General Information
Burson Audio Playmate 2 Headphone Amp / Pre Amp / DAC
3W Class A Amplifier
RSS9038 DAC
XMOS USB with DSD up to 512
Upgradeable Opamps
-
HIDIZS S8 PRO ROBINHidizs' latest Hi-Fi Balanced Dongle DAC/amp. -
Fiio K19 Desktop DAC and Headphone AMPStudio-grade flagship DAC and headphone amplifier -
FX Audio DR07DAC and amplifier combo by FX Audio. -
EPZ TP20 PROEPZ's latest entry-level DAC/Amp dongle. It is a supposedly an improvement of the previous...
-
TimeEar TEU-99 AKM DongleYet another affordable dongle. Similar to 7hz 71/JCALLY AP7.
Burson Audio Playmate 2 Headphone Amp / Pre-amp / DAC
- Added by dosley01
- Create date
Burson Audio Playmate 2 Headphone Amp / Pre Amp / DAC
3W Class A Amplifier
RSS9038 DAC
XMOS USB with DSD up to 512
Upgradeable Opamps
Latest reviews
Introduction
The Burson Playmate 2 is a compact sized, all-in-one DAC and headphone amplifier, representing a significant evolution from its predecessor, merging aesthetics with high-end functionality.
The Playmate 2 is equipped with a single ES9038Q2M DAC chip and Xmos USB input, supporting high-resolution audio formats up to 32bit/768kHz PCM and DSD512. The unit is compatible with Android, Windows and Mac operating systems.
The discrete headphone amplifier of the Playmate 2 is operating in pure class-A and offers 3W/16Ω with two gain levels for perfect headphone matching.
A novelty feature of the Playmate 2 (and all other Burson Audio devices) is that it allows for sound tuning through op-amp rolling thanks to the four detachable DIP sockets. The only thing that the user has to do is to unscrew and take the lid off in order to access the DIP sockets. The Playmate 2 comes with 2 x NE5532 and 2 x NE5534 op-amps pre-installed that can be rolled with compatible op-amps, like the Burson Audio, Vivid discrete op-amps.
Another feature that Burson Audio has implemented in the Playmate 2 is their proprietary Max Current Power Supply that greatly enhances audio quality.
Non Audio stuff
The Burson Playmate 2 is a compact sized device with a chassis that is made from precision-machined aluminum alloy with a special design in order to function as a unified heat-sink. This is a solid and well made device with an industrial look and a compact size that can fit virtually anywhere. There is also the option to buy a stand for vertical positioning to save even more space. The only thing of consideration is that the deeply engraved lines of the chassis are dust magnets and need regular cleaning.
The Playmate 2 is a headphone DAC/amp that also has a variable RCA line output that can be used as a preamplifier for active monitors or a power amplifier. The device doesn't have a line input and the digital inputs are limited to USB type-C and optical, missing a coaxial one. All these are located at the back together with a 24V/3A DC input where you connect the external power adapter.
The front face has a tiny OLED screen located at the center, a multifunction knob, a 6.35mm headphone jack and a 3.5mm jack that also doubles as an HD microphone input for gaming. The package includes a mic splitter so you can have a microphone and a headphone simultaneously plugged.
The screen displays information like volume level and input sampling rate while it is used to navigate through the configuration menu where you can set various parameters, like amplifier gain and digital filters. You must have eagle vision though because the digits are so small that are almost impossible to read. Another thing of consideration is that the multifunction knob doesn't respond to every step, sometimes you need two or three continuous clicks to register an action and this also applies to volume setting. I do think that the remote control should have been included as a standard accessory.
The package includes a USB type-C cable, a mic splitter, the external power adapter and a hex key for removing the lid in order to access the op-amps.
Audio stuff
The power output of the Playmate 2 is 3.5W/16Ω or 2.5W/32Ω with a 2Ω of output impedance and plenty of instantaneous current supply thanks to the innovative power supply. The Playmate 2 can drive both low and high Z headphones no matter their sensitivity minus some really difficult loads like the HIFIMAN Susvara. The Playmate 2 didn't break a sweat with headphones as diverse as the Focal Clear Mg, the HIFIMAN Arya Organic, the iBasso SR3 or the Sennheiser HD660S2 but it gets loud too fast with sensitive loads even at low gain.
The Playmate 2 is silent enough for use with regular headphones but it produces some noise and hiss with sensitive earphones. You can use the Burson Audio Super Charger, low noise power supply, which considerably lowers noise floor but still the Playmate 2 is not an ideal match with sensitive earphones. Another thing of criticism is that the amplifier makes a loud “pop” noise when switching on and off, there is no “pop” elimination circuit.
The ES9038Q2M is a widely used DAC chip that can sound from ultra linear and too technical to quite natural and organic depending on the implementation and whether the designer chooses to highlight its technicalities or add some extra musicality. Usually everything has to do with the design of the output stage and the headphone amplifier, and the Playmate 2 has some aces under its sleeve.
Burson Audio has opted for a tuning that is vastly different from the current trend of THX or current feedback amplifiers that aim for the best possible technicalities and measurements but usually end sounding sterile, clinical and lifeless without any significant ambient reverb.
The Burson Playmate 2 has a smooth, musical and rather laid back sound signature where timbre realism and texture shaping are prioritized over strict technicalities. Don't take this wrong though, the Playmate 2 is quite competitive when it comes to transparency, definition and clarity, it can offer good detail retrieval and satisfying layering but in a relaxed manner without letting technicalities become dominant and suppressive.
The Playmate's 2 sound is about harmony and melody, the presentation is rich and harmonious, weighty and full bodied with colorful overtones and realistic timbre. The treble has minimum artificiality and digital glare, it is smooth and rather forgiving without any roughness or harshness. Still, it is not dark or muted and it doesn't lack in extension, energy and clarity. The mid-range is present and transparent with nice articulation and satisfying resolution. Voices and instruments are reproduced full bodied and lush, they sound lifelike, euphonic and organic. The bass is weighty yet tight and controlled. Layering, definition and dynamics are good but not class leading, competition can fare better in these departments but what you get in exchange is a warmer and considerably more visceral low-end which can be used to fill lean and dry sounding headphones.
The soundstage of the Playmate 2 is wide and spacious with good depth layering and height. Positioning accuracy and imaging are good but they can be bettered by some more technical sounding amplifiers, however they will have a really hard time to match the holography and the grandness of the Playmate 2. Additionally, most THX implementations are not that great in reproducing the ambience atmosphere of a recording, they sound flat and lifeless when the Playmate 2 really excels by adding extra fluidity to the music.
Against the competition
The main section of review describes how different is the sound signature of the Playmate 2 when compared to amplifiers that employ op-amp designs in their output states. So the question is how it fares against similarly priced DAC/amps that also have discrete output stages, like the $520 Yulong Aurora or the $320 Aune X1s GT.
Well, the answer is that the sonic performance of the Playmate 2 is very competitive and such audio devices share a similar kind of sound shaping, each one with its own advantages and disadvantages. The main differences have more to do with functionality and interface rather than sound. So in the case of the above mentioned devices you can get balanced headphone or line outputs, more digital inputs, Bluetooth connectivity or even a line input in the case of the Aurora, but none of them offers the ability to exchange op-amps and roll the sound of your preference. Additionally the Playmate 2 is focused on single-ended performance when the other two are fully enjoyed from their balanced outputs so the Playmate 2 is more recommended if you have single-ended headphones.
Conclusion
Thankfully not all audio devices sound the same and not all audio engineers follow the same path when designing. If you are tired of the measurements war and the lack of inspiration that many current audio devices have, then you should put the Playmate 2 in your short list. Musical and engaging with a lush and organic sound signature, this is a DAC/amp that will make your music sound like real music again. It is not without quirks but they can be overlooked in favor of the good sound and the unique ability to easily roll op-amps.
The review sample was kindly provided free of charge.
The price of the Burson Playmate 2 is $544 for the basic version and $744 for the deluxe. The basic version comes with 2 x NE5532 and 2 x NE5534 op-amps installed while the deluxe includes an extra 2 x V6 Vivid dual, 2 x V6 Vivid single op-amps and a remote control. Both can be ordered from the Burson Audio online shop.
A More comprehensive version of the review is available in my website.
The Burson Playmate 2 is a compact sized, all-in-one DAC and headphone amplifier, representing a significant evolution from its predecessor, merging aesthetics with high-end functionality.
The Playmate 2 is equipped with a single ES9038Q2M DAC chip and Xmos USB input, supporting high-resolution audio formats up to 32bit/768kHz PCM and DSD512. The unit is compatible with Android, Windows and Mac operating systems.
The discrete headphone amplifier of the Playmate 2 is operating in pure class-A and offers 3W/16Ω with two gain levels for perfect headphone matching.
A novelty feature of the Playmate 2 (and all other Burson Audio devices) is that it allows for sound tuning through op-amp rolling thanks to the four detachable DIP sockets. The only thing that the user has to do is to unscrew and take the lid off in order to access the DIP sockets. The Playmate 2 comes with 2 x NE5532 and 2 x NE5534 op-amps pre-installed that can be rolled with compatible op-amps, like the Burson Audio, Vivid discrete op-amps.
Another feature that Burson Audio has implemented in the Playmate 2 is their proprietary Max Current Power Supply that greatly enhances audio quality.
Non Audio stuff
The Burson Playmate 2 is a compact sized device with a chassis that is made from precision-machined aluminum alloy with a special design in order to function as a unified heat-sink. This is a solid and well made device with an industrial look and a compact size that can fit virtually anywhere. There is also the option to buy a stand for vertical positioning to save even more space. The only thing of consideration is that the deeply engraved lines of the chassis are dust magnets and need regular cleaning.
The Playmate 2 is a headphone DAC/amp that also has a variable RCA line output that can be used as a preamplifier for active monitors or a power amplifier. The device doesn't have a line input and the digital inputs are limited to USB type-C and optical, missing a coaxial one. All these are located at the back together with a 24V/3A DC input where you connect the external power adapter.
The front face has a tiny OLED screen located at the center, a multifunction knob, a 6.35mm headphone jack and a 3.5mm jack that also doubles as an HD microphone input for gaming. The package includes a mic splitter so you can have a microphone and a headphone simultaneously plugged.
The screen displays information like volume level and input sampling rate while it is used to navigate through the configuration menu where you can set various parameters, like amplifier gain and digital filters. You must have eagle vision though because the digits are so small that are almost impossible to read. Another thing of consideration is that the multifunction knob doesn't respond to every step, sometimes you need two or three continuous clicks to register an action and this also applies to volume setting. I do think that the remote control should have been included as a standard accessory.
The package includes a USB type-C cable, a mic splitter, the external power adapter and a hex key for removing the lid in order to access the op-amps.
Audio stuff
The power output of the Playmate 2 is 3.5W/16Ω or 2.5W/32Ω with a 2Ω of output impedance and plenty of instantaneous current supply thanks to the innovative power supply. The Playmate 2 can drive both low and high Z headphones no matter their sensitivity minus some really difficult loads like the HIFIMAN Susvara. The Playmate 2 didn't break a sweat with headphones as diverse as the Focal Clear Mg, the HIFIMAN Arya Organic, the iBasso SR3 or the Sennheiser HD660S2 but it gets loud too fast with sensitive loads even at low gain.
The Playmate 2 is silent enough for use with regular headphones but it produces some noise and hiss with sensitive earphones. You can use the Burson Audio Super Charger, low noise power supply, which considerably lowers noise floor but still the Playmate 2 is not an ideal match with sensitive earphones. Another thing of criticism is that the amplifier makes a loud “pop” noise when switching on and off, there is no “pop” elimination circuit.
The ES9038Q2M is a widely used DAC chip that can sound from ultra linear and too technical to quite natural and organic depending on the implementation and whether the designer chooses to highlight its technicalities or add some extra musicality. Usually everything has to do with the design of the output stage and the headphone amplifier, and the Playmate 2 has some aces under its sleeve.
Burson Audio has opted for a tuning that is vastly different from the current trend of THX or current feedback amplifiers that aim for the best possible technicalities and measurements but usually end sounding sterile, clinical and lifeless without any significant ambient reverb.
The Burson Playmate 2 has a smooth, musical and rather laid back sound signature where timbre realism and texture shaping are prioritized over strict technicalities. Don't take this wrong though, the Playmate 2 is quite competitive when it comes to transparency, definition and clarity, it can offer good detail retrieval and satisfying layering but in a relaxed manner without letting technicalities become dominant and suppressive.
The Playmate's 2 sound is about harmony and melody, the presentation is rich and harmonious, weighty and full bodied with colorful overtones and realistic timbre. The treble has minimum artificiality and digital glare, it is smooth and rather forgiving without any roughness or harshness. Still, it is not dark or muted and it doesn't lack in extension, energy and clarity. The mid-range is present and transparent with nice articulation and satisfying resolution. Voices and instruments are reproduced full bodied and lush, they sound lifelike, euphonic and organic. The bass is weighty yet tight and controlled. Layering, definition and dynamics are good but not class leading, competition can fare better in these departments but what you get in exchange is a warmer and considerably more visceral low-end which can be used to fill lean and dry sounding headphones.
The soundstage of the Playmate 2 is wide and spacious with good depth layering and height. Positioning accuracy and imaging are good but they can be bettered by some more technical sounding amplifiers, however they will have a really hard time to match the holography and the grandness of the Playmate 2. Additionally, most THX implementations are not that great in reproducing the ambience atmosphere of a recording, they sound flat and lifeless when the Playmate 2 really excels by adding extra fluidity to the music.
Against the competition
The main section of review describes how different is the sound signature of the Playmate 2 when compared to amplifiers that employ op-amp designs in their output states. So the question is how it fares against similarly priced DAC/amps that also have discrete output stages, like the $520 Yulong Aurora or the $320 Aune X1s GT.
Well, the answer is that the sonic performance of the Playmate 2 is very competitive and such audio devices share a similar kind of sound shaping, each one with its own advantages and disadvantages. The main differences have more to do with functionality and interface rather than sound. So in the case of the above mentioned devices you can get balanced headphone or line outputs, more digital inputs, Bluetooth connectivity or even a line input in the case of the Aurora, but none of them offers the ability to exchange op-amps and roll the sound of your preference. Additionally the Playmate 2 is focused on single-ended performance when the other two are fully enjoyed from their balanced outputs so the Playmate 2 is more recommended if you have single-ended headphones.
Conclusion
Thankfully not all audio devices sound the same and not all audio engineers follow the same path when designing. If you are tired of the measurements war and the lack of inspiration that many current audio devices have, then you should put the Playmate 2 in your short list. Musical and engaging with a lush and organic sound signature, this is a DAC/amp that will make your music sound like real music again. It is not without quirks but they can be overlooked in favor of the good sound and the unique ability to easily roll op-amps.
The review sample was kindly provided free of charge.
The price of the Burson Playmate 2 is $544 for the basic version and $744 for the deluxe. The basic version comes with 2 x NE5532 and 2 x NE5534 op-amps installed while the deluxe includes an extra 2 x V6 Vivid dual, 2 x V6 Vivid single op-amps and a remote control. Both can be ordered from the Burson Audio online shop.
A More comprehensive version of the review is available in my website.
Introduction
The Burson Audio Playmate was one of the first products I reviewed, back in early 2019. During all this time I have been growing as a reviewer, but Burson has increased its catalogue very significantly. Above all, it has added high-end and very high-end products, with the Playmate II being one of its most affordable complete products, along with the Funk amplifier. Next in the price range are the Composer 3XP DAC and the Soloist 3XP amplifier, priced at over $1000 each. At the top of the price range is the Conductor 3GT / 3XGT, which goes up to $3000. But, going back to the Playmate II, you can feel that the aesthetics have changed, but not the philosophy. It shares similarities with the first version, such as the layout of the elements. But its colour has gone from black to shiny silver. The display has improved in contrast and its lettering is larger. The volume control has a better grip, the power switch in front is subtly smaller. The construction remains exemplary, both inside and out. But the exterior has been designed as a radiator in order to dissipate heat better. Playmates have a tendency to heat up as the hours go by. Their power has been increased to 3W, while maintaining the same ESS9038 DAC and the ability to swap OpAmps. Let's see what other changes have been introduced in this new product and, above all, how they influence its final sound.
Specifications
Packaging
The Burson Audio Playmate II came in a large raw cardboard box, inside of which was a white box and a power cable. Inside that white box and underneath a thick protective layer, on which there is a sticker incorporating instructions for connection to the mains, is the Playmate II, in a mould of its shape. Behind it is another elongated white box, containing the rest of the accessories. In a nutshell:
The box is not decorated and only carries another sticker with the brand's logo as well as its slogan. You can see a front and rear view of the product, some specifications, the ESS logo and the XMOS logo. Also the Australian seal and the address from where manuals and other files related to the product can be downloaded.
The presentation is quite sober and simple, with quality accessories, the highlight being the power supply.
Construction and Design
It's not that the change has been radical between version I and II. I think the philosophy of the product is the same, just that a few small things have changed. It is clear that the exterior is a real eye-catcher, with the radiator shape covering the entire body of the Playmate II. Yes, it's obvious, the colour is metallic, silver, shinier and more eye-catching. Its faceplate is thicker and its edge has a slight slope, no longer at right angles. The volume knob now has a wider grip area, as well as a deep roughness that makes it easier to operate. The button for entering the volume menu has been decoupled. The headphone input is now shared with the 3.5mm headphone output, so that headphones with microphone can be connected without the need for a converter. However, if you want to connect only the microphone, you will need to use the built-in converter. One option I liked compared to the first version is the power button, it is as small as the menu button and is on the front. On the back side the connections have been minimised. On the left is the USB Type C connector, followed by the Toslink optical input. Next are the RCA pre-outs. Last is the coaxial power connector. You can see that the whole body is a radiator. Underneath there are 4 black rubber half-spheres. Finally, there is a small blue LED under the power button.
The front side has 4 Allen screws, one in each corner. The same is true for the rear face. This indicates how easy it is to change the OpAmps inside the device. In this sense, the Playmate II mounts two single OpAmps (NE5534D) for the LP stage and two dual OpAmps (NE5532D) for the I/V stage.
As usual, both the interior and exterior of Burson Audio products are spectacular. The interior construction is photo-worthy, both in terms of cleanliness, layout and the quality of the components used. The exterior has improved over version I, being more attractive, robust and functional, especially with its heatsink body, improved volume grip and power button. The display is clearer, with larger, all-white numerals and greater visibility and contrast. The remote receiver has been moved below the menu button. More questionable would be the mic input, but only in my case. I use the Playmate I as source and mic input and find it easier not to have to use an adapter, just plug the cable from the EC60318-4 01 into its input.
Connectivity
Connectivity is simple. It has a USB Type C input which can also be used to connect to a mobile device. It is compatible with Win XP, 7, 8, 10, Mac OSX, also iOS* & Android (OTG support). With this type of connection it is possible to reach up to PCM 768kHz up to 32 bits. It has a Toslink optical input and with this it is possible to play 24bit 192kHz PCM.
There is an RCA pre-out as well as a 6.35mm SE headphone output. It also has a shared microphone input with 3.5mm TRRS audio output.
Operativity
The operation has been improved compared to version I. From the small power button on the front, to its specific button to access the menu, to the blue LED that indicates that the device is ready to be switched on. Now, the remote receiver is off the screen. A press of the volume button will stop playback. At this point, the volume value will flash. A further press will resume playback.
The display clearly indicates the volume value, the connection, the output used and the format played.
Pressing the menu button gives access to the other functions, such as filter selection, input selection, output selection, gain selection, De-Emphasis selection, DPLL (DSD) selection, DPLL (PCM) selection and default restore.
To access the functions you have to move the volume, to change any option you have to press the volume. In case you are allowed to choose between several options, you have to move the volume to select any of them. Press the volume button to save the options and return to the main screen.
The operation is still very similar to the previous version. But the volume control is not very precise. If you move it quickly, it responds well, but if you move it slowly, it sometimes doesn't follow the order, going down and up even if you move in the same direction. This is perhaps the most negative point of this device. Although it seems to improve over time.
Measures
No load 1kHz low gain
No load 1kHz high gain
The output voltage above 94 would saturate. But 12V is an impressive figure.
15Ω 1kHz low gain
At maximum volume at low gain, 6.5V is obtained over the entire frequency range. That’s 2.83W of power and 430mA of current. Simply brutal. I have not been able to measure with high gain because the resistors I have are 3W.
33Ω 1kHz high gain
Something similar has happened to me with the 33Ω. The calculated power at volume 90 is 3.03W. Going higher would have damaged the resistors used, which are 3W. I never thought I would have to measure 3W, so I didn’t buy them bigger. 300mA of current. This is the most powerful audio device I have ever measured for SE.
100Ω
Nothing to say for this impedance, only that the measurements have been taken at volume 93. 1.25W and 110mA.
Output Impedance
According to the specs, Burson says the output impedance is less than 2Ω. According to my measurements, it is clearly less than 1Ω, both at low and high gain.
Frequency Response. Volume 20 to volume 80, low gain
Measurements have been taken from volume 20 to volume 80, at low gain.
Although the line input of my card is not calibrated, it can be clearly seen that every 10 volume steps, the Playmate gains 5dB. Furthermore, the frequency range, from 5Hz to 40kHz, is completely flat in all volume ranges. It can also be seen that there is no difference between channels.
Sound
The Burson Audio Playmate II comes standard with the basic OpAmps NE5532 (Dual) and NE5534 (Single) from Texas Instruments. Use two for each stage. It is true that these OpAmps are the most basic and cheapest. But the Playmate II already sounds very good with this basic set, so any improvement will always be a sensible upgrade. The sound with these OpAmps is a bit harsher. The roughness in the bass feels accentuated and the edges are not as precise, nor melodious. That's the roughness I'm referring to. However, this kind of sound gives it a rawer aspect that also has its appeal, especially in the midrange. The high end has good sparkle, punchy and energetic, but lacks a certain level of resolution and refinement to deliver the detail in a more natural and musical way. However, after testing Burson Audio's OpAmps V6 set, the sound takes on a higher value in refinement, musicality, resolution and definition. Another highlight is the sense of dynamics, the impression is that the sound decompresses and expands, something that also makes the scene better. The background becomes cleaner, the separation is more evident and the sense of transparency is improved. All this makes the sound more musical, but also more accurate. It's like adding a few extra bits to the sound. The set of OpAmps installed is a hybrid. For the LP stage I have installed the Burson V6 Classic Single, while for the I/V stage, the OpAmps chosen are the Burson V6 Vivid Dual. From here on, the sound impressions have been made with these OpAmps installed.
The Playmate II continues the philosophy of the first version. The sound is organic, natural, dense, full, unctuous and musical. It does not have an analytical profile, but it is not completely warm either, although it is true that its harmony and euphony add that touch of warmth that makes it veer towards an almost romantic mood. In this second version, the sound has become bigger, the sense of dynamics is greater and so is the height. The soundstage is looser, wider, there is no hint of darkness or congestion and the level of transparency and definition has been enhanced. The level of resolution feels improved and, although the edges are not sharp, it is easier to notice micro details. There is also a refinement in the high end, the treble is cleaner and freer, the sound is more linear, the warmth and darker feel that trapped the high notes in the first version has been removed. Yes, the upper range is more vivid, realistic and natural, freed from the previous corset. Overall, the sound flows with a lusher, wider and more defined staging, adding a higher and improved descriptiveness than its predecessor.
If we go back to the classic range descriptions, the Playmate II's low end has gained in maturity, density and body. Admittedly, Burson's V6 OpAmps have helped to bring about this sensation over the standard OpAmps. But, there is no doubt that there is an amount of light in this area, which helps define the bass, gaining in resolution, increasing the corporeal feel of the bass, giving a more exalted impression of depth and volume. The layering capabilities and exposure of bass lines are clean and clear, with no hint of congestion or smearing. The Playmate I feels darker and somewhat slower. The bass is a little heavier, more full-bodied, less agile, though it also has more poise. All this makes the sound feel more congested, busy and oppressed. Version II has gained in speed and agility, offering a looser, tighter, more concise and dynamic lower range, capable of offering a superior, less oppressive rhythm, with a more realistic texture and not so marked by its roughness.
If there is one thing that suits this new Playmate, it is the increase in power. I clearly feel that this new model has been designed to offer more power and this is something that has been made clear in the previous section. However, it is also true that this increased power does benefit the sound quality. I think the Playmate II appreciates the sound being turned up, being able to offer an extra amount of body, volume and lushness as the decibels advance. This is noticeable in the lows, but also in the mids, thanks to an expansive feel to the soundstage due to the increased power. Thus, the midrange is perceived as very juicy, more elastic, descriptive, musical and brimming. There is that romantic feel, but I feel that it has given way to a superior efficiency, bringing more clarity, sharper edges, with a point of analytical ability that is more natural and in keeping with the reality of a high-performance system, even though the Playmate II is still Burson Audio's entry-level device. Under these premises, the density of the midrange is obvious, but its level of transparency and separation allows the amount of air and space to be ample enough for the mids to flow freely enough to expose detail in an explicit, yet suggestive and evocative way. Male voices appreciate this sense of corporeal fullness, while female voices are showcased due to the greater level of illumination and precision provided in this second version. The naturalness and cleanness of sound are the characteristics that make the instruments sound with a more accurate tone and timbre than their older sibling. Overall, the mids are more mature, expressive and emancipated, gaining also in dynamic feel and distance between elements.
The high end has also taken a step forward in the Playmate II. I find the new version technically more refined, capable of recreating the treble with a more elegant, spaced, precise and higher-resolution sound. Comparatively speaking, the treble of version I is more energetic, but also tighter, less defined. The treble of version II has gained in expressiveness, improving also its musicality, as it is offered in a more natural, separated and airy way. I find that the Playmate II's treble pattern is tamer and calmer, but, at the same time, it offers a superior performance in definition and detail rendering. It is not as energetic, but its extension feels elongated, offering a more volatile, expansive, but less cutting and compressed sparkle than the I version.
As soon as you move up a rung aurally, you feel it in the size of the scene, the expressiveness of the details, the sense of compression of the sound, the level of resolution and the dynamics of the whole. Well, it is easy to see that the Playmate II is on that higher rung compared to its big brother. The space occupied by the music in this new version is clearly larger. The detail does not look forced, nor does the scene look compressed, comparatively speaking. The fast transition from one to the other shows that the limitations of the first version have been overcome. The sound was more congested and tight. Whereas now it flows more simply, effortlessly, naturally, spaciously and musically. Such a comparison shows that the corset of the first version has been destroyed. The scene has been stretched in all directions, it is now more three-dimensional. Distance and separation are also superior, while details are less critical, not feeling forced as in version I, but drawn with a more appropriate and musical realism, which makes them more realistic and accurate. The overall feel makes the sound of Playmate II more enjoyable, even at higher volume levels than Playmate I, because it always sounds more relaxed, bigger and more expansive. Whereas the first version is less refined, even more strident at those critical points in the high end. This is not the case with the new version, hence its sound is more elegant, cleaner, tuned, distinguished and pure.
Conclusion
There comes a point, a price range, where it is always difficult to choose: a complete system or a separate system with a DAC and AMP? Well, it will never be easy to get it right and there will always be good options. Burson Audio knows that and that's why it is still determined to offer the best combo at the best price. The Burson Audio Playmate II has been improved in every aspect, compared to its previous companion. The philosophy is the same and there are hardly any changes in functionality, only minor details. But in the obvious and necessary, the changes have been clear. First, there is the design, aesthetics and build level. I own both models and it must be stated for the record that every one of these aspects has been improved. The Playmate II is sleeker, more robust and more efficient. Second, there is the power level. With Burson Audio's V6 OpAmps, the power level soars, leaving its predecessor far behind. The Playmate II is one of the most powerful audio devices per SE output on the market in this price range. Third, there's the sound, of course. Burson Audio has improved every point over version I, every range is superior, the scene is bigger, the image more accurate and both the level of resolution and the detail have also improved. There is even more light, clarity, transparency and separation. And it's not just a subtle difference, it's easy to distinguish. The Playmate I was already a very good device. But time allows evolution and the Burson Audio Playmate II is a superior version.
Earphones and Sources Used During Analysis
Purchase Link
You can read the full review in Spanish here
The Burson Audio Playmate was one of the first products I reviewed, back in early 2019. During all this time I have been growing as a reviewer, but Burson has increased its catalogue very significantly. Above all, it has added high-end and very high-end products, with the Playmate II being one of its most affordable complete products, along with the Funk amplifier. Next in the price range are the Composer 3XP DAC and the Soloist 3XP amplifier, priced at over $1000 each. At the top of the price range is the Conductor 3GT / 3XGT, which goes up to $3000. But, going back to the Playmate II, you can feel that the aesthetics have changed, but not the philosophy. It shares similarities with the first version, such as the layout of the elements. But its colour has gone from black to shiny silver. The display has improved in contrast and its lettering is larger. The volume control has a better grip, the power switch in front is subtly smaller. The construction remains exemplary, both inside and out. But the exterior has been designed as a radiator in order to dissipate heat better. Playmates have a tendency to heat up as the hours go by. Their power has been increased to 3W, while maintaining the same ESS9038 DAC and the ability to swap OpAmps. Let's see what other changes have been introduced in this new product and, above all, how they influence its final sound.
Specifications
- Input impedance: 38 kΩ.
- Frequency response: 0 – 35kHz ± 1 dB.
- THD: <0.002%.
- Output impedance (Head Amp) < 2 Ω.
- Output impedance (Pre Out) < 15 Ω.
- Inputs: USB, Toslink.
- Outputs: Headphone output SE 6.35mm / RCA Pre-Amp.
- Weight: approx. 3kg.
- Dimensions: 190x150x60mm.
- Power/SNR/Separación:
- 16Ω: 3.5W/96dB/99%.
- 32Ω: 2.5W/97dB/99%.
- 100Ω: 600mW/98dB/99%.
- 150Ω: 600mW/96dB/99%.
- 300Ω: 150W/95dB/99.5%.
- Channel separation: 128dB @1kHz, 121 dB @ 20kHz.
- THD+N: 0.0018% @ 1kHz, 0dBFS.
- Supported operating systems: Win XP, 7, 8, 8, 10, Mac OSX.
- Supported mobile platforms: iOS* & Android (OTG support).
- PCM & DXD: PCM ≤ 768kHz up to 32 bits.
- Native DSD: Native DSD 64 / 128 / 256 / 512 support.
- DSD over PCM: DoP64 / DoP128 / DoP256
Packaging
The Burson Audio Playmate II came in a large raw cardboard box, inside of which was a white box and a power cable. Inside that white box and underneath a thick protective layer, on which there is a sticker incorporating instructions for connection to the mains, is the Playmate II, in a mould of its shape. Behind it is another elongated white box, containing the rest of the accessories. In a nutshell:
- The Burson Audio Playmate II.
- A power cable.
- The power supply unit.
- One RCA to RCA cable.
- One USB Type C to Type C cable.
- One Allen key.
- A Y-connector to join headphone and microphone input into a single connector.
- Two fuses.
The box is not decorated and only carries another sticker with the brand's logo as well as its slogan. You can see a front and rear view of the product, some specifications, the ESS logo and the XMOS logo. Also the Australian seal and the address from where manuals and other files related to the product can be downloaded.
The presentation is quite sober and simple, with quality accessories, the highlight being the power supply.
Construction and Design
It's not that the change has been radical between version I and II. I think the philosophy of the product is the same, just that a few small things have changed. It is clear that the exterior is a real eye-catcher, with the radiator shape covering the entire body of the Playmate II. Yes, it's obvious, the colour is metallic, silver, shinier and more eye-catching. Its faceplate is thicker and its edge has a slight slope, no longer at right angles. The volume knob now has a wider grip area, as well as a deep roughness that makes it easier to operate. The button for entering the volume menu has been decoupled. The headphone input is now shared with the 3.5mm headphone output, so that headphones with microphone can be connected without the need for a converter. However, if you want to connect only the microphone, you will need to use the built-in converter. One option I liked compared to the first version is the power button, it is as small as the menu button and is on the front. On the back side the connections have been minimised. On the left is the USB Type C connector, followed by the Toslink optical input. Next are the RCA pre-outs. Last is the coaxial power connector. You can see that the whole body is a radiator. Underneath there are 4 black rubber half-spheres. Finally, there is a small blue LED under the power button.
The front side has 4 Allen screws, one in each corner. The same is true for the rear face. This indicates how easy it is to change the OpAmps inside the device. In this sense, the Playmate II mounts two single OpAmps (NE5534D) for the LP stage and two dual OpAmps (NE5532D) for the I/V stage.
As usual, both the interior and exterior of Burson Audio products are spectacular. The interior construction is photo-worthy, both in terms of cleanliness, layout and the quality of the components used. The exterior has improved over version I, being more attractive, robust and functional, especially with its heatsink body, improved volume grip and power button. The display is clearer, with larger, all-white numerals and greater visibility and contrast. The remote receiver has been moved below the menu button. More questionable would be the mic input, but only in my case. I use the Playmate I as source and mic input and find it easier not to have to use an adapter, just plug the cable from the EC60318-4 01 into its input.
Connectivity
Connectivity is simple. It has a USB Type C input which can also be used to connect to a mobile device. It is compatible with Win XP, 7, 8, 10, Mac OSX, also iOS* & Android (OTG support). With this type of connection it is possible to reach up to PCM 768kHz up to 32 bits. It has a Toslink optical input and with this it is possible to play 24bit 192kHz PCM.
There is an RCA pre-out as well as a 6.35mm SE headphone output. It also has a shared microphone input with 3.5mm TRRS audio output.
Operativity
The operation has been improved compared to version I. From the small power button on the front, to its specific button to access the menu, to the blue LED that indicates that the device is ready to be switched on. Now, the remote receiver is off the screen. A press of the volume button will stop playback. At this point, the volume value will flash. A further press will resume playback.
The display clearly indicates the volume value, the connection, the output used and the format played.
Pressing the menu button gives access to the other functions, such as filter selection, input selection, output selection, gain selection, De-Emphasis selection, DPLL (DSD) selection, DPLL (PCM) selection and default restore.
To access the functions you have to move the volume, to change any option you have to press the volume. In case you are allowed to choose between several options, you have to move the volume to select any of them. Press the volume button to save the options and return to the main screen.
The operation is still very similar to the previous version. But the volume control is not very precise. If you move it quickly, it responds well, but if you move it slowly, it sometimes doesn't follow the order, going down and up even if you move in the same direction. This is perhaps the most negative point of this device. Although it seems to improve over time.
Measures
No load 1kHz low gain
1 | 10 | 20 | 30 | 40 | 50 | 60 | 70 | 80 | 90 | 99 |
27mV | 48mV | 81mV | 141mV | 239mV | 418mV | 738mV | 1.26V | 2.24V | 4.02V | 6.59V |
No load 1kHz high gain
1 | 10 | 20 | 30 | 40 | 50 | 60 | 70 | 80 | 90 | 94 |
77mV | 121mV | 196mV | 338mV | 595mV | 1.01V | 1.82mV | 3.22V | 5.71V | 10V | 12V |
The output voltage above 94 would saturate. But 12V is an impressive figure.
15Ω 1kHz low gain
50 | 60 | 70 | 80 | 90 | 99 |
410mV | 710mV | 1.22V | 2.21V | 3.93V | 6.52V |
At maximum volume at low gain, 6.5V is obtained over the entire frequency range. That’s 2.83W of power and 430mA of current. Simply brutal. I have not been able to measure with high gain because the resistors I have are 3W.
33Ω 1kHz high gain
50 | 60 | 70 | 80 | 90 | 94 |
1.04V | 1.78V | 3.22V | 5.62 V | 10V | 12V |
Something similar has happened to me with the 33Ω. The calculated power at volume 90 is 3.03W. Going higher would have damaged the resistors used, which are 3W. I never thought I would have to measure 3W, so I didn’t buy them bigger. 300mA of current. This is the most powerful audio device I have ever measured for SE.
100Ω
Nothing to say for this impedance, only that the measurements have been taken at volume 93. 1.25W and 110mA.
Output Impedance
According to the specs, Burson says the output impedance is less than 2Ω. According to my measurements, it is clearly less than 1Ω, both at low and high gain.
Frequency Response. Volume 20 to volume 80, low gain
Measurements have been taken from volume 20 to volume 80, at low gain.
Although the line input of my card is not calibrated, it can be clearly seen that every 10 volume steps, the Playmate gains 5dB. Furthermore, the frequency range, from 5Hz to 40kHz, is completely flat in all volume ranges. It can also be seen that there is no difference between channels.
Sound
The Burson Audio Playmate II comes standard with the basic OpAmps NE5532 (Dual) and NE5534 (Single) from Texas Instruments. Use two for each stage. It is true that these OpAmps are the most basic and cheapest. But the Playmate II already sounds very good with this basic set, so any improvement will always be a sensible upgrade. The sound with these OpAmps is a bit harsher. The roughness in the bass feels accentuated and the edges are not as precise, nor melodious. That's the roughness I'm referring to. However, this kind of sound gives it a rawer aspect that also has its appeal, especially in the midrange. The high end has good sparkle, punchy and energetic, but lacks a certain level of resolution and refinement to deliver the detail in a more natural and musical way. However, after testing Burson Audio's OpAmps V6 set, the sound takes on a higher value in refinement, musicality, resolution and definition. Another highlight is the sense of dynamics, the impression is that the sound decompresses and expands, something that also makes the scene better. The background becomes cleaner, the separation is more evident and the sense of transparency is improved. All this makes the sound more musical, but also more accurate. It's like adding a few extra bits to the sound. The set of OpAmps installed is a hybrid. For the LP stage I have installed the Burson V6 Classic Single, while for the I/V stage, the OpAmps chosen are the Burson V6 Vivid Dual. From here on, the sound impressions have been made with these OpAmps installed.
The Playmate II continues the philosophy of the first version. The sound is organic, natural, dense, full, unctuous and musical. It does not have an analytical profile, but it is not completely warm either, although it is true that its harmony and euphony add that touch of warmth that makes it veer towards an almost romantic mood. In this second version, the sound has become bigger, the sense of dynamics is greater and so is the height. The soundstage is looser, wider, there is no hint of darkness or congestion and the level of transparency and definition has been enhanced. The level of resolution feels improved and, although the edges are not sharp, it is easier to notice micro details. There is also a refinement in the high end, the treble is cleaner and freer, the sound is more linear, the warmth and darker feel that trapped the high notes in the first version has been removed. Yes, the upper range is more vivid, realistic and natural, freed from the previous corset. Overall, the sound flows with a lusher, wider and more defined staging, adding a higher and improved descriptiveness than its predecessor.
If we go back to the classic range descriptions, the Playmate II's low end has gained in maturity, density and body. Admittedly, Burson's V6 OpAmps have helped to bring about this sensation over the standard OpAmps. But, there is no doubt that there is an amount of light in this area, which helps define the bass, gaining in resolution, increasing the corporeal feel of the bass, giving a more exalted impression of depth and volume. The layering capabilities and exposure of bass lines are clean and clear, with no hint of congestion or smearing. The Playmate I feels darker and somewhat slower. The bass is a little heavier, more full-bodied, less agile, though it also has more poise. All this makes the sound feel more congested, busy and oppressed. Version II has gained in speed and agility, offering a looser, tighter, more concise and dynamic lower range, capable of offering a superior, less oppressive rhythm, with a more realistic texture and not so marked by its roughness.
If there is one thing that suits this new Playmate, it is the increase in power. I clearly feel that this new model has been designed to offer more power and this is something that has been made clear in the previous section. However, it is also true that this increased power does benefit the sound quality. I think the Playmate II appreciates the sound being turned up, being able to offer an extra amount of body, volume and lushness as the decibels advance. This is noticeable in the lows, but also in the mids, thanks to an expansive feel to the soundstage due to the increased power. Thus, the midrange is perceived as very juicy, more elastic, descriptive, musical and brimming. There is that romantic feel, but I feel that it has given way to a superior efficiency, bringing more clarity, sharper edges, with a point of analytical ability that is more natural and in keeping with the reality of a high-performance system, even though the Playmate II is still Burson Audio's entry-level device. Under these premises, the density of the midrange is obvious, but its level of transparency and separation allows the amount of air and space to be ample enough for the mids to flow freely enough to expose detail in an explicit, yet suggestive and evocative way. Male voices appreciate this sense of corporeal fullness, while female voices are showcased due to the greater level of illumination and precision provided in this second version. The naturalness and cleanness of sound are the characteristics that make the instruments sound with a more accurate tone and timbre than their older sibling. Overall, the mids are more mature, expressive and emancipated, gaining also in dynamic feel and distance between elements.
The high end has also taken a step forward in the Playmate II. I find the new version technically more refined, capable of recreating the treble with a more elegant, spaced, precise and higher-resolution sound. Comparatively speaking, the treble of version I is more energetic, but also tighter, less defined. The treble of version II has gained in expressiveness, improving also its musicality, as it is offered in a more natural, separated and airy way. I find that the Playmate II's treble pattern is tamer and calmer, but, at the same time, it offers a superior performance in definition and detail rendering. It is not as energetic, but its extension feels elongated, offering a more volatile, expansive, but less cutting and compressed sparkle than the I version.
As soon as you move up a rung aurally, you feel it in the size of the scene, the expressiveness of the details, the sense of compression of the sound, the level of resolution and the dynamics of the whole. Well, it is easy to see that the Playmate II is on that higher rung compared to its big brother. The space occupied by the music in this new version is clearly larger. The detail does not look forced, nor does the scene look compressed, comparatively speaking. The fast transition from one to the other shows that the limitations of the first version have been overcome. The sound was more congested and tight. Whereas now it flows more simply, effortlessly, naturally, spaciously and musically. Such a comparison shows that the corset of the first version has been destroyed. The scene has been stretched in all directions, it is now more three-dimensional. Distance and separation are also superior, while details are less critical, not feeling forced as in version I, but drawn with a more appropriate and musical realism, which makes them more realistic and accurate. The overall feel makes the sound of Playmate II more enjoyable, even at higher volume levels than Playmate I, because it always sounds more relaxed, bigger and more expansive. Whereas the first version is less refined, even more strident at those critical points in the high end. This is not the case with the new version, hence its sound is more elegant, cleaner, tuned, distinguished and pure.
Conclusion
There comes a point, a price range, where it is always difficult to choose: a complete system or a separate system with a DAC and AMP? Well, it will never be easy to get it right and there will always be good options. Burson Audio knows that and that's why it is still determined to offer the best combo at the best price. The Burson Audio Playmate II has been improved in every aspect, compared to its previous companion. The philosophy is the same and there are hardly any changes in functionality, only minor details. But in the obvious and necessary, the changes have been clear. First, there is the design, aesthetics and build level. I own both models and it must be stated for the record that every one of these aspects has been improved. The Playmate II is sleeker, more robust and more efficient. Second, there is the power level. With Burson Audio's V6 OpAmps, the power level soars, leaving its predecessor far behind. The Playmate II is one of the most powerful audio devices per SE output on the market in this price range. Third, there's the sound, of course. Burson Audio has improved every point over version I, every range is superior, the scene is bigger, the image more accurate and both the level of resolution and the detail have also improved. There is even more light, clarity, transparency and separation. And it's not just a subtle difference, it's easy to distinguish. The Playmate I was already a very good device. But time allows evolution and the Burson Audio Playmate II is a superior version.
Earphones and Sources Used During Analysis
- Letshuoer DZ4
- Hidizs MS3
- Kiwi Ears Quartet
- KiiBOOM Evoke
- KiiBOOM Allure
- NiceHCK F1
- Letshuoer S12 PRO
- Rose QT9 MK2s
- Yanyin Aladdin
- ISN H40
- Penon Globe
- OurArt QJ21
- Rose Martini
- Sunrise Dragon 2 Limited Edition (SWD2LE) 10th Anniversary
- Takstar Pro 80
- SoundMagic HP150
Burson Audio offered me this model, in exchange for writing an honest review. I want to make it clear that all my opinions written in this review have not been conditioned by this fact, nor will I ever write anything that I do not really think or feel here. I will only write about my personal opinion in relation to the revised product.
Purchase Link
You can read the full review in Spanish here
TLDR version on YouTube: TDLR - Burson Audio Playmate 2
The Playmate 2 has been sent to me directly by Burson for me to try it out and to share my opinions in this review. Burson have not made any requests or comments and, as always, I will do my very best to be as unbiased and sincere as humanly possible.
You can find the official page for the Playmate 2 here: https://www.bursonaudio.com/products/playmate-2/
As usual, this link is non-affiliate and I do not benefit from clicks or purchases in any way.
To avoid being repetetive in my reviews, you can find all the info about how I create the reviews, equipment used, how I receive the products and how to interpret my reviews by visiting: About my reviews
Intro…
While Burson products have always drawn my attention, I have never had a chance to try any of them. Therefore, when Burson unexpectedly reached out and offered to send the Playmate 2 for review, I was obviously very happy to accept.
For those who haven’t come across Burson audio, or haven’t really paid any attention to them, they are an Australian company, based in Melbourne, who were established in 2001. This means that they are by no means a newcomer into the audio world and, while they do have quite a selection of DACs and Amplifiers, they are also very well known and respected for their OP Amps.
This is something that they are happy to use in their favour, as they build their products to make it easy to swap Op Amps, allowing users to tailor their products to their own tastes.
In the case of the Playmate 2 which I am reviewing today, it is again built to allow users to swap out OP Amps (with Burson offering different options) but I am focusing on this device in its stock form.
Presentation…
Burson are happy to let you know on their web that they do not advertise, buy reviews or attend trade-shows in order to not increase the price of their products. In the case of the packaging, it seems that a similar “no-frills” approach is maintained.
A simple white box with basic information on the outside opens to reveal the device sitting in simple packing foam and a smaller white box containing the accessories.
Inside the accessories box we get the power supply, an adapter to split the mic input/headphone output (more on that in a second), a spare fuse, an allen key for disassembling the device (to swap OP amps), a fabric covered USB A to USB C cable and an RCA to RCA cable.
In general it is a very simple presentation but everything is well packed and protected and I applaud the saving on packaging where possible, especially if those savings go into the product itself.
Build and aesthetics…
The Playmate 2 is completely made of metal, aluminium to be more specific, which tends towards a slightly industrial look while still maintaining elegance. I had seen plenty of photos of the device and while I liked the look, I have to say that it looks much better in person than it does in photos.
With a brushed aluminium faceplate and back plate, the rest of the device is ridged, sort of like a heat sink, and while very simple, I must say I like the design. It has spent the past few weeks sitting on my desk at the side of a Mac Mini and while the Playmate 2 is of a darker finish, they look at home together.
Functionality…
Starting off with the rear panel, there is not a huge amount of connectivity but enough from my personal use. From left to right we have the USB-C connection followed by a optical input, an RCA unbalanced output and finally the connection for the power supply (which is a 3A 24VDC).
Moving around to the front, again from left to right, we have the power button, a 6.35mm unbalanced headphone output, a 3.5mm TRRS output (for use with headsets that have microphones), a small screen with white digits, a large (and very nice) knurled digital potentiometer (which is also a push button) and finally the menu button.
On the screen we get the volume displayed in large digits to the left and just to the right we get smaller text that shows the selected input, the selected output and the current file rate. Turning the control obviously raises and decreases volume and pressing the same control mutes the device (with the volume display flashing to show it is muted).
When I first received the unit, I found that the volume wheel had a tendency to skip when turning it, it would do things like 20,21,22,23,19,20,21 etc. As I have used the device, this skipping became less frequent and is now something that only occurs very rarely. I think that maybe it is that the digital control needed some use to settle in (who says burn in doesn’t exist?
).By pressing the menu button we access the menu of the device, then we can use the wheel to scroll and press to access the parameter we want to change (with the device reverting back to the main screen after 30 seconds of no interaction or by pressing the menu button again).
The options in the menu are:
INPUT: USB/Toslink
OUTPUT: Headphone/Pre Out
PRE LV: Low/High
FIRFILTER: Brickwall/CMFR/Reserved/AP Fast/MP Slow/MP Fast/LP Slow/ LP Fast/
DPLL(DSD): DPLL Off/Low/Mid/High
DPLL(PCM): DPLL Off/Low/Mid/High
EMPHASIS: On/Off
RESET SET: No/Yes
AUTO OFF: No/Yes
The first two options are pretty straight forwards, the PRE LV is the gain and the FIRFILTER are the typical filter options you find on most DACs. The DPLL options are something that I haven’t come across before and searching the internet led me to discovering it stands for Digital Phase-Locked Loop filters but I didn’t investigate much further. You have the option to change them for DSD or for PCM independently but, in my subjective testing, I didn’t really notice a difference and opted for leaving them both on High (which is how they come out of the box).
EMPHASIS is a bit of a strange one as it basically reduces most of the high end of the sound. According to the manual, which actually lists it as “DE-EMPHASIS”, you should only turn this on if your source is a cassette player, which makes sense for reducing the hiss of cassettes but… the Playmate 2 only has digital inputs, so I can’t see how (or why) anyone would attempt to connect a cassette player to it.
The last two settings are RESET SET, which is to restore the factory defaults, and AUTO OFF which allows the unit to turn off automatically after not receiving a signal for a while.
Something that deserves mentioning again is the fact that the 3.5mm output is also an input for a microphone, allowing you to use either the typical 4 pole TRRS (such as those used on smartphones) or the included splitter and use a separate set of headphones/IEMs and microphone. This is something that is not found often on devices that focus on audio quality and should make it a very interesting unit for those who either game or do a lot of conference calls (like in my case) and don’t want to compromise on power or audio quality.
As far as power goes, the Playmate 2 is specified as having 3W per channel and I have to say that I had absolutely no issue with it powering anything that I plugged into it, be it high impedance DD or current hungry planars. IEMs are a bit more of a problem. The biggest issue with IEMs is that 1/100 on the dial is already at what I would consider an acceptable listening level for some, so there will be no really quiet listening sessions with IEMs on the Playmate 2. There is a hint of background noise with sensitive IEMs but at the same time it is less apparent than on some other devices that have been specifically designed with IEMs in mind.
Sound…
I don’t know why but I expected the Playmate 2 to be a bit of a harsh DAC/Amp. I guess that preconceived opinions were at play but I was surprised to find that it is actually quite a relaxed amplifier. It doesn’t portray the warmth of some other alternatives but it is certainly a long way from being harsh and analytical.
I have plugged in many sets of headphones and IEMs into the Playmate 2 over the weeks that I have been using it and I have to say, I found myself using it more and more, without swapping over to other options even when I found time to have a dedicated listening session.
As always, my subjective opinions of a DAC/Amp are a mixture of things that I really hear and things that my brain tells me I am hearing, but in the case of the Burson, I really enjoy the result.
For quite some time, my main set up was the SMSL SU-8 paired with the Schiit Asgard and the Playmate 2 is, to my ears, like a refined version of that set up. I tried going back and forth between the SU-8 and the Playmate 2 while feeding the Asgard 3 and I found that the outcome was very similar but, again, seeming just a little more refined on the Burson unit. Moving back to the Playmate 2, I have to say that I prefer the pairing with its own internal amp over feeding the Asgard.
With my planars, the result is very good, although I did find that on some occasions, the higher mids of the planar options could come across as slightly more harsh than usual, but that could also be due to the fact that I am used to the EF400 which is more of a warmer and smoother option.
With the HD6XX, the Playmate 2 does a very good job and I would be very happy to have it be my source for them if it wasn’t for having a tube amp on my desk. While talking about tubes, I also used the Burson to feed the Echo Mk2 and have absolutely no complaints there either. The result is slightly more focused than when fed by the EF400 which makes for a very enjoyable listen.
With IEMs I actually really like the presentation of the Playmate 2, the only issue being the fact that the amp is already loud enough at 1/100, so not really much room for adjustment. In fact, with some of the more sensitive options, they were already above my usual listening levels before I even got above 1.
Conclusion…
I feel that the Burson Playmate 2 is a very competent and well thought out device that is simple enough for those that just want plug and play but at the same time has enough options for those who want to tinker, both with the onboard filters and the option to swap out OP amps.
As far as performance, I have no complaints. I wouldn’t suggest that you pick this device up if you are mainly an IEM user, but for headphones it is a great option, no matter how much power they need. It is not an overly analytical amp and manages to have a slightly relaxed presentation but without getting to the warmer side like some other alternatives. I honestly do find it to be like having a more refined version of the SU-8 + Asgard 3.
Some people will complain about the lack of balanced connectivity on the Playmate 2 but that is not something I find an issue for me personally. I do opt for balanced connectivity over longer runs to my DSP and speakers etc. but my headphone set up is mostly unbalanced and it is something I have no complaints with.
However, there is one thing that sets this apart from almost all other options (at least from other brands) and that is the fact that it has a microphone input. Both for the gamers and for those who spend their days in an office with multiple calls, this is something that makes it stand out above the competition, allowing you to use headphones of your choice, with a mic of your choice, and not compromise on audio quality.
I guess the next step is to play around with some OP amp swaps and see what that brings to the table with this, very competent, DAC/Amp.
__________
As always, this review is also available in Spanish both on my blog (www.achoreviews.com) and on YouTube (www.youtube.com/achoreviews)
