Kinera Celest Wyvern Black 10mm LCP Dynamic Driver In-Ear Earphones

CELEST WYVERN ABYSS: DRAGON ON A BUDGET
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For the audiophile with a tight budget, it can sometimes feel like the search for an IEM that produces excellent sound quality will never end. Enter the Celest Wyvern Abyss: the budget offering from Kinera, touting warm and musical signatures at a price that should be a good fit for any casual listener or audio enthusiast. But does the product keep up to its promise? So, let's get into its strengths and weaknesses to help you decide whether it's the missing piece in your listening experience.


CONTEXT:

Celest brings out a warm-balanced IEM with great details, The Wyvern Abyss. And boy, I was blown away by the sound signature. It is so warm, relaxing, and musical. First, I coupled it with Planue R2, which is well known to drive DDs to the fullest. And they gave me an outstanding experience. Separation is so amazing, considering the price. I can hear every note separately with its texture and character. Then I did a test with every other gear I own, and Wyvern Abyss showed its strength with each of them. The stock cable itself is capable enough to drive the IEM properly, though I did shuffle quite a lot to find the best result, as well as the ear tips. The included ear tips are generic and not very comfortable. I tried other ear tips, like Spinfit W1, Omni, CP145, Divinus Velvet, Dunu S&S, and Candy. I will go into detail about this later on in the review.




DISCLAIMER:

Kinera is kind enough to send me the Wyvern Abyss to review. I am not affiliated with the respective company, and of course, I was not asked for any copy checking before publishing. And this review is totally unbiased, based on my listening experience.

One thing more: The review is based on my personal experience and what I hear from different sources. Your experience may very due to personal preference and physical differences like the shape & depth of ear canal.

For your personal purchase -

Geek Mart is the place if you are in Bangladesh.
Check out Kinera if you live elsewhere.


GEAR USED:

• DAP: Cowon Planue R2, Hiby R3
• DAC/AMP: iFi Hip Dac 2, Moondrop Dawn Pro
• Smartphone: POCO X3
• Music Sources: Local FLAC & DSD files

TECHNICAL SPECIFICATION:

• Driver Configuration: 10mm LCP Diaphragm Dynamic Driver
• Frequency Response: 20Hz – 20kHz
• Impedance: 32Ω
• Sensitivity: 105 dB
• Connector Type: 2-pin 0.78mm
• Cable: Detachable, braided, 3.5mm termination

WHAT’S IN THE BOX:

• Celest Wyvern Abyss IEMs
• Detachable Braided Cable
• Silicone Eartips (S, M, L)
• User Manual

UNBOXING EXPERIENCE:

Unboxing the Celest Wyvern Abyss is simple. It comes in a small box and there's nothing super luxurious about it. You will be greeted with a nice illustration of the dragon, when you open the box. This symbolizes the Chinese mythological God 'Wyvern.' It's nice to get a bit of cultural touch in the presentation! The IEM itself is all nicely packed up in a zip-lock bag, including the cable, while the ear tips just chill in another little zip-lock bag. The packaging does feel a little basic, but the Wyvern Abyss really stands out due to the faceplate design that shows some serious artistry and attention to detail—something you definitely won't see too often at this price. The soft cable that comes with it really enhances the appearance of the whole package, but the ear tips are rather simple and do the bare minimum.








BUILD QUALITY:

The build quality on the Celest Wyvern Abyss is awesome, looking all sleek and shiny. Totally giving off vibes of durability and good craftsmanship. Built with resin that ensures these IEMs will last a long time. Plus, the ergonomic design has smooth edges and feels really light, so they're super comfy to wear even for long listening sessions. The detachable braided cable is pretty solid, doesn't tangle easily, and really lifts the overall durability of the IEM. The connectors are well made and fit nicely, which helps avoid those annoying accidental disconnections. Speaking of the build quality of the Wyvern Abyss, much thought seems to have gone into it, with every single part meticulously fabricated with an eye toward functionality and aesthetics. The only disappointment is the ear tips that come with it: so basic. But seriously, you can't ask for much more at this price range.




FIT & COMFORT:

The Celest Wyvern Abyss has great fit and comfort; it's really good for long listening sessions. It fits quite well, is comfortable, and the IEMs are exactly in the ears but bring no discomfort or fatigue to the ears. The lightweight cable enhances comfort because of the lack of much pressure on the ears. Whether used for casual listening, daily commuting, or workouts, the Wyvern Abyss stays in place firmly, helping to provide a pleasant hearing experience. The fit and comfort of the Wyvern Abyss are, in general, very good, making them a great choice for people who value comfort in their audio gear.




SOUND IMPRESSION:

The Celest Wyvern Abyss has a balanced and refind sound signature with a hint of warmth. In general it is a U-shape tuned IEM. This emphasizes both bass and treble with controlled midrange. This kind of sound produce better musicality then V-shaped tuning IEMs. The bass region is controlled here with a good body, both sub & mid. Midrange area is kind of recessed but not too laid back and has adequate texture. Treble is shiny but not sharp, has a good balance. Lets dive deep to see the overall sound performance of Celest Wyvern Abyss.


SUB-BASS:

This is the winner here. I mean the Celest Wyvern Abys sounds great when it comes to sub-bass. It is able to produce a deep 'oomph' which enhances the listening experience. It's not a cheap kind of sub-bass that you may found in some poorly tuned IEMs that occasionally bleeds to the mids. It will give you a very pleasing listening session when in comes to bass-heavy tracks. While listening to "In for the Kill" by La Roux, I find the bass line is so bold and has it's authority. It has fantastic dynamics with good texture that doesn't show any kind of distortion even in higher volume. If you consider the price point, it's sub-bass is with quality that hits above it's budget range.


MID-BASS:

The mid-bass of the Celest Wyvern Abyss is very clean and controlled. The mid-bass is present and punchy; it adds rhythm and groove to the music. The mid-bass is just ever so slightly recessed compared to the sub-bass. This characteristic can make tracks like "Take Me to Church" by Hozier feel slightly less impactful in the mid-bass region, though it does contribute to a more balanced presentation. The mid-bass is detailed, with each note being articulated and well-defined, especially in complex arrangements like "Daft Punk" from Pentatonix. Wyvern Abyss is capable of bringing enough presence in the mid-bass to keep the music lively and engaging. That being said, one seeking more noticeable mid-bass may want to look into EQing them to fit your preference..




MALE VOCALS:

The Celest Wyvern Abyss is capable of reproducing male vocals with a rich, natural timbre. Allowing warmth and depth through is absolutely no problem; the voices of males are nuanced with subtlety, filled with emotional resonance. Wyvern Abyss still has clearness and articulation preserved, so the listener will be able to enjoy the texture and timbre in the singer's voice. The raw, emotive quality of Johnny Cash's voice on "Hurt" is replicated to perfection, showing just how good the IEMs are at handling not only the lower registers but also the subtle inflections of male vocals. All of this, coupled with exacting vocal reproduction, makes the Wyvern Abyss a perfect choice for audiophiles and music lovers who wish to be immersed by the realistic reproduction of male vocal performances.


FEMALE VOCALS:

On the Celest Wyvern Abyss, female vocals are delivered so clearly and in such detail that even the best of vocal performances, transcending genres, would be easy to reproduce. It produces natural and intimate female vocals—just like bringing the listener closer. The highlight of Wyvern Abyss is its capability in handling dynamic range and nuances of female vocalists. Fleetwood Mac—"Dreams": Stevie Nicks' voice is clear and very well-defined, as her unique voice does easily articulate amidst the instrumentation of the band. The upper midrange tuning does an excellent job in making female vocals vibrant and clear yet not tipped into overly bright or harsh territory while maintaining a balanced and engaging presentation.




INSTRUMENT SEPARATION:

Instrument separation on the Celest Wyvern Abyss is exceptional; it lets every instrument occupy its own space within the soundstage with such clarity and precision, which is not that common at this price point. This quality really shows in complex compositions. The IEMs have proven to separate the instruments—the trumpet, saxophone, and double bass in jazz tracks like "So What" by Miles Davis—making it easy to appreciate the interplay between musicians and the nuances of each instrument's timbre; with such separation, it sounds more immersive and rather pleasant.


TREBLE:

Clear, extended and sparkly that's what are the character of the treble section in Celest Wyvern Abyss. Moreover, its airy and detailed. Cymbals, bells, or strings- all these high-frequency instrumental pieces are well rendered with precision and articulation. That brings out the instruments' contribution to dynamics and energy in the tracks. For instance, in the Eagles' "Hotel California," the treble is crisp and well-defined, such that complex guitar solos and the accents of a high-hat can clearly be brought out without tending toward unendurable shrillness. Considering pieces with a lot of information in high frequency, like "Money" from Pink Floyd, the treble sometimes goes towards brightness, which those sensitive to high frequencies may imagine as a little sharp.


SOUNDSTAGE:

The soundstage of the Celest Wyvern Abyss is way above it's price range. But don't think this is wide & extended. The clear presentation of midrange frequency and well articulated instruments separation will give you a good sense of width, which is really enjoyable. But it lacks depth, obviously! Even the height is also not that well pronounce here. In tracks like "Adagio for Strings" by Samuel Barber, the Wyvern Abyss accurately positions the different sections of the orchestra. It catches the vast instrumental landscape very well that allows listeners to appreciate the full scope of the composition. Instruments and vocals placed precisely across the stage, creating a almost realistic and engaging listening experience.




CABLE & TIP ROLLING:

The Celest Wyvern Abyss comes equipped with a good-quality detachable braided cable. The 2-pin connectors allow easy cable swapping and customization with third-party cables for those looking to further refine their listening experience. I find the NiceHCK MixPP does a good job here by improving the quality of the sound. As I mentioned earlier, the included ear tips are basic. Tip rolling with third-party ear tips can further tailor the sound signature, enhancing comfort and sound isolation based on individual preferences. I find the Dunu Candy works great here. If you are someone like me, who has lots of ear tips and cables in their collection, don’t bother to experiment with them.


Who should get it:

• Balanced Sound Enthusiasts
• Clarity Seekers
• Comfort Priority
• Soundstage Enthusiasts
• Audiofiles on a budget

Maybe look elsewhere if:

• Bass Emphasis
• Customization Variety

CONCLUSION:

In a nutshell, the Celest Wyvern Abyss resides at the top of the mid-range IEM market as a well-rounded contender, touting a balanced sound signature with clear mids and highs, along with a spacious soundstage and solid build quality. The IEMs shine in their ability to deliver balanced and immersive sound for all kinds of music, from vocal to complex orchestral pieces. While it may not appease the bass heads out there, the Wyvern Abyss is an earphone that will deliver what it promises: great clarity, comfort, and good craftsmanship. With its ergonomic design and this impressive sound performance, the Celest Wyvern Abyss could be a considered choice for casual listeners and audiophiles seeking a reliable and enjoyable experience at decent prices.

(Eartips I installed on the IEMs are not included on the package, I used a different set.)

DISCLAIMER
The review I'm about to share reflects my personal experience and provides an honest evaluation regarding this set. I am completely unaffiliated from the brands I review.



BUILD QUALITY, DESIGN, AND COMFORT
The first thing you'll notice on the Wyvern Abyss is its amazing faceplate, resembling dragon scales. The design, aside from the sound quality, might be the Wyvern Abyss' greatest selling factor. Definitely an eye-catcher.

Regarding the build quality, the shell of this set is made out of resin with a sturdy and quite durable feel, you can also feel a slight weight on this one.

When it comes to the comfort, coming from a person with a relatively small ears, Wyvern Abyss is surprisingly comfortable despite its shell design. The design resembles a customized IEM with aggressive fins. The shell size is bigger than most of the other sets within this price range, it is quite bulky but still comfortable nonetheless.

SOUND IMPRESSIONS
The Wyvern Abyss follows the Harman 2019 Target, with a slight treble recession to highlight the sub-bass and to create a warmer feel which makes this a bit safe sounding, but definitely relaxing.

Bass
Sub-bass and mid-bass is the Wyvern Abyss' strongest point regarding its sound quality. You can definitely heard and almost feel the sub-bass rumble, and I can say that the mid-bass punch can satisfy most of the people even bassheads. The bass of Wyvern Abyss is pretty good.

Mids
The mid-range on this set can be quite affected by the bass region especially on bassy tracks, making this set a bit less clear. But other than the clarity, mid-range is well done. What I like the most aside from the bass region is the upper-mids region because it makes this set energetic. Vocals are a bit forward but retains its smoothness. Mid-range sounds natural.

Treble
As for the treble, I would say it is pretty average. The peaks on the higher frequencies produce enough sparkle to satisfy other users, but personally, it is a bit lacking for me. Despite that, even though the Wyvern Abyss is leaning on a warm and relaxing tuning, the highs retain enough energy to avoid sounding boring or too muddy.

Details and Soundstage
This set is not for analytical listening because it lacks details and clarity. Soundstage is average for the price, as well as the imaging.



CONCLUSION
When I first used the Kinera Celest Wyvern Abyss, I was surprised to find that it sounds almost identical to my TinHifi T3+, despite the price difference. The T3+ is one of my favorite sets in my collection, and I believe the Wyvern Abyss can satisfy my ears just as well. The Kinera Celest Wyvern Abyss is a relaxing set that I can comfortably listen to for hours. Overall, it's a good all-rounder and worth considering in the $30 price bracket.

Unaffiliated link: https://hifigo.com/products/kinera-celest-wyvern-abyss

Kinera Celest Wyvern Abyss: short review and comparison.

This is a short review that feels more like an initial sound impression; I'm not supposed to review this, as I have too much to review already, but this was sent to me to be passed on to another reviewer in my local area tomorrow, as part of a review tour conducted by HIFIGO, a big online audio store. Thank you, HIFIGO, and the box was already opened by the previous reviewer, so I decided to take a peek.

Kinera is one of my favorite audio companies, as their products are always designed very well and are good-looking. The Wyvern Abyss is no exception; it looks more expensive than its price of 30 US dollars.

The packaging is simple and includes a set of eartips, a cable, a plastic storage pouch, and a manual.



The sound:

Warm, bassy, and slightly U-shaped. I can hear some upper midrange elevation in some songs, but most of the time it is warm. The treble is well balanced with the rest of the frequency range.

It is not very technical; the imaging and staging are only average for the price.
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When I turn up the volume, it has average power handling capacity. I can hear the sound deteriorate and get confused at very high volumes, just like any IEM in the price range.

Compared to Moondrop Chu 2:

The Chu 2 is less expensive; they are tonally similar, but the Abyss is a little warmer and darker; they have similar power-handling capabilities; and in terms of technicalities, the Abyss is slightly better, but both of them still belong to the average in their respective price brackets.



Pros:

- excellent design for the price.
- good sound for the price.

Cons:

- Sorry, but I don't see anything to complain about, considering the price.


Would I recommend this? Yes, it's good, as long as you align your expectations with the price. There is really nothing wrong with it, and it looks very good and classy.

And that, my friends, concludes my short review of the Kinera Celest Wyvern Abyss.

Happy listening! Cheers!

When I first saw the Kinera Wyvern Abyss earphones, I thought they might cost around $70-100 based on their design. I really liked how they looked and felt like I needed to have a pair. But when I found out they were actually priced at only $30, I was surprised. I quickly messaged Kinera to ask for a pair and thanked them for considering my request. They've done a great job with the design and build quality of these earphones.

The box they come in is simple, just a basic box with the earphones inside a zip-lock bag. Even the cable included with these $30 earphones feels nicer than expected. Overall, the Wyvern Abyss earphones look and feel really well-made.

When I tried them out, I immediately noticed a unique sound—they have a warm and relaxing sound that's quite good. I've been listening to them for hours with different types of music, and they handle everything well. For $30, they offer great design, build quality, and sound performance. Kinera has done a great job with these earphones, giving music lovers a fantastic experience without breaking the bank.



If you wish to purchase this product, you can buy it from Kinera's official AliExpress store or from HiFi-Go.

For those in Bangladesh who wish to avoid any hassle, you can contact GEEK Mart .
The Kinera Wyvern Abyss is noted for its sturdy build quality and striking design, making it noteworthy within its price range.

Build Quality:
Constructed from high-quality medical-grade resin, the Wyvern Abyss offers a durable build that ensures longevity without compromising comfort. The shells, precision 3D printed, provide a secure and comfortable fit, showcasing attention to detail in manufacturing.

Design:
Inspired by mythical dragons, the Wyvern Abyss features faceplates with a distinctive pattern resembling dragon scales. The gradient color scheme transitions smoothly between purples and blues, contributing to its visually appealing appearance. This design element adds a unique touch to the earphones, distinguishing them from others in the market.

Overall, the Kinera Wyvern Abyss combines solid build quality with a distinctive design, appealing to users looking for both durability and aesthetic appeal in their earphones.

Fit: Putting on the Kinera Wyvern Abyss feels like slipping into a perfectly fitted pair of shoes for your ears—they just fit right.

Natural Fit: These earphones are shaped to nestle comfortably in your ears, offering a secure feel that stays put whether you're relaxing at home or on the move.

Noise Isolation: Once they're in, they create a cozy seal that blocks out the hustle and bustle around you, letting you focus on your favorite tunes or podcasts.

Steady and Reliable: They're your trusty companion during workouts or daily commutes, never slipping out when you're active.

Comfort:
Comfort is key with the Kinera Wyvern Abyss, ensuring you can wear them for hours without any discomfort.

Lightweight Design: Made from lightweight materials, they're easy on your ears without compromising on durability.

Smooth and Gentle: The edges are smooth and gentle against your ears, so you can wear them all day without any irritation.

Breathable Build: Designed to allow some airflow, they keep your ears cool and comfy, even during marathon listening sessions.

Overall Feel:
The Kinera Wyvern Abyss isn't just about sound; it's about how good they feel to wear. Whether you're chilling at home or out and about, these earphones combine a snug fit with long-lasting comfort, making them a solid choice for anyone who values both style and comfort in their earphones.


Note:
I use Dunu Candy tips with these earphones for better sound quality, as the stock ear tips aren't that great. If you have other options, feel free to test different ear tips to find what works best for you. I also use the stock cable, which I think is well-designed and adds an elegant look to the earphones.

Tonality:
The tonality of the Kinera Wyvern Abyss earphones leans towards a warm and relaxing sound signature.
Sub-Bass: The sub-bass extension is adequate, providing a satisfying depth that enhances genres like electronic, hip-hop, and EDM. The sub-bass delivers a noticeable rumble that is both enjoyable and immersive without becoming overwhelming. It adds a sense of weight and foundation to the music, though it might not satisfy those looking for an ultra-deep sub-bass experience.

Mid-Bass: The mid-bass is the standout feature, offering a warm and punchy response. This frequency range provides the bulk of the earphones' warmth, giving drums and basslines a full and impactful presence. The mid-bass is well-controlled, avoiding the common pitfall of bleeding into the mid-range, which can muddy the overall sound.

The mid-range is clear and well-represented, maintaining the warm character of the earphones. Vocals, both male and female, come through with excellent clarity and richness, making them stand out in the mix. Acoustic instruments like guitars and pianos benefit from this tuning, sounding natural and engaging. However, in very dense and complex tracks, the mid-range can occasionally feel a bit congested, which might detract from the listening experience for some critical listeners.

The treble response is smooth and extends adequately into the higher frequencies. It adds necessary detail and brightness to the sound without becoming harsh or sibilant. The treble is not overly emphasized, making it non-fatiguing and suitable for long listening sessions. However, if you prefer a very bright and sparkly treble, these might feel slightly laid-back in comparison to more treble-forward earphones.

Sound Stage
The sound stage is quite spacious for an in-ear monitor, providing a good sense of width and depth. This creates a more immersive listening experience, giving the impression that the sound is coming from outside your head rather than from within. The sound stage is not as expansive as some high-end IEMs, but for its price range, it is impressive. It works particularly well for live recordings and orchestral music, where a sense of space is crucial.

Note Separation
Note separation is generally very good, allowing individual instruments and vocals to be easily distinguished. This is particularly noticeable in well-produced tracks with multiple layers of sound. However, in extremely complex and busy tracks, there can be a slight blending of sounds. This isn’t a major issue, but it’s something to be aware of if you frequently listen to very intricate music.

Detail Retrieval
The detail retrieval on the Wyvern Abyss is solid, capturing subtle nuances and background details in the music. This level of detail makes the listening experience more engaging, allowing you to hear things like the subtle plucking of guitar strings, the breath of a vocalist, or the faint echo of a snare drum. While it’s not at the level of top-tier IEMs, it is more than sufficient for most listeners and adds to the overall enjoyment of the music.

In conclusion, the Kinera Wyvern Abyss earphones stand out in their price range with a combination of stylish design, robust build quality, and a warm, enjoyable sound signature. Whether you're a fan of deep bass, need earphones for extended use, or simply want an aesthetically pleasing pair without breaking the bank, the Wyvern Abyss has you covered. They offer excellent value for money, making them a smart choice for both casual listeners and audiophiles on a budget. If you're in the market for new earphones, the Kinera Wyvern Abyss is definitely worth considering.

1. Warm and Relaxing Sound Lovers: If you prefer a warm and soothing sound signature, these earphones will suit your taste perfectly.

2. Bass Heads: Those who enjoy a well-rounded and present bass that adds a satisfying thump without overwhelming the other frequencies will appreciate these earphones.

3. For Long Time Use: Thanks to their comfortable design and smooth sound, these earphones are great for extended listening sessions without causing fatigue.

4. Style Enthusiasts: With their unique and elegant design, these earphones are perfect for those who value aesthetics alongside performance.

5. Value for Money: Offering high-quality sound and build at an affordable price, these earphones provide excellent value for money.

Introduction:

The Wyvern Abyss is the latest iem from Celest – a subbrand of Kinera. While Kinera is focusing on more high end iem, Celest is responsible for the budget side. The Wyvern Abyss is a single DD iem with a 10mm LCP diaphragm inside it. It is actually the same thing as their Wyvern Pro, just now in a different color way and different faceplate.

The Celest Wyvern Abyss is selling for 30$ on online retail stores.

Disclaimer: I would like to give a special thanks to Celest/Kinera for providing a unit of Wyvern Abyss as part of Audio Geek’s Vietnam tour. I didn’t receive any incentive from Celest/Kinera as well as instruction on how to write this review. Everything I said in this review is my subjective opinion only.

Technical specification:

• Plug type: 3.5mm
• Driver Unit: 10mm LCP Diaphragm Unit
• Earphone Connector: 0.78mm 2-pin
• Sensitivity: 105db
• Wearing style: In-ear
• Frequency Range: 20hz - 20khz
• Impedance: 32 ohms
• Cable length: 1.2m

Packaging:

The Wyvern Abyss comes in a very small and minimal box. Inside of it is:

- The iem themselves

- A 3.5mm cable

- 3 pair of widebore tips

Overall, a very minimum amount of accessories, but this is to be expected for the price

Design/Build quality/Comfort

Next to the sound, I think the Wyvern Abyss’s design is its greatest selling point.

The shells of the Wyvern Abyss are made out of fully black resin shells. Their shape reminds me of many custom IEM shell designs out there with all the contours to make it sit in the ears better.

The faceplates on the other hand. Of all the resin based iem that I've used, this iem has the most minimalist yet stunning faceplate I've ever seen. It has these dark-ish, purple dragon scale patterns. Depending on the lighting and view angle, the patterns can change its color for the better. I’ll let the pictures do the talking.



The cable is a 4 cores cable with 3.5mm termination and the outer sleeves made out of PVC. The hardwares seems to be made out of metal. The cable reminds me of the stock Olina cable. It’s thin, light, soft, not too tangly and it gets the job done.

Sound impression:

Tonality: Harman-ish

Bass:

- Subbass over midbass presentation

- Nice lingering subbass texture with lots of air movement. The bass drops in Why So Serious have decent texture, I can feel my eardrums moving with the bass, yet it sounds a bit too diffusing.

- Thick, thumpy midbass. Kick drums have good tactile feedback, but the layering between each bass hits feels kinda blurry, not clear cutted. A bit boomy. Acoustic bass instruments have a natural timbre.

- Can’t keep up with hardcore metal tracks.

- Suitable for EDM, Pop and Rock.

Midrange:

- Overall feels very smooth and safe

- There’s some bleed and muddiness to the mids.

- Instruments have ample note weight and natural timbre

- Male vocal sounds lush with enough meat around the bone

- Female vocals have good forwardness and liveliness to them, yet the dip at 5-6k heavily affected the clarity of the vocals. They have a soft feeling to them.

- The pinna gain can make the Wyvern Abyss sound a bit shouty at high volume, very subjective, but I think it is needed to push through the subbass, so as to not sound too recessed.

- Minimal sibilant detected with Ed Sheeran’s Shivers.

Treble:

- Decent treble extension. Not enough brilliance and sparkles.

- Percussion instruments sound present, but they don’t pop out as much from the mix. Cymbal crashes are quite natural, devoid from harsh or artificial detail boosted peaks.

- Suitable for people that are treble sensitive and listen to high volume.

Technicalities:

- Average size stage. Good width and height, just enough for gaming purposes. Layering felt quite blurry, but at least the imaging and stereo effects are good.

- Not the most resolving

Comparison:

Vs EPZ Q1 Pro

For the build quality, both of these iem feel quite similar. But the Wyvern Abyss is better to me in terms of fit and the faceplate. The cable on the other hand is better on the Q1 Pro. It feels tighter and harder to be tangled.

For sound, in essence, the Q1 Pro is a leaner, more vocal centric version of the Celest Wyvern Abyss.

The bass has less quantity on the Q1 Pro, but it feels a bit tighter in texture. The bass on the Wyvern Abyss sounds bolder, fuller but less controlled.

Instruments sound cleaner because now the muddiness has been lessened. Both of these iem have a relatively natural timbre. Male vocals sound not as lush, but also not as recessed on the Q1 Pro. Female vocals sound more lively, have more edge to them on the Q1 Pro. They don’t sound as soft or dark as the Wyvern Abyss.

The Q1 Pro has a bit more energetic treble. Both sets have very smooth treble, but the percussion instruments have more bite and snappier attack and decay on the Q1 Pro.

Technicalities wise, both of them are quite similar. If anything, the Q1 Pro has less depth but a bit sharper layering.

Vs Simgot EA500LM.

Compared to an iem that is more than twice the price of the Wyvern Abyss, it’s apparent that as a budget offering, the Wyvern Abyss still have a bit more room for improvement

For the bass, the Wyvern Abyss has a slower, more lingering bass decay while the EA500LM has a faster, more distinct bass line. Bass hits don’t sound as blurry. Quantity is quite similar.

For the midrange, the EA500LM has a livelier and cleaner midrange. Yes, the Q1 Pro does have a more forward midrange, but the quality, the transparency and details of the instruments are just better on the EA500LM.

Vocals in general have more life to them, but it’s more susceptible to being shouty and more sibilant.

Treble is way more energetic and airy on the EA500LM. Percussion instruments definitely stand out more from the mix. They are snappier yet more refined at the same time.

Technicalities wise, the EA500LM has similar width, but better height and depth, with additional improvements on the layering and imaging.

This comparison isn't meant to downplay the performance of the Wyvern Abyss, it just to give you a wider view on where the Wyvern Abyss stands in the current market.

Conclusion:

Overall, like many Harman-ish tuned iem in the market, the Celest Wyvern Abyss is a decent set. Good build quality, gorgeous faceplate, decent tonality and technicalities.

I can safely recommend this iem to those who just joined the hobby and are looking for a warm relaxing iem, or for those who want to gift someone they know with their first iem, without breaking the bank. With the look of this iem, it’s hard to imagine anyone would dislike it.

That’s it for my review and thank you for reading.

The Celest Wyvern Abyss is a striking new addition to the budget IEM market complete with an intriguing story printed on the cover when opening the box.. its said that its inspired by the mythical Wyvern, a creator god from Chinese mythology. This godly figure is credited with creating the earth and summoning forth the Phoenix and Qilin. Reflecting this legend, the Wyvern Abyss boasts 3D-printed resin material cavities adorned with dragon wing designs, making it one of the most visually captivating IEMs from Celest.

Drawing from the ancient Chinese myth of Wyvern—also known as Feilong or Huanglong—Celest has crafted the Wyvern Abyss with exceptional attention to detail. The Wyvern, a god dragon with nine heads, wings, and the ability to control the weather, serves as the perfect insperation for this IEM design.

The Wyvern Abyss features medical-grade resin ear shells with faceplates that depict the scales of Wyvern's dragon wings. The gradient colors of purple and blue-green create an elegant and mysterious look, embodying the majesty of the mythological dragon.

The Kinera Celest Wyvern Abyss injects itself into the budget IEM market with a sound signature that caters to both bass enthusiasts and those seeking a clear, detailed soundscape. before we dive into its sonic qualities, let's understand the technical specs:

• Driver: A single, large 10mm Liquid Crystal Polymer (LCP) diaphragm dynamic driver handles all the audio frequencies. This driver material is known for its lightness and rigidity, potentially leading to faster response times and less distortion.

• Frequency Response: The IEM claims to reproduce the entire human hearing range, which is 20Hz to 20kHz. This means you should be able to hear the deepest bass notes and the highest cymbal crashes.

• Sensitivity: At 105dB, the Wyvern Abyss is quite sensitive. This means it will play loud even with lower-powered devices.

• Impedance: With an impedance of 16Ω, the IEM is easy to drive.

• Cable: The detachable cable uses a standard 0.78mm 2-pin connection, allowing for easy cable upgrades if desired. The cable itself is 1.2 meters long snd its made of a semi glossy non-sticky braided rubber, the grey color compliments the color and design elements of the Abyss.

• Plug: The cable terminates in a standard 3.5mm jack, compatible with most smartphones, dongle dacs and portable audio players. no mic.

Bass: It Goes Low, But Stays (Mostly) Clean

The Wyvern Abyss wastes no time in establishing its bass prowess. Thanks to the large driver and the included wide-diameter ear tips you choose, the bass is resonant and imposing. The sub-bass delivers a satisfyingly deep rumble, especially noticeable in genres like hip-hop and electronic music where low-end presence is crucial. However, it's important to note that the bass impact leans towards the "boomy" side, meaning the decay (how long the bass notes sustain) can be a little slow in some cases. This can occasionally bleed into the lower midrange specially on faster bassy genre like techno, drum n bass and slightly muddying the initial attack of instruments like cellos or guitars or on some tracks the vocals. Thankfully, this isn't a constant issue, and the boomy character tends to be more prominent with certain tracks and fast bass-heavy genres.

Midrange: Rich and Forward, Vocals Take Center Stage.

The midrange is where the Wyvern Abyss showcases its well-rounded nature. It avoids the pitfall of many bass-heavy IEMs by providing a substantial body to vocals. Both male and female voices come through full and with good weight, with the lower midrange adding a touch of warmth for a pleasant listening experience. There's a slight dip in the low-mids compared to the high-mids, resulting in the vocals being positioned slightly forward in the mix. This forwardness can be a double-edged sword, On the one hand, it ensures vocals are clear and upfront, perfect for those who prioritize clear singing. However, some listeners might find them a touch too prominent, The upper mids make female vocal sound pushed forward, sometimes bordering on shouty depending on the recording. This forwardness can lend a lively character to vocals, but some might find it a touch excessive especially on high pitch instruments and recordings. Overall, the midrange is rich and slightly dense, carrying good weight in each note.

Treble: Smooth Operator

The treble takes a more relaxed approach compared to the energetic bass and midrange. It extends well enough to provide a sense of air and a subtle sparkle, adding detail to the music without becoming harsh or sibilant. This smooth, safe treble ensures a fatigue-free listening experience for extended periods. While it might not offer the ultimate level of detail retrieval for audiophiles, it avoids the pitfalls of overly bright or piercing treble that can be fatiguing on some IEMs.

Timbre-wise, the Abyss performs well for its category. While it may not match the refinement of higher priced models like Tanchjim 4U or even the similarly priced EPZ Q5 and Q1 pro but it delivers a convincing performance within its price range, with no significant issues to detract from the listening experience.

Soundstage: An Open Canvas with Defined Details

The soundstage on the Wyvern Abyss is above average for its price range. It presents a open soundscape, allowing you to distinguish the positions of instruments within the mix. While the depth might be slightly limited compared to some higher priced models, the overall presentation is clear and spacious. This, combined with good separation between instruments and slightly above average imaging but not exactly holographic but more on the left and right phasing, it still provides a detailed and engaging listening experience for its price range.

Detail retrieval surpasses some entry-level offerings, thanks to good instrument separation. Instruments are distinct and well-defined, but again, this can be overshadowed by the bass in some instances. Resolution is on par with competitors in its price range, delivering a satisfying level of detail when and only when the bass remains controlled.

The Verdict: A Budget-Friendly Powerhouse for Bass Lovers

The Kinera Celest Wyvern Abyss is a compelling option for budget-conscious listeners who crave a powerful bass response without sacrificing clarity. Its deep, impactful bass and rich midrange make it ideal for genres like rock, hip-hop, and electronic music, where these frequencies play a dominant role. The smooth, relaxed treble ensures a fatigue-free listening experience for extended sessions. While the occasional boomy bass and slightly forward vocals might not suit every listener, the overall technical performance and engaging harmanish sound signature and the beautifully designed dragon skin like face plate make the Wyvern Abyss the best contender in its price bracket and i would personally recommend this to a friend.

https://hifigo.com/products/kinera-celest-wyvern-abyss

Introduction​

Celest is back with another release, and this time we are talking about a new color variant for the already successful Celest Wyvern, which now comes in its Abyss version.
Celest said that the two versions are the same except for the different color scheme of the shells and the different cable, so let’s get deep into the review and let’s discover if the newer version still has something to say in today’s market.

For those who may ask, I have already reviewed the OG version. I wanted to review the new version because it can be useful to compare it with some recent sets in order to understand if the sound is still up to today's standards.

Disclaimer: the Celest Wyvern Abyss were sent by HiFiGO free of charge in order to be able to write a honest review. I do not represent Celest in any way and this is not promotional content.
At the time of the review, the Celest Wyvern Abyss were on sale for 29$ at HiFiGO.

Click to expand...

Technical Specifications​

• Driver Configuration → 1 x 10mm LCP Diaphragm Dynamic Driver
• Sensitivity → 105 dB
• Impedance → 32 Ω
• Frequency Response → 20 Hz – 20000 Hz
• Cable → 1,2m OFC 4-core twisted cable with 0.78mm 2-PIN connectors
• Plug Type →straight gold-plated 3,5mm TRS

Packaging​

The packaging is simple yet aesthetically refined and contains:

• The Celest Wyvern Abyss
• One set of wide bore eartips
• User manual

Design, Build Quality, Comfort and Isolation​

The previous model of the Wyvern already looked great but this one is truly awesome for the price. They are also built pretty well and the manufacturing shows a lot of attention to details.
The nozzle is not uncomfortably wide and features a lip to avoid tips from falling off.



The comfort is very subjective as they are not very small, and the protruding wings won’t probably suit everyone even though it grants a good grip on the ears. The stock tips are not enough to do some proper tip rolling (aren’t even among the best around in my opinion), and I really wish Celest included more tips, but once found the right tip size they stay in the ears and grant a very good isolation as well.

Cable​

The cable is of good quality but it doesn’t surprise. We are already used to see cables of this quality in this price range so I’d say it’s in-line with the price range.

Sound​

GEAR USED FOR THE TEST

• DAC: Topping E30
• AMP: Topping L30, Fiio A3
• Mobile phones: Samsung Galaxy S7 Edge, Xiaomi Mi A3, Samsung Galaxy S23 Ultra
• Moondrop May’s DSP cable with PEQ=0
• Dongle: Apple Type-C dongle, Fosi DS2, Hidizs XO
• Portable DAPs: Benjie S8/AGPTEK M30B
• Bluetooth Adapters: KBEAR S1, KZ AZ10
• Other sources: Presonus AudioBox iONE, Elgato Wave XLR

Do they need an amplifier?
The Celest Wyvern Abyss don’t need an amplifier.

Sound signature
The Wyvern are harman-tuned with sub-bass focus and added energy in the upper midrange.

Lows: the sub-bass has good extension and can shake everything when called upon even though it’s still a very controlled rumble. Bass is full and punchy, it has good body and it also has pretty good speed. It is not easy to find a well done low-end in this price tag: usually you get a very powerful low-end and slow bass or a very fast bass and a thin bass, but it’s not the case with the Wyvern Abyss that somehow strike a very good balance.

Mids: the midrange is gently recessed with instruments sitting behind vocals while still sounding in a very natural manner. Acoustic instruments sometimes lack a bit of depth and body and the same thing applies for male vocals, probably because of the thinner lower midrange. Female vocals instead come up with great energy and intimacy, although this also means they could sometimes become borderline hot.

Highs: the treble is not fatiguing but it still has a touch of brightness on top that many won’t like (especially when this is combined with the slightly forward upper midrange). There are enough details to satisfy most listeners even though the Wyvern Abyss won’t be able to pick up the smallest nuances. The sound is not closed-in but some more air and sparkle would help a bit more with the overall spaciousness. The treble extension, also, is not the best out there in general (treble-heads beware!), but this is also the tuner’s intention and something that can be found in most harman-tuned products.

Soundstage is nothing to write home about since it has an average size while imaging is above average for the price.

Some comparisons:​

Celest Wyvern Abyss vs Celest Wyvern
The Abyss version seems to have a touch of added low-end that at first I really didn’t notice, and I had to use the same exact pair of foam tips on both to actually spot the difference. The difference is very small but the timbre slightly benefits from that as the upper midrange is counterbalanced a bit more. Except for this, everything else has remained unchanged.
Build quality, comfort and isolation are the same, while the stock cable is slightly different: the stock cable from the Abyss is less prone to tangling but the cable of the OG Wyvern is softer in the hands.
If you already have the previous version, don’t get the new one (except for those who want the new color) as they are basically identical and the differences are pretty hard to notice. But if you don’t own a pair of these, then I highly recommend grabbing a pair of the new Abyss version.

Small sidenote: Celest has never confirmed any tuning change so the differences that I’ve found between the two samples may also exist due to unit variance.

Click to expand...

Celest Wyvern Abyss CCA Rhapsody (UUUU)
The CCA Rhapsody are a lot more V-Shaped with a strongly recessed midrange and a thinner lower midrange. The sub-bass extension on the Wyvern Abyss is better but the low-end feels punchier and more incisive on the Rhapsody due to the recessed mids.
In terms of upper midrange, both have a lot of energy but the Wyvern Abyss comes across as the better performer as the glare is introduced in a smoother way than on the Rhapsody. Both have some upper treble energy but the Rhapsody has some BA timbre here and there that automatically makes the Wyvern Abyss more natural.
Soundstage and imaging are better on the Wyvern Abyss.
The build quality is good on both sets but the Wyvern Abyss play in another league thanks to their super refined 3D printed resin shells.
Comfort is better on the Wyvern Abyss and the same applies for isolation. Wyvern Abyss’ stock cable is better.
I’d pick the Wyvern hands down, but I also see the reasons why some folks would prefer the bassier and more fun-sounding Rhapsody.

Celest Wyvern Abyss vs Truthear Gate
They are not tuned in a very different way if not for Gate’s upper end peak. The Wyvern Abyss strike a better balance across the whole spectrum and play a notch above with better imaging and soundstage, even though the Gate are a tad more detailed at times (even though that introduces a few weird inconsistencies in the timbre).
The Wyvern Abyss have better build quality and look like a much more expensive product even though the price difference is not crazy.
Comfort is subjective, as usual, but the Gate are easier to keep in smaller ears for long listening sessions. The isolation, instead, is hands down better on the Wyvern Abyss. Abyss’ stock cable is better also.
The Wyvern Abyss are more expensive but they are worth the ~10$ difference in my opinion, especially when it comes to the imaging and instrument separation.
I'd pick the Wyvern Abyss.

Celest Wyvern Abyss vs CCA Trio (UUUU)
The Wyvern Abyss sound slightly thicker overall, with more low-end body and a warmer and more present lower midrange. The upper midrange is smoother on the Wyvern Abyss, while it’s a bit more energetic on the Trio, even though none of them become fatiguing nor sibilant.
The Trio are slightly more energetic in the treble yet they never become fatiguing, and the detail retrieval is similar between the two. Maybe, the Wyern Abyss are slightly smoother on top, whereas the Trio sound more vivid.
Soundstage and imaging are better on the Wyvern Abyss.
Build quality is good on both but the Wyvern Abyss look more premium in their 3D printed resin shells. Comfort is subjective, but in general both are comfortable if the end-user doesn’t have very small ears (the Trio don’t have any protruding wing so those who usually don’t like wings may find them a tad easier to keep in the ears for long listening sessions). In terms of isolation, the Wyvern Abyss are hands down better.
Wyvern Abyss’ stock cable is better.
I would find hard time picking just one between them.

Celest Wyvern Abyss vs EPZ Q5
Comparing them is already a big compliment for the Wyvern Abyss as the EPZ Q5 have a higher listing price.
The EPZ Q5 are more V-Shaped with a thinner midrange and less “body” overall, but they are technically better with more detail, superior resolution, bigger soundstage and more precise imaging (even though the Wyvern Abyss really go head-to-head at pinpointing in most cases). On the other hand, the Wyvern Abyss have a more full-bodied and forward midrange, even though the instrument separation is not as good as on the EPZ Q5.
The build quality is great on both sets so it all comes down to personal preferences since the design is different. Comfort-wise, the Q5 are better thanks to their smaller and thinner shells, although the Wyvern Abyss are better in terms of isolation.
The stock cable is decent on both sets, no big differences, but the Wyvern Abyss use 2-PIN connectors which, on the long run, may be more durable than Q5’s MMCX connectors.
There are both technical and tonal differences, so everything just comes down to personal preferences.
I'd probably pick the EPZ Q5 for the easier fit and the better resolution.

Final Thoughts​

The Celest Wyvern Abyss are solid, with good technical chops and a well-rounded tuning that make up for a very versatile IEM. Not only that: the well built resin shells look so good for this price and they are also very comfortable and grant a secure fit and very good isolation from external noises.

However, it’s still unclear whether the added bass on my sample is a case of unit variance or not, but if it’s not unit variance then it’s a welcomed small refinement that slightly improves the overall balance and tone.

When compared to the older Wyvern Pro, which came with a boom microphone and a few more tips, the actual listing price doesn’t seem a real deal as the Wyvern Pro can be grabbed for around 20$ right now, and I really encourage you to get the OG version if you’re searching for an in-ear gaming setup on a budget. But supposing that you don’t own the previous version, and if you’re searching for a good-looking, comfortable and nice sounding pair of IEMs that follow the Harman 2019 target (and if you don’t need the boom microphone) then look no further as these are a super safe bet, and I am pretty sure that with some discounts you may be able to grab a pair and save some dollars.

I really hope that this variant will catch the attention of more listeners as the first version of the Wyvern was overlooked by many people: it’s a set that deserves more endorsement from the community and definitely a keeper for almost everyone.

Intro/Disclaimer​

2024 has been an unbelievable year for IEM releases and the Kinera Celest Wyvern Abyss/Black is no exception. For those that don’t know, Kinera has been around the ChiFi scene for quite a while and has released many IEMs through the years. 2024 has been somewhat of a busy year for them, releasing many new IEMs that have been quite well received. The Wyvern Abyss is no exception. Read on to learn more about this 30 dollar Harman tuned blockbuster.

This set was loaned to me by a good friend and fellow IEM reviewer Jaytiss. Thanks again for the opportunity. All thoughts and opinions below are my own and not influenced by any external party.

My impressions are solely based on what I hear with my own two ears as this is a very subjective hobby. My ratings are also based on how I think this IEM fares against others in the same price category.

My primary litmus test when it comes to audio gear is whether or not vocals and instruments sound natural/organic. Regardless if the IEM has the biggest bass or the most technical treble. If it doesn’t sound natural to my ears then it’s a red flag. SPOILER: The Wyvern Abyss delivers on this front.

Packaging and accessories​

Standard cardboard sleeve packaging that you see amongst all other IEMs around this price range but it’s what’s inside that matters. Along with the IEMs, you get three pairs of wide bore tips and a decent OFC Copper cable with gray PVC coating. The only cable termination is 3.5mm.

Build, Comfort and Fit​

The build of this IEM consists of a 3D-printed resin shell with a purplish dragonscale faceplate. The shell is of medium size and mimics a more custom mold than more generic ones. It fits extremely well in my ear and did not experience any discomfort after hour long listening sessions. I am extremely impressed with the build and design of the Wyvern Abyss.

Specs​

10mm LCP Diaphragm Dynamic Driver.
3D Printed Resin Material Shell.
Impedance: 32Ω.
Sensitivity: 105dB.
Frequency Response Range: 20Hz-20kHz.
Connector Type: 0.78mm 2-pin.
Termination Plug: 3.5mm.

Sound​

Sources Used
Wyvern Abyss <- Chord Mojo 2 <- MacMini M1 <- Apple Music Lossless

Songs played






Initial impressions (before brain burn in)
I usually like to jot down my first impressions within the first few minutes of listening to a new IEM. Because, believe it or not, brain burn-in is a real thing.

Upon listening to the first few songs in my library, I was immediately impressed with the large soundstage and excellent instrument separation. The timbre and tonality on the Wyvern is also spot on. Male and female vocals are a bit recessed in the mix but does not detract from the overall musicality. The upper mids are energetic but not shouty or sibilant. Harman done right.

Lows (Bass)

• Good sub bass extension and rumble
• In certain songs the mid bass can sound boomy
• Engaging midbass that is not overbearing
• Well textured and nuanced

Mids

• Vocals are pushed a bit back in the mix
• Male vocals have a nice warmth and richness
• Female vocals are energetic but doesn’t cross the line
• Energetic and engaging upper mid range

Highs (Treble)

• Good clarity and instrument separation
• Smooth and detailed without being sibilant
• Lacks a bit of sparkle up top

Technicalities (Soundstage/Separation/Imaging)

• Excellent instrument separation and imaging
• Good micro-details
• Soundstage is done very well
• Great coherency due to single transducer
• Scales well with better sources

Comparisons​

I’ll be comparing the Wyvern Abyss to the Tangzu Wan’er ($20 set) and the Truthear x Crinacle Zero: Red ($55). (Graph credit: HobbyTalk)

Tangzu Wan’er

Compared to the Wan’er the Wyvern Abyss is definitely a step up in sound quality. You can hear how much more articulate the bass response is on the Wyvern compared to the Wan’er. Although the Wan’er has good bass, it is quite one-dimensional.

The midrange on the Wyvern is also a step up in clarity and resolution. Although Male vocals take a step back in the mix, it by no way takes away from the enjoyment of the song.

The treble extension on the Wyvern is also just more extended and cleaner compared to the Wan’er.

Winner: Wyvern Abyss

Truthear x Crinacle Zero: Red

The comparison against the Zero: Red is quite interesting. One would think the Zero:Red, with its two dynamic drivers would outclass the Wyvern Abyss in all aspects right? Wrong. I learned very early on in my IEM journey that Price and Driver count is no way indicative of sound quality. The tuning of the transducers plays a very big role.

Looking at the graph, you can see that the Wyvern Abyss has a much more filled-in bass shelf. The Zero: Red (without 10ohm adapter) sounds anemic at best. The quality of the bass in my opinion is also much better on the Wyvern. Better texture and nuance compared to just a wall of bass on the Zero:Red.

The midrange in the Zero:RED is smooth and inoffensive, but at the same time, quite boring. You can see the lack of ear gain on the Zero:RED compared to the Wyvern Abyss.

The treble on the Zero:RED is also quite blunted. High-hats and snares lack the definitive edge and crispness. Which is the complete opposite feeling you get when listening to the Wyvern Abyss.

Winner: Wyvern Abyss

Conclusion​

Kinera definitely has a winner on their hands with the Wyvern Abyss. This single dynamic driver is tuned extremely well following the Harman 2019 target. If 30 dollars is your budget, then this is a no brainer must buy.

The driver quality is definitely a step up from the 7Hz Zero’s, Chu’s, and Wan’ers of the world. I’ll even go out on a limb and say that this competes with 50-70 dollar sets like the Truthear Zeros and Kefine Delci.

It’s truly amazing the kind of sound quality and tuning we can get in the budget IEM world these days.

My thanks to HiFiGO for the sample https://hifigo.com/collections/kinera/products/kinera-celest-wyvern-abyss
https://hifigo.com/collections/kinera/products/kinera-celest-wyvern-abyss

As a reviewer who has tested and tried out nearly two thousand products, my opinions are shaped by experience and solely influenced by my passion for music.
My review is based exclusively on my experience using the Wyvern with the iFi GoBar Kensie, Hip-DAC 3, Gryphon, and several other DAPs, including the TempoTec V6. I listen to a wide range of music, focusing particularly on rock from the '90s and 2000s, as well as contemporary and metal genres.

The Wyvern Abyss comes in a simple yet elegant package that prominently displays the product. It's compact, and upon opening, one finds the IEMs already connected to the cable and tips. Unfortunately, it lacks a pouch or case. The build quality is robust, featuring a smooth resin construction that ensures comfort during extended use, and the isolation is excellent when paired with the correct size tips.

Specifications:
Driver Unit: 10mm LCP Diaphragm Dynamic Driver
Frequency Response: 20Hz-20kHz
Sensitivity: 105dB
Impedance: 16Ω
Connector: 0.78mm 2-Pin
Cable Length: 1.2m
Plug Type: 3.5mm

The Bass: is resonant and robust with the wide diameter ear-tips. I found the Sub-bass delivers a enjoyable deep rumble depending upon the Music. The medium speed of the impact leans towards the boomy side, there is surprisingly very little Bass bleed into the lower mids detected. When I listened to some Hip-Hop and Death Metal, the speed of the Sub and Mid Bass was more than adequate to keep up.

The midrange: is well-executed, providing a substantial body to the vocals. Both male and female voices sound full and robust, with the lower midrange offering a pleasant warmth and only a slight recession. The vocals are forward, positioned up to the center line. Overall, the midrange is rich and slightly dense, carrying good note weight.

The treble: extends nicely, offering a breath of air and a subtle sparkle, yet it retains a natural detail that avoids being harsh or sharp. It's a smooth, relaxed, and safe treble that carries just enough energy to keep it from being dull.

The soundstage: is wide and open, albeit with limited depth. Nonetheless, the technical aspects of the Celest Wyvern are above average, offering good separation details and accurate imaging without any congestion.

Conclusion: The Kinera Celest Wyvern Abyss might just be an exceptional value for someone looking for a fun and technically sound IEM. It looks fantastic and provides a good balance of bass and midrange, which is perfect for the rock listening experience I need.

Intro

A new mythical creature IEM from Celest. This is the Celest Wyvern Abyss a 30$ set that has beautiful faceplate and decent sounding for the asking price. I didn't expect this will be good combining excellent build and amazing sound quality at a affordable price. Let see how wyvern abyss soar to the budget realm.


Disclaimer

I would like to thank HIFIGo for arranging a unit for me. My opinions are unbiased, and I haven't been influenced or instructed to praise these IEMs. Every detail in this review is actual experience made by listening for hours everyday.





Specifications

Driver Unit: 10mm LCP Diaphragm Dynamic Driver

Frequency Response: 20Hz-20kHz

Sensitivity: 105dB

Impedance: 16Ω

Connector: 0.78mm 2-Pin

Cable Length: 1.2m

Plug Type: 3.5mm


Build and Comfort

The design of the faceplate is impressive an eye-catching purple dragon scale. This is the first time I encounter such a beautiful made faceplate in the budget range also the build is solid imho. Despite of quite bulky of the earpiece it fit nicely and comfortable for extended use.


Packaging

Pair of Celest Wyvern Abyss
Earphone Cable
Manual
3 Celest custom 221 silicone eartips (S/M/L)





Sound Aspects


Source used :


Realme 9 Pro

KiwiEars Allegro
Ibasso DC04 pro
Fosi SK02


This iems spend 40-50 hours of burn in using pink noise before taking details of this review

Celest Wyvern Abyss is a warm tuning which has full and dense bass its on the boomy side but I found it fun and engaging. The mids I feel slightly pushed back yet it is clear. Giving this ample juice I found it improves a lot such as resolution and tightness of bass.


Bass

Bass is visceral and full using the vocal eartips which is widebore. The subbass shows satisfying rumble when called. The impact is on the boomy side but surprising theres no bass bleeds. Listening to some EDM songs priotizing subbass like Flow by Snavs the decay is fast and still show details.


Mids

A little pushed back in the mix yet it is smooth and clean. The added warmth to the mids makes the vocals soothe and lush. Both male and female vocals have equal quality theres no predominant with this two. Midrange intruments is well-textured with touch of naturalness.
The uppermids where it excel shows energetic and engaging presentation.


Treble

As for highs it is relaxed without the hint of harshness. It is refined in a way it still showing clarity and some details of the song. It is darkish in the treble where people will find it boring coz it lacks shimmer and sparkle I think it is tuned for long listening session.


Technicalities

Soundstage is adequate for the asking price it is not narrow either just right amount of height and width. Though it lacks resolution it is not good to use in competitive games. Separation on this is decent. I recommend ample this Celest wyvern abyss it scales very well with better sources. The overall improvement in the techs is noticeable.





Conclusion

A 30$ set offering very good sound quality, build quality and (beautiful design I've seen in 300$ IEMs it is aesthetically pleasing). The overall value on this is decent for the asking price. Though it lacks some necessary accessories such as carrying pouch and other eartips to choose from the build and sound quality is enough to lessen the manufacturing cost of this gear this is worth a try. Good Job Celest!


Order here using the non -affiliated links below :
https://hifigo.com/products/kinera-celest-wyvern-abyss?variant=45168791879919

Disclaimer: This is a review unit that was sent over by HIFIGO. I was not paid to say anything, all thoughts & opinions are my own.
Okay. Everyone stay calm. This is my first free review unit, and I am incredibly joyful.
Gear used:

Qudelix 5k
/
Ifi ZEN CAN Signature
Ifi ZEN ONE Signature

Eartips used:
Stock Kinera eartips
Softears Ultra Clear
Tangzu Sancai Wide-bore




Kinera Celest: Wyvern Abyss

So, what Kinera has done here, is put a 10mm single dynamic driver inside a very strange shell with an extremely pretty faceplate, they took inspiration from Harman 2019, and slightly changed it around, added a bit more bass and some differences in the treble.


Here you can see a graph, thank you hobbytalk for the measurement as I do not own a measuring rig myself

And as some of you may see, it actually graphs quite close to the Tangzu Wan'er, which is an IEM that I have owned in the past.


A quick comparison tells me between the two(A B test) that the Wyvern has a better driver inside, as things such as the technical performance and overall quality of the bass has taken a step up from the Wan'er.

That being said, Tangzu is coming out with the Wan'er studio edition. So that may or may not have an upgraded driver. Who knows. I don't.

Accessories:


So, the accessories are pretty standard and simple, perhaps a bit lacking. Although, everything seems to be decent.

First of all, with the stock tips, I cannot use them for a longer period of time. I have tried the Sancai's with them which were comfortable but made them extra shouty and bright for me, and then I put on the Softears UC tips, which sounded close enough to the stock tips for me, while having miles better comfort.

And then, the cable, while it is pretty flexible and doesn't tangle up easily, it is ugly, and mine has a loose braid as you can see from the pictures.

That being said, for what you're getting, it's not that big of a deal, and I would recommend getting a better pair of eartips and perhaps a better cable(for looks) but that is up to the user.

Fit and Comfort:

Here I compared the Abyss to the Dunu x Gizaudio DaVinci.

The shape of the Abyss is interesting to say the least, really reminding me of some sort of custom shell. And while the nozzle isn't necessarily massive, I think it's the overall shape that could cause issues for some people.

Although for me, with the right eartips, they are more comfortable. But with stock tips, like I mentioned previously, over an extended period of time, they can start to hurt.

Now onto the Sound

Bass:
The bass is the first thing that I noticed. For the price, I would say it's quite well done, but not perfect.

It's slightly boomy depending on what track, and can interfere with clarity in the midrange sometimes, giving that "muddy" sound to things, but that also depends on the track and doesn't always happen.

And the bass extension is actually quite good, it goes pretty deep, and the subbass rumbles along nicely, and it's also nice and punchy.

I thought this IEM was very immersive due to the amount of bass, it was very pleasant, although the fact it sometimes can overshadow the midrange in my testing is unfortunate. But then again, it's 30 bucks.

Midrange:

While with a Harman inspired IEM, you might think the lower midrange will sound thin, and in my opinion, that is not the case here. The midrange is well done, things have note-weight and everything just sounds correct.

For instrumentals, or orchestral, I find that the Abyss punches above its price point here. Perhaps only being rivalled by Crinacle's Zero Red, but that also has a bit of a different sound signature, limp bass, and an even worse fit IMO.

The upper midrange is where things get spicy for me. Now, this may just be me. But Female Vocals are forward, sometimes bordering on the line of shout, and depending on the track, crossing that line.
That being said, female forwards sound energetic, they are forward which I personally enjoy, and they just sound clean and very lively.

Treble:
Now the treble here is what I would say, tastefully done.

It's not too safe, while also not being too bright or having strange peaks that introduce strange timbre characteristics.

Speaking of timbre, this set is surprisingly nice. Now it doesn't really compare to Galileo, Oracle or anything of the sort. But for the price point, it's good. No issues.

Technicalities:

When it comes to technical performance, this is where I feel like it punches slightly above its price point.

The stage left to right is reasonably wide, the centre image is quite clear and accurate, while imaging in the left and right channels is more on the average side, that being said it's not necessarily bad.

Detail retrieval is also a step up from IEM's like the Wan'er or the Hola. And most of what's to thank for that is the excellent separation you get with this IEM, as distinction between instruments and the singer is quite easy as long as the bass doesn't overpower anything in the track.

The Resolution is above average, about on par with something like the Zero Red as long as there are no issues with the bass.

Conclusion:
I personally welcome the Wyvern Abyss in the budget price bracket with open arms, and I think I will be keeping it personally because it handles my entire library quite well. And for the price of 30 bucks. Can't complain.

Would I recommend it to everyone? To try out, sure. While it's a very good sounding IEM for the price, I believe the strange shape and the cheap eartips can make this IEM quite uncomfortable for some people.

I'll record a video about the IEM in a week or so. Whenever I have time. School currently keeping me busy.

Links:
https://hifigo.com/products/kinera-celest-wyvern-abyss
https://www.youtube.com/@pelperson
https://www.head-fi.org/members/pelperson.577520/

This set was provided to me by HifiGo. They haven’t influenced me to say anything good or bad about this product. All thoughts and opinions are mine.

NON-AFFILIATED LINK - Kinera Celest Wyvern Abyss 10mm LCP Dynamic Driver In-Ear Earphones

Kinera Celest Abyss

This IEM comes in a $30 price bracket, there's a lot of competition in this Range. I have yet to hear all of the IEMs in this price bracket so take my review while considering that.

Tonality



The tonality of this IEM is bass-boosted neutral (The Harman 2019 Inspiration is evident). The sub-bass is perfect for the price. The rumble is there. The midbass punches and attacks are very satisfying. It never felt that the drivers worked too hard to provide the bass.




The subbass to midbass transition is not steep at all. The quantity although is huge compared to a more natural set like 7hz Zero. It is way better than 7hz Zero in my opinion. There is no bass bleed to the mids, although I like some warmth in the lower mids. Although on the end note, there are still no complaints I have about the sub-bass of this IEM I would’ve liked a bit more authority from the subbass range since they are so well portrayed but I am asking too much here for the price, and it is beyond nitpicking.
The lower mids on this set feel slightly recessed. Although at the same time, they hold a bit of warmth. Now how is that possible? I guess the upper treble is so inoffensive that the lower mids are very well defined at the same time due to that massive bass boost, the mids feel pushed back in the mix. So is it good or bad? I would say, it’s up to you, if you listen to rock/metal it won't be a problem at all.

On the other hand female vocals are very well portrayed in this set. They sound absolutely beautiful, they are airy and hold textures well. They are so tonally good and balanced, that I was shocked. Although they also suffer from lower treble recession but it should serve well to people Who are sensitive to treble. The resolution particularly is very good.




The treble is also above average for the price. It doesn’t cause any artifact in this range even with very high-resolution tracks. The speed is surprisingly good for what you are paying. It wouldn’t give you the extension for super airy and something that will hold trailing edges for ages, but the presentation is quite restful. The peaks serve their purpose to provide sparkle and dips also serve their purpose to reduce the piercing. In one word the treble is very “Well Tuned”. Something was always evident, that the driver was not breaking a sweat while producing the sound, which means they used a high-quality driver to make this IEM.


Technicalities

Soundstage

The soundstage is on the bigger side. There might be a three-blob effect noticeable but the soundstage is expansive for sure. It is not a sphere, but it is stretched left to right. The front and back consist of lesser depth. But it never felt that the sounds were claustrophobic and mushing with each other. Binaural recording on the other hand sounds very good for the price.




Imaging

No pinpoint accuracy can be earned for anything under $100 so it falls short in that regard but it shines in the Left to Right separation. It rivals higher-priced IEMs for this attribute only. The instrument separation is very good and every instrument even in busy tracks can be heard distinctively.




Resolution

The resolution is above average for the price. Not even a single time did I crave more resolution in this set. Although the midrange textures could’ve been a bit better in terms of sheer resolution, they don’t feel shy without being harsh or any cheap tricks. The micro contrasts are good but the micro details are not up to the mark.




Timber

As you can’t expect accurate timber from IEMs at this Price point. Abyss is unable to produce accurate timber either. But if you are looking for that accuracy, I strongly suggest looking out for IEMs at a $150 price point.




Dynamic Range

The dynamic range is quite average, as you can expect from IEMs at this price point. However if the tracks are not busy enough they can handle the dynamic-range pretty good.


Conclusion

This IEM is not something that can rival $100 sets and not something also that would sound pure budget category. This IEM is a very well done work of Celest and it needs attention in the current budget market. For comparisons I think is quite competitively beats similar-priced IEMs in the $20-$30 price bracket. It might not hold up in the timber & dynamic range but The bass is really good for the money that you are spending, as well as the treble.