Kinera Celest Wyvern Black 10mm LCP Dynamic Driver In-Ear Earphones

Kinera Celest Wyvern Abyss/ Black - The Purple Dragon



Disclameir:
I am not a "Pro Reviewer" and I will not pretend to be one here.

All products were purchased with my own money and I have no affiliation with any brand or platform.

I will try to be as brief as possible, "straight to the point!" And as umbiased as possible, toally umbiased no one can be.

Gear Used

• Celest CD-20
• Akiliam PD5
• FiiO KA15
• Notebook (Windows)
• Motorola Edge 50 Pro (UAPP, TIDAL, Apple Music)
• Penon Liqueur O and B, Dunu S&S (best match) Sancai Wide, Whizzer ET100AB and TRN T tips
• Balanced 4.4 Cable, and High Gain as always

Umboxing Experience

Here I already say that Kinera/Celest did something that I consider smart, they cut some costs and put everything they could and a little more into the iem itself. A very modest box with a good cable, above average for an iem in this price range, 3 pairs of widebore eartips and most importantly, a wonderful and beautifully built iem.



Overall Build

I was expecting something with a decent build and a beautiful shell as seen in the marketing images, but I don't think I've ever been as surprised as I was with this iem.

I have no words to describe how beautiful the Wyvern Abyss/Black is, in person it's a piece of art, not even in a thousand years would I expect this from an iem in this price range, which by the way today, on the day I'm posting this review, can already be found on sale for $15usd, how crazy is that?



The shell is a unique piece of resin, produced in conjunction with HeyGers, a semi-custom type, it's a bit subjective but I had a perfect fit. Black and purple with a faceplate with a design that imitates what would be dragon scales, and I think they managed to do it!
This thing is really wonderful, in terms of construction and design this iem hits hard and far above its price.



Sound Signature

The overall sound signature of the Wyvern Abyss/Black is based on the Harman curve, not just the Wyvern Abyss/Black, but the entire Wyvern Family (Pro, Qing and Black).

The Wyvern Abyss/Black is a warm/dark sound, with a more relaxed and laid-back overall feel.



Bass

Punch, controlled with a good satisfying sub-bass rumble, nice extension that doesn't overwhelm the mids. Just enouth bleeding into mids to adds weight and warmth.

Mids

Smooth, warm and clear enough. It doesn't sound muddy at all. The vocals are placed a bit forward to give it more energy and yet intimate feelings. Both male and female vocals are beautifully reproduced here.

Treble

Smooth and non-fatiguing, warm, just enough to counterbalance the bass region, I think purposely tuned to give the Wyvern Abyss/Black a certain identity to stand out from its brothers, (OG) Pro and Qing.
The treble region is average.
(Average=Good)

Technical Performance

Solid technical performance for a budget iem. I have nothing more to say here.

Overall Verdict

This is definitely a keeper!

I can't put any "cons" on an iem like this, at only $15 it's a no brainer buy.

House Kinera (Kinera, Celest and QoA) Knocked it out of the park with this set.

Disclaimer:​

I’m more of a Tech head than audiophile and I use Youtube Music for 99% of my listening. Take everything I say with this in mind and please don’t come after me for not having refined taste. This is purely from my silly little point of view, of which you might be interested in.

Gear Used:​

Streaming Platform: Youtube Music Premium (Bitrate: 256kbps AAC & OPUS)
Dongle - Mobile use: USB to Lightning JCALLY JM08L
DAC: Letshouer DT03

Box:​

If you were looking for an exciting unboxing experience then this ain’t it chief, but that’s honestly not a bad thing. While one can say that the packaging looks like it’s straight from a mall kiosk selling screen protectors, I genuinely think that’s a good thing. If they saved one everything and put all their focus on the actual product at this price point then by all means have at it. I would rather have a basic ass unboxing experience and a decent pair of IEMs rather than some fancy box that’ll be shoved to one corner and a mediocre pair. Plus the lack of frills in packaging is also good for the environment as a whole so I always want to shout that out.

Build:​

These might have one of the best IEM and cable pairing I’ve seen so far. The cable looks like its the body of the dragon all coiled up with its scales leading all the way to its beautiful pair at the end. The scales on the IEMs themselves have this beautiful shimmer to them all enclosed in what seems to be some resin on top. It’s definitely a beautiful set and definitely one of my favorite looking IEMs. It doesn’t stand out in any way but It’s only when you take a closer look that its beauty becomes apparent.

The cable it comes with is also this nice breaded rubber material that doesn’t easily tangle. It also doesn’t cling to everything unlike some rubber type cables. Although since it’s on the squishy side it feels a little fragile but i honestly don’t think it is. It also has the added benefit of being easily coiled up into a small package for putting into a carrying case of your choice considering that this doesn’t come with one.

While this is totally subjective, I’ll just add that the fit on these is amazing on me. If you’re the type of person who has a hard time fitting IEMs with more of a flatter shape on the inside then these should be solid for you. They don’t feel big on my ears at all and are definitely not heavy. I wore them through a 2 hour flight without taking them off and experienced no soreness whatsoever.

Sound:​

As I alluded to in the beginning, when it comes to this price point I'd rather have good sounding IEMs rather than a fancy box and these definitely deliver in my opinion. Now they won’t blow your mind away that’s for sure but what they are to me at least is amazing value for the price. I wouldn’t call them reference or balanced in any way but they sound fun and make me enjoy my music and at the end of the day that’s all I really care about.

They are a little bass heavy but not to the point of muddy and they don’t offer the best sound stage but stereo imaging seems to be accurate and you will definitely be able to hear most of the things you want to hear in the places where they are supposed to go. What I really enjoyed listening to on this are some good old 2000s pop rock songs from the likes of The Script and The Frey (Bands really liked using “the” back then it seems). Something about the way the drums sounded back then really makes it feel so punchy and satisfying.

In If you see kay - The script the bass drum and sticking sound really punchy and crispy while being supplemented really nicely by the bass guitar all the while still appreciating the strings going on around you. Life is a highway - Rascal Flatts is also a stand out banger to listen to one these with the quintessential rock drums but to be honest this song sounds amazing on anything and Rascal Flatts is a gift from the gods.

Nitpicks:​

While the cable doesn’t tangle a lot it does tend to keep a lot of its memory in terms of small kinks. It never really sits right and can be kind of annoying when you’re just trying to set it down on a table or something. It also tends to build up a lot of oil and looks unevenly shiny at times. With the cable being what it is I do get the inkling that it won't age very well but that's more of a hunch than anything else.

Final Thoughts:​

If you’re not after a balanced sound and lean towards more of a bass head but don’t want something that’ll make your skull vibrate then I think these will really fit nicely in that category. Great value for the build and sound quality you get. If you’re looking for maybe a cheap commuting pair or a pair you can throw in the bag or just leave at the office and won’t really cry over if they get a little beaten up then i think these are amazing for that. You probably won’t even feel too bad if you decide to replace the cable with something like a mic and some media controls.

But remember the best audio gear is the one that makes you enjoy your music the most, regardless of what a stranger on the internet says.

Hey, it’s Shuvo, back with another review! Today, we’re diving into the budget realm with the Kinera Celest Wyvern Abyss, an IEM that immediately stands out with its striking design. But, as with all things, looks aren’t everything. Will the Abyss live up to its visual appeal in sound and comfort? Let’s find out.

𝑺𝒑𝒐𝒊𝒍𝒆𝒓 𝑨𝒍𝒆𝒓𝒕: 𝑰 𝒘𝒂𝒔𝒏’𝒕 𝒑𝒂𝒓𝒕𝒊𝒄𝒖𝒍𝒂𝒓𝒍𝒚 𝒊𝒎𝒑𝒓𝒆𝒔𝒔𝒆𝒅 𝒘𝒊𝒕𝒉 𝒕𝒉𝒊𝒔 𝒔𝒆𝒕, 𝒂𝒏𝒅 𝒆𝒏𝒅𝒆𝒅 𝒖𝒑 𝒔𝒆𝒍𝒍𝒊𝒏𝒈 𝒊𝒕 𝒔𝒉𝒐𝒓𝒕𝒍𝒚 𝒂𝒇𝒕𝒆𝒓. 𝑾𝒉𝒊𝒍𝒆 𝑰 𝒅𝒊𝒅𝒏’𝒕 𝒉𝒂𝒗𝒆 𝒆𝒏𝒐𝒖𝒈𝒉 𝒕𝒊𝒎𝒆 𝒇𝒐𝒓 𝒂𝒏 𝒊𝒏-𝒅𝒆𝒑𝒕𝒉 𝒓𝒆𝒗𝒊𝒆𝒘, 𝑰’𝒍𝒍 𝒈𝒊𝒗𝒆 𝒚𝒐𝒖 𝒎𝒚 𝒉𝒐𝒏𝒆𝒔𝒕 𝒕𝒉𝒐𝒖𝒈𝒉𝒕𝒔 𝒃𝒂𝒔𝒆𝒅 𝒐𝒏 𝒎𝒚 𝒆𝒙𝒑𝒆𝒓𝒊𝒆𝒏𝒄𝒆

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𝐒𝐨𝐮𝐫𝐜𝐞𝐬 𝐔𝐬𝐞𝐝:

• Xiaomi Note 13 Pro
• Fiio JA11
• NiceHCK TC3

Unfortunately, I didn’t have the chance to pair it with the iFi Go Link, as I purchased that DAC later. The Abyss has relatively high impedance and lower sensitivity, meaning it’s not the easiest to drive. While you can run it without a DAC, I’d recommend one to get the most out of this IEM. That said, it’s not overly demanding as it’s a single dynamic driver unit.


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𝐃𝐞𝐬𝐢𝐠𝐧 & 𝐁𝐮𝐢𝐥𝐝 𝐐𝐮𝐚𝐥𝐢𝐭𝐲: 𝐀 𝐕𝐢𝐬𝐮𝐚𝐥 𝐌𝐚𝐬𝐭𝐞𝐫𝐩𝐢𝐞𝐜𝐞

If there’s one area where the Wyvern Abyss excels, it’s design. The high-quality resin shell and stunning faceplate make this one of the most eye-catching IEMs in the sub-$30 category. The faceplate resembles a dragon wing, with a shifting purple tint that appears more bluish under dim lighting. It’s a showpiece, no doubt.

However, design isn’t everything. The shell is large and chunky, and while it fits securely, it suffers from poor airflow. After just 30-40 minutes of wear, my ears started heating up, making it uncomfortable for longer listening sessions. This is a major drawback for an IEM that’s supposed to offer relaxed tuning.

As for the accessories, Kinera kept it basic. The cable is solid for the price, but the limited eartip options and lack of a carrying case or pouch are disappointing. At this price point, a bit more thought could’ve gone into the packaging.





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𝐒𝐨𝐮𝐧𝐝 𝐒𝐢𝐠𝐧𝐚𝐭𝐮𝐫𝐞: 𝐑𝐞𝐥𝐚𝐱𝐞𝐝, 𝐁𝐮𝐭 𝐍𝐨𝐭 𝐌𝐲 𝐂𝐮𝐩 𝐨𝐟 𝐓𝐞𝐚

Sound-wise, the Wyvern Abyss is more of a miss for me. I tend to lean towards neutral or neutral-bright sound signatures, while the Abyss is tuned darker, giving it a more laid-back and relaxed feel. While some might appreciate this type of tuning for extended listening, it didn’t quite hit the mark for me.



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𝐁𝐚𝐬𝐬:

The bass response left me with mixed feelings. The Abyss leans heavily on sub-bass, delivering a decent rumble and depth. However, I found the mid-bass lacking in punch and tactility, which made it less engaging. If you’re a fan of thumpy, impactful bass, this IEM probably isn’t for you. The bass here is clean and tight, but softer in its attack, lacking the energetic thump that makes music come alive.


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𝐌𝐢𝐝𝐬:

The mids were one of the highlights of the Abyss. Vocals sit comfortably in the mix—neither too forward nor too recessed—offering a natural and warm presentation. It’s not a vocal-centric IEM, but the mids have a pleasing warmth that adds character without feeling shouty or aggressive. For this price point, the mids perform well.


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𝐓𝐫𝐞𝐛𝐥𝐞:

Here’s where things really went downhill for me. The treble on the Wyvern Abyss feels overly dark, lacking sparkle and air. While the tuning aims for a more relaxed and smooth experience, it sacrifices the finer details that give music life. Compared to neutral-bright IEMs, the Abyss feels muted, which made it less engaging over time. There are no harsh peaks, but the trade-off is a loss of micro-details and excitement in the upper frequencies.


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𝐓𝐞𝐜𝐡𝐧𝐢𝐜𝐚𝐥 𝐩𝐞𝐫𝐟𝐨𝐫𝐦𝐚𝐧𝐜𝐞:

For a budget IEM, the Wyvern Abyss offers solid technical performance. The soundstage is above average, providing a decent sense of space. However, during more complex tracks, it can feel congested. Separation is good, but not remarkable, and imaging is accurate enough for casual use. I even gave it a go for gaming, and it held up surprisingly well in that context.


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𝐎𝐯𝐞𝐫𝐚𝐥𝐥 𝐕𝐞𝐫𝐝𝐢𝐜𝐭:

To sum it up, the Kinera Celest Wyvern Abyss is a mixed bag. Its design is stunning and the mids and technical performance are solid for the price. However, its tuning leans too relaxed for my taste, and the lack of airflow makes it uncomfortable for longer sessions. If you prefer a darker, more laid-back sound signature and don’t mind the occasional discomfort, it might be worth considering. But for me, the combination of subdued treble and poor comfort was a dealbreaker.

It’s a 4 out of 10 from me. There are better options out there like simgot ew200 or Truthear zero red. Though they are more expensive.

KINERA CELEST WYVERN ABYSS – A ferocious wyvern.
The story of Kinera starts from 2011, when the YuTai Electronic Acoustics was officially established in Dongguan, China. The most notable was their Kinera Nanna in 2019 which got very good reviews everywhere. Now, they have improved upon it and delivered a Nanna 2.0 with great reviews. They now have three lineups under the umbrella- Kinera, Celest, and QOA items. But today, I am getting to review another IEM of theirs a cheaper offering but a powerful GOD - THE KINERA CELEST WYVERN ABYSS .

DISCLAIMER-
The Kinera celest wyvern abyss is part of a review tour organized by A.G. and Kinera in my country. The sample belongs to the brand. I had the opportunity to listen to it for 7 days for this review. This review is completely based on my experience with it, and all opinions, positive or negative, are my own and no one else’s. No external factors influence my review; only internal factors like my brain and heart influence it . Please try it yourself, if possible, since we all hear things differently. If you want to purchase it, you can buy it from the official product website from the link- KINERA CELEST WYVERN ABYSS

PACKAGING-
It was a very modest packing as the iem is quite cheap and all the money went into its tuning and build probably. But there was good cable and wonderful looking iem inside. The wyvern on the top was a good addition. Plus, a single set of tips that works well.

BUILD-
Man, this iem is made with resin but has the face plate of dragon wing scales and tbh it looks wonderful. Plus, its so light so it easily sits on your ear and you might even forget about it.
Cable is 4 core of OFC cable with 2 pin cables (0.78mm) and is only present in 3.5mm plug. The cable is quite thin but does its work wonderfully.

SPECS-
1. 10mm Liquid Crystal Polymer (LCP) Dynamic Driver
2. Aligned with 2019 Harman Target Tuning
3. Resin made

POWER REQUIREMENTS-
It doesn’t require much power per se and can be easily run with paw S1 at High gain and 20-30 volume depending on the music you are listening to.

Note: this has been used with PAW S1, the NAVIGATOR and IBASSO D16 and I chose the NAVIGATOR for this review. So do try it out to best know if this will suit you or not. Ear tips used were the stock ones. Source is laptop and no external amp was used.

SOUND IMPRESSIONS-
SUB- BASS AND BASS-
Sub-bass is good enough to make you feel the rumble. It doesn’t go deep but still has good feel to it. It spreads evenly throughout the headstage but doesn’t overtake the other frequencies. There is good impact and great notes definition. The rumble is also felt and well defined. Notes have a big base but the body is felt a little too fast. The notes are having fast attack and also fast decay leading to extension being curbed a bit too early. But that doesn’t let it not shine, it still proves with its rumble that makes you feel it.

Bass is similar to sub-bass in its notes characteristics. The notes have big bass and shorter and faster finishing body. This is due to the fast attack and decay, but this in context provides great separation between the instruments. The bass though is dynamic and more near neutral to slightly warm in tonality overall. Its extends through the headstage but its present more below the vocalist. The bass is impactful and does shows its prowess when multiple types of drums are going on. The tonal differences between instruments are easy to catch and helps in the feeling of better distinction of notes.

MIDS-
Lets start with the soul of the music that is the vocalists. Male vocals have appropriate thickness to their voices. There is some amount of roughness in the voice and that feels great to hear when the vocalists use that. The notes are more cylindrical with slightly bigger base of the notes. Air in the voices do come through and feel wonderful the nuances baked into the songs. Female vocals are also dynamic and reach quite high in the headstage, but a little more can be expected. The room echoing does come though and enhances the vocal heavy songs. The sss are reduced so its much easier on the ears. Vocals feel wonderful with having their own stage yet being in sync with the music, it feels wonderful.

Guitars just are done beautifully on this iem. Each string pull is easily felt and the extensions from different string pulls are distinct and easier to be defined. The tonality is neutral to slightly warm still but man the dynamism of different instruments and the tonal differences are so to grasp that this feels like a very costly iem. Notes in the mids are quite apt with fast attack and good decay, a little more would be the best. There is good small instruments presence with good separation between the instruments notes thanks the tonally distinct presentation. Even the nuances have good definition and dynamism. The instruments placements are great along with good separation but they feel like they are restricted a lot Z direction or anterior posterior direction, thus showing very little movement. But in the width it’s within the ears but still quite sufficient in my thinking. The height of the headstage can also be improved a bit, with some other tips and changing source according to your needs.

TREBLE-
The treble is energetic and tonally neutral to slightly warm in presentation. There is good dynamism in the notes and tonally each instrument are different from each other and there is some treble energy in hihats and other metallic instruments which make it feel great. Air is reduced a bit in the treble but still shows up when focused in the songs. Its not at all sharp and creates a lovely experience. The separation is great among the instruments too and the individual notes are defined easily and feels great to listen to overall.

VERDICT-
This is a beautiful iem with wonderful presentation. Given the price at which it comes, I would surely recommend it as it does do all and few tip changes can improve a lot of thing. Also getting a fully kitted copper cable like I did would be preferable to use with this iem.

Source: The Onix Alpha XL1

This unit was provided by Audio Geek India as part of their tour organized for Kinera IEMs. I appreciate Audio Geek India for the opportunity to listen to and review the Celest Wyvern Abyss. My review is unbiased and not influenced by anyone.

I used the stock 3.5mm cable and stock eartips.

Unboxing and Packaging:
The package includes:

• 1x In-Ear Monitor
• 1x Detachable Cable
• 3x Pairs of Eartips

I had the demo version, so please refer to the pictures for details on the included accessories.

First Impressions:
The IEM is well-built, and I like the black dragon scale theme design. On the downside, it has the engraved Celest logo, but I don’t like the cable quality—the cable feels really cheap. However, you still get a great sound quality form a budget IEM.

Comfort:
The IEMs is lightweight, but the stock tips are not very comfortable for long sessions. They do not provide good noise isolation either. I could wear them comfortably for about 1.5 hours.

Sound:
When I first heard them, I said "wow." The sound quality far exceeded my expectations for the price range. It can give a tough competition to IEMs in the 7 to 8k INR price range. The vocals and treble are slightly forward, with good bass that doesn't overshadow the rest of the sound. The instrument separation a bit noticable with a manageable bright signature, It’s a fun and engaging sound overall.

Final Thoughts:
Even though I got the review unit, I’m planning to buy one for myself. I definitely recommend it to anyone who's starting their journey as an audiophile. It's a must-buy unit.

I recently had the opportunity to test the Celest Wyvern Black & Celest Wyvern Quing, thanks to Kinera and especially Kinera Thomas for arranging a review tour with Audiophiles Alliance BD. I have decided to do a comparison review instead of individual ones as I believe there are a lot of similarities rather than differences with these two IEM’s.

Non-affiliated Links: -

https://www.aliexpress.com/item/1005007188242389.html

https://www.aliexpress.com/item/1005007430836540.html


Source Used: -
Shanling M5 Ultra, Hiby R6 Gen III, Cayin RU7



️ Build Quality & Design: -

Both of these IEM’s feature 3D-printed resin shells, they have the usual Kinera premium build quality. They feel more expensive than other IEM’s in the $25 to $30 price range.


️ Fit:-

These IEM’s have very good ergonomics and the fit is excellent. It seems Kinera has taken special care when designing these two, their shape is molded perfectly to fit the human ears.




️ Accessories: -

Both have decent accessories, I don’t like the stock cable quality on these two. But that’s understandable, some corners had to be cut given the price point. Although we were provided with the type-c cable for Celest Wyvern Black, it features a mic and that can be a plus point for the gamers. They both feature a standard set of silicone tips (S,M,L),



️ Bass: -

Both the Wyvern Black and the Weveryn Quing has good quality and quantity bass. Although if you are more of bass-head and prefer more quantity the Wyvern Black should be your first choice. It offers better bass extension with more rumble and better slam.


️ Mids / Vocals: -

The Wyvern Quing features a more pronounced upper-midrange boost compared to the Wyvern Black, which makes vocals sound more forward and present. Female vocals, in particular, stand out on the Quing, while the Wyvern Black male vocals benefits from the added warmth from its richer low-end.


️ Treble: -

Treble sounds brighter and more well extended on the Wyvern Quing. It has sparkle up top and is more detailed as well. Cymbals and high hats sound crispier and lively. The Wyvern Black offers more rolled-off treble in comparison. It goes for a smoother approach, making sure the listener does not feel any fatigue.


️ Imaging: -

Imaging is slightly better on the Wyvern Quing it renders the position of instruments within the soundstage naturally. The Wyvern Black does a good job here as well, the difference is marginal and not that noticeable.



️ Soundstage: -

Honestly both these IEM have a more intimate soundstage which is acceptable for the $25 to $30 price tag. If I have to compare, the Quing soundstage seemed a bit wider and offered more depth to my ears.



️ Conclusion: -

These two are very similar, Quing offers a more energetic listen. It has livelier treble, more prominent vocals and a balanced low-end. Wyvern Black has a ore meaty and thicker low-end, smoother treble, and warm-ish vocals. Now you can pick your poison.

CELEST WYVERN ABYSS: - 30$ MADNESS

DISCLAIMER: The CELEST WYVERN ABYSS was sent to us free of charge by the Kinera Celest team for review purposes. We are truly honoured and excited that this is our first collaboration with Knera Celest. We humbly thank the Kinera Celest team for their kind support of Aural Cafe.

Introduction: -

Today at Aural Cafe we will review Celest Wyvern Abyss IEMs, Celest's launch from their Ultra-Budget segment that follows Harman IE 2019’s target. The Harman Curve is the optimal sound signature that most people prefer in their headphones, as discovered by Harman International. The “curve” was created in 2012 by a team of scientists, with audio engineer Sean Olive overseeing the project. They tested both in-ear and over-ear headphones since both require different tuning to provide similar results. In the 2019 version, there’s a slight boost in bass and smoother treble compared to previous versions.

Celest is a Dongguan, China-based audio brand that originated in 2011 under the parenthood of YuTai Electronic Acoustics. The company is a vertically integrated company that not only specialises in professional independent research but also oversees military-grade hearing aids. Over the years Kinera, the elder sibling brand has established itself as a reliable and innovative Audio brand and has launched several IEMs and earbuds and emerged as OEM suppliers of Balanced Armature Driver.

The Wyvern Abyss AKA Wyvern Black or Wyvern Pro is Celest's latest DD-based IEM which features a 10mm Liquid Crystal Polymer (LCP) diaphragm Dynamic Driver. In ancient Chinese mythology, Wyvern is known as the dragon, the god of creation. According to Mythology, Wyvern created the Earth after coming from heaven. The faceplate is designed in a way to replicate the scales of the Dragen, in this case, Wyvern we can assume.

The Kinera Celest Wyvern Abyss retails for 29.99 US$.



Specifications: -

• Driver Configuration: 10mm LCP Diaphragm Dynamic Driver
• Impedance: 32Ω ± 5%
• Freq Response: 20Hz-20Khz
• Connector Type: 0.78mm 2-Pin
• Sensitivity: 105 dB/mW @1kHz
• Termination Plug: 3.5mm

Packaging & Accessories: -

The Celest Wyvern Abyss unboxing experience is quite simple as we can expect for the price. The Wyvern Abyss comes in a rectangular-shaped small box. The Celest team selected the box to complement the IEM’s shell design and colour. The front side of the box is neat with the Model’s photo printed and on the bottom corner, we can see the Wyvern Abyss printed in both Chinese and English dialects. The specifications and the features of the Wyvern Abyss adore the back side of the box in English. On opening the box, we are greeted with the cover on which the Mythology of the Dragon, Wyvern is explained. Removing this, we can see the polythene pouch printed with the Celest logo. Inside, we can find the IEMs attached already with the cable and a surprise with a detachable Microphone. After that, we can see the given Stock Ear-tips and Microphone’s cover foam. Overall, we can say that the package is minimal and pretty much maintains industry standards.





Build & Design Concept: -

When it comes to building quality Celest Wyvern Abyss IEM shells are made of lightweight Medical Grade Rasin using top-notch finishing. The size of IEM shells is quite compact and light in weight showing the focus that the Celest Audio team gives while designing the shell towards comfort and ease of usage. The faceplate imitates the scales of the Dragon’s wings. The vented holes can be found on the top of the shells on each side. When it comes to fit the Wyvern Abyss, due to its compact and lightweight shells provides excellent comfort and ease of usage for listening to music for a longer duration. The isolation is above average for the price tag. The given cable is just average and inoffensive for the price again but it’s not tangle-free, rather tangles quite easily. But the quality of the shells is top-notch for the price and doesn’t look cheap at all.




Sound Analysis: -

We would like to state here that the sound impressions are based on our usage of stock silicone ear tips along with stock cable and purely in terms of audiophiles' perspectives. The stock tips are wide bore in nature we can see.


Credits: @aftersound

• Tonality: - After listening to Celest Wyvern Abyss for quite a long time we at Aural Cafe can conclude that Wyvern Abyss embraces a warm and smooth tonality. We feel they have tried to maintain a relaxing yet detailed sound and succeeded to some extent. The timbre of the instruments is organic and musical. They have tried to play safe and follow Harman's 2019 target curve we can say it by solely looking at the graph. We feel this kind of tonality suits the Audiophiles who are more into Pop, Hip-Hop and EDM means Bass-Heavy Genres sound better when matched with a neutral source, Aune M1p in our case.

• Lows: - Following its sound tonality the lows on Wyvern Abyss are kind of highlighting its abilities. The stock silicone ear tips help a lot in adding a body to the lows of the IEMs even more. While listening to ‘Starboy’ by the Weekend the midbass hit remains compact and tight whereas when it comes to Subbass we, while listening to Jean du Voyage - Nakshathram (feat. V. Soundara Rajan) felt that while the subbass texture is very good on Wyvern Abyss compared to its midbass. The midbass improved a bit in terms of quantity as well as extension when we tried Celest Wyvern Abyss along with Spinfit W1 Silicone ear tips while listening to ‘The Hills’ by the Weekend. The bass sometimes bleeds into the mids. We at Aural café feel that the lows are carefully tuned by the Celest engineers to achieve the Harman-ish tuning successfully.

• Mids: - The Mids on Celest Wyvern Abyss are smooth, lushy and have body. We at Aural Cafe feel that the 10mm LCP Dynamic Driver Unit shows off its magic by adding soulful hues to the mid-frequencies of Wyvern Abyss. The Mids on Wyvern Abyss are fairly balanced in terms of position without being too forward and recessed. However, we can see the bass bleeding into the mid-frequencies a bit. Both the male and female vocals showcase good clarity along with control irrespective of the genre of soundtracks one is listening to. But we at Aural Café felt that female vocals are on the thicker side and sometimes sound unnatural. The musical instruments like Trombone and saxophone showcased better resolution and timbre on Celest Wyvern Abyss. We really enjoyed listening to ‘Take Five’ by Dave Brubeck Quartet and ‘Uptown Funk’ by Bruno Mars. All in all, we feel that we would have loved it if the lower mids had not been affected by the low frequencies (with the stock cable).

• Highs: - When it comes to the highs in the Celest Wyvern Abyss, we feel that it maintains the smooth and relaxing approach and complements the tonality. It has a decent amount of air and extension in the upper treble region. The 10mm LCP Diaphragm Dynamic Driver Unit is implemented well on Celest Wyvern Abyss to achieve a balance in airy upper-end extension along with decent smoothness. But we at Aural Cafe would love a tinge of more resolution and sparkle in highs as it sounds quite warm and can sound too thick if not matched with the right source. All in all, we did enjoy the smooth shimmers coming out from percussion instruments at the end of the ‘Hotel California’ soundtrack but we at Aural Cafe would love a little brighter and soulful high.

• Soundstage & Imaging: - The Soundstage on Celest Wyvern Abyss is above average both in terms of width and depth for the value and competition around this price range. However, it may sound congested a bit for the complex tracks. The overall separation is also above average which really helps while listening to soundtracks from ‘Interstellar’ composed by Hans Zimmer. However, we are really happy with the soundstage and excellent layering ability of Celest Wyvern Abyss which we enjoyed while listening to Michel Jackson’s Thriller.

• Synergy: - The Wyvern Abyss comes with a decent 105 dB of sensitivity which makes it fairly easy to drive. However, due to its tonality, it needs to be matched with neutral or bright hi-fi sources to add brilliance to the overall warm sound tonality of the Wyvern Abyss. After listening to music on Celest Wyvern Abyss with different portable and desktop sources and dongles concluded that it loves a pitch-black background and neutral hi-fi source. In our case, it really went well with Aune M1p, Dethonray DTR1+ and Tanchjim Space Lite. We also like to add here that ear tips play a crucial role in extracting the best out of Celest Wyvern Abyss. After using different types of ear tips, we at Aural Cafe feel that Wyvern Abyss sounds best with Stock silicone ear tips and would not suggest using any other upgraded tips because of the value addition. We also loved using Spinfit W1 silicone ear tips with Celest Wyvern Abyss as it adds a bit of body and rumble to the midbass and elevates the experience even more. When it comes to cables, we are happy with the stock cable but since we had lots of other cables in our library, we loved Celest Wyvern Abyss with Linum DualBax cable.

Conclusion: -

After listening to music on Celest Wyvern Abyss for a long time, we at Aural Cafe would like to conclude by saying that Wyvern Abyss is a relaxing warm and smooth IEM with a lot of emphasis on lows. We can definitely say that the tonality will allow you to listen to your favourite music longer than you have thought of listening to. We at Aural Cafe would definitely love better-tuned highs and a bit more resolution on the upper mids region. The IEM is based on Harman Target 2019 and it's a no-brainer and a solid unit for the price. The tuning is absolutely nice, so if anyone wants to enter the Audiophile hobby AKA ‘The Rabbit Hole’ this IEM can be one of the best ways to enter the hobby.

Non-Affiliated Link: -

• https://www.theaudiostore.in/produc...eOUucZ02vYhi3zuS3hXV5_YpjknPCt8UNepIjabRXHx9w
• https://www.linsoul.com/products/kinera-celest-wyvern-abyss?variant=45572035182809

Audio Geek Türkiye Group; We are taking a look at the Kinera Celest Wyvern Abyss, which was sent to me as part of the Türkiye Tour. thank them very much
And I will try to convey what they offer in my own language.

Things are starting to get very confusing in the entry segment. Companies are trying to do better things that they can do at a much cheaper price.
They started to present it honestly and generously. Let's see if Kinera Celest Wyvern can throw us off the cliff.


What's Offered in the Kinera Celest Wyvern Box
We say hello to its gloom in its small dark blue box.
The colors themselves are reminiscent of a dragon skin in wonderful color harmony, purple and dark blue.
4-core 3.5mm 2-pin cable in gray
3 pairs of silicone ear tips, small medium large
Warranty documents



Resources Used
Btr 7 Lg V30 Epz Tp 20 Pro

First of all, we have a really handsome and interesting design. Its exterior is black with blue purple and gilding on it.
However, that gray spiral cable does not fit this set at all. It would be much better if it was black.
It is a product that deserves its price with its bassy, well-balanced trebles and unique stage width that tries to lean towards a U-shape in its sound character.


Comfort: Although it has a slightly larger structure than its predecessors, it is very light. Its ergonomic structure and fit are very good and fits perfectly in the ear. It does not cause any problems during long-term listening. It is very suitable for daily use, does not shake in the ear and has a high sealing rate. You can use the version that suits you with the 3 pairs of tips included in the box.


Bass: When you first put it in your ears, it stands out with its direct bass. Thanks to its controlled structure,
It maintains its respect for other frequencies. The bass extension is also quite appropriate.
It becomes very enjoyable with electronic and Hip Hop music.


Mid: Wyvern Abyss With its slightly richer mids and warm structure, it plays the instruments cleanly and softly.
While it is more natural on female vocals, it sounds a little thicker on male vocals in some tracks.
However, the hum coming from the bass is felt in the front without leaving any behind.



Treble: After the rich midrange and perceptible bass, the treble remains a bit stagnant and lacks sparkle.
If you feel uncomfortable with extreme treble, Wyvern Abyss does not leave this safe haven.
The cymbals may be a little behind, a little sparkle would be better.



Conclusion: Considering its price, Wyvern Abyss is rich in design, comfortable and lightweight.
Daily use with deep and high bass, rich vocals and beautiful tones, calm trebles and wide stage.
It puts you in a much more advantageous position than your competitors.

The Kinera Celest Wyvern Abyss emerges as a budget-friendly IEM under $30, inspired by mythical creatures and aiming to captivate with its sound. Does this dragon-themed earphone soar high or leave you burnt out? Let's dive in and find out...



Accessories & Packaging:




Packaging is minimalistic, including the IEMs, a standard cable, a manual, and three sizes of silicone eartips. A pouch would be a nice addition, but considering the price, it's adequate

Design & Build Quality:



Forget mundane designs; the Wyvern Abyss flaunts captivating purple dragon scale faceplates that could easily grace higher-priced models. Built solidly, they surprisingly offer comfortable long-term wear despite their size.

The Wyvern Abyss leans towards a Warm sound profile. The Bass is rich and and full-bodied, verging on boomy without compromising control. Sub-bass has a satisfying rumble with a decent decay, ensuring clarity in the lower frequencies.

Mids take a slight step back but remain clear and smooth, offering enjoyable vocal rendition with decent energy. The upper mids add a touch of liveliness, though some may find it slightly harsh or recessed. Treble is laid-back yet smooth, lacking sparkle but avoiding any harshness, making it ideal for extended listening sessions.

Technical Aspect:

While not expansive, the soundstage provides a decent sense of space at this price point. Resolution and separation are decent, allowing instruments to breathe without significant congestion.

Amplification & Scaling:

The Wyvern Abyss shows improvement with better sources, enhancing overall technical performance beyond its budget constraints. like pairing with some neutral or warmer source is really a must, and changing some eartips to tames a bit the upper energy.

Final Thoughts:

Priced around $30, the Kinera Celest Wyvern Abyss offers an attractive package. Its eye-catching design, comfortable fit, and warm, engaging sound signature make it a solid choice for budget-conscious listeners seeking a fun and energetic audio experience.

Where to Buy: You can purchase the Wyvern from various online retailers, including HifiGo

My Rating:
- Low: ★★★★✮
- Mid: ★★★★☆
- High: ★★★★☆
- Technical: ★★★★☆ (4.7 /5)
{☆ 0 point, ✮ 0.5 point, ★ 1 point}

Celest Wyvern Abyss Review​

​

Celest Wyvern Abyss Review ​

Intro​

Hello, today I have one of the latest budget oriented iems from Celest Audio named the Celest Wyvern Abyss. Friends, I don’t know if you’ve been paying attention but the Wyvern series from Celest has been what some would consider “A pretty darn profitable venture” for the brand. Of course, what does Kinera/Celest/QOA do that isn’t profitable? Don’t answer that. Anyways, I have personally been pretty impressed by this series thus far although the only review I’ve conducted over one of the Wyvern series sets was the Celest Wyvern Pro (Wyvern Pro Review). However, I remember thinking “what a fun and underappreciated set this is”. The kicker is that the Wyvern Pro was promoted as being a gaming iem first when it should’ve been a music iem first that’s good for gaming too. That’s neither here nor there, but the Abyss does take from the Wyvern Pro’s foundation, and it seems to have built upon that template. Granted, at this point I’ve only spent a total of about 30 minutes with the Abyss in my ears. However, I like what they’ve done, that’s it. Already it seems like a solid choice for anyone who only has $25 to $30 to spend and enjoys a Harman-esque sound.

Nailed it!​

Folks, Celest has been making hit after hit of late. The budget wing of the Kinera brand seems to pull from all of those years of experience. Dedicated to those who don’t have money falling out of their pants pockets. Time after time they’ve successfully crafted unique and artistically crafted products which have hit most every price point under $200. The cool part is that they’ve done so convincingly well. I’ve reviewed a number of their products and have enjoyed them all. I reviewed the Celest Wyvern Pro (Wyvern Pro Review) awhile back and like I said, it’s very good. Also, the Pandamon (Pandamon Review), the Pandamon 2.0 (Pandamon 2.0 Review), the Celest Phoenixcall (Phoenixcall Review), as well as the Celest Relentless (Relentless Review). Granted, that is not some huge tally of sets. But guess what, they are five out of five for me… up to this point anyways. 5 for 5 in my recommendations is dope. Folks, I can’t tell you how many sets I turn away because I don’t like them and the fact that Celest has hit so often for my preferences is nice to see.

It’s all in the name​

Always one of the coolest attachments to a Kinera, Queen of Audio, or a Celest set is that they’re named after… something. They have an identity, a correlated theme which is supposed to embody their products. Their build, design, and tuning are always centered around each set’s indibidual theme. That theme could be the Wyvern which is a Chinese mythological god. Or the Kinera Hodur for instance which is another good story centered around a god who is the son of Odin, with a long and drawn-out story and the theme fits the earphones. The Celest Relentless is the story of Lass who under a very unfortunate situation becomes transformed into a bird named, you guessed it… Relentless. Each set holds these storylines, these plots, which form the foundation of how Celest, Kinera, or QOA goes about the construction, design, the artwork, the accessories and finally the actual sound of these sets. Who in thee world couldn’t get behind that. It’s certainly better than giving a set a nondescript and pointless name, like a number name. They operate a bit differently as the quality, care, and passion they seem to provide each product is beyond obvious.

Competition​

Of course, there are a number of iems in and around the Wyvern Abyss’s price point. I figure between $20 and $40 is a good bracket for them. This is a hugely competitive area to play in. It’s especially difficult when the Abyss has sets like the Simgot EW200 (EW200 Review), 7hz Crinacle Zero 2, EPZ Q1 Pro (Q1 Pro Review), CCA Trio (Trio Review), Kiwi Ears Dolce and on, and on, and on. There are so many more to list, yet I feel you get the point. So, where does the Wyvern Abyss fit? Who is it for and is it worth the $25 to $30 that Celest is asking for it? These are questions I hope to answer in the review ahead. So, I think I’m ready, the Celest Wyvern Abyss everyone…

Non-Affiliated Purchasing Link:​

–HiFiGo

Disclaimer:​

I received the Celest Wyvern Abyss from HiFiGo as a review sample and in exchange I will conduct a full review and feature at Mobileaudiophile.com. I have not received any payment or any other form of compensation for this review. This set is a review sample iem. HiFiGo has not requested to pre-read any review and doesn’t have any control over “what” or “when” anything gets published to mobileaudiophile.com. All thoughts within this review are my own, though please take note that I will always have my own biases. This is impossible to get around. I try to be as objective as my subjective self can be, but this is an opinion piece folks. Thank you to the very kind people of BASN and thanks for reading.

Gear used for testing ​

–Ifi Go Blu

–EPZ TP50

–Simgot Dew4x

–Hidizs S8 Pro

–Aful SnowyNight

–Fiio Q15

–iBasso DX240 with Amp8 MK2

–Shanling M6 Ultra

Packaging & Accessories​

Unboxing​

Well, they can’t all be winners, I guess. It’s just that I was looking forward to seeing a usual Celest unboxing. Then I remembered this set costs $25 to $30 and it’s highly likely that they put all of their money and effort into the earphones themselves. At any rate, it isn’t the most lavish, but I forgive them. Also, I don’t really care at all. So, there’s that. Okay, so the box that arrived at my doorstep is very small in size. Similar in size to any $25 KZ set. It’s small. The box does have a sleeve, and on that sleeve is a picture of the Abyss. A darker shot which falls in line with the overall theme. You have some specs on the back as well, nothing out of the ordinary. Take off the sleeve and you’ll see a cool cardboard print out of the theme of the Abyss with a picture characterizing the Wyvern. Under that you’ll see a few baggies. One of those baggies includes the gorgeous Abyss earphones. The other baggies hold the cable as well as the eartips. There is some reading material inside which explains the story of Wyvern too. However, all in all there isn’t much. Still, the packaging will be very good for a newcomer to the hobby.

Eartips​

Celest provides some decent tips with the Abyss. They give you three pairs (S, M, L) of gray silicone tips. These tips have a wide bore, they’re shallow fit and they do have a reasonably firm flange. They seem nice for the Abyss. Now, I do feel that the wide bore is helpful with this set. Of course, I wouldn’t want to restrict the nozzle any more than you have to with how this set was tuned. For me anyways. I did end up swapping to the Fiio bass tips just because I found that the included tips simply didn’t seal very well in my ears. By the way, Fiio old school “Bass” tips are basically differently colored KBear 07 tips. I had to figit and play around with the included tips for too long. After a while I got them to seal up but the hassle of getting there pushed me to the 07’s. My default tips. The included tips aren’t a bad set, good for when you need them.

Cable​

The included cable is not my favorite. I suppose for the price it isn’t bad, I guess. I would’ve liked to have seen a slightly better cable, but functionality wise it is perfectly fine. Guys, I’m just a hair bit of a cable snob. I’m not going to lie. Listen, these cables, even at these low budget prices… can at least color match. The included cable is actually of decent quality and is the same cable we’ve seen with a few other sets over the last few years. To be exact it’s a 2-pin, twisted instead of braided, gray cable, 4-core, 24-strand, oxygen-free-copper cable and it terminates with a 3.5 single ended jack. This cable is simple, it’s lite, it’s not microphonic to a detrimental degree. It’s just not the nicest thing to look at when you have one of thee nicest looking iems that under $30 can get you. I instead went with a fat pitch-black fabric Faaeal 4.4 balanced cable 6N OCC copper cable which quite literally costs about $10-$12. It’s cheap but it looks amazing with the Abyss, and it actually sounds better than the included cable. At least to me it does. I think a lot has to do with the extra power afforded to balanced connections but that’s neither here nor there. Basically, this set should have come with a fat black cable such as this and it would have been perfect. However, I’m not complaining because the included cable does its job just fine. So basically, don’t listen to this moderate cable snob.

Build / Design / Internals / Fit ​

Build Quality​

Let’s talk about the build because it isn’t everyday you see a set so well-crafted within this price point. Made purely of 3D printed medical grade resin and one of the most gorgeous designs at any price point. There isn’t a rough edge in this set folks. It’s flawless and really a testament to Celest/Kinera and how much pride they put into the final product. Friends, this set is ergonomic in its build with the perfect shape for my ears. The nozzle is average size at around 6mm in width and average length as well. Not too deep fitting and not too shallow. Just a nicely made set. Very durable feeling in hand as well. I see one vent near the back of the Abyss and so some folks may have a suction problem though I never have. Just something to think about. Really a nicely made set and at this price I’m really impressed.

Design​

Oh, that design. I am easily hooked folks, I cannot lie. Yes, the sound has to be there first and foremost, but I can get sucked in by a well-designed set fairly easily. I respect it. Especially for a budget set. For a brand to go the extra mile on an ultra-budget price tag is saying something. I should also remind you that they did the exact same with the Wyvern Pro as well. Just a gorgeously designed set. Celest is one brand who pulls out all the stops and truly tries to wow with their iem designs. Excluding the 1st Pandamon. I don’t know what happened there. Still, the Abyss exemplifies the theme with which it’s supposed to embody. Dragons’ scales on dragon wings. Celest absolutely nailed this look! It’s dark, yet gorgeous with its subtle, yet not-so-subtle bright blue & purple hues which catch the eye with a certain candescent multi-color glow which changes as you move it in the light. It’ll go from blues to purples and always with the pitch-black background. The design on the faceplates does resemble something of a wing, to a degree. Or like dragon scales on a wing of sorts. Whatever it is, it’s dope. I haven’t been this impressed with a design of any budget set in a long time. Maybe the TRN Conch, Simgot EW200 and EPZ Q1 Pro do pretty well but I think this set sort of takes the cake for design language.

Internals​

Not much to report on here. So, the Wyvern Abyss takes from the success of the Wyvern Pro and carries the exact same driver inside. To be exact that’s a 10mm dynamic driver with an LCP (Liquid-Crystal-Polymer) diaphragm. Really that’s about it other than the fact that Celest states that it does have an upgraded acoustic housing or acoustic cavity. I cannot say this is for sure other than both the Wyvern Pro and Wyvern Abyss have darn near identical graphs, but the Abyss does sound better. So, take that for what you will. Nice driver though.

Fit / Isolation​

I’ve already spoken about this, but the fit for me is really great. Granted I’m a horrible person to speak on this because almost all iems fit my ears great. It’s a good problem to have. For whatever reason I hear others complain about sets that I never have a problem with. I suppose some folks who routinely get suction in their ears when putting in some earphones may also have issues with this set. Personally, I don’t have that problem at all. Also, Isolation is better than most sets at this price. The Abyss has rather good passive noise isolation. Well, to the degree that a vented earphone can have passive noise control.





One of my favorite pairings with this set, the Fiio Q15 and the Celest Wyvern Abyss.

Drivability​

The Celest Wyvern Abyss is rated with an impedance of 32 ohms and a sensitivity of 105 db’s and comes across fairly sensitive. I would expect no less. Celest is all about selling budget gear, which usually caters to those who may not have the most powerful gear too. Of course that’s a gross generalization, but it checks out. The Abyss is easy to drive in just about anything I’ve tried it with. Even from the Fiio UTWS5, my iPad, etc. Basically, even not-so-powerful sources end up giving this set some good headroom in volume. So, you really don’t need some ultra powerful device powering this set. A wise choice by Celest. Well, or any brand selling budget gear. It should be easy to drive. Furthermore, it should also sound very good on low powered sources. Thankfully, Celest didn’t let you down.

Mobile Listening​

Out and about I usually use my Ifi Go Blu as it is my constant friend while hitting the market, going on walks, working around my house, cutting the grass and so on. I found that it obviously had way more than enough power. Now, I did use the Faaeal balanced cable. As I said earlier… for my balanced sources. The IFi Go Blu has a boatload of power behind it, plenty for any sensitive set. Also, tonalities meshed well between the two. My critical listening involves many different dongle dacs. Thankfully, I work my day job in a place which lets me listen darn near all day long if I want to and… I do. This allows me to really get good hours with these sets. Which also allows me to really get to know each earphone or audio device. On the same token, it allows me to test many different devices. After testing a bunch of devices, for me, I love the EPZ TP50 with this set. They just match each other so well. I also love the Moondrop Dawn 4.4, Simgot Dew4x, Hidizs S8 Pro Robin, Aful SnowyNight too. They all sound great with the Abyss. I don’t think that the Abyss requires a certain tonal color to your device (warm, cool, bright etc.) as it hovers near warm/neutral and hits a nice synergy with most devices. However, something just hits different with the EPZ TP50 for me. Maybe it’s all in my head but I used that set attached to the Abyss for… Days!

More juice​

I do feel that more power does help to bring the Abyss to a better place sonically. Kind of. It’s not some night and day difference folks. I really don’t feel you need something with a full watt of power juicing your listening session. I feel the spectrum tightens up to a marginal degree. Bass becomes a bit denser, faster, more dynamic. The midrange seems to be a hair better controlled too. Nothing earth shattering but, they are good changes, nonetheless. I used the Shanling M6 Ultra for most of my dap listening as it just hit a sweet spot for me. I also used my iBasso DX240 with Amp8 MK2 a little, and the Fiio Q15 a little too and they both sounded great, no complaints at all. However, the warm M6 Ultra really gave this set some added authority in certain regions as well as very good resolving ability and was by far my most joyful listening experience of any device I have on hand.

What do you need? ​

All you really need is a source which works for you. That could mean phone, dongle dac, dap, whatever. Any should do. Most ‘any set’ should scale (at least a little bit) with power, but even more so to the sonic ability and capabilities of your source, so bare that in mind because the Abyss seems to scale nicely. Of course, a better source will in turn help your earphones sound better. However, I feel you really only need (at most) a decent dongle dac. You can get dongle dacs very cheap anymore. Something like the EPZ TP20 Pro, Moondrop Dawn 4.4 and about a hundred other fairly cheaper dongle dacs will really help your Abyss come alive. If you cannot afford that than a simple phone should do the trick quite well.

Sound Impressions​

The Celest Wyvern Abyss is taken from the exact same mold as its predecessor, the Celest Wyvern Pro. Looking at the graph you’d almost think they were the same set. I mean, they are certainly close, don’t get me wrong. However, the Abyss does sound like an upgrade for me. In a few key areas actually. Despite that, this isn’t a comparison review. The Abyss is a fun sounding set. Born from the Harman curve with some subtle differences, yet close enough to lump it in I’d think. So, it’s a V-shaped set which does have an element of macro-dynamics brought on from the larger sub-bass as well as the energy in the upper mids. I find the Abyss is warm/neutral with a smooth sound… almost across the board. Again, I hear a boosted sub-bass and a boosted upper midrange/lower treble which makes for a dynamic sound and a very fun sound that never goes overboard. Nicely emphasized in strategic places for a nicely controlled sound which is also… Fun. Something you don’t see all the time in budget sets. So yes, I hear a smooth sound that carries some decent note weight. Without question, it is not thin sounding. There is some boost in the mid-bass which spills over into the midrange and does add a little bit of warmth and weight to midrange notes. Honestly, this is a well-tuned set. I think Celest drew on the success of the Wyvern Pro and simply refined that sound a bit.

Condensed Sound Between the 20’s​

Beginning with the bass, it runs deep, it’s well extended too. The mid-bass has some good impact and can slam, yet without becoming a burden to the overall sound. Certainly not basshead, and never a detriment to other frequencies, at least for my tastes. The midrange has a hint of a recession towards the low-mids and moves forward as you go up into the upper midrange. You have a slightly warmer and fuller low-mids and more shimmery and elevated upper midrange. The Abyss has more of an organic hue to the sound yet certainly colored in certain areas, so it isn’t perfectly natural. Not completely unnatural either. The treble has some decent energy and extension into the upper treble. This is not some treble heads dream though, as the Abyss offers just enough treble energy to uplift the overall sound a bit and add some sparkle here and there. To be honest this set has a nice dynamic balance with some minimal subjective gripes overall. Really, it’s a nice set for $29. Let’s check out each 3rd of the mix shall we…

Bass Region​

For a budget iem price under $30 I find the bass to be very engaging, dynamic even. You have these deep lows with good extension in the lowest of those lows as well as a healthy punch and slam. I say healthy because it isn’t sloppy for the price. It’s rather clean for a larger and more ample sized bass. With that said, I wouldn’t expect something ultra snappy and detailed, and I wouldn’t expect something with lightning-fast transients either. However, there is an engagement factor as there’s nice density down low and so every haptic boom which comes through has a solid foundation. It isn’t weak and willow. You hear nothing soft on this set folks. I don’t think it steps into basshead territory, but I could probably say without skipping a beat that the low-end has a very satisfying emphasis for people who enjoy a nicely laid out low-end with good authority. The Abyss has a nicely carved out presence for the price (you’ll see “for the price” a lot).

Sub-bass​

The sub-bass is the type which digs pretty deep and can rumble with a good vibratory drone when called upon. The Abyss’s 10 mm Dynamic Driver is doing a nice job at creating what I feel is the cornerstone to this tuning. Certainly, there’s some upper mid energy to counter to which the Abyss’s low-end is perfectly able to do so. But I feel one of the focal points of this set is the sub-bass. That said, the sub levels of the bass aren’t the type to muddy the mid-bass in my estimation. I’m sure others feel differently, but it simply isn’t an unkempt sub-bass that is too bulbous to get out of its own way. Rather… It’s kinda… Kempt. “Mancey” by Andrew Bird centers the song around some pretty meaty and resonant sub-bass bass guitar growls, which need some low droning and juddering energy that can attack and decay at a decent clip while keeping that concrete solidity and also keeping some decent timbre too. The Abyss does all of that. Or “Where Are Your Kids Tonight?” by CMAT. Another track that excels in the Abyss as the rest of the Melody is nicely separated from the meaty and haptic sub-bass. It’s emphasized, it’s authoritative and it’s fun.

Mid-bass​

The Wyvern Pro wasn’t exactly lacking mid-bass punch, but it didn’t express itself with it either, or some instruments felt lacking a hair. Or maybe just not as vibrant in their presence. Not with the Abyss. The Abyss has a clean yet hardy punch for a set costing under $30. This isn’t a muddy sound at all but instead the Abyss carries the type of mid-bass energy that bolsters instruments, adds weight, creates an impactful vibrance to bass drops, kick drums and adds body to bass guitars. It does all of this without mucking up the spectrum. Transients come and go with a more natural speed as the attack is marginally soft while the decay sounds somewhat atmospheric. Not slow with lagging harmonics and not ultra snappy either. In this sense it’s organic to my ears. Also, with a budget set housing a 10mm DD, which does have a healthy 10db bass shelf, it’d stand to reason that it isn’t the speediest of bass deliveries. That said, it is a nice one. The Turnpike Troubadours have a track “Three More Days” which has a hearty bass guitar when listening through the Abyss. It’s full, it’s edgy, it’s guttural and it’s not so overbearing that it masks the rest of the mix. Also “Am I Dreaming” by Metro Boomin on his Across the Spiderverse album just gets dirty on the Abyss. In a good way. Note outlines are clean and never too pervasive that they create a mishmash of bass energy. Really a clean sound down low for a larger bass emphasis.

Downsides to the Bass Region​

The downsides here would be the emphasis. Obviously, those who don’t enjoy a larger bass shelf are probably not going to enjoy the sound down low on the Abyss. On the flip, also bassheads will likely not be thrilled. At least not enough to pony up the money to own this set. Beyond that, there are very small subjective and entirely picky nitpicks in the way the attack is kind of on the softer side, slightly wider in presence at times, not as concise as more expensive sets. In the same breath, did I expect anything different? No, I didn’t. Honestly, I’m impressed by the output here and I can enjoy the bass region for what it is. It’s a good bass folks. Heavy, meaty, authoritative but also clean enough to not sound blurred, or one noted. Not bad.

Midrange​

Listening to the Abyss I found it to be pretty impressive in the midrange. Well, at least as impressive as a midrange can sound for a $30 V-shaped… err…Harman-ish style set can sound. I do hear a bit of a recession which should be expected, but by all means, it isn’t one which is so pushed back into the sound field that instruments or voices sound out of place. I think we’re “mostly done” with those out-of-date tunings. Especially coming from brands such as Celest/Kinera. In truth, I hear a very engaging, pleasant, and a very compelling midrange for the price which won’t cause any undue irritation through any wild peaks.

Nice for the price​

The midrange also has nice note weight. Skewed to the leaner side of lush, but density within those notes is nice. Typically, Harman sets don’t exactly have that warmth and weight of the more enthralling and warmly weighted tunings. However, on the Abyss, the bass pushes just a touch into this region adding that warmth to a set which already has nice mass to its notes. It isn’t weak, dry, papery, or anemic sounding. To add to that, this midrange isn’t boring either. This set has some life to it, some macro-dynamic expression, some buoyancy, some energy. And it all comes from the upper-mids to lower treble bringing levity to the sound. I feel the midrange on the Celest Abyss is right dab smack in the middle of a very nice game of tug-o-war between the bass and the upper-mid/lower treble regions and it really does help this set in all the right ways. By the way, when I say energy and buoyancy, I’m silly saying that it isn’t some flat and deadpan listen with the murkiness of veil shrouding over the entirety of the mids like so many sets have plenty of. Celest tuned this set very well. Certainly not perfect and it certainly has some issues which I hope to speak on so that you’ll understand me, but still nice for the price.

Lower-midrange​

Looking at the lower-mids I’d have to say that this region is probably the weakest point to this set for me. As if that’s a bad thing. Honestly, they sound pretty good. This is the area where the only slight recession resides, and most will hardly even notice. I say that because the low-mids still have that warmth and subtle weight which does give this region some presence, or a richer occupancy within the sound field. It isn’t the most vibrant and luminous, but males come across decent to good. Some tracks are better than others in my opinion. Tracks like Chris Stapleton in “Tennessee Whiskey” don’t really have that energy against the rest of the mix in less energetic portions of the song. However, as his voice raises in pitch it also comes across more forward and out front. Timbre isn’t bad either. Celest kept this tuning more towards the organic side of things. Less analytically engaging and more musically engaging. I could use a hint more magnitude forwardness to a minimal degree but really, I feel males and lower-midrange instruments sound fine.

Upper-Midrange​

Now, the upper-mids you’ll begin to see some more forward style energy add some dynamism to the sound. In the midst of that dynamism the Abyss also provides a nice note body. So, it isn’t thin and bright, or too glaring. Females have just enough shimmer to glitter bomb some female voices, so-to-speak. Okay that was a horrible analogy. Basically, females have some levity to their voices, they are uplifted rather than dull. There’s a sprightliness to the sound. Percussion snaps on attack, piano has some resounding qualities, strings have that bite to them. This region brings to the table some much needed energy in my opinion. For instance, Kacey Musgraves in the track “Deeper Well” has an almost engaging feel to it as the note body is a very nice semi-rich sound, and the density is there to bring upon a more emotional quality to the song. Yet more energetic tracks like “High” by Caitlyn Smith adds a bit more vivaciousness when listening with the Abyss. I do hear some congestion in the chorus (which is expected) but separation of instruments & vocals is very nice outside of that. Now, timbre isn’t always perfect but mostly the Abyss’s upper-mids come across as energetic enough which does skew the timbre a hair less organic. Not bad though and not completely artificial sounding. Females sound very nice for a $30 set.

Musical​

Beyond that, details within the midrange are average with average separation of instruments. You really shouldn’t expect the Abyss to be some sort of detail monster with this tuning at this price. I feel the Abyss leans more musical than anything, putting more emphasis on feeling and creating a mood in my music rather than illuminating every last detail. I suppose it all comes down to what you prefer.

Downsides to the Midrange​

I would say that the midrange isn’t as transparent, crisp, snappy, separated and pristine style clean as some would like. This is not an analytically tuned iem. Transients don’t come and go with the speediest of decay. That said, I don’t think anyone was claiming they would. This set is musicality first in my opinion and it simply isn’t tuned to bring out all of the minutia and subtle little details. Now that I’ve said that I’d also say the Abyss isn’t bad in this regard either. You just have to know what you’re getting. Also, the Abyss has good note weight, but it isn’t some ultra rich sounding set either. Those who adore a warm to dark sound with a syrupy style note delivery will not be happy with this set. I’d also say that the upper midrange may be a bit much for some, maybe a bit too much of a pinna rise bringing upon too much glare. Personally, I don’t find this set to be shouty, but we all have different thresholds in this regard. The lower-mids may be a hair too recessed for vocal lovers or mid-centric types and the upper mids may be a hair too artificial for some. Again, I really don’t consider this set to be artificial but organic timbre lovers may not be totally happy with this area. Truthfully, I find the midrange to be a nice rendition of semi-lush and musical with nice timbre for a $30 set and easily one of the more engaging iems within this price point.

Treble Region​

The treble region is pretty nice in that it fits a certain segment of the Audio population very nicely. Those who would rather not turn the volume down due to sensitivity in this region. Now, don’t expect some treble-heads paradise or anything, but the highs on this set do provide a slight lift to the spectrum. Celest made sure to counter the bass region’s emphasis by boosting the treble just enough to form a nice dynamic balance. I wouldn’t call the Abyss’s treble rolled-off as there is some decent extension but to those who enjoy a more vivacious sound up top will likely declare this set rolled-off a bit too early. In my opinion this is a smoother treble, not as crunchy and crisp as some would like, but there are adequate amounts of transparency I suppose. Enough to illuminate the mix just enough to provide some levity to the overall sound of this set. Good for a $30 iem as it offers a treble region that isn’t fatiguing or taxing to my ears. I could use a little more bite, a bit more of a treble punch, a hint more vibrancy and it would’ve been nice to hear a bit more air to the sound, but note weight is good and like I mentioned, extension is pretty nice as well.

Just enough​

Obviously, there are some sets within the price point which are tuned to really enhance this region and some of those sets do stand out quite well with a very transparent and clean-lined sound, even sparkly. The Abyss isn’t exactly that. Still, to achieve the charm that this set does provide, I feel that Celest tuned the treble to have just enough of a lift. Nothing forced and no ear gouging peaks, nothing shrill sounding either. It’s just enough to add some low-level vibrance for me and to provide at least average resolution. Of course, I have zero idea what “average” actually means, but it sounds good. Let’s put it this way, the sound isn’t dark, veiled or congested in any way. To add to that, the treble also isn’t very sparkly with less effulgent brilliance than some would like. That’s not to say there is no sparkle either. Again, just enough to add a slight hint of shimmer and air.

Downsides to the Treble Region​

I think the issues located in the Abyss’s treble region have already been spelled out. Again, this set is not for treble heads. Not even for those who moderately enjoy some treble brilliance. However, there’s something to be said of a smooth and non-offensive treble and the way that style of tuning impacts the rest of the mix. It’s easy going, usually better body to notes, more of a relaxed listen. At any rate, not everyone will be too thrilled with the tuning here. Despite that, I do feel the highs on the Abyss have good control with a realistic body up top and just enough of a treble bite and crispness to give some dimension to instruments. What can I say folks, it’s relaxed and easy going and I know there are many who are fans of that.

Technicalities​

Soundstage​

When listening to the Celest Wyvern Abyss I found that the soundstage is pretty nice for what it is. While I don’t feel the width is anything other than average, I don’t hear anything congested or cramped. There’s nothing which would indicate that the sound field is compromised… or odd sounding. The sound field in general is a bit more intimate and up close to the listener. Regardless, I also feel there is adequate space too. I find nothing to be an issue here. There is average width I’d say, average height, and decent depth to the sound. Not enough depth to call this set a “budget layering king” or anything, but there’s depth. Nothing that will blow anyone’s mind but spacious enough to provide a somewhat open sound and not a sound field which feels constrained. Basically, the soundstage is pretty good.

Separation / Imaging ​

Now separation of instruments and vocals isn’t exactly the Abyss’s strong suit, but it is good. The sound is pretty clean and there is space between instruments in my opinion. That said, there are some instances when the sound does begin to cramp. Those instances being when I listen to a very complicated or congested tracks. Beyond those tracks I feel that the Abyss does a nice job separating the elements. Yes, the note weight is a bit more robust, and yes resolution isn’t perfect. However, I do generally hear a clean sound and just enough space to create a nice psycho-acoustic image. Definitely not bad for a $30 set which features a bass boost and non-offensive treble. Imaging is also pretty darn good for me. The Wyvern Pro had nice imaging, and this set does follow suit to a degree. Originally this series was meant for gaming first and so that DNA has stuck. I really don’t hear many issues as far as imaging is concerned. Perhaps on bass heavy tracks you may hear a hint of confusion of the sound field and of course with congested tracks, but for the most part the Abyss sounds great.

Detail Retrieval ​

Honestly, the detail retrieval on the Celest Abyss is better than I expected and a slight step up from the Wyvern Pro. My opinion of course, you may feel different. Note definition is fairly easy to distinguish, separation isn’t bad at all, the sound has a relative balance to it, I don’t hear a veil either, and so long as the bass isn’t booming out of control then the detail illumination is pretty nice. But seriously folks, remember that this is a $30 set and Celest wasn’t trying to create some marvel of detail retrieval. This is supposed to be a fun set, a good first iem, a solid tuning with a lot of good musicality. This was not tuned to extract all of the subtleties in your music. So, I’d say it’s a nice accident that the Abyss is actually decent in this regard. Also, nothing with Celest is by accident, they do good work.

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Comparisons​

EPZ Q1 Pro ($35)​

I reviewed the EPZ Q1 Pro late last year I believe (Q1 Pro Review), and I declared it one of the best budget sets I’ve heard up to that point. Truly a special set that is still my first recommendation under $40. I hate to set up this comparison in this fashion as I’m not trying to establish which is the better set, but instead I want to explain the set I’m reviewing from a different angle. The Q1 Pro is actually tuned very close to the Wyvern Abyss. Very close graph, close in almost all regards actually. But I’m getting ahead of myself. Anyways, the Q1 Pro is a single DD with a 10 mm LCP diaphragm, gorgeous from any angle, can take on some more expensive sets fairly easily and is pretty widely acclaimed as an absolute beast at its price.

Differences​

To begin, both sets are built using all resin, but the Abyss is simply built a bit sturdier (for lack of a better word). Personally, I also feel the Abyss is the better-looking set too. However, both are stunners. The Q1 Pro has a slight bit better unboxing, better cable, both have good tips, and the Q1 Pro comes with a carrying pouch. The Abyss and the Q1 Pro are roughly about the same size. Though the Abyss is a hair less teardrop shaped, and narrower I’d say. Oddly enough, both sets use a 10mm LCP DD and both sets should be considered at their relative price points for any prospective buyers. Of course, the Q1 Pro is a few bucks more in price, but these two sets really compete well against each other.

Sound Differences​

As I go back and forth between these two sets, I have found the Abyss to come across warmer than the Q1 Pro. The Q1 Pro sounds a bit more natural to my ears as well. Of course, there is no quantitative way to declare anything “more natural” so take that for what it is. However, the Abyss has a smoother sound whereas the Q1 Pro is more snappy, quicker transients, better in detail retrieval in my opinion. Remember, these are slight differences folks. The bass is more bulbous, full and heavy on the Abyss with a more atmospheric decay while the Q1 Pro has better definition in this area. Q1 Pro simply comes across a hint more agile but less emphasized, even though the graph may tell you different. I find the midrange to sound a hint more forward on the Q1 Pro, but also slightly less rich in note weight. Details are a hint better on the Q1 Pro while the Abyss sounds a bit more musical to my ears. The treble sounds more energetic on the Q1 Pro, more transparent, crisper, more crunch, and brighter by a small margin. However, both sets have decent-to-good extension into the upper treble. Most certainly those folks who want a more relaxed & smooth treble will find the Abyss more appealing. I find both sets have a nice stage, both sets are nice for detail retrieval (the Q1 Pro is a hair better), while the Q1 Pro has better instrument separation, and both have fairly good imaging for their prices.

Final thoughts on this comparison​

Looking back at my comparison it looks like a one-sided victory for the Q1 Pro. Now, I kind of agree with that. However, the Abyss is cheaper, built better, looks better and sounds similar to the Q1 Pro, albeit warmer, bassier, and not as airy. I’d even say the Abyss is the creamier and more musical set. Granted, I feel that most folks would choose the Q1 Pro as it’ll likely fit more people’s preferences along with the fact that it is more of an all-rounder type set. Anyways, both are fantastic iems under $40 both should be highly considered under $40.

Is it worth the asking price? ​

This is a simple answer friends! Without question the Celest Wyvern Abyss is worth the $25 to $29 that HiFiGo is asking for. Without question! This is a blind buy type set for anyone wanting to check out an iem for the first time or simply for those folks who like to collect iems. Shoot, some folks may just like things which look dope. Either way, yes, the Abyss is worth every last penny.

The Why… ​

Because the Celest Wyvern Abyss is built like an absolute stud! Not only is it built well, but it looks better than most sets under $150. This design is really great. I’d stack it up against almost any set purely for aesthetic. It’s creative, it follows the theme perfectly and it looks real fly in the ear. Beyond the looks, this set also sounds very good for the price. From my perspective I don’t think you’ll find many which can easily compete against it. So long as the sound signature seems like something which would suit you, I really don’t think you can go wrong. Anyways, the bass is heavy, but not too heavy. It’s well defined, clean enough and adds some very nice haptic rumble to any track. The midrange has a nicely musical presentation which shows off some upper mid shimmer on female vocalists & a nice technical performance for a V-shaped / Harmon set with thicker note weight. The stage is laid out nice, nothing congested, good separation, nice detail retrieval. Really, it’s a good set and I have had a great time reviewing it.

Deserves the flowers​

The Celest Wyvern Abyss is certainly in the conversation for one of the best to carry this specific type of sound signature within the budget space. Without a doubt it is not going to fit everyone’s listening style or favored sound profile. That’s just the nature of the hobby. I am giving this set its flowers though…because it deserves it. Celest deserves it. Is it the best budget iem? Um, the best doesn’t exist. The best only becomes a reality for each individual person or hobbyist. We are all so very different friends. So, for this very particular type of sound I feel comfortable declaring the Abyss “one of the best that you can buy under $40”. Is there a better musicality-first iem under $40? Probably, maybe. Again, it’s up to the consumer to fall in line with this sound signature. I say all of that to postulate that a budget set like the Abyss has the opportunity to be one of the most lauded bassy, fun, and musical sets within the price point. Now, whether that shows true or whether folks don’t see this set as I do is the real determining factor. Despite that, the Celest Wyvern Abyss is most certainly worth the $29 that Celest is asking.

Ratings (0-10)​

Note: all ratings are based upon my subjective judgment. These ratings are garnered against either similarly priced sets or with similar driver implementations or styles with the unique parameters of my choosing. In the case of the Celest Wyvern Abyss ratings below, that would be $20-$40 iems with any driver configuration. Please remember that “ratings” don’t tell the whole story. This leaves out nuance and a number of other qualities which make an iem what it is. A “5-6” is roughly average and please take into consideration the “lot” of iems these ratings are gathered against. $20-$40 US hybrid iems is an enormous sized scope of iems, and it’s also extremely competitive. It should mean something pretty special to see a rating above a “9.0”. My ratings are never the same and each set of ratings tells a different story. Each time you read one of my ratings will be unique to that review. Basically, I create a Rating that makes sense to me.

Aesthetic ​

–Build Quality: 9.2 Built very well.

–Look: 9.9 One of the best out there.

–Fit/Comfort: 9.5 Fit and comfort is great for me.

–Accessories: 7.8 Decent tips, cable.

–Overall: 9.3

Sound Rating ​

–Timbre: 9.1 Very nice timbre.

–Bass: 9.4 Big, extended, deep, it slams.

–Midrange: 9.0 Musical, engaging.

–Treble: 7.4 Non-fatiguing, smooth, safe.

–Technicalities: 7.9 Technically good for the sound sig.

–Musicality: 9.5 Very musical sound.

–Overall: 8.7

Ratings Summary:​

I feel that the ratings above don’t truly indicate just how nice the Wyvern Abyss is. This is another rating session that doesn’t seem to show up in individual categories quite as well as simply judging the Abyss as a whole. As in, if I were to simply put the Abyss in my ears, listen, and rate… It’d have a much higher score. The Abyss puts it all together well. I suppose there is something to the old adage “Jack of all trades, master of none”. However, when I look at the Abyss as a whole, as a complete package within its price point, I would think it’s closer to 9.0+ in “Overall Sound”. I certainly feel it’s one of the better sets in its price point for simple musicality. However, individual ratings aren’t really as high compared to the 12 other sets I have laid out before me. As always, I averaged the scores and an “8.7” is what you get. Still, no matter the rating, the Abyss is really a nice purchase if the sound signature agrees with you.

Explain Yourself! ​

I don’t feel there’s anything to explain. Not really anyways. I could always add in the “Bass” rating into this argument as that region is simply one which invites mild anger. I don’t know why. The fact of the matter is, I believe a “9.4” qualifies for this set. It isn’t the fastest, snappiest, most guttural or deep but it is a little of all of those things. For me it came down to how emphasized the bass is in relation to how clean it is. Between $20 to $40 that’s a 9.4 for me. I could also see “Musicality” being a problem for some and that’s just because there isn’t any qualified way to measure it. Musicality is left up to the ear of the beholder. Everything else checks out. In my opinion anyways but feel free to message me or comment below if you have any questions or complaints. An “8.7” isn’t high enough for me with this set but sometimes this is just how it pans out.

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Conclusion ​

To conclude my full written review of the Celest Wyvern Abyss, I want to first thank HiFiGo for providing this set in exchange for a full feature at Mobileaudiophile.com. HiFiGo is one of those audio stores which have been a mainstay in my review life, and they’ve always been very good to me. Not just because of samples either. It’s more than that. I get samples from many places. What I like is the help they provide and how easy it is to deal with the reps. Just sweet people. I also want to thank you, the reader. Without you our website would not be going today. It’s because of your clicks that we are still going, and I promise each member of our team will continue to do our absolute best to review in a way that is helpful to the consumer.

Different Perspectives ​

One more thing, please check out other thoughts of the Celest Wyvern Abyss. It will do you so much good to be educated in how many people feel about this set. I am only one-man folks. So do yourself a favor and read, watch, or listen to other reviews of the Abyss. With that, I think I’m finished. Please take good care, each and every one of you. Stay as safe as possible and always… God Bless!

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Disclaimer:​

The Kinera Wyvern Abyss was sent to me as a review sample from HiFIGO, for which I thank them!

This time, the product can be classified as entry-level. I have never tried a cheap product from Celest, but the presence of a 10mm LCP driver doesn’t make it too economical.

My review is late as usual, but I also received the IEM after all the other reviewers, and between one thing and another, perhaps the hype has already passed.

However, the review will still be 100% honest and, in no way, biased.

I’m not an audiophile; I’m just a guy that likes to test out different IEMs and DACs and spends a lot of time listening to music.

So I’m not going to use super-technical words to review it, but I will do my best to describe it.

Tech Specs:​

• 10mm LCP Diaphragm Dynamic Driver.
• Impedance: 32Ω.
• Sensitivity: 105dB.
• Frequency Response Range: 20 Hz–20 kHz.
• Connector Type: 0.78mm 2-pin.
• Termination Plug: 3.5mm.

Packaging:​

Plastic bag and manual
The packaging is one of the most basic, but it is still nice and sufficient. A card tells us the story behind the choice of the name. Below, we find some small bags:

• The Celeset Wyvern Abyss
• The cable
• The tips (identical to SS20)
• Manual

We can’t say that the unboxing is exciting, but on a similar product, what matters is the sound. The cable is a little too soft for my taste but particularly nice, and the tips are good but not totally suitable for use with the IEM in question. Personally, I have no problem with the nozzle even when using wide bore tips similar to the originals, but many of you may need a few extra millimeters, which can be recovered with classic tips.

Design/Build quality:​

The Celest Wyvern Abyss has shapes already seen in the Wyvern series, a classic shape that is almost always good. Qualitatively speaking, they are vaguely reminiscent of the Plutus Beast, but the resin is lighter, and the drivers are also less heavy. We only have one ventilation hole in the rear part of the shell. Honestly, they are very light, but I wouldn’t say fragile (at least, I hope). The faceplates are really very beautiful, especially in sunlight; they actually resemble the skin of a dragon. The nozzle is slightly short, which is why the included tips are not necessarily ideal.

In the entire shell, I only noticed one ventilation hole. Unfortunately, peeking inside is impossible due to the very dark resin. I would have liked to glimpse the driver or the internal structure.

Comfort/Fit:​

In terms of comfort, the shell shape is quite standard and universal. The only thing slightly different is the length of the nozzle, which is shorter than usual. The problem is easily circumvented with tips other than those included. In my case, I didn’t have any problems even using widebore tips, so the fit depends extremely on the shape of your ear. As far as comfort is concerned, it is an ultra-light IEM that does not create any pressure points on the ear.

Initial sound impression:​

First impressions, I would say, are positive, especially taking into account the price at which they are offered. The tuning is certainly very attractive without having extreme peaks on the highs. Let’s say that it is nothing new but that the recipe works, especially if the price at which it is offered is interesting. The iem has a balanced and warm sound; the trebles perhaps need something more. At first glance, the separation seems excellent.

Tips Rolling?​

Tips Rolling
I absolutely advise you to try alternative tips. If you don’t want to spend more money, any tips coming from other IEMs are definitely worth a try. I did not do much tip-rolling this time because I immediately stopped on the Tangzu Sancai Widebore. Remaining in the economical range, I recommend the 07 model tips (you can find them under different brands), the Divinus Velvet, or the Tri Clarion.

Equipment was used for the testing above:​

Device:

• OSX
• Redmi Note 7 Snapdragon
• Poco M4 Pro

Software:

• Spotify
• Amazon music UHD 24bit 96kHz (Both)

DAC:

• Moondrop Dawn Pro
• Fosi SK02 (most used)
• Fiio KA11
• Fiio KA17
• Fosi DS2
• Simgot Dew4x
• EPZ TP20 Pro
• Hidizs S9 Pro Plus
• EPZ TP50
• Creative SoundBlaster X5

Final sound impression:​

I left the Celest Wyvern Abyss to do a minimum burn-in, and in the meantime, I reset my ears from the previous review of the Tiandirehne TD08 Pro. My initial impressions were largely confirmed; the 10mm driver with LCP diaphragm handles it well. If you consider that they cost the same as a KZ IEM, I think there are no doubts about which ones to buy. The build quality is excellent, and the cable is actually very flexible (very soft), but this is not necessarily a bad thing. Like I said, just be careful of the nozzle. The compressive shape vaguely reminds me of the Hifiman Svanar Wireless, but fortunately the nozzle allows you to play with any tips.


Treble

The trebles for the price range are exceptional; they are never harsh or sibilant. The details emerge easily, a discreet presence of sparkles; perhaps I would have added a little more air and sparkles. An IEM with very quiet tuning to be able to please a wide audience (which is why it is nothing new).

Mids

At high volumes, it can actually become a bit shouty in some tracks. It’s not always totally quiet, as it seemed to me at first, but it still has mids with a very pleasant tonality. Occasionally, on very complex tracks, there is bleeding—not excessively, but it is there. However, a clear midrange representation is rich in detail, with a tonality of both male and female voices.

Bass

They are present, full, and well defined, but not overly emphasized. Making the headphones suitable for different musical genres. Although the quantity is not exaggerated, they are appreciated for the quality. The sub-bass is very good, which further emphasizes the perception of the bass, which has that tangibility. You don’t often hear such quality in this price range.

Soundstage/Separation/Imaging:​

The Celest Wyvern Abyss does very well in imaging, but as regards the soundstage, it is not impressive; it is average, and the sound comes out a little beyond your ears except for a few details. On separation, it does well, but on complex tracks, you can hear their limits. Improvements can be felt using tips similar to BGVP 07 or Divinus Velvet.

Comparison:​

I don’t currently have many budget models to compare it to. Or rather, I have several but not recent ones, so if you want other comparisons, try asking me.

vs EPZ Q1 Pro​

The IEM that comes closest to the Celest Wyvern Abyss is certainly the EPZ Q1 Pro. Honestly, the quality of the EPZ shell seems superior to mine; they weigh more and seem more resistant. The nozzle is made of metal and has a classic length; the cable is slightly better to the touch. In terms of sound and technical aspects, the EPZ is brighter, more detailed, and more technical. It’s up to personal taste, but the tuning of the Celest is probably more smooth and warmer and is more appreciated.

vs Tiandirenhe TD08Pro


A comparison could be made with the Tiandirenhe TD08 Pro that I listened to before these. At first glance, the bass is clearly superior, and bassheads are certainly happy. Very V-shaped signature compared to the Celest; in the mids, they struggle a little, but at the same time, I manage to keep the trebles particularly energetic and lively. It’s not a dark, energyless sound. For my personal taste, I prefer them, but actually, the trebles might be too much for some, but there are also foam tips included in the package. Not bad, right?

A lot of stock accessories are included in the package. I personally appreciate them a lot, even if they are not the most resolute, and in terms of technicality, the Celest are probably superior.

Conclusion:​

Sets like the Celest Wyvern Abyss are always welcome. Those who are new to this hobby or simply looking for something to use without worries every day can take home similar IEMs with extremely low prices without sacrificing sound performance at all. Obviously, we are not faced with anything particularly revolutionary in terms of sound signature, but in this price range, you struggle to find cons.

The cable is not the best, but it does its job, and if it breaks, you can always upgrade. The eartips, on the other hand, are not exactly right for the model. Looking around on Hifigo, I noticed that they sell them combined with the Divinus Velvet, but obviously you have to pay more. It’s up to you to decide if it’s worth it.

I apologize for the lower quality of the photos, but artificial lighting does not perform as well as natural lighting, and the heat is unbearable during this time.

Where to buy & more info (no affiliate link):​

• Hifigo Official Website

​

Kinera Celest Wyvern Abyss
1DD
$26

Before I start this review let me thank HiFiGO for providing me with the unit for review.
Rest assured, all of my reviews are 100% my own personal opinion.

If you're interested on this IEM you can get it here : https://hifigo.com/products/kinera-celest-wyvern-abyss

Unboxing
Build Quality

The Wyvern Abyss looks really beautiful in real life, it's made from resin and its faceplate has a dragon scale design which looks really cool in my opinion.


The cable itself is just OK, functional, nothing special, not that easy to get tangled but that's it.
It uses 0.78mm and terminated in 3.5mm

Comfort
The Wyvern Abyss is really comfortable, it fits like a glove, one of the most comfortable IEM for long listening sessions that I have for sure.

Sound

Tested using POCO M6 Pro, FIIO KB3, FIIO K11 R2R
Sound is mostly from Apple Music (J-POP, J-Rock, Anisong, EDM, Rap, Metal, Jazz)

Tonality in general : Harman-ish

Bass : The Wyvern Abyss bass presentation is just like Harman target tuning with just a tiny bit extra mid-bass boost to add more body and punch to its presentation. I found the bass of Wyvern Abyss to be all rounder for all genres.

It has decent punch and decent depth with above average speed, it can be used for double pedal music such as metal and is pretty enjoyable for EDM music too.
Though If you are bass heads, I guess the bass is not really a bass head presentation so you better off looking on other alternatives if you’re a bass head.

Midrange : Neutral, not shouty, not thin but not thick either, free from sibilance.
Wyvern Abyss’s midrange is pretty good for a budget IEM in my opinion.

Its upper midrange is a tad more forward due to slight boost than true harman tuning, but it is still free from shout. I found the vocals and instruments sounds pretty natural from this budget IEM which is very good.
In fact, the midrange of Wyvern Abyss is more “natural” than a lot of more pricier IEM available in the market today.

Treble : Smooth.
Its treble presentation is pretty safe for treble sensitive individuals, extension and resolution is average for its price.
On the positive side, the timbre of its treble is pretty good for its price, which some other budget IEMs struggle to have.

Technicality
Good for $26

Detail Retrieval : Average
Probably the weakest thing that I can fault on the Wyvern Abyss. Don’t get me wrong, it's not that the detail retrieval is bad or anything, it’s just that it doesn’t offer something special for its price.

Stage : Very Good
The Wyvern Abyss has a very grand stage presentation for its price, even above its price bracket.
Stage layering is also present and stage shape is symmetrical between its width and depth.

Separation & Positioning : Very Good
I have no complaints, in fact, I praise the separation & positioning of this budget IEM, it's very good for its price and probably can even be compared to more expensive price bracket IEMs.

Imaging : Very Good
As always, for imaging its pretty dependent from the source you use, if I use lets say more premium sources, the Wyvern Abyss can sound holographic-ish, but let say if you plug the Wyvern Abyss directly to your smartphone, it sounds 2.5D which is very good for its price.

Comparison

Moondrop CHU2
Still the hardest IEMs to beat in this price bracket in my opinion.
CHU2 build quality is made from metal, but the shape is not that ergonomic like the Wyvern Abyss, and looks wise, I prefer Wyvern Abyss than the CHU2.

Sound wise, the tuning is pretty close, CHU2 upper midrange is closer to Harman target tuning than the Wyvern Abyss, and its bass presentation is more punchy compared to the Wyvern Abyss.

Technicality wise, it’s trading blows with each other, CHU2 has superior detail retrieval, but Wyvern Abyss has superior stage rendering, it depends on what you want from an IEM.
If you favor a more grand stage presentation, the Wyvern Abyss is more suitable for you.

Conclusion

Is the Wyvern Abyss recommended?

YES, for its price the Celest Wyvern Abyss offers a pretty good build, comfort, and tonality and even technicality in my opinion.

The only thing I can fault from the Wyvern Abyss is that the detail retrieval is just average, but other than that, the Wyvern Abyss is actually a pretty good budget IEM that I can easily recommend for its asking price.

Just in case you're Indonesian, or understand Bahasa Indonesia, you can watch the review here

Thanks for reaching this far.

-littlenezt.

TLDR: Good looking, well build for the price, nice cable, and a great sound for its class.

First Impression:
Despite the packaging looking like that of a cheap IEM, the design is impressive, featuring a well-made resin shell with a unique pattern that exceeds expectations for a $20 price point. The cable is lightweight, flexible, and doesn't feel cheap, although the 3.5mm jack could be heavier.

Sound impression:
The Wyvern Abyss delivers a nicely balanced sound with just the right amount of bass and treble. Bass is punchy and fun, mids are decently clean if not a bit meh in detail, treble is smooth without fatiguing and airy enough for the price. The tuning is fun yet leans towards a neutral sound profile. While the overall sound quality isn't exceptional, it's great for its price.
I currently have a 7hz Zero 2 and Moondrop chu 2 on hand as and I will take the Wyvern Abyss over Zero 2 every single day. Wyvern Abyss wins on build quality, cable quality, fit in my ears and have a cleaner sound compared to Zero 2.
Comparing to chu 2 with a moded nozzle, it’s get more complicated. Wyvern still edge the chu 2 out on sound quality, it’s slightly cleaner in the mid and have a nicer cable.
But to be honest, I would still take the chu 2 if I have to pick only 1, because mine chu 2 is build greatly with no paint chipping and have a incredible build for this price, but the amazing fit of the chu 2 is really the deciding factor, because it’s just small compared to many iems nowadays, including the Wyvern Abyss. Don't get me wrong, the Wyvern Abyss is still decently small semicustom shell, but when compared to the chu 2, it just can compare, 1 feels like a semicustom iem and 1 feels like you barely wear anything in you ear.

Conclusion: Great sound for the price, great cable, decently nice shell, overall a good contender for the very crowded 25$ price class.

Disclaimer:​

Thanks Kinera for sending Celest Wyvern Abyss as a review unit. They didn't provide me anything to influence this product. I will be unbiased and share my thought about Wyvern Abyss

I would like to mention one more thing:This review is based on my personal music preference and sources cause music preference varies person to person and sources

If you want to buy one of this visit https://www.kineraaudio.com/ or https://hifigo.com/ or if you are from Bangladesh contact with https://geekmartbd.com/

Technical Specifications:​

- Impedance: 32Ω
- Sensitivity: 105dB
- Frequency Response Range: 20Hz-20kHz
- Connector Type: 0.78mm 2-pin
- Termination Plug: 3.5mm
Cable Details :
- Material: Oxygen-free
- CopperCover: Grey PVC
- Braiding: 4 cores twisted braiding
- Diameter: 1.3mm
- Strands: 24 strands of 0.05mm
- Cable Length: 1.2m
- Connector: 0.78mm 2-pin
- Plug: 3.5mm single-ended plug
- Plug Material: Pure Copper

Box Contant:​

- IEM themselves
- 3 pairs of tips
- Cable
- some paperworks

Testing Sources and pairing:​

DAP:​

Planue R2

DAC Dongle:​

Moondrop Dawn Pro
Epz TP30
Fosi Audio DS1

Eartips:​

Dunu S&S:​

This tips gives me overall balanced sound with good Isolation. It keeps the bass clean and tight, nice sparkly and detailed vocals , excellent treble .

TRI Clarion:​

This tips gives the vocals room for shines though you may find lack in bass but, it gives very good comfort.

Dunu Candy:​

It adds body in bass and adds clarity in instruments but it lacks in vocals it may feel for some people a little bit laid back for bass and treble.

Build quality :​

For its price range, the Celest Wyvern Abyss boasts impressive build quality. The sleek, 3D printed resin shells feel sturdy and well-crafted. They often receive praise for being comfortable and offering a secure, good-looking fit – a surprising bonus at this price point.

Design and looks:​

The Celest Wyvern Abyss definitely stands out for its design. They don't just deliver sound, they make a statement. The 3D-printed resin shells boast a striking "dragon wing" design, complete with a gradient color scheme that transitions between elegant purple and blue-green. This creates a visually stunning and unique aesthetic that reflects the "Wyvern" name. It's a clear case of design that goes beyond function and adds a touch of detail-oriented flair.

Fit and Comfort:​

The Celest Wyvern Abyss is known for its comfortable and secure fit. This is thanks to the ergonomic design of the ear shells. Their shape is said to conform naturally to the curves of your ears, creating a snug yet comfortable fit. Lightweight materials further contribute to this comfort, ensuring you can enjoy extended listening sessions without fatigue or feeling like they're about to fall out.

Sound Quality :​

Overall Sound Impression:​

The Celest Wyvern Abyss IEM delivers a warm and balanced sound signature, featuring a good amount of bass, clean mids, and treble that is neither harsh nor sibilant. The instrument separation is excellent, allowing listeners to hear each instrument distinctly, which enhances the overall clarity. The soundstage is immersive, providing a sense of depth and space that makes the listening experience more engaging. The imaging is accurate, ensuring that you can pinpoint the position of each sound source within the mix.This IEM suits various music genres and appeals to both audiophiles and casual listeners.

Bass:​

The Celest Wyvern Abyss IEM delivers a satisfying bass response that enhances your listening experience without overpowering other frequencies. The bass is clean and well-controlled, providing a solid foundation for various music genres.

Sub-bass:​

The sub-bass performance of the Wyvern Abyss is impressive, with a well-defined body that adds depth to the music. Tracks like "Lose Yourself to Dance" by Daft Punk showcase the IEM's ability to reproduce low frequencies with clarity and precision. The rumble and punch of the sub-bass are evident, creating an immersive listening experience that doesn't interfere with the midrange. This makes the Wyvern Abyss a great choice for bass enthusiasts who appreciate clean, non-intrusive low-end performance. The sub-bass extension is notable, ensuring that even the deepest notes are delivered with impact and finesse.

Mid-bass:​

The mid-bass of the Wyvern Abyss is equally impressive, providing a punchy and well-defined thump that complements most music genres. It performs admirably without overshadowing the midrange, maintaining a balanced sound signature. The mid-bass thump is satisfying and manages to retain clarity, ensuring that bass notes are not lost. For example, in "Get Lucky" by Daft Punk, the mid-bass delivers a solid performance, adding energy and drive to the track without muddiness. This balance makes the Wyvern Abyss suitable for listeners who enjoy a pronounced but controlled bass response.

Male-Vocals:​

The Celest Wyvern Abyss IEM excels at delivering male vocals with a pleasant warmth, adding thickness and richness to the sound. This characteristic makes male voices sound fuller and more engaging, enhancing the overall music listening experience. During my testing, I used "Just The Two of Us" by Grover Washington, Jr., and the Wyvern Abyss impressed me with its ability to render Bill Withers' vocals with a meaty and satisfying quality. The warmth in the lower midrange brings out the depth and nuances in male voices, making them sound natural and inviting. This makes the Wyvern Abyss a great choice for listeners who enjoy vocal-centric music, as it enhances the emotional impact of the performance. Overall, its ability to faithfully reproduce male vocals adds to its appeal for both casual listeners and audiophiles.

Female-Vocals :​

The Celest Wyvern Abyss IEM excels in delivering clear and detailed female vocals with a touch of sparkle. When I tested it with "Power of Love" by Laura Branigan, the IEM performed exceptionally well, capturing the nuances and energy in her voice. The treble has just enough brightness to make female vocals sound lively without becoming harsh or sibilant. This balance ensures that the vocals remain engaging and pleasant to listen to, even during extended sessions. The Wyvern Abyss manages to highlight the emotive aspects of female performances, making it a great choice for listeners who enjoy vocal-driven music. Its ability to render female vocals with clarity and detail adds to its overall appeal.

Instrument Separation:​

The Celest Wyvern Abyss IEM impresses with its excellent instrument separation, making it easy to distinguish each instrument clearly. This quality is particularly notable with string instruments, piano, and drums, which sound lively, clear, and engaging. The detailed separation helps significantly in complex tracks like "Bohemian Rhapsody," where every instrument can be heard distinctly. This performance ensures that even in busy tracks, the listening experience remains enjoyable and immersive. Overall, the Wyvern Abyss offers a remarkable audio experience that stands out in its price range, making it a great choice for music lovers who appreciate clarity and detail in their sound.

Treble:​

The Celest Wyvern Abyss IEM excels in delivering treble performance without being harsh, grainy, or sibilant. Instruments in the treble range, such as cymbals and high-hats, sound clear and excellent. When I tested it with "Pale Blue Dot" by Dream Theater, the treble was impressive, capturing the intricate details of the higher frequencies beautifully. The brightness adds a nice sparkle, enhancing the overall listening experience. This balance ensures that the treble remains engaging and pleasant, even during extended sessions. The Wyvern Abyss manages to deliver high-frequency sounds with precision and clarity, making it a great choice for listeners who appreciate detailed and well-defined treble.

Soundstage:​

The Celest Wyvern Abyss IEM offers an immersive soundstage, creating a spacious and open listening experience. This wide soundstage makes you feel as though you are in the middle of the music, allowing each instrument and vocal to occupy its own space. This spatial awareness enhances the overall enjoyment of listening, giving depth and dimension to your favorite tracks. In songs like "Just The Two of Us" by Grover Washington, Jr. the expansive soundstage is particularly noticeable, with every instrument clearly positioned within the mix. This feature is impressive for an IEM in its price range, making the Wyvern Abyss a great choice for those who appreciate a broad and immersive audio environment.

Imaging:​

The precise imaging of the Celest Wyvern Abyss IEM further enhances its impressive soundstage. This accuracy in locating sounds helps to clearly differentiate between various instruments and vocals, providing a more fulfilling and detailed listening experience. For example, when listening to complex tracks, you can easily pinpoint the position of each element within the mix. This makes the Wyvern Abyss ideal for genres that benefit from detailed soundscapes, such as progressive rock or orchestral music. The combination of excellent imaging and an immersive soundstage makes the Wyvern Abyss a standout in its category, offering listeners a rich and engaging audio experience that is both clear and well-defined.
Test track used for soundstage and imaging: "Just The Two of Us" by Grover Washington, Jr.

Who should go for this IEM:​

- Warm and balanced sound
- Comfortable fits
- Wide soundstage and precise imaging
- Whose who loves musical presentation
- loves different genres

Look elsewhere if you need these:​

- Hell amount of bass
- super sparkly vocals
- very prominent treble

This was my thought about Celest Wyvern Abyss. Let me know your thought about this IEM
Till then keep listening
Bye

Actually, since the release of the white Wyvern Pro, I've been interested in this IEM. Aside from the fact that I like the tuning of Celes-QoA-Kinera, the entry-level IEM seems to be overshadowed by many other brands that often dominate the market. Now, with upgraded shell and cable, it's time to give entry-level IEMs a chance. Here it is... Celest Wyvern Abyss.

Note: For those asking, "What's the difference between this Wyvern Abyss and the Pro?" The answer is: the shell and cable are better, while the driver and tuning remain the same. So, there might be slight differences due to the housing and cable.

Click to expand...

==DISCLAIMER==​

Introduction​

The Kinera Celest Wyvern Abyss is an intriguing addition to the budget IEM market, promising a blend of aesthetic appeal and high-quality audio performance. As a sub-brand of Kinera, Celest aims to offer affordable yet well-performing IEMs, and the Wyvern Abyss is no exception. Equipped with a 10mm Liquid Crystal Polymer (LCP) diaphragm dynamic driver, this IEM is designed to deliver a clear and crisp sound with low distortion. Tuned according to the 2019 Harman Target Response Curve, it promises a balanced sound signature that appeals to a broad range of listeners. In this review, we will delve into various aspects of the Wyvern Abyss, including build quality, design, fit and comfort, sound impressions, and its performance in different music genres and gaming scenarios.

Context​

I tried the Wyvern Abyss with the Xduoo XD05 Basic, ddHiFi Tc44c, and the LG V60, in regular configuration and with pure copper, mixed cable, and numerous tips such as Dunu candy, Whizzer SS20, Divinus Velvet, Spinfit W1, 145, and Penon Orange. I enjoyed it best with Penon Orange and Dunu Candy tips. Also, I use the Nicehck Mixpp OOC copper cable.

Disclaimer​

‘Kinera’ sent me this IEM for review purposes. And there is no guidance by the respective company about what to write and what not. The whole review is my unbiased experience and honest opinion with the sound I listened to.

One more thing. The review is based on my personal experience and what I hear using different IEMs. Your experience may vary due to personal preference and physical differences like the shape & depth of the ear canal.

Note: I use this set of iems with this cable, eartips, and sources. That is the basis for my overall review.

If you want to buy this iem, visit Kinera or HIFIGO. If you are from Bangladesh, you may visit GeekMart.

Technical Specification​

Driver Configuration: 10mm LCP Diaphragm Dynamic Driver
Frequency Response: 20Hz – 20kHz
Impedance: 32Ω
Sensitivity: 105 dB
Connector Type: 2-pin 0.78mm
Cable: Detachable, braided, 3.5mm termination

What's in the box​

Celest Wyvern Abyss IEMs
Detachable Braided Cable
Silicone Eartips (S, M, L)
User Manual

Design​

The design of the Wyvern Abyss is one of its standout features. Inspired by the mythological Wyvern Abyss dragon from Chinese folklore, the IEMs feature beautifully crafted faceplates that mimic the dragon's scales. The gradient colors of purple and blue-green create an elegant and mystical look that sets these IEMs apart from other budget offerings. The attention to detail in the design not only adds to the visual appeal but also reflects the brand's commitment to providing a premium experience even at an affordable price point. The 3D printing process used in crafting the shells ensures a precise and consistent finish, contributing to the overall aesthetic appeal of the Wyvern Abyss.

Build Quality​

The Kinera Celest Wyvern Abyss showcases impressive build quality, especially for its price point. The shells are crafted from high-quality medical-grade resin, utilizing a high-precision 3D printing process that ensures durability and a premium feel. The faceplates feature a stunning design inspired by the mythical Wyvern Abyss dragon, adding a unique and captivating aesthetic to the IEMs. The choice of materials and manufacturing process results in a robust and reliable product that can withstand regular use without showing signs of wear and tear. The included 4-core twist-braided Oxygen-Free Copper (OFC) cable further enhances the build quality, offering both durability and flexibility. This cable, featuring 24 strands of 0.05mm OFC wire cores, is designed to minimize signal loss and interference, ensuring a high-fidelity audio experience.

Fit and Comfort​

Comfort is a crucial aspect of any IEM, and the Wyvern Abyss does not disappoint. The ergonomic design and lightweight nature of the resin shells make for a comfortable fit, even during extended listening sessions. The shape of the IEMs is designed to fit snugly in the ear, providing good isolation from external noise and ensuring that they stay securely in place during use. The included tips offer a range of sizes to accommodate different ear shapes, allowing users to achieve a customized and comfortable fit. I have found that the Wyvern Abyss remains comfortable even during long listening sessions, making it suitable for daily use.

Sound Impression​

The Wyvern Abyss delivers a sound signature that adheres to the 2019 Harman Target Response Curve, providing a balanced and engaging listening experience. The overall sound signature can be described as warm and smooth, with a focus on providing a rich midrange and punchy bass. The treble is well-controlled, ensuring that it is detailed without becoming harsh or fatiguing. The soundstage is above average for its price range, offering a spacious and open feel that allows for good instrument separation and imaging. While the bass can occasionally overshadow some of the finer details, the overall sound quality is impressive for a budget IEM.

Sub-bass​

The sub-bass performance of the Wyvern Abyss is deep and impactful, making it an excellent choice for bass-heavy genres. Tracks like "Kill Jill" by Big Boi, Killer Mike, and Jeezy showcase the IEM's ability to deliver powerful and resonant sub-bass. The low frequencies are well-extended, providing a solid foundation without bleeding into the midrange. "Angel" by Massive Attack featuring Horace Andy also highlights the Wyvern Abyss's sub-bass capabilities, with the IEMs reproducing the track's deep basslines with clarity and precision. The sub-bass is controlled and adds a sense of depth to the music, enhancing the overall listening experience.

Mid-bass​

The mid-bass of the Wyvern Abyss is punchy and well-defined, adding warmth and body to the sound signature. Songs like "Take On Me" by A-ha and "I Can't Tell You Why" by Eagles benefit from this mid-bass presence, with the IEMs delivering the basslines with energy and impact. The mid-bass does not overpower the other frequencies, ensuring that the overall sound remains balanced and cohesive. The Wyvern Abyss handles the mid-bass with a level of control that prevents it from becoming boomy or muddy, allowing for a clean and enjoyable listening experience across various genres.

Male Vocal​

The Wyvern Abyss excels in reproducing male vocals, providing a rich and textured sound that brings out the nuances in vocal performances. In "Our Shangri-La" by Mark Knopfler, the IEMs capture the warmth and depth of Knopfler's voice, delivering a natural and engaging rendition. Similarly, "Kissing a Fool" by George Michael showcases the Wyvern Abyss's ability to reproduce male vocals with clarity and emotion. The midrange is well-tuned, ensuring that male vocals are presented with a sense of presence and realism. The Wyvern Abyss's handling of male vocals makes it a great choice for listeners who enjoy vocal-centric music.

Female Vocal​

Female vocals are rendered with smoothness and clarity on the Wyvern Abyss. Tracks like "Dreams" by Fleetwood Mac and "Power of Love" by Laura Branigan highlight the IEM's ability to deliver detailed and emotive female vocals. The treble is well-controlled, preventing any harshness or sibilance that could detract from the listening experience. The Wyvern Abyss manages to capture the subtleties in female vocal performances, providing a natural and engaging sound that brings the vocals to the forefront. The balance between the midrange and treble ensures that female vocals are both clear and smooth, making for an enjoyable listening experience.

Treble​

The treble performance of the Wyvern Abyss is smooth and detailed, adding a sense of airiness to the overall sound signature. In "Still Got the Blues" by Gary Moore, the IEMs handle the high frequencies with finesse, ensuring that the guitar solos are crisp and clear without becoming piercing. Similarly, "Wanna Be Starting Something" by Michael Jackson benefits from the Wyvern Abyss's treble response, with the IEMs delivering the track's intricate details with clarity and precision. The treble is well-extended, providing a sense of sparkle and liveliness to the music while remaining non-fatiguing during extended listening sessions.

Instruments​

The Wyvern Abyss performs admirably when it comes to instrument reproduction, providing a detailed and realistic sound that brings out the best in various musical instruments. In "Comfortably Numb" by Pink Floyd, the IEMs capture the nuances of the guitar solos and the atmospheric elements of the track, delivering a rich and immersive listening experience. The instrument separation is commendable, allowing each instrument to be distinctly heard within the mix. The Wyvern Abyss's ability to reproduce instruments with accuracy and detail enhances the overall listening experience, making it a great choice for fans of intricate and layered music.

Sound Stage​

The soundstage of the Wyvern Abyss is above average for its price range, offering a spacious and open presentation that enhances the overall listening experience. The IEMs provide a good sense of width and depth, allowing for an immersive audio experience that makes you feel like you're in the middle of the music. The imaging is precise, enabling listeners to pinpoint the positions of various instruments within the soundstage. While the depth may not be as extensive as some higher-end models, the Wyvern Abyss still manages to deliver a clear and engaging soundstage that adds to the enjoyment of listening to music.

Gaming Performance​

The Wyvern Abyss proves to be a versatile option for gaming, delivering an immersive audio experience that enhances gameplay across various genres. In fast-paced first-person shooters like CS: GO and Valorant, the IEMs provide clear and accurate positional audio, allowing players to pinpoint enemy movements and gunfire with precision. The good instrument separation and imaging contribute to an enhanced sense of spatial awareness, which is crucial in competitive gaming scenarios. In more immersive games like Battlefield 2042 and Warzone 2.0, the Wyvern Abyss offers a wide soundstage that adds to the realism of the game environment, making explosions and environmental sounds more impactful. In tactical shooters like Rainbow Six Siege, the IEMs excel in delivering clear and detailed audio cues, enabling players to strategize and react effectively based on sound alone. Overall, the Wyvern Abyss provides a solid gaming performance that enhances both the enjoyment and competitiveness of gaming.

Conclusion​

The Kinera Celest Wyvern Abyss stands out as a budget-friendly IEM that delivers impressive performance across various aspects. With its robust build quality, captivating design, comfortable fit, and balanced sound signature, it offers great value for money. The deep and impactful sub-bass, punchy mid-bass, rich male and female vocals, smooth treble, detailed instrument reproduction, and spacious soundstage make it a versatile choice for a wide range of music genres. Additionally, its solid gaming performance further adds to its appeal. Whether you're a music enthusiast or a gamer, the Wyvern Abyss is a compelling option that provides an engaging and enjoyable audio experience without breaking the bank.



Thanks for joining me on this deep dive into the Kinera Celest Wyvern Abyss! I hope this review helped you decide if these versatile IEMs are a good fit for your listening preferences. Happy listening!

Celest Wyvern Abyss




Hell this shell looks really beautiful IRL, seems like they really put some thought on this iem and not just throw some random drivers and call whatever naming scheme.


If you're interested in graph comparison, here's the link

+ i'm a normal asian dude with some music producing background
+ i like clean balanced sound signature with focus on sub bass and lower treble, especially looking for a good dynamism and harmonic playthrough, i like vocal, not necessary mid dominant, can consider myself as treblehead
+ 60-68db listening session
+ Avarage score 4/10 (Quarks/ 7hz Zero) Middle score 6/10 (Tanchjim Kara)
+ Bias score is i like it or not, doesn't sum on overall score

Click to expand...

- Bass (5.5/10): alright tuning, kinda roll off before 70hz, somewhat low definition due to the lack of body/warm.
- Mid (6.5/10): nicely tuned, safe and easy to listen to, kinda resemble Penon Serial
- Vocals (6.8/10): foward vocals, safely tuned, male vocals = female vocals. Not much to fail nor praise about, it good on it's own.
- Treble (5.8/10): safe tuned, sounds a little dry, percussion sounds really good tho.
- Detail (4.8/10): Macro (5/10), Micro (4.3/10)
- Soundstage (4.5/10): Small room sounds.
- Imaging (4.3/10): stereo
Bias (7/10): Relax Balanced
Overall : 5.4/10
Thank you to Celest and Audio Geek for providing this touring unit for Vietnam