They are pretty easy to find. The ones I own tend to be classical or jazz works. I don't necessarily search them out but if I do see them side by side with a regular issue I'll check to see who mastered (which I try to do anyway) and then I typically end up with the K2 disc. I don't know Santos, but to my knowledge the other artists you listed have never been issued on a K2 coding disc. Some might think the K2 stuff is a marketing gimmick. In some ways this may be true if someone is trying to bleed you for a large sum of money but what this discs have going for them is a strong emphasis on quality control from start to finish. Because of this, all things being equal, the K2 album will sound better because the product is better controlled, "the magic of K2 is a quality insurance that jitter isn't the problem of a 1:1 transfer from digital tape to disc."
Also:
Developed by JVC, the 20-Bit K2 Super Coding System integrates three important digital audio functions:
1. The JVC 20-Bit, 128 times over-sampling high resolution analog to digital converter.
2. The JVC K2 Super Coding resolves the high resolution 20-Bit signal to the 16-Bit compact disc format while retaining the integrity of the low level information.
3. The JVC K2 Interface effectively eliminates time base jitter in the digital data stream.
That said, I have plenty of K2's where the mastering is compressed or bumped in the highs leading to an overall thin or bright sound. Not cool to these ears. With XRCDs and XRCD2s (JVC audiophile grade releases all using the K2 process) the sound is often bright because the folks mastering this stuff think that's cool (All with +5 at 14k) So be careful. Concentrate on works mastered in the US by Alan Yoshida