Many thanks for your interesting reviews of the k702. In fact I decided to try them myself in part due to reading your first review. Well, I'm glad that I'm not the only one hearing a problem with the mid range. What you wrote about the clarinet echos my own perceptions in recent listening sessions, though I noticed it with trumpet, saxophone, and piano, and I quote from your review:.
Wieniawski Violin Concerto… is the midrange good enough?
The clarinet that plays along with the violin from 00:35 to 00:38 lacks the sweet prominence and presence that it has on my Wharfedale Diamond 9.1 stand-mounts. At 00:38, the clarinet just disappears meekly on the K702, whereas it bows out with ear-filling lushness on the Wharfedale. <end quote>
I recently listened to a favorite jazz tune that has a great soulful piano introduction. With the k702 it sounds like the piano was mixed too far back relative to the other instruments. It's just not right to my ears. However with my other headphones it sounds just the way it should. This particular album was produced by a very well regarded engineer for Blue Note records, I think, so I doubt he would mix it the way it sounds with the k702. On another jazz tune I listened to earlier today the cymbals are just way too forward. It's not like I'm sitting in the front row of a club...it's like I'm sitting with my ear a couple of inches from the ride cymbal! I can't imagine mixing a song like that, and this tune and cymbals in general sound more balanced with the k240DF and other headphones. I think this is probably due to the upper mid peak you wrote of. I could go on with more examples of sax and trumpet (Miles Davis' trumpet being too distant, for instance) but I want to do some more extensive listening first to get accustomed to their particular sound sig. BTW, I'm loving the bass with the k702....very realistic and quite enough quantity for my taste.