess a unique house sound and design philosophy, and have had a number of "classic" headphones. On the negative side, they've never really pushed the technological envelope within headphones, their sound can be a little bit of a one-trick pony, and they have big QC issues. On balance, I also don't think Grado deserves the treatment it got in your list, but I guess it's more defensible depending on what you value.
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I agree the sound is a bit of a "one-trick" pony. Generally, when I try headphones for the first time I allow a few hours for it to settle. My brief experience with the lower end of grado (MS1), I was able to dismiss the product from my head quite swiftly, as it was notably not made for the genres I listen to (although I was quite surprised to see that it did okay at ambient). I say the MS1, of course, because grado is a ripoff locally, whereas alessandro is quite competatively priced. I wanted to give the MSpro a bit more headtime than I did when I tried them at the local store, but I didn't have the time unfortunately.
tl;dr I cannot deny the respect and appreciation people have for both sennheiser and grado, however they are simply at the "I do not care" end of the spectrum for me, because my exposure to them has been met with poor performance - or at least relative to what I can get locally (as I'd prefer not to get involved with importing as local business support is quite important to me).
I am personally very interested in the HD800, mostly because I have read a large number of sennheiser fans expressing dislike for the headphones ("they are not sennheisers", etc), however with such a markup locally, I will be lucky if I can ever justify the price. Heck, with the moronic politics going on, I don't even know if the local store is actually allowed to stock the HD600, HD650 or HD800 because they were forced to remove them from their website by sennheiser distro in australia because they have a website as well as a physical store and I havent been in recently enough to ask.
My ratings are solely my own opinion and experience, rather than what I have read or the experience of others on head-fi.
I find it interesting that the local dealer whose ears I trust greatly (although we disagree on grado and etymotic it seems), is one of the few people who agree with me regarding sennheiser. He offers 49 sennheiser headphones (assuming he doesnt offer the HD600, HD650 and HD800, which I honestly cant know), and he recommends three of them, all at the cheap end of the spectrum. Perhaps in addition to the overall sound of the HUGE sennheiser lineup, the price and politics have left a bitter taste in my mouth. Regardless, I do not consider a company with maybe 60 or more offerings - two of which I consider worthwhile (and three I have an interest in trying) - a "good" company, and the reasons for the mediocrity in some of their products frankly dont interest me.