Vacuum Tube Hybrid headphone amplifier and preamp electro-harmonix 6922EH

Miu Audio MKTP-1 Hybrid Headphone Amplifier

  • Vacuum Tube Hybrid headphone amplifier and preamp
    electro-harmonix 6922EH

Recent Reviews

  1. YoYo JoKeR
    Miu Audio MKTP-1: Versatile Tube Hybrid Amp
    Written by YoYo JoKeR
    Published Apr 30, 2015
    Pros - Excellent Build Quality, Very Versatile, Rolling Options
    Cons - Lack of Soundstage

    Me: I am a 21 year old grad-student living in a small town in India. I would like to call myself a music enthusiast, rather than an audiophile. I was inspired by music since childhood, and as the time passed, the passion of music grew in me, and that subsequently led me to join Head-Fi. Eventually, I found the pleasure of listening to music mainly by the HD600 and recently, by the seductive LCD2 headphones, and realized the true components of recorded music. I usually like to listen to Indian Classical Music along with Bollywood songs. My main listening genres include classical, vocal, instrumental, jazz and sometimes pop.

    Intro:  Miu Tech-Systems is a lesser-known, but well established Chinese brand specializing in wide range of products including Headphone Amplifiers. Miu Audio was established in 2004.  Miu managed to capture attention of the world by their amp offerings which had attractive price tag & appreciable performance. Particularly, Miu’s MRB portable amp has been famous in eastern half of world. The MKTP-1 head amp is a hybrid tube-opamp structure, and is very versatile in terms of operation & rolling.
    Specifications of MKTP-1:
    Input Impedance: 10K ohms
    Supported Vacuum Tube: 6922 & 12AU7
    Maximum Input level: +18 dBV
    Gain: 20dB/ Channel
    Power Supply: 12-13.2V DC
    Frequency Response: 25Hz to 150KHz (+/- 3dB)
    Output Power: 388 mW THD+N: 0.1% @16 ohms &  102mW THD+N: 0.1% @300 ohms

    Let us see what the MKTP-1 amp has got for us,
     Packaging and Accessories: The S1 amp arrives packed inside a general cardboard box, packed inside a removable foam packing. Packaging is generic, but nothing to complain about. But all the included accessories have a good quality and feel to them.
     List of accessories in the box, which include the following:
    Power Adapter: AC to DC 12V 3.5A power adapter EU/US/AU/UK is supplied as per specifications.
    RCA to 3.5mm cable: To connect MKTP-1’s input from portable sources with 3.5mm out.
    Rubber Feet: Self adhesive rubber dots to stick beneath the amp and prevent the amp from skidding of the desk.

    Design and Build: The MKTP-1 has an excellent overall build quality. Its design is decently practical. The MKTP-1 looks nimble, different& funky, and stands out from the crowd.
    The amp has aluminium case with upright socket for tube installation. The Tube is also protected by a transparent circular cover. But this cover can be nuisance for tube rollers.
    The transparent tube cover makes us gaze through it and onto the well soldered circuit board. The MKTP-1 is fairly small in size. The MKTP-1 is light in weight, & weighs under 250 grams.
    At the front we have volume knob with on/off function, 3.5mm headphone output socket & a 3.5mm input socket. At the rear side of MKTP-1, we can observe the presence of power socket, RCA input sockets & a 3.5mm Line-Out socket.
    Volume knob rotation is tight & accurate. The 3.5mm jack is also a very sturdy, but is slightly tight. Considering the powerful output provided by MKTP-1, I feel it would have better if a full size ¼” output were provided, along with elimination of front 3.5mm input. This would reduce congestion in front face panel. Internals quality is very good. The MKTP-1 amp has no manual wirings inside; everything is fixed on the PCB. Soldering & joints are very well done. Volume pot is well known Alps branded, which a plus for both volume control & audio quality.
    Since the MKTP-1 amp follows Op-amp/Tube design, there is a DIP8 op-amp socket present, in which we may roll any compatible dual audio op-amps. The default one is NE5532 from Texas Instruments, & does a decent job in sound quality.
    There is also a jumper on the PCB, which lets us swap both 12AU7 & 6922 variants. The MKTP-1 also supports pre-amp out via rear 3.5mm socket. To roll tubes & op-amps, we have to unscrew the body screws, remove the side screws on main body, slide out the amp board to completely access the board, op-amp socket, tube jumpers and tube socket, which is quite irritating for frequent tube rollers. Power supply is 12V 3.5A, is very well made & is properly earthed hence ensuring zero risk of any electrocution & a low noise floor.

    Sound:  The MKTP-1 has a very clear, detailed but intimate & closed in soundstage.
    Burn in: I could not notice any major sonic improvements or changes by burn in. But let’s say a playback of about 20 hours provides few minor audible improvements, Bass prior to break-in is quite muddy, and eventually it becomes more accurate and clean, Mids will sound more open & slightly forward, airy and natural. Highs become slightly smoother, soundstage will open up by a margin. Also, the noise floor further went down towards complete silence.
    Op-Amp rolling:  One can roll enormous number of 8 pin dual op-amps or single channels ones on adapters. After much testing on vast number of op-amps like, 2134NA, 4562NA, 6171,6172, 2111KP, 49720HA/NA, 49860NA, 49990MA, OPA209/627 /827, I could conclude, the stock one (NE5532) does its job & is optimal for the existing circuit parameters. But after intensive testing & attentive listening, I found the 4562NA also to be a great match, both for circuitry as well as for headphones by sound quality.
    Tube Rolling: The MKTP-1 accepts both 6922 & 12AU7 family tubes, which is a definite advantage for tube rollers. Please remember to set the jumpers correctly before rolling. The default tube is Electro Harmonix 6922, which does a very good job by sound quality, and really a replacement is not requirement, unless you want different signature/colouration in sound.
    This amp is extremely powerful and can drive any dynamic/Planar magnetic cans to insane loudness with just 50% of the volume used, which is at 12 o’clock. Anything above 12 o’clock is unbearably loud.  This incredible power brings out the best out of a matching headphone. Noise floor is audibly almost silent with demanding cans (yet i could detect a very faint hiss at max volume on the pot. There is absolutely no channel imbalance, thanks to the alps pot.The pre-amp function is pretty good for a starter system, gives a slightly coloured and detailed yet intimate sound for powered speaker system.
    Lows: are accurate, tight and refined; have a great impact & extension. Depth is good enough.
    Mids:  Clean, but sounds and very intimate & closed in.
    Highs: clear & sparks grains are very much present in highs.
    Soundstage: This is the area where the amp disappoints me. The MKTP-1  is not airy & and does not have appreciable soundstage. But the existing intimate stage is fully circular. Width is mediocre, & depth is decent enough for imaging. Instrument separation & detailing is pretty good. The MKTP-1 did not sounded good in every genres I tried (due to its congested soundstage) The MKTP-1 is decently transparent, detailed but also slightly forgiving to poor recordings.
    Comparison: There is a hybrid tube amp in same price range which can compete with Miu’s MKTP-1.
    Bravo Audio Ocean: A Mosfet-Tube design far better soundstage & imaging with appreciable dynamics, and supports only one family of tubes (12AU7) it also has a mammoth power output at its disposal. Both amps have pre-amp out, but pre amp sound quality in ocean is audibly better than that of MKTP-1. The ocean amp also has better design & controls. The MKTP-1 is price at 110$, Bravo Ocean is available at 120$, and the Ocean amp, in overall will be a better purchase than the MKTP-1.

    Conclusion:  I feel the MKTP-1 is a capable unique hybrid amp in its price range. Build quality is excellent, sonic presentation is near neutral & detailed; MKTP-1 is very powerful with low noise floor & can drive almost all cans including IEM’s & its sonic character can be tailored to meet one’s taste by op-amp & tube rolling. But the congested & somewhat closed soundstage disappointed me, leaving me desiring for more.
    1) Build Quality: even though it is open by case, the MKTP-1 has a excellent build. No compromise to be seen anywhere in exterior too. Circuitry is also neat & well built.
    2) Sound quality: Sound presentation here is clean & clear but lacks in soundstage.
    3) Rolling Capability: Enthusiasts can roll great number of op-amps & tubes to alter & fine tune the final sonic character.
    4) Driving Power: The MKTP-1 amp has a powerful output power. It definitely can comfortably drive any set of cans including IEM’s.
    5) Value: The MKTP-1 offers a good price/performance ratio, and is one of the most versatile amp in its price range
    Sounstage: The MKTP-1 lacks in this particular sonic character & has a congested and closed in soundstage, which will cause fatigue to a listener’s ears quickly.


  2. TrollDragon
    Miu Audio MKTP-1 Hybrid Headphone Amplifier
    Written by TrollDragon
    Published Apr 5, 2014
    Pros - A Hybrid desktop amplifier with a small footprint, great sound and is versatile with Line In & Out connections.
    Cons - Changing tubes requires the case to be removed.


    MKTP1 Vacuum Tube Modular Preamplifier​

    (EH 6922 tube)​

    Review by TrollDragon​

    In my previous review for Miu-Tech of Hong Kong, I built and reviewed their MRA DIY Portable Amplifier which is a great little DIY amplifier kit. In this review however, I am taking a look at their hybrid headphone and preamplifier, the MKTP1.
    A rather large box for a tiny little amplifier…
    Box.jpg Box_Open.jpg
    As you can see from the open box picture, the amplifier is well surrounded in molded fiber board. A hefty power supply and an RCA to 3.5mm TRS audio cable are also included.
    The only thing that didn’t come with mine was an AC cord, which is not a big issue; the AC adapter has a standard IEC C14 socket that takes a C13 computer cable and I don’t think there is anyone out there that does not have a few spare C13 cables in a drawer.

    The Amplifier


    Front Panel​

    The workmanship you find after you get the amplifier unpacked is excellent–the machined aluminum front plate with recessed TRS jacks, an aluminum volume control and hex screws holding it to the case. The TRS jacks are recessed in larger holes to accommodate plugs with bigger ends like the Grado mini adaptor cable I use on the DT880′s. Everyone who sees the amplifier finds the acrylic tube protector a nice touch.

    Back Panel​

    The same attention to detail is also evident in the back panel, a Line Out TRS jack, RCA Line In jacks  and the power adapter connector.

    Tube Rolling​

    Part of the fun of owning a tube amplifier is the ability to experiment with different tubes that are available on eBay and from other sources. The tubes you can roll in the MKTP1 are a little limited compared to a full size tube amplifier, but there is still a great variety of available compatible tubes that you can try.
    Tube rolling is not for everyone. I got involved in it with my Little Dot MK IV amplifier and the LD Tube Rolling thread on Head-Fi. Chasing the little “Fire Bottles” can be an expensive hobby if you allow it to be as there are always “Better” tubes that are just out of reach. The sellers on eBay know how much demand there is for popular NOS tubes. They also know quite well how much these tubes can be sold for; it is like anything, the higher the demand, the greater the price. Occasionally some have found a very good deal on excellent tubes that the seller either didn’t know what they were or the auction was badly worded etc… But you have to scour eBay globally and possibly haggle with the sellers and at some point in the game, the work involved acquiring these tubes outweighs the sonic benefits gained.
    When the MKTP1 arrived I listened to it for a few days in its stock format, which I must say is very enjoyable. Then the case was removed and the rolling began; I have a few compatible tubes and quite a lot more that are not. Well I rolled them all with a few minor modifications, I don’t recommend this as it is not really advantageous to roll tubes that you can’t just plug in, adjust the bias trimmers and enjoy. I rolled the incompatible ones just to see if this amp would run them and I was very impressed with the results.
    At one point I had a Reflektor 6H9C octal socket tube running just for a “lets see if…” scenario, it worked with modifications and is not really a tube you would use.
    The MKTP1 is not a rolling friendly amplifier compared to others that are on the market.  The board has to be removed from the case and you have to have a voltmeter to measure the bias voltages with the new tube installed and the MKTP1 powered up without the case.
    *Note When working with regular tube amplifiers there are always LETHAL VOLTAGES present that will kill you instantly. The MKTP1 has none of these voltages so you can change tubes and run the amplifier safely without the case installed.
    To change the tube or the opamp you first need to remove the acrylic tube protector from the top of the case. It is a little hex head screw but the 6mm Torx screwdriver will fit perfectly.
    Then you can pull the stock tube straight up and out.
    After the tubes are removed:
    1. Remove the volume knob and unscrew the nut & washer from the volume control shaft.
    2. Remove the 4 corner screws from the back plate and slide the board out of the case.
    *Note The 7806 voltage regulator on the bottom side uses the case as a heat sink so the case can get rather warm after a long period of use. When changing a tube you won’t have the board out of the case long enough to cause the regulator any trouble with no heat sink.
    Get a jewelers flat blade screwdriver and your voltmeter handy, set the voltmeter to DC Volts if it is not an auto range model the scale should be 20V, now look at the following board layout.
    Depending on which tube you are installing, you might have to move the jumper at the top of the picture. If you are installing another 6DJ8 tube it should already be set on the 6DJ8 side. If you are installing a 12AU7 tube then you need to move the jumper to the other pair of pins. The following voltage measurements are the same for both tube types.
    Install your new tube and power up the amplifier.  Your headphones do not need to be plugged in to adjust the bias.
    Push the Negative or Black probe into the board via marked with a Ground Symbol in the picture.
    Push the Positive or Red probe into the top or bottom via surrounded by the white silkscreen box next to the tube socket, one via is marked with a 1 the other with a 6.
    Measure the DC voltage on each hole and adjust the A trimmer pot for via 1 and the B trimmer pot for via 6. The voltage reading should be the same value for both sides and be between 6 and 8 volts according to the online manual for the MKTP1.
    Opamp rolling is the same as it was in my previous review of the MRA DIY amplifier except in the MKTP1 there is only one opamp.
    *Note The NE5532 that comes stock with the MKTP1 is an industry tried and true opamp that is used in many high end audio products, so changing it out would just be a mater of personal preference rather than performance.
    After everything is changed and the measurements are done you can test it to see if there are any problems by plugging in a set of headphones and your source–if it sounds okay then put it all back together in the case and enjoy.

    Tested Tubes


    Electro Harmonix 6922EH

    This is the stock tube that ships with the MKTP1, still made to this day in Russia at the ExpoPul Factory (Reflektor) at Saratov, Russia. You can see by the date code on the above tube it was manufactured approximately 1 year ago (April 2013) and is a new tube not NOS. The ExpoPul factory makes two-thirds of the world’s vacuum tubes used for music, Tung-Sol’s, Sovtek’s, Svetlana’s and Genalex Gold Lion’s all these tubes are manufactured at Saratov under the management of the New Sensor Corporation.
    The sound of the 6922EH tube is very clean.  It is a good all round “neutral” tube that is very popular and used by many manufactures of high end audio gear. These could very well be some of the reasons miuaudio chose the Electro Harmonix 6922EH as the stock tube for the MKTP1. It is inexpensive, has a great neutral sound, readily available and very popular.

    Mullard ECC88 (6DJ8)

    This tube was, I believe, manufactured in Britain in 1964. The code on the bottom of the tube is “B4L1″ someone can correct me if I am wrong. The ECC88 went in nicely and a little bias adjustment later I was listening to the Mullards’s detailed, warm and musical sound. This is a good tube to use if you can get one for a reasonable cost.

    Voskhod 6Н23П (6N23P)

    This tube was made at the Voskhod – Tube Plant in Kaluga Russia around April of 1978. This is one of my favorite Russian versions of the ECC88/6DJ8 type tube. It has the most bass compared to the other two tubes and can be a little too dark for some listeners or setups.
    *Note many tubes were tested in the MKTP1, I don’t have any compatible 12AU7′s but I did have a pair of Sylvania 5751′s (12AX7) that I tried and did get to work after a few modifications.​

    Test Setup

    The MKTP1 inital setup was with my FiiO X3 and beyerdynamic DT880 Pro’s. The MKTP1 can drive the DT880 with authority and the volume control at 10 o’clock provides a very respectable listening level.
    DT880_MKTP1.jpg   DT880_Glow.jpg
    The album I use for a lot of my testing is Jethro Tull’s “The Best of Acoustic”, 24 tracks of Tull’s best acoustic songs. This is an excellent album for the DT880′s as they faithfully reproduce the instruments in realistic detail with a nice soundstage. The acoustic guitar work and Ian Anderson’s flute on the track “Salamander” will give you chills.
    The MKTP1 has a neutral sound, not overly warm or bright. The stock 6922EH is a tube used in many high end preamps so it doesn’t colour the sound in any way. It provides an excellent level of richness and detail to the MKTP1 that one would expect in higher end systems. I like my headphones neutral as well as my amplifiers unless I want that bass thump of EDM and then I have Ultrasones for that purpose.
    My DT 880′s are always plugged into my Little Dot MK IV, which is an amplifier that punches well above it’s price point with some cheap replacement tubes. If I didn’t have a regular OTL tube amplifier for the beyer’s then I would be very satisfied with the MKTP1 as my main desktop amplifier. I have used this amplifier steady for the past 3 weeks I have done a minor modification to support one of my favourite tubes from the 60′s, the Westinghouse 6BQ7A which I find very euphonic in it’s presentation, smooth and musical.



    The miuaudio MKTP1 is a very proficient tube hybrid amplifier that competes well with more expensive tube amplifiers, it will drive 250 Ohm headphones with authority as well as lower impedance headphones. (Sounds great with the Koss Porta Pro’s as well.)
    If you are looking for a hybrid desktop amplifier with a small footprint, great sound and is versatile with Line In & Out, then look no further, the miuaudio MKTP1 for $107 USD from the Miu-Tech store will meet your needs.
    I would like to thank Ivan Lai for the review sample and to thank you for taking the time to read this review.
    Constructive criticism is always welcome.
      H20Fidelity likes this.
    1. View previous replies...
    2. TrollDragon
      TrollDragon, Jun 13, 2014
    3. SwiftAudio
      Thank you TrollDragon.  Your review was a reason that I decided to get this unit.   So far the audio experience has been great.   Great looking unit too.
      SwiftAudio, Jul 10, 2015
    4. SwiftAudio
      Thank you TrollDragon.  Your review was a reason that I decided to get this unit.   So far the audio experience has been great.   Great looking unit too.
      SwiftAudio, Jul 10, 2015


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