OK back home and had a 20 min breather. My comparison was only 45 min
so they are nothing more than that! There is also no planned order to this post, so apologies in advance for whatever mess it turns out in. Would say however I learned more in these 45 min than in 3 hours at the London Head-Fi meet. It was just me and the hifiheadphones staff so zero background noise. Perfect demo conditions. Have ead *every* post in the first W3KANV thread, the new W3KANV thread and also this thread(!) When concerned with this much money there is no such thing as too little research
I mention that only to say I disagree slightly with certain comments that have come out but equally respect those are made by owners or those who have had extended home demo. So I may be completely wrong and if I had longer listening time then my opinions may change.
The TH900 like everyone says is more beautiful in person. Photographs tend to oversaturate the red and may not capture the little flakes that is part of the unique lacquer finish. With that said my slight preference is for the W3KANV and the AT plug is nicer. But these are minor points. The TH900 is super comfy and instantly go near the top of my personal experience chart. The HD800 larger cups and incredibly light design edges it but the TH900 is really very well designed on first impressions. I got on fine with the wing design on the W3000ANV after everything that was written. There was clamping that is less so than with my KEF M500 or Senn Momentum, but noticeable when you have the TH900 and HD800 next to it. Do not want to overstate the point, I was fine wearing it on my head but the TH900 and HD800 are like wearing beanie hats. Made from clouds. Or angel dust. The point is they are light and comfortable.
For demo duties I used hifiheadphones' kit. The Roksan CD player and the Senn amp pictured. Not sure if HDVA600 or HDVD800 but the amp sections are the same anyway AFAIK. Brought my own CDs.
Adele Live At The Royal Albert Hall - Someone Like You
Hendrix Band of Gypsys - Machine Gun
Alison Krauss + Union Station Live - Maybe and When You Say Nothing At All
Hans Zimmer TDK Soundtrack - Why So Serious?
I will get straight to it about the TH900 as I have already said it has changed my life. On the demo set-up the soundstage was especially spacious. It felt like I was in the Royal Albert Hall watching Adele. You really got the sense of the voice extending to the back rows. Amazing. And from a closed back design. The voice was beautifully presented and nice detail throughout the spectrum. Bass has great depth and slam. When listening to Machine Gun the guitar chords have this extra weight that really brings to life the imagery of war. That may sound hyperbolic but it is seriously hard not to become fully immersed and engrossed listening to the track through the TH900. A lot has been said also about a "U shape signature" or recessed mids. I really do not see it that way at all. The midrange is beautiful and female vocals are extremely clear and spacious again. Rather to me, the bass has been pushed forward just a little and the treble extended a touch. Slight difference in emphasis but I hope explains how I hear the TH900 signature. I consider the TH900 as straddling that line between balance and slight colouration at the same time and on superficial impressions only, Fostex have done it. It is contradictory yes but as someone for whom female vocals commands 70-80% listening time it is a critical point to me. If midrange does not cut it then the headphone will be disregarded. As cold as that. And with that hint of colouration the TH900 is a fun enjoyable headphone also. K701 kind of line, look elsewhere. It reminds me of my home demo of the Invicta dac. Every element presented in its own sense of space and air, yet as a coherent package. The TH900 does that as a headphone.
The W3000ANV is even more beautiful in person than online photography. But next to the TH900 the sound does not do it for me. The intense midrange colouration for me make the headphone sound thin. No other way to put it. Heck female vocals are meant to be something the AT is aimed at and yet I did not enjoy the sound nearly as much as the TH900 natural sounding presentation. As an ex-ESW9 owner* I
wanted to love the W3000ANV (*do
not allow younger siblings near your headphones as manufacturers do not stress-test headphones that way :/ ). Put it this way, if you take away the killer looks then I would be underwhelmed paying that much money for the sound on offer.
I took along TDK soundtrack as from 3 minute 30 sec into 'Why So Serious', the music clears and there is a wonderful sub-bass. I defy anyone to tell me the HD800 or W3000ANV bass is acceptable after listening to the TH900. Yet at the same time I do not consider the TH900 a bass monster at all. From my memory of the D5000/D7000, the TH900 has less bass presence but I prefer it over signatures that artificially boost bass in songs. The strangest thing is I prefer the TH900 driven on Sennheisers flagship amp than with the HD800. Yeah really. The airiness and space of the HD800 is wonderful and all but something is missing and that is filled by the TH900. And could I invest in a headphone that is so picky? I spent the last part of the session just enjoying Alison's voice. Incredibly clean recording and this foot-tapping dynamic sound from the TH900. I did switch in the HD800 and W3000ANV but not as if at this stage my base opinion was changing.
The good / bad news was that I have already splashed out on a dac and amp this month. That just about stopped me from buying the TH900 on the spot, despite the eye-watering price tag. And it gives me a chance to see how the HD600 scales against my new purchases
But I might as well put it on my "to buy" list, well unless I manage to get quality time with Audeze away from meet conditions and get swayed in that direction. For anyone interested, HifiHeadphones say they have *five* remaining pairs of the W3000ANV. Once it is gone, it is gone. Not that this post helps sell it in any way at all.