Effect Audio is a manufacturer of premium earphone cables. Its headquarters is in Singapore, one of the largest audiophile hubs in the world, an example of this is the country's audio event, CanJam Singapore, hosted by Head-fi.
Recently, the cable developer has launched a new series called Vogue, which promises better cost-effective cables and at the same time as good build quality as its best cables, such as the Effect Audio Thor Silver II.
Effect Audio cables and their series
The Singaporean audio company has a split between its cable models, the most basic being Vogue. In this series we have 3 cable models, the Maestro, which has copper wires, the Virtuoso, which has silver plated copper wires, and lastly the Grandioso, which has a OCC pure copper and another pure silver wire.
Above the Vogue series we have the Premium series, consisting of 4 cable models, Ares II, with copper wires, Thor Silver II, with silver wires, Eros II, with one copper wire and another silver wire, and lastly Mars, which has gold-plated silver threads.
Finally, we have a series that is special, because this is where Effect Audio tests the limits of its technologies by experimenting with different types of metal alloys in cable making. In the Heritage series, we have 3 cable models, Lionheart, which has a gold-plated copper wire and a silver-plated copper wire, Leonidas II, which consists of a palladium-plated silver wire and a hybrid silver wire. , and lastly the Cleopatra, which has selected silver yarns with a different confection (see full specifications here).
Vogue Cable Construction
The construction of the new series cables developed by Effect Audio surprised me. I thought there were no ways to improve comfort and ergonomics since the Y-split shrunk, being called the Y-split mini. However, as always, the company is concerned not only with improving the material quality and construction of the wires used in the cables, but also with the usability of the cable. To further improve ergonomics, comfort and practicality while using its cables, the company has redesigned the connector, termination and y-split on this new line.
The connector that fits into the earphones is embossed near the pins to improve finger grip and make it easier to push to fit the cable to the in-ears. It is a small detail that makes a total difference, as the user most of the time must exert considerable force to fit the 2-pin into the IEM, and sometimes it is necessary to use a fabric to improve the grip.
In Y-split we had a huge decrease in size compared to Y-split mini, providing such a lightness that I do not even feel the piece touching my body, or even exerting downward pressure through its weight.
The termination came as 2.5mm balanced, but I know there is the option of 3.5mm SE and 4.4mm balanced. In the case of the 2.5mm connector, I noticed that the size and lightness had a big improvement, the size of the plug is minimal and has a relief near the socket, with the same principle of the connector that fits in CIEM, help to fit with more easily and comfortably the pin on a DAP (Digital Audio Player), for example.
In addition to the connectors, I noticed that the Vogue series cable wires are thinner and more flexible than the Premium or Heritage series. This made it easier to roll up and store them.
Note: The design of the Vogue series cable connectors, terminations and Y-split is different from the design used for the Premium and Heritage series cables.
Vogue Cable Sound
For the testing of Vogue series cables, I used CIEM JH Audio JH5 PRO and DAP FiiO X7 Mark II (AM3A amp module). The testing period was approximately one week.
The first model I tested was the Vogue Maestro, the copper wire version of the series. In this cable I noticed a melodious, harmonious sound, with full, spreading bass, sweet mids that make the singers' voice more pleasurable to hear and treble without stridency.
Switching to Vogue Virtuoso, the silver-plated copper wire version, I immediately noticed a change in the way music is performed. Here I found a more controlled sound, "correct", with a tendency to neutrality. The bass compared to the Maestro became more controlled and gained more depth, more extension. If in Maestro the bass filled the spectrum of sound, in Virtuoso they have a smaller decay, with a faster attack, giving definition and speed.
The mids in the silver-plated copper cable were slightly backward compared to the Maestro, but when the voices were more active in the high mids, they gained a little more prominence. I felt in Virtuoso that the mids got a little colder than in the Maestro, precisely because it had a higher activity in the upper and lower backs. Already in the treble, I felt that there was an improvement in control, speed and definition, leaving the reproduction of the sound in more detail.
I first described the cables Maestro and Virtuoso because the cable that I will describe next is the junction of the two, the Grandioso. When I say that the two come together, I say not only in physical terms, because they have a conductor and a virtuoso, but also in sound, because there is a mixture of characteristics here.
When I first tried Vogue Grandioso, I was surprised by the result, as I didn't expect there to be such a good marriage of Maestro characteristics with Virtuoso.
The bass in this cable has body and at the same time are controlled and deep, it can have that bass that expands in music as we find in the Maestro and at the same time has a control and speed providing greater definition and lower decay. Let's say the Grandioso bass is the middle ground between definition and euphony, it doesn't have the same control and speed as the Virtuoso bass, but it comes close, while it doesn't have bass as massive as Maestro. I feel that the Grandioso bass have authority, strength, and at the same time are melodious, relaxed.
The Grandioso midrange is just right, neither forward nor backward, giving an excellent balance with the other frequencies. We don't have a cold sound here, but we don't have a warm sound either. You can delight in the sounds of voices and strings with very good consistency in playback.
The treble of Vogue series mixed cable (copper and silver), we have a certain detail and control of the treble, giving good length and detail. However, these characteristics are not found in the same way as in Virtuoso, where there is greater extension and control. I see that it is a compromise between the silver-plated cable and the Maestro, which has more relaxed mids.
Conclusion
As I analyzed the three cables, I realized that their names really say what they look like. Maestro will make your music sound harmonious, make the melody of the instruments enjoyable to your audience. Virtuoso will show that concern for neutrality, definition, “right” sound is important, providing a detailed sound where the listener will perceive the nuances of the music. The Grandioso will show that it is possible to unite harmony and definition, reproducing an imposing sound and pleasant to hear.
It is hard for me to say which one would be the best, as each has its own unique quality. In addition, the result will also depend on the characteristics of each headset, resulting in more or less obvious features provided by the cables. It is up to you to choose the type of sound that will please you the most.
In addition, it must be placed on the table that all three cables deliver comfort and practicality in use. That is, when buying a cable, it is not only the sound that matters, you must analyze the whole. This is what Effect Audio seeks to deliver, sound and design, striving for perfection.