SilicaGel

New Head-Fier
Pros: Nicely tuned Harman-style Single DD IEM
Small, and Comfortable Unit Design
Decent Setup at Affordable Price
Cons: Included eartips of subpar quality
Undisclosed sensitivity specs
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TinHiFi C3 MKII :: $49.99 :: 1DD

Huge thanks to 'GoodSound Audio Store' for providing a sample unit for this review.
However, this review fully reflects the my honest opinion without anyone else's interference.

> Link to original review in Korean

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TinHiFi is a Chinese earphone brand that was born in 2017, started by a company that has been making earphones for other companies for quite some time.

It's not an exaggeration to say that they've been around since the beginning of Chi-Fi wave. Their bullet-shaped T2 / T3 models have enjoyed quite a bit of popularity, even being sold at the DROP.

The TinHiFi C3 MKii is the successor to the C3 model launched back in 2023.

It is said to offer great sound from its newly designed 10mm LCP dynamic driver and is comfortable to wear thanks to its compact and lightweight design, weighing just 4.1g.

It's another IEM with 1DD configuration that has been a long-standing favourite of TinHiFi, and I was very curious to see if it can become another entry-level pick, especially since it's so affordable at a retail price of less than $50.

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Package & Build

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This is the package of TinHiFi C3 MKii.

When you open the box, you can see all the accessories are inside a large case. This generously sized hard case is quite good in quality. It's not bad to have such a practical package without spending a fortune on it.

You'll get :

- TinHiFi C3 MKii Unit
- 6 pairs of silicone eartips
- 2 pairs of replacement nozzle filter
- Carrying case
- Warranty card

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The accessories that come with the C3 MKII is quite decent at the price point.

There are six pairs of silicone eartips, two each in small, medium and large sizes. The outer walls are a bit too thin, which can make them feel a little flimsy, but overall, there are no major complaints about the shape or material.

The included cable is pretty good, with a thin, lightweight, easy-to-handle wire that's fairly comfortable to wear, and the quality of the various terminals, splitters, and other components is above average. For the price point, I think it's a pretty nice cable.

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Like its predecessor, The C3 MKII emphasises the ‘small, lightweight unit design for superior comfort’.

You can see that they've managed to keep the unit as small as possible while remaining the area where the drivers are placed.

At the top of the unit, you'll notice a slight protrusion inwards. It will sit naturally inside your ear to keep the unit securely in place on the auricle.

It's a design element that some people may or may not like, but the protrusion isn't severe enough that it shouldn't be uncomfortable for most users.

It fits quite nicely in my ear, and I think rest of users will feel the same comfort.

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Unlike its predecessor with carbon-fiber design, the C3 MKII has a more natural-grained carbon backdrop underneath, topped with a silver, shimmering star decoration.

I personally think it's a nice design that's neither too boring nor overdone.

The nozzle isn't made out of a separate piece, but is moulded from the same resin from the unit.

It has a metal sticker on the end to prevent debris from getting in, and is 5.2mm to 6mm thick, which shouldn't be a problem for matching custom eartips. The finish on the nozzle tips is a little rough, which is a bit of a bummer.

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Sound Impressions

Measured with IEC 60318-4 (711) with 94dB(L)@500hz.

The sample used for the measurement does not represent the characteristics of the entire product.

Following Measurements are available at
silicagel.squig.link

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In many ways, the sound characteristics haven't changed much from its predecessor, the C3. Overall, the tone is fairly close to the Harman target, with a moderately rich, full-bodied bass and crisply drawn treble, which is a nice balance that works well with a wide range of genres.

As would be expected, the C3 MKII's bass impression varies quite a bit depending on listening volume: at lower volumes, the bass has more warm and lush characteristics than being analytical and dry, but as I cranked the volume up to a reasonable level, I could hear the bass gradually revealing more detail and transforming into a reasonably punchy and clear bass.

TinHiFi didn't specify the impedance and sensitivity of this product, but I personally felt that the C3 MKii required some power to drive. Despite the fact that my normal listening volume rarely exceeds 90dB, I had to push the volume up to around 60 levels with 3.5mm SE, high gain setting on the FiiO JM21.

I don't usually say this, but the 4.4mm balanced cables might be a great choice for C3 MKii.

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As it follows the characteristics of the Harman Target relatively well, the midrange sounded quite decent.

Vocals are presented with a just right amount of body and distance. It's hard to detect any masking of the mid-range at moderate volumes, and you can even feel a slight sparkle from a voice.

Compared to some of the 'meta-tuned' IEMs that have been proposed in recent days, some may find the treble a little brighter. However, I rarely found the treble to be shouty or sibilant, but rather crisp and clear in most genres. If you're into a slight V-shaped sound signature, you'll enjoy this set.

The soundstage is also quite good. The rooms aren't very spacious, but the elements placed within them are quite detailed. The separation is quite good considering the price, as I was able to pinpoint the position of the various instruments immediately.

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Conclusion

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TinHiFi has been working with 1DD configurations for a while now, and I'm happy to say that the C3 MKIIs are a pretty solid product for $49.

A slightly V-shaped, Harman-style sound signature makes the C3 MKii an 'all-rounder', suitable for any genre of music.

Add to that the fact that the C3 MKII is positioned at a price point that anyone can afford, and with a design that's tiny enough to be used by those with small ears, I think the C3 MKII has all the charms to become a solid entry-level unit that I can recommend to anyone.

If I had to nitpick, I'd say the standard ear tips were a little disappointing, but I don't think that's too much of an issue in an age where you can get decent quality ear tips for cheap.

All in all, if you're looking for an affordable, all-round entry-level IEM with decent features and a comfortable design, I can easily recommend the TinHifi C3 MKII.

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To celebrate the launch, GoodSound Audio Store is offering a 10% discount, and 2 pairs of ‘7Hz 07 eartips’ for free at the time of writing this review.

If you're interested, please check it out at the Non-Affiliated link below.

https://www.aliexpress.com/item/1005005190314048.html
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SilicaGel

New Head-Fier
If ain't broke, Don't fix it (sort of)
Pros: Highly polished, user-proven planar sound
Tuning nozzle system with surprising sound difference
Cons: The distinctive circular design still may affect comfort
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7Hz Timeless II :: 14.5mm Planar Driver :: $229

Huge thanks to Linsoul for providing a sample unit for this review.
However, this review fully reflects the my honest opinion without anyone else's interference.

> Link to original review written in Korean

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At the time when the 'Planar IEM' genre was still new, 7Hertz burst onto the scene with the 14.2mm planar IEM, 'Timeless'. It is still often cited as a masterpiece of the planar IEM category, as it was considered to be one of the most refined of its kind.

Quickly becoming one of the leading IEM manufacturers, 7Hz has since followed up the success of the Timeless with a range of other products including the Zero, Aurora, FIVE, and more. Despite this, many were eagerly awaiting a successor to the Timeless.

In fact, a prototype of the Timeless 2 was unveiled once before, in late 2023, but the 'carbon fiber + gold accent' design was not well received, and the prototype was ultimately delayed indefinitely due to harsh reviews from the people who got their hands on it first.

Now, a year later, 7Hz is back with a refreshed Timeless 2 with a new design and a different sound. But what will it be like this time around?

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Since this is a lineup that represents the 7Hertz brand, you can see that a lot of thought has gone into the product packaging.

The accessories are also quite colorful.

- 7Hz Timeless II unit
- Monocrystal OFC modular cable (0.78 2pin to 3.5mm/4.4mm)
- 4 sets of tuning nozzles
- 3 types of eartips (11 pairs in total)
- Metal case
- User manual

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A metal case made exclusively for the Timeless II.

You'll notice that the Timeless 2's distinctive pyramid pattern of the faceplate, is also embodied on the lid.

They didn't just painted the pattern on the lid, but CNC-machined the height and width of the pyramid, so you can feel the pattern with the tip of your finger.

The lid of the case is threaded so you can screw it on and off, and while I wouldn't expect it to be completely waterproof, it should do a good job of keeping moisture out. There's also a thin sponge on the bottom.

It's a fairly heavy metal hard case, so it doesn't look like it's meant to be carried around, but I really like the unique pyramid design that screams - “Here's the Timeless 2”

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This is the bundled cable that came with the Timeless 2. It's much better than the cable from the prototype image.

The cable is woven with four strands of 7N high purity, single crystal, oxygen-free copper wire, a combination chosen to make the sound more transparent and detailed, but also a bit warmer to match the new planar drivers.

More than the use of single crystal copper wire, which is a relatively high-end material, I think many will appreciate the use of 0.78 2-pin instead of MMCX terminals.

I also like the fact that the cable is modular, eliminating the need to choose between 3.5mm and 4.4mm. I'm also less concerned about durability, as the threaded construction gives the terminals an extra layer of strength.

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Now you are looking at the units of Timeless II.

It has a significantly different design from the prototype that was unveiled last year. It had a carbon fiber faceplate and a gold accent, which was not well received. It was widely considered ugly.

As I mentioned in the introduction, the redesign took nearly a year and resulted in a completely different look. It returned to a single black color, with no fancy decorations, and the carbon fiber faceplate was replaced with a new three-dimensional, CNC-machined pyramid pattern.

Personally, I think this new design is much better.

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It also got the new 0.78 2-pin instead of the spinning MMCX, so I personally found the fit to be pretty good.

Nevertheless, if you were uncomfortable with the original design of its predecessor, it's hard to recommend the Timeless 2 with confidence. The shape and construction of the unit is almost identical to its predecessor.

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There are a total of four different nozzles available for the Timeless 2.

- Gold nozzle
- Silver nozzle
- Gold 'Phase Plug' Nozzle
- Silver 'Phase Plug' Nozzle

The gold/silver nozzles have a general shape, and it affects the treble by differentiating the density of the dampers in the nozzle. You may recognize these two nozzles from many of the 7Hz earphones in the past.

There's one part in particular that caught people's attention. It's the round nozzle, which is said to be inspired by the “phase plugs” on speakers.

The smooth, spherical nozzle has only a tiny needle-like hole at the end, and is designed to let most of the sound escape through the side of it, which is quite impressive, and completely contradicts the sort of 'basic rule' that says you need to get the 'linearity of the sound' to get a natural sounding treble.

I was especially excited to see how the unique shape of the 'phase plug' nozzle would bring a new experience.

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Before we get to the measurements and sound impressions, let's take a moment to talk about the prototypes that were unveiled in 2023.

The green graph in the photo shows the measurements of the 'Original Timeless', and the blue graph shows the (definitely not accurate) measurements of the 'Timeless 2 Prototype' that was briefly shown at The Headphones Show livestream.

At the time of the Timeless' success, as it is now, there was a sense that how to tune out the sharp, harsh trebles of planar driver was a major point of contention. This is probably why, while many companies took note of the Timeless craze and introduced their own planar earphones, but only few of them succeeded.

7Hz seemed to be aware of this, and introduced a slightly different tuning in their Timeless 2 prototype. However, people who tried the prototype didn't quite liked it, even wondering if the prototype was defective. The bottom line is that the product was normal.

Shortly thereafter, the Timeless 2 product page started to go down one by one. They postponed the product release date indefinitely and went back to drawing board.

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Measured with IEC 60318-4 (711) with 94dB(L)@500hz.
The sample used for the measurement does not represent the characteristics of the entire product.

Following Measurements are available at
silicagel.squig.link

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These are measurements from the Timeless 2. I'll start by describing the sound based on the “Gold Nozzle” that came pre-installed when I first received it.

The newly tuned Timeless 2 seems to have been revised after the aforementioned situation, and rather than trying to do something new, the company seems to have shifted its focus to pursue the sound that consumers loved the most.

“If it ain't broke, don't fix it,” as the saying goes, and the Timeless 2 had very similar sound characteristics to the ‘Timeless AE’, the most highly regarded of the Timeless series that 7Hz has released.

The sound was already well-received, and it sounded as good as ever. There's nothing to criticize in terms of tonality, with a solid bass that stretches all the way down to the ultra-low sub bass, clear and well-defined vocals, and a treble that creates an airy atmosphere.

It certainly sounds good enough to please a lot of people, but it's hard to shake the feeling that it's a bit too much of a 'safe choice' for a follow-up to the Timeless series.

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Fortunately(?), the “Interchangeable Tuning Nozzle” that has been planned since the prototype days leaves some room for change.

The most obvious and prominent example is the 'Silver Nozzle', which focuses on lowering the ear gain around 2.5kHz, slightly softening the sound.

It's an option to try if you find the Timeless 2's sound a bit too harsh, but I personally prefer the sound of the gold nozzle.

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Personally, I was very interested in the rounded “phase plug” nozzle. I've been noticing this since the prototype, and was a bit disappointed when I first took measurements. I couldn't find much difference between nozzles from the measurements published online as well.

I also couldn't hear much of a difference, except for the nuance of the treble instruments shifting slightly forward. I was about to conclude this review with the conclusion that 'the interchangeable nozzles didn't mean that much to me', and it wasn't until I swapped out the eartips for the last time that I realized that I hadn't really understood the nozzles.

Of the three eartips included in the box, the blue-colored H08 eartip has one characteristic that sets it apart from the other two. When combined with the 'phase plug' nozzle, the narrow core of the eartip was able to block the hole in the side of the nozzle just enough to produce the right tonal variation.

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In the end, the most important thing about the 'Phase Plug' nozzles was the eartips.

I still don't know what the difference is between the gold and silver plug nozzles, but one thing is for sure: if you want to really feel the tonal change that the 'Phase Plug' brings, you should definitely pair it with the blue H08 eartips.

By the way, do these measurements look familiar?

If you've been following the eventful backstory leading up to the release of the Timeless 2, you'll recognize the graph above. It looks kinda similar to the sound of the prototype Timeless 2 that was unveiled in 2023, with a lowered mid-high range of overtones from various vocals and instruments. Got goosebumps here.

At the same time, I could kinda hear why the prototype was criticized. Vocals and instruments that used to be crisp and clear are now somewhat muffled and softened, and while I'm sure there are many people who prefer this smoother sound, I do think this is probably not what people want from planar IEMs.

Nevertheless, I think it's a worthwhile approach for those who find flat earphones overly harsh. Personally, I found this 'phase plug' combination to sound better than I initially thought it would, and while it's a far from natural sounding midrange, it's a pretty unique experience that allows you to hear detailed planar sound without the stress.

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So far, we've taken look at the Timeless 2, a new pair of 7Hz planar magnetic IEM.

For someone who prides myself on having played with quite a few earphones, I didn't noticed the twist behind its uniquely shaped nozzles and eartips, until I was almost done writing this review, and it seems that no one else on YouTube or elsewhere has mentioned the H08 eartip + 'phase plug' nozzle combination yet.

It's a combination that I think should have been mentioned in the manual or even on the product page. I still can't figure out why didn't they mentioned about it.

I wasn't sure if the Timeless II was compelling enough to recommend to people who already own planar IEM, but now I feel differently.

Basically, you get the 'Timeless AE sound' that many of you have loved, but you also get the IE900-ish flavor from the planar world. The eartips play a crucial role with the 'phase plug' nozzle, and I think you can get a lot of midrange control depending on the eartips. It'll be fun to find your own best combinations.

In many ways, the overall impression is that these are a well-made, masterpiece planar IEM that are a worthy successor to the 'Timeless'.

The circular design of the Timeless series has been kept for better or worse, but I can easily recommend this set to both newcomers to planar world and those looking to upgrade their own IEM.

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[ Non-Affiliated Links ]

Linsoul : https://www.linsoul.com/products/7hz-timeless-ii
Linsoul Aliexpress Store : https://aliexpress.com/item/1005008118220706.html
Linsoul Amazon : https://www.amazon.com/dp/B0CJR99W83
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S
SilicaGel
@Redcarmoose
Thank you! I really enjoyed your review as well 😄
Redcarmoose
Redcarmoose
@SilicaGel,
You filled in everything I missed. Cheers!
passie42
passie42
After extensive tip rolling and nozzles changes I found the best combo for now the golden phase plug with Xelastec 2. I did order the new NiceHCK C04 (as mentioned in the other review) and will see if those are the better choice. The blue tips btw are the Kbear 08 / Acoustune AET08, some of my favorite tips.
*edit*
So now, after a couple of weeks, I find the golden nozzle with NiceHCK C04 tips the best for me.

SilicaGel

New Head-Fier
Pros: Nicely balanced sound signature
Great design and spotless build quality
Excellent value for its price point
Cons: Included eartips aren't very good in quality
Slightly warm tonality might not satisfy everyone
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TRIPOWIN x 0DiBi Vivace :: 1DD :: $29.90

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Huge thanks to Linsoul for providing a sample unit for this review.
However, this review fully reflects the my honest opinion without anyone else's interference.


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TRIPOWIN's latest product, VIVACE was designed in collaboration with Korean Audio Reviewer, 0DiBi. (pronounced as Young-Di-Bi in Korean, and it means zero-decibel.)

If you don't know '0DiBi', he is one of the most prominent audio reviewers in South Korea. As a former engineer at Cresyn (PHIATON), he is also one of the very few reviewers who has actual experience of working with various audio equipment for years.

He was in responsible for the development of several models back in the day when Cresyn was actively operating as an ODM company, such as the PHIATON PS210BTNC and Denon AH-C260 / AH-C560, as well as several headphones including the Denon AH-D310 / AH-D510.

He explained that he decided to work on a collaborative model after being amazed by the performance of TRIPOWIN's single DD sample. Rather than using the best cables and accessories that TRIPOWIN can offer, he wanted to maintain the lowest price and best sound quality possible.

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This has allowed it to come in at a low price point of less than $30, but it's packed with goodies nonetheless.

- TRIPOWIN Vivace unit
- 0.78 2pin to 3.5mm Single Crystal Copper cable
- Narrow-bore silicon tips
- Wide-bore silicon tips
- User manual

The Vivace comes with two types of eartips: wide-bore and narrow-bore, each in three pairs to match your size, which differ not only in the width of the holes but also in the length of the core.

While the overall quality is decent, I found the wide-bore eartips to be a bit flimsy due to the thinner outer wall of the eartip, which can lead to a weaker seal and less-than-ideal bass reproduction. I'll explain more about this later.

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For a company that made its name as a cable manufacturer, the included cable is pretty good in quality.

As mentioned before, 0DiBi asked them to include the cheapest cable they could find to get the price down to under $30, but it makes me wonder if this really is the cheapest.

Of course, this doesn't mean that the cables are as good as other custom cables - I personally find them a bit stiffer than I like, and the overall quality isn't that far off from the bundled cables - but it does mean that you're getting a decent cable for the price.

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Looking at the official images and other photos, Vivace's faceplate appears to be composed of a simple silver color, but it's actually a layer of clear resin over a mirror-like reflective background.

This allows you to have an eerie atmosphere when complex surroundings reflect off from it. I like it quite a bit personally. It's also nice that the units are fairly small in size, so they can be worn comfortably by people of all ear sizes.

In addition to the small size of the unit design, the small vent hole in front and behind the driver eliminates ear pressure, contributing to Vivace's excellent comfort.

we can see the most common 0.78 2-pin terminals that most IEMs utilize. The terminals are also flat, so you should have no problem matching them with a variety of custom cables.

The tip of the nozzle also has a mesh to keep earwax and other debris out. The nozzle is also about 4.6mm to 5.6mm thick, which is perfect for custom eartips as well.

All in all, I'd say it's an impeccable design for its price, with the build quality to back it up.

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The TRIPOWIN Vivace features a single dynamic driver, using a high-performance PET diaphragm coated with titanium.

Dynamic drivers with relatively soft diaphragms may struggle to move at high speeds. Coating the diaphragm with titanium allows the diaphragm to increase its rigidity while keeping the weight low. This makes the high notes sound more natural and smooth.

Measured with IEC 60318-4 (711) while maintaining 94dB@500hz.
The sample used for the measurement does not represent the characteristics of the entire product.

Following Measurements are available at
silicagel.squig.link

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This is the FR measurement of TRIPOWIN Vivace. Overall tonal balance is quite good, with no significant flaws.

The bass, which is slightly above the Harman Target, remains moderately tight, but with just enough fullness to give a good sense of the rumble.

It's hard to experience the bass bleeding into other ranges, and the overall sound never feels overly muffled or dark, but at the same time, if you're listening to EDM with your eyes closed, you can feel its kick and punch ever so slightly vibrates your entire body.

The midrange is also one of Vivace's strongest points, with a clear, transparent feel. The smooth transition from the mids to the highs without any peak and dips makes the overall sound feel quite natural, but it doesn't really feel too shouty or spicy.

The treble also sounds pretty nice, but I felt that its treble characteristics varies quite a bit depending on the eartip.
In particular, I noticed a lot of highs dying out on the default wide bore eartips, (which has dramatically shorter core length) and it made me feel like the sound was significantly less open and airy.

For those who like a warm sound with smooth highs, using wider eartips may not be a bad idea, but since the Vivace's basic tone is a bit far from the sparkling highs, I personally prefer to stick with the narrow-bore eartips.

If you're going to roll some eartips with this one, I'd recommend going up a size from your usual size with the right core length, around 6 to 7mm. My personal favorite is the Divinus Velvet Tip.

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So far, we've taken a look at TRIPOWIN x 0DiBi VIVACE.

I think it's a well-made entry-level earphone with a fairly nice sound signature, quality, and price.

In particular, it seems to be getting a lot of attention because it has a very similar FR to the Truthear Hola, which was discontinued last year and left a lot of sadness. It was kinda unfortunate that I wasn't able to compare Vivace with it, but for FR-wise, if you enjoyed that product, you're might be quite happy with Vivace as well.

If you're looking for an inexpensive entry level IEM with an exciting, atmospheric low end, topped off with crystal-clear highs that aren't overpowering, this is a very well done product that I can easily recommend.

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Non-Affiliated Links if you're interested -
[Linsoul] https://www.linsoul.com/products/tripowin-x-0dibi-vivace
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SilicaGel

New Head-Fier
Pros: Superior audio performance - Powerful, Silent, Neutral
Great software experience
Dual USB-C for Desktop Mode
Solid build quality
Cons: Old Android 10 OS - But, A12 update is coming
Leather case only available on Stainless Steel models
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FiiO M23 :: Portable Audio Player :: $699 (Dark Blue Aluminum Model) & $899 (Silver Stainless Steel Model)

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This review was prepared using a M23 borrowed from FiiO's authorized distributor in South Korea, 'Scheherazade'.
I was commissioned to provide an honest opinion in a free and independent manner, without any external influence.

Btw, are you more familiar with Korean?
So am I, and If that's the case, I think you'd be better off reading my review written in Korean here.

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Founded in 2007 by former OPPO employees, FiiO has been in the audio business for nearly 17 years, producing a wide range of products since its establishment in 2007. The DAC/AMP family has been highly acclaimed and popular around the world, contributing to the “Chi-Fi” trend.

The FiiO M23, which I will introduce today, is the Fifth generation of the FiiO's DAPDigital Audio Player lineup. (X7 - X7II - M11PRO - M11PLUS - M23)

Unlike smartphones, DAPs have a long release cycle, and if you look back at this history, you'll see that it's a lineage that spans a whopping 9 years. This gives you an idea of how long FiiO has been making DAPs.

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You're now looking at the package of FiiO M23.
If you lift out the card with a brief description of Desktop Mode, and you'll find the M23 inside a hard foam.

The back of the package has a short list of specs, which I've summarized in the table below for ease of reading.

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The internal components include :
  • FiiO M23
  • Display Protective Glass (Pre-installed)
  • Transparent TPU Case (for Aluminum Models)
  • USB C to C cable
  • USB A to C adapter
  • SD Card Tray remover pin
  • User manuals

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The M23 Aluminum Model comes with a transparent TPU case, while the slightly more expensive Stainless Steel Model comes with a leather case.

Given that the DAP products are notoriously hard to get cases for them, it's nice to be able to protect your device right out of the box, and I'm particularly pleased with how well the case fits together despite its sharp angles and complex shapes.

That said, I do have to admit that the TPU material is far from luxurious, and the jelly case is subject to yellowing after prolonged exposure to UV light due to the nature of the material. It would have been nice to see a leather case included with the aluminum model as well.

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The FiiO M23 has a cold frame that's cut and machined from solid metal, with tempered glass on the front and back. In many ways, it's a premium design that's reminiscent of a flagship smartphones, and its solidity and weight in the hand is quite appealing.

The design could be boring, but the sharply angled hexagonal edges and the unique pattern of the tempered glass on the back that splits the light into multiple lines add a unique touch to the design.

You'll also recognize the Hi-Res logo engraved on the back.

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Let's take a look at the right side of the device first.

From the top, you can see the “Back / Pause / Forward” buttons lined up in a row, with the 'Desktop Mode Switch' and the 'Hold Switch' underneath.

The 'Hold Switch' can be flipped up to lock any of the buttons out of action - except for the power button. You can still press the power button to turn on the screen, but you're completely prevented from touching the screen. Depending on your preference, you can allow certain buttons to work while the hold switch is flipped.

The 'Desktop Mode Switch' literally toggles the 'desktop mode' on and off, which is something FiiO has been pushing hard lately, and you'll notice a big performance boost from it. We'll discuss this in more detail later.

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On the left side of the device, you'll find the power button, volume touch panel, and multifunction buttons. There's a colorful LED surrounding the power button that changes color depending on the quality of the music you're listening to.

The unique volume touch panel, which looks like covered with a carbon fiber, is designed to recognize your touch, allowing you to quickly adjust the volume by simply swiping your finger up and down.

It's a bit of a miss as it doesn't have the same feedback at your fingertips as a volume knob with a clicky snag, but I like the durability advantage of having no moving parts, and you can still fine-tune the volume by clicking on the touch panel just like you would do with a regular volume button.

Below the volume touch panel is a multifunction button. You can personalize what this button does in the Settings app, assigning it a role like changing the equalizer and filters, or switching to Bluetooth reception mode. I have set mine to switch to USB DAC mode, which I personally find really handy.

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The top of the product features a 3.5mm single-ended terminal and a 4.4mm balanced terminal.

Both headphone sockets are designed to double as lineouts, and the 3.5mm socket is also capable of outputting coaxial digital signals via SPDIF mode. If you can find the right cable, you can even use the M23 to connect to an external DAC.

With so many functions integrated into a single socket, it's important that it's durable enough to withstand frequent cable swapping. To that end, FiiO says that they designed the sockets to be stronger and more robust, with separate metal components on all sockets, including the USB-C.

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If you look at the bottom of the product, you'll see two USB-C sockets and an SD card slot.

The SD card tray pops out when you poke the hole with the included pin, which is supposedly capable of recognizing SD cards up to 2TB. DAPs don't usually have fast internal storage, so I'd recommend using an SD card to store your music.

The USB-C port in the center is a USB 3.0 port that can transfer data and charge at the same time. When connecting to other source devices, you'll need to use the center port to transfer data back and forth.

Next to it, the USB-C port with the orange accent is purely for power delivery. It's essential for 'Desktop Mode' technology, which maximizes acoustic performance by drawing 100% of its power from an external source instead of a battery that's sensitive to charge and discharge.

Because this port is designed to deliver higher capacity power more reliably, it's also said to be able to charge batteries at a slightly faster rate than the center Data & Power port.

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FiiO has a long history of building DAPs, nearly 11 years in fact.

In 2015, just two years after introducing its first DAP product, FiiO introduced its first full Android DAP - X7, showing its pioneering response to the streaming services at a very early stage, and I think I don't need to emphasize the technology and know-how that FiiO has accumulated over the past nine years of Android DAP development.

Perhaps as a result of this, the FiiO M23 was quite pleasant to use and sounded great. Even though it's positioned in the mid-range position, I didn't notice any major gripes or shortcomings throughout my time with it that I wouldn't envy a higher-end products.

The Snapdragon 660 SoC used in the M23 is not the latest chipset to be produced, but it is more than capable of playing high-resolution music. Being a Qualcomm chipset - although there aren't a lot of products that support it - but the aptX HD codec is available, which is a plus.

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The Android OS is well optimized, and third-party apps run smoothly and reliably. It comes with the Google Play Store installed by default, so it's easy to install all the apps you're used to using on your smartphone without having to do anything special.

I was able to install YouTube and other video apps, and the quality of the 5.5-inch display with an 18:9 ratio is pretty good, except for the fact that the maximum brightness is a bit on the dim side. I can say it was quite good for watching videos on it. Of course, it doesn't support DRM like Widevine, so if you want to watch videos properly, you should use the M23 as a DAC.

The Android OS version is 10, which is a bit on the low side, but it's still a version that can utilize almost all streaming platforms, which is fine for the purpose of a DAP that plays music, but it's also true that you'll start to worry about applications being unsupported.

Luckily, FiiO is working on an Android 12 update for the M23. It's a bit behind schedule due to the simultaneous update for multiple models, including the M11S, but FiiO has expressed its strong commitment to providing a stable A12 update, even if it's a bit late, in various communities and forums.

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With its multiple Modes, the M23 is more than just an audio player; it can also act as a high-performance DAP/Amp by connecting to a variety of source devices.

With this feature, you can watch a movie on a large TV in your living room and listen to the sound through the M23 at the same time.

The M23 supports a total of five connection modes, each of which is characterized by the following features
  • Android Mode : The default mode. Uses the M23's Android operating system.
  • Pure Music Mode : Focused on offline music listening via the FiiO Music app.
  • USB DAC Mode : Allows M23 to be utilized as a USB DAC.
  • Bluetooth Receiver Mode : Enables M23 to be utilized as a Bluetooth receiving DAC.
  • Airplay Mode : Enables the M23 to be utilized as an Airplay listening DAC.

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Airplay Mode is particularly useful for Apple device users.

Unlike regular Bluetooth, AirPlay works over a local network (LAN) via WiFi, which means it can reliably transmit lossless sound over a much wider bandwidth, making it a far superior wireless connection in terms of sound quality.

There's no need to go through a complicated pairing process, and once the M23 is in Airplay mode, connecting is as simple as clicking a button or two on your iPhone.

It's also worth noting that, although not shown in the menu above, the M23 is Roon Ready, supporting Roon connectivity via the pre-installed FiiO Roon app.

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The usability features don't stop there.

The M23 has the ability to connect with smartphones on the same network via the FiiO Cast app, which goes beyond just sending and receiving sound signals and allows you to control all of the M23's features from your smartphone.

You can adjust the volume, pause, flip through songs, switch connection modes, change device settings, open offline music lists stored on your M23 to play your favorite songs, and even mirror your M23's screen to your smartphone for remote control.

I think this feature is a result of the fact that DAPs have leveled up in sound performance in many ways, and more and more people are using them as a single main setup.

Since DAP products are generally not light in weight, the ability to switch music from a smartphone, which is much lighter than a DAP, was a feature that I utilized more often than I expected.

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As well as the ease of use we've discussed, you'll notice that a lot of effort has gone into the acoustic technologies that are directly related to the audio experience.

The system-wide equalizer is one of the best examples of this. By default, it acts like the 10-band equalizer most people are familiar with, but it also functions as a parametric EQ that allows you to personalize the frequency, filter type, and Q value by long-pressing each band, making it a great equalizer for beginners and advanced users alike.

The Sound Effects tab lets you change your tone in a more intuitive way. In addition to increasing and decreasing bass and treble, you can also make fun timbral changes, including stereo enhancements.

In addition to this, the Audio section of the Settings app also allows you to assign Line Out / Headphone Out / SPDIF roles to each audio socket, or change the kind of digital filters that the DAC uses when processing your audio.

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The story that “the Android OS structurally forces the sample rate of the audio it plays to be converted” has become so common knowledge that most audiophiles are now aware of it, which is why certain applications that purport to achieve 'Bit Perfect' have become must-have apps among enthusiasts.

However, application-based “bit-perfect solutions” have a fatal flaw: they are structurally incapable of affecting the sound played in other applications, so you must listen to offline music through those applications.

For DAP makers that have adopted the Android OS, how well they've implemented this “system-wide bit-perfect” is often used as a measure of their software design capabilities: if it's not done well enough, several issues can happen - like certain apps thinking that your device is rooted.

In that regard, the DAPSDigital Audio Purification System, a lossless music processing system that FiiO emphasizes, is quite remarkable.

DAPS refers to an entire software system customized to ensure that audio signals are reproduced as pristinely as possible from the kernel and HAL levels, which are closest to the hardware, including the DAC chipset, and is difficult to implement without a high level of technical understanding of both hardware and the Android OS.

The M23 has an LED on the power button and a sampling rate on the top bar to indicate the quality of the audio currently being played, and while I tested a wide variety of applications and streaming services, I didn't notice any resampling of the sound source. In many ways, I would say that the software is very well done, just like any other FiiO products.

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The FiiO M23 features AKM's latest DAC. Unlike other products that integrate all functions in one chipset, this is a two-chip solution. The AK4191EQ and AK4499EX, fulfills different roles.

The design of the chipsets that handle digital signals and those that handle analog signals is strictly separated on a chipset-by-chipset basis, which has the advantage of increasing noise resistance.

However, it also has the disadvantage of occupying a larger area on the board because the chipset is divided into two. therefore, it has been adopted mainly for desktop D/A products that are relatively free from space constraints.

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The amplifier to support the high-performance DAC is the THX AAA-78+. This amplifier consumes about 1.7 times more power than the THX AAA-38 in the diagram above, but offers a significant increase in power output with slightly better sonic performance.

As a result, the M23's output characteristics are quite exceptional. The output is generous enough to drive IEMs, dynamic driver headphones, and you can even drive some planar headphones if you utilize the balanced output.

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The M23 has plenty of power as it is, but the “Desktop Mode” that FiiO has been pushing hard lately can take its performance to extreme limits outside the constraints of a portable device.

'Desktop Mode' is all about squeezing the most out of your acoustic performance from a stable, externally supplied power source. Since lithium-ion based batteries suffer from significantly reduced battery life when used at too high of a power level, there is a limit to the maximum power that can be realized from a portable device, and this can help you get the most sonic performance out of your device without worrying about battery degradation.

Using 'Desktop Mode' on your M23 is simple. Simply flip up the D.MODE switch on the right side of your device, connect your M23 to a fast charger that supports USB PD technology, and you'll see a notification asking you to enable 'Super High Gain', as shown in the photo above.

Even if you accidentally close the notification, you can select 'Super High Gain Mode' again from the Gain settings, which are visible when you pull down the top notification bar.

Once you've selected 'Super High Gain', you'll notice that the M23's already high output is now up to four times higher, reaching up to 1000mW in certain situations.

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Contrary to popular belief, high impedance does not necessarily mean it's difficult to drive. The truly difficult headphones to drive are the low-impedance, low-sensitivity headphones, most notably Hifiman's Susvara.

The Susvara has an impedance of 60ohms and a sensitivity of 83dB/mW, which is exactly what you'd expect from a low-sensitivity, low-impedance headphone, but if you take this information and turn the headphone loudness up to a generous 110dB, you'll see that it requires over 500mW of power.

That's a lot of power for most portable gear, especially DAPs, but the FiiO M23's 'Desktop Mode' should be able to handle it without frustration. Of course, you'll need to get an XLR to 4.4mm adapter or a separate 4.4mm balanced cable.

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Now let's listen to the sound of M23.

The FiiO M23s were able to drive all of my headphones with ease and without any signs of struggle. While I tend to stick to less challenging headphones, I'm not sure there's anything the M23 can't drive unless it's a headphone with a really unusual design, as we've seen.

With so much power, the M23 never felt like it was lacking while listening to music on my headphones, even with the gain on low. Even then, I was able to focus on the sound in a very quiet background without any noise, even when matched with very sensitive earphones at 115dB/mW.

It's quite impressive to see it handle such a wide spectrum of products, from the most sensitive to the most difficult to drive headphones, and still be able to neutrally reproduce the sound without any significant distortion or coloration.

In many ways, the FiiO M23 was true to its role as a HiFi DAP - to reproduce the original sound without distortion - and the performance numbers on the spec sheet were a good indication of that.

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L - Super high gain mode, full volume playback -6dB sinusoidal signal, 20Hz-80kHz, SE headphone out (32Ω load)
R - Super high gain mode, full volume playback -8dB sinusoidal signal, 20Hz-80kHz, BAL headphone out (32Ω load)


FiiO is one of the rare companies that publishes the measurements of their products on their website, and the M23 is no exception.

In the first set of measurements, you can see the frequency response of the M23.

It shows a perfect reproduction of the signal from 20Hz to 20,000Hz, the human audible frequency range, with no significant roll-off. It's not until we get to 80kHz, well outside the human audible range, that we observe a slight roll-off, which is very good.

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L - PO Super High Gain Mode 2V@32Ω
R - BAL PO Super High Gain Mode 4V@32Ω


Distortion performance is also very good.

Both the single-ended unbalanced and balanced terminals, even when operating at their peak performance, show excellent numbers in metrics including THD+N and SINAD. This can be interpreted as having ultra-low noise characteristics that are difficult for the human ear to perceive.

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So far, we've taken a look at FiiO's new mid/high-range DAP, the M23.

If you look at FiiO's DAP lineage, which has recently undergone a change in product naming conventions, you'll see that the M23 is the second tier in a four-tiered lineup, behind the upcoming M21. Above it are the M15s, and the M27, which is the replacement for the M17 in the works.

So FiiO has been describing the M23 as being in the “mid/high-range line,” and I couldn't help but think, “Is this really a mid-range product?” when I was using the M23.

It's hard to see how they could do any better than the M23, which has already shown that it's hard to complain about its audio performance, output power, and technical perfection. Of course, I'm aware that the higher-end M17 is already armed with a ton of outputs, a larger battery, and more, but for most enthusiasts, the M23 is more than enough to get you started on the road to end-game DAP.

If you're looking for a full Android DAP with serious performance, but with a modest weight and size that allows for some portability, the FiiO M23 is definitely worthy of consideration.
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SilicaGel

New Head-Fier
Pros: So-called 'Meta Tuning' - You'll probably like it
Nice packaging with great accessories
Accessible pricing
Cons: Driver flex
Far from the most comfy IEM
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Kiwi Ears KE4 :: 2DD + 2BA :: $199

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Huge thanks to Linsoul for providing a sample unit for this review.
However, this review fully reflects the my honest opinion without anyone else's interference.


Btw, are you more familiar with Korean?
So am I, and If that's the case, I think you'd be better off reading my review written in Korean here.

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This is the package of Kiwi Ears KE4.
It has improved a lot compared to the last few years of their previous products. lol

The components are generous enough that you won't feel particularly shortchanged.

- Kiwi Ears KE4 unit
- 3 pairs of 'Kiwi Ears Flex Eartips'
- 2 pairs of replacement filter mesh
- 3.5mm to 2-pin cable
- Fabric case
- User manual

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The quality of the provided cable has a dark chestnut color, is mediocre at best, as always.

It's not overly thick or heavy, and the wire is flexible yet easy to handle, so it doesn't feel like it's weighing down your ears, making the earphones comfortable for extended use. The lack of a 4.4mm option, which many people seem to prefer, is a bit of a bummer. I think the 3.5 single option is just fine though.

The eartips are a bit unusual, as I've never seen them before, but they're called “Kiwi Ears Flex Eartips” and they'll be available soon, priced at $14.99 for 3 pairs.

The eartips have a molded-in wax protection structure at the tip to prevent earwax from getting in, and they also have a nozzle swivel structure that reminds me of SpinFit, so they're pretty comfortable. They're made from medical-grade silicone, which is a significant improvement over the eartips that Kiwi Ears has offered in the past. I like them quite a bit.




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You are now seeing the unit of the Kiwi Ears KE4.

It's a pure black resin shell unit that you can't see inside, with a faceplate design that features the Kiwi Ears logo on a brushed metal background. I personally think it's a decent design.

As a product with 2DD isobaric structure and 2BA, the unit is quite bulky. If you are used to IEM earphones, you won't feel much discomfort, but if you have small ears, it may be a little uncomfortable.

Other than that, the 2-pin socket is smoothly positioned with no protrusions, so compatibility for custom cable is good.

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If you look at the inner side of the unit, you'll notice that the top part that rests against the concha is slightly protruded. This helps the earphone unit to sit more securely in the ear, but it can be a little uncomfortable for someone for extended periods of time.

On the top, you can see a large duct that presumably leads to the back of the dynamic drivers, and the product serial number is engraved on the inner side.

The nozzle, which is made up of separate metal pieces, had a mesh attached to it. As you might saw earlier, two pairs of spare mesh stickers are included, so you can replace the mesh by yourself if the nozzle becomes excessively dirty and clogged.




Before we get to KE4's sound, I'd like to briefly discuss the “New Meta" sound that people has been talking about.

Of course, I'm sure I'm not the only one who recognizes that everyone has their own personal tastes and that it's impossible to boil it down to one sound that will please everyone, but I thought it was worth mentioning because it's true that we're at a point in the earphone development process where a new baseline is being established.

If you're not interested in reading about this, you can probably just scroll all the way down to the bottom.

Meet the new measurement equipment - B&K 5128

Most of the frequency response measurements you'll find on the internet today are from ear simulators, following IEC 60318-4. Before it was renamed, it was IEC-711, which is why it is often referred to as a “711 coupler”.

Since it was established so long ago, couplers made to the 711 standard are now relatively cheap and easy to find, making it the most popular ear simulator used by many reviewers, including myself.

However, there are a few problems with the 711 coupler.
  • Structurally, the 711 coupler exaggerates the sub-1kHz range more than the human ear would.
  • The microphone of a 711 coupler has an acoustic (input) impedance characteristic that is much higher than that of a real human eardrum. The change in measurement that results from this difference is even greater in in-ear earphones, which have a higher acoustic (output) impedance (i.e, more pressure on the ear). The resonance peak that positioned around 8 kHz is one of the results of this phenomenon, whereas in the real ear, the 8-10 kHz treble peak seen in 711 measurements is relatively weak.
  • The 711 specification itself has a very generous range of deviations, which means that there is a lot of variation between ear simulators. As a result, there is a fairly widespread opinion that even the same 711 measurement should not be compared to each other if the equipment (operator) that took the measurement is different (and I agree with this argument to some extent).
Because of the problems mentioned above, it is commonly said that the range you can really trust from 711 measurements is upto ~8 kHz at best.

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There have been a number of new equipments introduced by various companies to address these issues, but over time, the Brüel & Kjær Type 5128 (B&K 5128) dummy head seems to have become the new normal.

I think it's because the 5128 is designed to more accurately represent the human ear, and has the great advantage of being reliable up to 20kHz - unlike the 711, which was only reliable up to about 8kHz.
And therefore, unlike the 711, which could not compare earphone and headphone measurements with each other, the 5128 is a system that allows for direct comparison of earphone and headphone measurements.

Many of you may already know that Harman International got the B&K 5128 early on and began studying the new Harman Target, and in turn, many of the world's most popular audio reviewers have been using the 5128 to get new data.

As equipment changes, so do targets

As mentioned earlier, the 5128 dummy head is a much more accurate representation of the human ear than the 711, so even measuring the same earphones will yield different measurements.

This means that the “target” we're using as a reference point to interpret our measurements must also change. Obviously, you can't compare a Harman target built on a 711 coupler to a 5128 measurement. That's why Harman purchased the 5128 and is now working on a new Harman target.

So, what targets should we use for comparison? We don't have a Harman target for the 5128 yet. A good place to start is with the DF target, which was also the starting point for the Harman target.

I won't go into a long explanation because it's not our main topic today, but you can think of the DF target as the result of measuring the effects of a person's head, body, and ear on the sound we hear, and then removing directional information to match the characteristics of an earphone and headphone, with the goal of reproducing natural sound.

It's not an exaggeration to say that almost all targets, including Harman targets, are derived from this DF target, so it's as close to the “root” as you can get.

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But thanks to Harman's research, we know that people don't really like pure DF targets very much.

Most people prefer a slightly less treble and more bass sound than DF, so reviewers are recommending the DF targets with a slight clockwise tilt, with a bass slope added for personal preference as an alternative to the Harman targets.

Reviewers who got their hands on the 5128s early tend to tilt the DF target 0.8~1dB/oct and add 5~8 dB of bass slope as the default target, which is the “New Meta Sound" that Crinacle mentioned.

If you compare the KE4 measurements on top of this, it's a pretty good match.

But “Target” is not the “Right Answer"

Let's take a step back and think about this for a moment.

Whenever we talk about the rapid evolution of the Chi-Fi, Harman Target is often praised for its role in upwardly leveling up the overall sound we expect from IEMs, but there are a lot of people who don't really like it.

If you take a look at the general user reviews of Galaxy Buds 2 Pro - which is often described as a near identical representation of Harman Target - you'll see quite a lot of comments about it being “too harsh”.

In the end, there is no perfect answer to the sound, and I think it's best to use targets as a guide for evaluation. What sounds close to the 'right answer for someone else' is not necessarily the best sound for me.

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That said, I think it's also difficult to dismiss Crinacle's comment about KE4's sound as “New Meta” as just a personal opinion.

In many ways, it's 'the Crinacle's cup of tea' with slightly less treble than the Harman Target, but when you consider that products with a similar sound signature are selling like hotcakes despite being quite expensive, it's fair to assume that this is not necessarily his own personal taste.

The best example of this is the Dusk, which is the collab IEM between Crinacle and Moondrop, and while it's obviously a product that reflects his own tastes, you can see that it's very similar to the KE4.

Another great example is the HiSenior Mega5-EST, which has been considered the 'end-game' by many people for a very long time. This one is also pretty similar, right?

Considering that both of the aforementioned products hover around the $359~500 mark, I think there's some truth to Crinacle's praise of the KE4 as an 'Amazing Bargain', as it offers a similar sound signature for just $199.

If you've felt that your preference greatly overlap with Crinacle's, I think you'll be very happy with the sound of the KE4.




Measured with IEC 60318-4 (711) while maintaining 94dB@500hz.
The sample used for the measurement does not represent the characteristics of the entire product.


Following Measurements are available at silicagel775.github.io

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So, I guess it's time to tell you what I felt about it.

Kiwi Ears didn't exactly explained how the 2DD isobaric design in the KE4 is constructed, but I'm guessing it follows the general characteristics of an isobaric design to reduce the distortion while reproducing bass more efficiently.

The KE4's bass range seems to be fairly well matched to the Harman targets we're used to. With an emphasis on the lower end of the bass range - where the weight and depth of the bass comes from, you get the feeling of a moderately heavy and thick bass layered on the bottom. It's a bit of a departure from the typical dynamic driver earphones that tend to have a rich, and lush feeling from the bass.

The aforementioned bass characteristic of the KE4 is a key factor that you can expect a fairly crisp and clean sound, as the bass doesn't leak into the midrange and mask the overall sound.

As I anticipated, the balance between the midrange of the Kiwi Ears' Custom BA and the treble from the Knowles BA was quite good.

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Listening to the mid~high range of the two balanced armature drivers, you'll notice that various vocals and instruments are presented clearly without sibilance or harsh in a very neutral position, with a moderately open treble at the same time.

They make good use of the space which is often quite wide in sideways. I was quite impressed with their ability to capture small details in the soundstage.

In many ways, it's hard to complain about the detail or separation of the sound, but as I mentioned earlier, the KE4 doesn't push the highs to level of Harman Target, so there's some distance between the sound where various vocals and instruments have some kind of sharp outline.

I can't help but nod my head in agreement with KE4's promise to deliver 'precise sub-bass impact, a warm, yet natural, midrange, and precise treble.'

It's hard to find anything particularly flawed with it, and I think it's fairly well balanced, producing a good sound that should please most listeners, regardless of genre.

Well, I have to admit. Their tagline of 'New Meta' is definitely on point.

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So far, we've taken a look at the Kiwi Ears KE4.

As the first sign of a new beginning for the Kiwi Ears hybrid series of the past, the KE4 may be more than just a new product for them.

The KE4's sound has been shaped by the latest research findings in preparation for the new lineup, and fortunately, I don't think there's much disagreement that it lives up to the hype. It's been described by some as the 'New Meta', and it's a well-balanced product that should appeal to a wide range of genres and tastes.

For a product that sounds so good, it's a bit disappointing to hear the crackling that occurs when the dynamic driver fails to withstand the pressure (driver flex). It doesn't really affect the sound, but it's not something people expect from a product at this price point.

Other than that, the KE4 is a well-built product that's hard to find any flaws with, and I'm quite happy with them. I think they're a good option for those who want to experience the sound of the “latest meta”, and they are relatively accessible at a price point that's easy to get into.




Non-Affiliated Links to Kiwi Ears KE4 -

https://www.linsoul.com/products/kiwi-ears-ke4
https://www.aliexpress.com/item/3256807404704421.html
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SilicaGel

New Head-Fier
Will Moondrop MIAD01 outperform LG phone?
Pros: Near-AOSP like experience
Great 4.4mm Balanced output integrated into a smartphone
Audio-oriented features : System-wide Parametric EQ, SRC Bypass and more
Display, Hardware performance - better than expectation
Cons: No 'Play Protect' certification
Disappointing 3.5mm SE performance
Vibration Module and Sensors - worse than expectation
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Moondrop MIAD01 :: $399

I thought they were already crazy enough with their CD players and keyboards with built-in DAC, but now they're doing smartphones. wow.

Over the past month, I've been using the MIAD01 with a variety of products. With a number of firmware updates to fix bugs and add features, I felt that the experience that Moondrop was aiming for had reached the point of completion, so I decided to write a long-term review.

-

Huge thanks to HiFiGo for providing a 'slight discount' for this review.
However, this review fully reflects the my honest opinion without anyone else's interference.

Btw, are you more familiar with Korean?
So am I, and If that's the case, I think you'd be better off reading my review written in Korean here.

-

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As usual with Moondrop products, the package is decorated with character illustration.

It's a simple package with only the device itself, user manual, and charging cable, so it's rather thin.
A smartphone package without a charger... oh well... sound familiar?

Design Walkthrough

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At the top of the phone is the heart of the MIAD01, with a 3.5mm SE and a 4.4mm Balanced output.
Since the 4.4mm socket is thicker than other ports, the top of the device has a stepped design.

Many users said, "It would have been better if the back plate was smoothed out with more batteries", but I personally thought it was a nice design because the protruding part serves to support the device while allowing the index finger to naturally touch when holding the huge phone in one hand.

I think many people are wondering what the small hole next to the 4.4mm is for, and I thought it was an LED, but it was an ambient light sensor(...) The display panel usually needs some extra process to hide the sensor and allow light to pass through to it, and I believe they suppressed the production cost by omitting this process.

There's no smart logic to complement the brightness sensor with a front-facing camera, so I often found myself in the uncomfortable situation where the brightness would drop dramatically when the top of the device was covered. This happened so often that I turned off the auto-brightness feature in the end.

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Thanks to its complex curved design, the device's exterior is made of hard polycarbonate.
It's accented with orange-colored buttons and has a decal graphic on the back of the body, giving it a cybernetic vibe.

Personally, I'm not a fan of decal graphics on plastic, but I think the MIAD01 has the right vibe.

Overall, it has a familiar matte surface finish that doesn't leave fingerprints, and the wide back plate has a shallow groove pattern that provides a bit of grip. Of course, it's nowhere near as good as a cased phone, so I'm always being extra careful whenever I use this device.

Due to the complex design, I thought it would be difficult to find a case, but it seems that cases are already on sale on Taobao!

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source : WekiHome - Youtube

When I buy electronics, I tend to place a certain amount of importance on repairability.

I don't know if I should say 'thanks to the PC body', but unlike most smartphones that glue the glass back panel, the MIAD01 is designed in such a way that you can simply remove the back panel with a guitar peak. The latch doesn't protrude very aggressively, so the general consensus of those who have taken it apart seems that the 'MIAD01 is easy to disassemble.'

If the battery needs to be replaced after a long period of use, it is expected that anyone can easily do it themselves. The most important issue is whether you can get batteries later tho...

Of course, due to these characteristics, MIAD01 does not support water and dust resistance.

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At the bottom of the product, you can find the speaker hole, USB-C port, microphone, and SIM tray.

MIAD01 is equipped with a USB 3.2 Gen 1 (rebranded USB 3.1) Type-C connector, which is capable of transferring high-capacity, lossless music at speeds of up to 5Gbps (~625MB/s). It also supports the USB-PD standard, so you can quickly charge it up to 33W, which is a nice bonus. It can be fully charged from empty to full within about an hour.

Pulling out the dual sim tray, you'll see that you can insert two SIM cards, or one SIM card and one SD card. It claims to recognize SD cards up to 2TB. Unfortunately, it doesn't seem to support eSIMs.

In many ways, it's a device that mainly fits to its identity, cutting corners where it can and investing heavily where it needs expensive parts. It's not a tightly packed hexagon like any other smartphones...

First Impression as 'Smartphone'

1. Display

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The MIAD01 uses a curved OLED display from 'Tianma', and I was a bit surprised to find that the display quality was better than I expected.

With its diamond pixel arrangement, even a smallest text on display is clearly readable. The basic color settings are pretty natural as well, although it looks a bit red-ish in photos. The viewing angles are pretty good too, and the screen supports 120Hz high refresh rate reliably, so even if you're considering it as a smartphone rather than a DAP, it still feels like it has a pretty good display.

It's not without its flaws, though - the screen brightness, which is slightly below average, is a shame.

While most devices these days have a screen brightness of close to 1000 nits, the MIAD01 has a screen brightness of less than 500 nits. This isn't a big deal for indoor use, but when you step outside into the sunlight, it's going to take a lot of concentration to read what's on the screen.

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The use of a curved display with a rather sharp curvature is also likely to be quite controversial.

While it has a certain high-end flavor, it is vulnerable to breakage and difficult to attach a protective film, so the preference for curved displays has decreased significantly in recent years. A source from China commented that "the current situation where curved displays are cheaper than flat displays may have had a big impact."

Personally, I felt that the curvature was too much. There are concerns about the screen breaking, but as you can see in the photo above, on a bright screen, the curved edges darken slightly, which can be annoying enough when using the product.

There are also some disappointments outside of the screen. Even with such a good display, the fact that Widevine's DRM security level is only L3, which makes it impossible to watch high-definition movies from online services like Netflix, is a rather fatal problem.

2. Software

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After the initial setup, the first thing you'll notice is the uniquely designed launcher.
You'll see some Chinese applications pre-installed, including Weibo, but most of them can be deleted and disabled.

Google Play Store is not pre-installed, but you can easily enable Google services by turning on the 'Enable GMSGoogle Mobile Service' toggle in the Settings app. You can then download the Play Store APK file and install it to use Google services normally.

After playing around with it, I was able to understand Moondrop's explanation that it aims for 'AOSP-like Experience'. Except for some unique features and design elements, there are no major changes from pure Android, so it's hard to feel the distinctive flat design or aggressive process / memory management logic of Chinese domestic devices.

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This doesn't mean that MIAD01 is really using stock Android, it's just providing a "near-pure" experience as described.

The overall Android system was overly dependent on the MIAD01's default launcher. The multitasking screen was dependent on the launcher rather than the system UI. There are also quite a few instances where MIAD01 uses its own implementation of features instead of those built into Android. The System Style related features are an example of this.

If the default launcher was at least average in completeness, it would have been useful, but the basic UI errors and inconsistent icons, not to mention the lack of features, are so unusable that I think most users, including myself, have installed and are using other launchers.

Since Moondrop didn't take this into consideration when it was released, I've experienced various system bugs, such as multitasking feature crashing on reboot when the default launcher is changed.

I've been noticing this issue since I first got the product and even emailed them to get it fixed. They asked me to take a recording of it and eventually fixed the third-party launcher compatibility issue with the latest OTA update.

It's reassuring to see Moondrop's strong future-support commitment and steady updates, but as I explained in the case above, it's worth noting that the MIAD01's software is somewhat far from stock Android.

-

If I had to pick one thing to complain about, it would be that the MIAD01 is not 'Play Protect' certified device.

Don't get me wrong - you won't have any problems using various Google services, including linking Google account and using the Play Store, but strangely, only the MIAD01 didn't received the 2-step verification notification when logging into my Google account.

I think this is probably because MIAD01 is not 'Play Protect' certified, and there are several reports of the Google Wallet app not working, which adds credence to this assumption.

I've tried installing most of the major Korean banking apps myself and haven't had any issues with them, but I can't guarantee that it won't cause any real-world issues or that all banking apps will work.

Moondrop seems to have promised to fix this issue in the next update. I don't know when that will be.

3. Performance

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The MIAD01 uses MediaTek's Dimensity 7050 chipset. it's just a rebranded Dimensity 1080, so it's safe to assume that it's the same SoC used in other devices like 'Galaxy A34'.

It's not a Qualcomm chipset, so the loss of the aptX series of codecs is a big disappointment, but the trade-off is a much more powerful performance than the Snapdragon 660 series SoCs that are used in many current DAPs. Still, I can't imagine a situation where a phone with a Snapdragon 660 being released in 2024.

For day-to-day tasks like listening to music, surfing the web, and watching videos, the MIAD01 was very fast without feeling stuttery, and it seemed to have no problem playing mobile games as long as you're willing to compromise on graphics options. Given that it was able to handle high frames at medium to low settings with no frame drops even in a fairly heavy games, I think it should be able to handle rhythm games with ease.

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source: WekiHome - Youtube

MIAD01 has 12GB of LPDDR4X RAM and 256GB of UFS 3.1 storage, and you'll see that performance is right on spec after storage benchmarks. The specs are high enough to handle everyday tasks and even most games with ease.

Uniquely, the MIAD01 is equipped with LPDDR5 RAM from SK Hynix. I was able to confirm that my hardware was also equipped with LPDDR5 RAM, but strangely, it was only performing at the level of LPDDR4X.

I wonder if this is an intentional performance limitation or if there is another reason.

4. Camera

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The MIAD01 has a dual camera design with a 64-megapixel main camera and an 8-megapixel wide-angle camera. Pretty standard, right? Each utilizes a Sony IMX686 sensor and an Omnivision OV8856 sensor.

The punch-hole style front camera utilizes a 32-megapixel Omnivision OV32b40 sensor.

From the product description image, it says "The camera isn't great, but it works", and I was like, "Is it really that bad to say it out loud?" But when I went out and took some pictures, I realized they really meant it.

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While it's true that the MIAD01's optical performance are absolutely lacking, it has a basic problem with color reproduction.

This is especially noticeable when shooting subjects with intense primary colors. When you compare it against iPhone SE3, the difference is quite obvious.

Turning on the AI feature in the Camera app will give you a slightly more vibrant photo overall, but if you're shooting the primary-colored subjects I mentioned earlier, you'll notice that the "mashed colors" become the "eye-soaring mashed colors".

Moving away from the color accuracy aspect and looking at the photos again, some would say that the photos are aesthetically pleasing, and I kinda like that style as well in certain situations.

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However, the wide-angle camera, with its lower pixel count, tends to have more realistic colors than the main camera. The color difference between the two cameras is so obvious that it's hard to tell which photo is the Moondrop's intended photo style.

The image processing algorithm doesn't seem to be very good, and I don't know if there's room for improvement, as Moondrop has already said "our camera is not good".

5. Other aspects

The MIAD01 does have a GPS sensor, but it doesn't seem to be very sensitive.

When I install an app that displays GPS information, it seems to recognize the GPS satellites normally, but there is a problem that it cannot determine the location of the phone. Therefore, the GPS function does not work in various map apps including Google Maps.

There are many comments that GPS doesn't work regardless of region, and I don't know what the problem is.
I think it might be a software bug, but I don't know this part. I know that Sewolwoo said that they will improve it with a software update.

Lastly, this vibration module... I think they used the cheapest vibration module available on the market.

Aside from the jarring vibration, it's so unresponsive that I can't even use the taptic keyboard feature.
This is especially frustrating since I can't live without a taptic keyboard.

What if we treat it as 'DAP'?

1. Hardware

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source : WekiHome - Youtube

The Moondrop MIAD01 has a design that utilizes Two Cirrus Logic CS43131 DAC chipsets to process audio signals.

For its excellent audio performance at low power consumption, this chipset has been used in various DAP products, including the Cowon's Plenue series. Although its status has been somewhat diminished as it has been used in almost every USB DACs where low power design is key. But still, it's hard to imagine a better DAC chipset to fit into a smartphone form factor than the CS43131.

So can the MIAD01 outperform the LG phones?
...Unfortunately, it turns out that smartphone development isn't easy after all. The MIAD01 has one fatal 'flaw'.

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The figure above shows the two standards shared by 3.5mm terminals: 'CTIA' and 'OMTP'.

If you pay close attention to the roles assigned to each of the 4-pole terminals, you'll notice that the roles of the 'microphone' and 'ground' terminals are reversed between the two standards.

On a 3.5mm unbalanced terminal, the ground terminal is required for normal sound output. This is why there was an issue with several earphones using the CTIA standard when plugged into an OMTP standard computer, as the ground terminal was not connected. This issue is rarely encountered these days, as most audio devices have moved to the CTIA standard, and terminals that support both CTIA and OMTP are actively used.

The fatal problem with the MIAD01 lies in this.

In order to broadly support devices designed to both standards, the MIAD01 is equipped with a 3.5mm jack that supports both OMTP and CTIA standards simultaneously. In the process, the 'microphone' and 'ground' terminals were connected to each other, which seems to caused some kind of 'ground loop' problem.

In fact, if you try using earphones with a sensitivity of approximately 125dB/Vrms or higher - connected to the 3.5mm jack, you will notice that whenever you operate the screen with the music turned off, you will hear some annoying noise.

Of course, it's hard to notice the noise while music is playing, so you might be able to overlook it as a minor drawback in most cases, but personally, I think it's a fatal flaw that's hard to overlook in a product targeted at 'audiophiles'.

Moondrop has acknowledged the issue and wrote, "For users who want to enjoy the best sound quality, we recommend using 4.4mm terminals."

Indeed, the audio performance of the 4.4mm socket is better than majority of dongle DACs and it may even compete with some high-performance USB DACs, but the fact that the MIAD01 was rushed to market without addressing the most basic design error in the most popular 3.5mm single-ended socket will forever be its Achilles' heel.

This should have been fixed before release.
It leaves a lot of disappointment.

2. Software

As a 'Hi-Fi smartphone for audiophiles', the MIAD01 offers a wide range of software features related to audio.

Perhaps the most important of these is the 'Android SRCSample Rate Converter bypass' feature, which suffered a small controversy early on when it was discovered that the SRC bypass feature didn't work properly. But there's a bit of catch for Moondrop.

In the current Android operating system, there are many ways to achieve so-called "bit-perfect".

DAPs and phones that specialize in listening to music are modifying the operating system itself to prevent 'resampling' from occurring inside the Android system, while some music playback apps, including 'UAPP', have their own logic that bypasses the Android system to deliver sound signals in order to achieve 'bit-perfect' even on ordinary smartphones.

Here's the problem. DAPs, including MIAD01, are designed to bypass SRC with the assumption that music apps will utilize the general Android system. Therefore, apps with their own logic for SRC bypass are more likely to crash, while apps that simply use the given Android features are free from this problem.

On the one hand, MIAD01 can't get the app to bypass SRC because the app is trying to play music in a path it doesn't know, and on the other hand, the application is experiencing a system with an unusual 'feature'In this case, the 'SRC bypass feature' for the first time, so its own bypass logic doesn't work properly.

This is the reason why the Hiby Music app was not able to bypass SRC at launch: Hiby Music, like UAPPs, has its own logic for bypassing SRC, and this was causing problems because it was behaving outside of the system's expectations.

Of course, I think this is partly Moondrop's fault. They should have made sure that the apps that would be built into the system would work normally without resampling.

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Since the issue was raised, Moondrop has provided an OTA update to fix the SRC issue by having the system respond directly to the API used by Hiby Music. At the same time, the top notification bar now displays the sampling rate instead of the clock while the music is playing, making it easier for users to check if the SRC is being bypassed properly.

I tested this feature using a variety of applications and found that all apps that were known to work with 'SRC Bypass' feature displayed the correct sample rate. In particular, the Neutron music player was known to resample unless the 'BitPerfect' option was enabled in the settings, and the noti-bar made this clear.

If you're wondering if the app you're using is bypassing SRC correctly, pay close attention to the sampling rate in the top bar. I personally find this metric to be reliable.

Note that UAPP is utilizing their own audio drivers to bypass the Android system to an extreme degree, so you may not see the sampling rate in the top noti-bar.

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In addition to this, the MIAD01 comes with a number of unique features specific to music listening.

I can't say that the 'Amplifier Tube Mode', which mimics the sound of a vacuum tube, or the 'VDSF+ Mode', which adds a sense of space, are of the highest quality, but they're funny feature to try out occasionally.

The 'system-wide parametric EQ' feature, which allows you to manipulate up to nine bands, from 0 to 8, is also quite fascinating.

The EQ profiles you create here can be uploaded to the Moondrop server, and you can also import and apply EQ profiles created by others. It's a little disappointing that you can't create multiple EQ profiles on the device without uploading to the server.

Conclusion

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The MIAD01, which received a lot of attention leading up to its unveiling and launch, is a bit of a heretic, standing in direct contrast to what is currently considered a formula in the smartphone market.

While everyone was focusing on camera quality and trying to make their smartphones thinner and thinner by removing the 3.5mm terminal, Moondrop kept the high-performance SoC and high-performance display even as they made the mind-numbing cost-cutting move of placing a light sensor next to 4.4mm jack. This is where we see the difference with DAP. Because DAPs are saving money on SoCs and displays and putting a little bit more money into the audio circuitry.

Maybe it was destined to be an 'ambiguous entity' from the beginning, because the design is a bit ambiguous as a smartphone, and it lacks something to be used as a DAP. But it's weird, I've been enjoying the moments I've been using the MIAD01. Lying in bed with my HD600 plugged in, watching YouTube, and playing my first rhythm game in a long time with IEM plugged in, was much more fun than I expected.

It's a bit difficult to recommend it to others, and it's hard to argue with the "I'd rather use a dongle" or "I could buy a DAP for that money" arguments, but strangely enough, I'm really happy with it.

The MIAD01 has a strange charm that's hard to put into words. It's a 'Mobile Audio Internet Device', and as its name suggests, it's a product that shows Moondrop's challenge to pioneer a new genre away from 'Digital Audio Player's. Even now that I'm holding the MIAD01 in my hands, I'm really curious to see how that challenge will continue.

Will Moondrop's reckless endeavor - which seemed like a one-off event to many - continue in the future?

-

"So, Do you think I can use MIAD01 as my main phone?"

Think about it a bit more. I personally don't think it's a good idea to use it as a main phone.

"Do you think it would be good as a DAP replacement?"

I think it's best to keep your old one.

"How about as an LG phone replacement?"

If you're not just a music listener, and you consume a lot of digital content,
And if you're willing to make the full migration to 4.4mm Balanced, it might not be a bad choice.
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S
SevenMurasame
What games did you test it on? Can it handle 3D games at lower settings (ie, Punishing Gray Raven, Honkai Impact 3rd, Aether Gazer, ect.)?
S
SilicaGel
@SevenMurasame I've tested some games including Nikke, Zenless Zone Zero. It runs fairly okay in Low settings.
S
SevenMurasame
Thank you!

SilicaGel

New Head-Fier
Pros: Beautifully designed, ultra-compact unit.
Nice packaging with Great accessories make it exciting to unbox.
4-way tuning switch with much wider range of variation than competitors.
Cons: Sound tuning via the switch is limited to the low end.
Questions over the tuning switch itself.
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TANCHJIM 4U :: 1DD :: $69.99

The 'DMT4' driver, which has been applied to previous products such as OLA, and PRISM - has been upgraded to 'DMT4 Ultra' driver.

Tanchjim began designing the 4U as the first product to feature the new 'DMT4 Ultra' driver. and in the process, they added a 'circuit filter system' with 4 different sound tuning options to set it apart. Interesting!

Let's see how it goes.

-

Huge thanks to HiFiGo for providing a sample unit for this review.
However, this review fully reflects the my honest opinion without anyone else's interference.


Btw, are you more familiar with Korean?
So am I, and If that's the case, I think you'd be better off reading my review written in Korean here.

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Here's everything that comes in a box.
  • Tanchjim 4U unit
  • 0.78 2pin to 3.5mm able
  • 3 pairs of silicone eartips
  • 3 pairs of wide bore silicone eartips
  • carrying pouch
  • user manual

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There are two types of eartips available, and they differ significantly in shape and geometry, not just in hole width.

The wide-bore eartips have a shorter stem, which naturally encourages deeper insertion of the earphones.
By varying the depth of insertion, you can make some changes to the sound.

The cable, which is said to be made of silver-plated copper wire, shielded with platinum, is pretty to look at, but the quality is also pretty good.

I like that it's thin, lightweight, and flexible, so it's comfortable to wear for long periods of time.

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Tanchjim 4U unit is made of zinc alloy and has a mirror-like faceplate.
The design is pretty nice IMO.

The units are also quite small in size, so they should be easy to fit for those who have smaller ears.

The 0.78 2-pin socket is slightly recessed, so it's worth noting if you're using a custom cable.

Looking at the inner side of the unit, it has a minimalist design - stripping away everything but the driver and circuitry where it needs to be. In terms of fit, I think it's a shape that everyone will be happy with.

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If you look a little closer, you'll see the 4U's signature 4-way filter knob.

It can be turned in four different directions - up, down, left, and right - each with indicator line of different thickness.

Rather than saying “up, down, left, right,” it might be more appropriate to say “up, down, forward, and backward,” as the left and right units each have a different direction of rotation for increasing the bass.

-

Measured with IEC 60318-4 (711) while maintaining 94dB@500hz.
The sample used for the measurement does not represent the characteristics of the entire product.


Following Measurements are available at silicagel775.github.io

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Measured with the default setting (with the arrow pointing forward).

Tanchjim describes this setting as 'Atmosphere'. I feel this setting gives the best sense of presence.

Overall, this is a setting that follows the Harman target very well, resulting in a clean and tight bass. If you listen to electronic music that makes extensive use of the bass range, you'll notice that the driver's bass reproduction is quite good.

As expected from a Tanchjim product, the vocal and treble handling is also quite good. Vocals, both male and female, sound great. Together with a generous amount of treble, I can feel a transparent, natural sound, with a bit of airiness.

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Nevertheless, the 4U is tuned a bit safely that sibilance is quite imperceptible, so when listening to female vocals, I sometimes find myself wishing I had a bit more of a sparkle in it. In these cases, using a wide tip with a larger bore helps a bit.

On graph, it may seem like the treble is slightly lowered with the wide bore tips.

However, since they have a shorter stem than the regular tips, the earphones are inserted deeper into the ear, which can make a difference in 'sharpening' the sound a bit more.

Of course, this is a personal preference, so I strongly encourage you to experiment with alternating eartips and see what you like best.

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As mentioned earlier, the 4U is equipped with a '4-way switch' for bass control, where the amount of bass decreases as you turn the switch from “forward” - “up” - “back” - “down”.

This is quite impressive, as it has a much wider adjustment range than almost every other IEM with switches I've ever tried in the past.

It's a truly unique experience, as the 4Us produce a generous amount of bass upto the Harman target, but when you turn the dial all the way down, they sound more like open-back earphones.

Personally, I found the bass performance of the 4U to be better than I expected.

That said, I would have liked to see a bassier setting for bass-heads by increasing the overall amount of bass, rather than just pulling the bass all the way down to the such level.

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So far, we've taken a look at Tanchjim's new single DD IEM, the 4U.

In a market that is flooded with high-performance single DD earphones, U4 is a product that reflects the company's struggle with how to differentiate itself.

From the cheap 'Tanya' model, To the 'Oxygen', which is still considered as a 1DD masterpiece to this day, Tanchjim has earned the title of '1DD master' (at least in Korea).

They must have had a lot to think about. And it seems that they found the answer in the tuning switch.

Of course, that's not to say that there haven't been other products that allow you to change the sound with the flick of a USIM pin - in fact, there are more and more of them now - but only handful of them can change the sound as dramatically as the 4U.

If you're going to add a tuning switch, you should at least be this bold.

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I'm sure there are some people like me who think it's a “fun element” - while others may think it's a “pointless gimmick”.

As an entry-level product with only one, single dynamic driver, '4U' is limited in what it can do to change the sound in analog way. This is why you can only tweak the sound in the low-end range, which can be a bit disappointing.

Especially since competitors have acknowledged the limitations of analog tuning, and are working hard to bring DSP into the tuning scene (even if it means taking a lot of flack), there's a growing concern that the tuning switch will never really take off.
Honestly, once you're done with the switch, you never touch it again...

However, I, Personally, would like to see Tanchjim to take this feature a bit further.

Maybe they could increase the overall bass volume to satisfy both 'bassheads' and 'trebleheads' - like I mentioned earlier, or maybe they could apply this switch to hybrid IEMs to make a more dramatic change in sound.

I can see the possibilities.
Good luck with it!

-

[Non-Affiliated Links]

https://hifigo.com/products/tanchjim-4u (HiFiGo Store)
https://aliexpress.com/item/3256806810664645.html (AliExpress)
https://www.amazon.com/dp/B0D4QWBY4M (Amazon US)
https://www.amazon.co.jp/dp/B0D4QM3CZG (Amazon JP)
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SilicaGel

New Head-Fier
Pros: Beautifully designed Stainless Steel unit
Exceptionally well controlled channel difference - 'Hand-picked' Drivers!
Greatly balanced, addictive sound that (almost) everyone will love
Easy to drive with variety of devices
'Pentacon Ear' connector for better durability
Cons: 'Pentacon Ear' connector also means less cable options
Bundled eartips are only available in 3 sizes
It could sound too dry or harsh if your isolation is bad
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Elysian Acoustic Labs Pilgrim :: 1DD + 3BA :: $399

The 'Pilgrim' is the first entry-level model from Elysian Acoustic Labs.
Unlike the more pricey models including Annihilator and Diva, the Pilgrim was launched at a relatively affordable price of $399.

They say they've tried to keep the 'Elysian House Sound', but with a more approachable tone. Let's see how it turns out.

-

Huge thanks to HiFiGo for providing a sample unit for this review.
However, this review fully reflects the my honest opinion without anyone else's interference.


Btw, are you more familiar with Korean?
So am I, and If that's the case, I think you'd be better off reading my review written in Korean here.

This entire review was translated from Korean article using DeepL Translator with some refinement by myself.

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Like every other Elysian products, the unboxing experience is simply top notch.

It's quite difficult to get things out, though.
You should be especially careful when taking out units.

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It's an entry-level model, but it packs a lot of accessories.

- 'Pilgrim' unit
- Silver-plated copper cable ('Pentacon Ear' - to - 3.5mm / 4.4mm)
- 3 pairs of Spinfit CP100 (S, M, L)
- White leather case
- Cleaning tool
- Cleaning cloth
- Warranty card and manual

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Silver-plated copper cable is bundled with the Pilgrim.

As with previous Elysian products, it features 'Pentacon Ear' connectors.
These are easy to remove and attach, and Lee himself told us that these are way more durable than conventional type connectors.

You can choose either 3.5mm or 4.4mm connector at the point of purchase, depending on your preference.

The overall finish is quite good, and I liked the fact that it has the flexible, yet light-weight wire, making them comfortable to wear.

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They're bundling the 'SpinFit CP100' eartips, which have long been renowned for their premium quality.
These eartips feature a 'constriction curve' that helps them better fit to the shape of your ear canal, so you can expect a slightly better isolation.

It's a bit bummer that they're only available in three sizes.
However, if you're looking for a pair of earbuds at this price point, I believe you already have a good set of eartips.

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The hard case is made of pure white leather and does a great job of keeping the Pilgrim safe.
The overall build quality is quite good, including the stitching, and the silver Elysian logo on the top.

The inside is very spacious, and lined with soft suede to prevent scratches.
There's also a mesh pocket for storing spare eartips or cleaning tools.

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The Elysian Pilgrim has a unit design that is machined from 304 stainless steel.
It is a material that is often used to make kitchen utensils and medical tools, as it is highly durable and resistant to corrosion.

It has a distinctive faceplate design said to be inspired by the contour maps looking down on a mountain.
Circular lines with a mirror finish contrast with the matte unit to give a touch of cold metal.

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At the top of the hill, surrounded by a silvery contour, you'll find the Elysian logo with several air holes around to control airflow.
You'll also notice the 'pentacon ear' connectors, which are characterized by their pointy spikes.

The inside of the unit has icons indicating left or right channel and a serial number.

If you look inside the nozzle covered by a dense mesh, you'll see that the bore is divided into three branches, each leading to a custom LSR dynamic driver for bass, a Sonion 2300 BA for midrange, and a Sonion E50 dual BA for treble.

At their widest point, the nozzles are about 6mm thick.
While the nozzles are on the thicker side, they're not out-of-the-ordinary thick, so they shouldn't be a problem with most eartips you have.

The unit isn't that large and the nozzle is moderately thick, so the fit is very good and comfortable.

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Elysian Pilgrim has a 1DD+3BA configuration.

A new custom 9.2 mm dynamic driver with a Liquid Silicone Rubber (LSR) diaphragm handles the bass,
Sonion 2300 balanced armature for the midrange, and Sonion E50 dual balanced armature for the treble.

These drivers were hand-selected to be within ±1dB of each other and placed in a 3D-printed internal structure to achieve the best possible combination, according to the company.

Measured with IEC 60318-4 (711) while maintaining 94dB@500hz.
The sample used for the measurement does not represent the characteristics of the entire product.


Following Measurements are available at silicagel775.github.io

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This measurement certainly proves that their 'Hand-matched driver' claim is more than just words.

Channel difference between these units are very impressive, and it contributes to the clean, accurate sound imaging positioned slightly behind my head.

Overall, the Pilgrim has a U-shaped sound signature, a tonal balance that's almost flawless.

The bass from the 9.2mm LSR driver has a very similar characteristics to the Harman target.
With a clean bass that feels solid and punchy, making the overall sound very enjoyable. I felt that they were very well tuned so as not to detract from the crisp, bright sound of Pilgrim.

It's really important to find an eartip that perfectly seal your ears to ensure right amount of bass.

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Still, for Pilgrim, the most appealing aspect is the mid / high range, which are achieved with 3 Sonion BAs.

In addition to the aforementioned excellent driver pair matching, the great treble extension that stretches all the way to the top end gave the Pilgrim a slightly unique sense of space. With the crisp vocals positioned center of the stage, there's a sense of depth to the sound, with notes coming from slightly back of my head and building up to the front.

I'm not saying that this unit has an insanely spacious soundstage, but rather that the overall sound is well detailed and feels like it's layered from the back to the front.

As a result, the Pilgrim's highs are a bit bright and sharp, thanks to its super-tweeter. I can see how this might sound a bit harsh on some tracks with a lot of sibilance, but it was not an issue with most of the songs I listened to.

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So far, we've taken look at Pilgrim, the new entry model from Elysian Acoustic Labs.

Having previously produced small quantities of their higher-priced line of earphones, Elysian says that they designed the Pilgrim to allow more people to experience the "Elysian House Sound" and get them interested in the higher end of their lineup.

To do this, they say they strived to create an easily enjoyable, addictive sound while maintaining Elysian's signature sound, and I think it's safe to say that they succeeded.

I've heard that the Pilgrim was greatly praised by enthusiasts as 'Baby Annihilator' at CANJAM NY.

I think it has a slightly different sound than the Annihilator, but considering the symbolism of the Annihilator model for Elysian, the Pilgrim certainly sounds like it deserves the title of 'Baby Annihilator'.

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Non-Affiliated Links (if you're interested)

https://hifigo.com/products/elysian-acoustic-labs-pilgrim
https://www.aliexpress.com/item/3256806735808497.html

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domq422
domq422
This review deserves more attention, your words and especially your photos are fantastic!
S
SilicaGel
@domq422 Thank you! I really enjoyed your review as well. :)

SilicaGel

New Head-Fier
Pros: Comfy fit - thanks to compact, lightweight unit design
Beautifully designed faceplate
Great Accessories
Easy to drive, non-fatiguing sound
Cons: It might sound a little bit dull
It doesn't quite sound like 'Planar'
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Kinera Celest Pandamon 2.0 :: $59 :: 1 SPDSquare Planar Driver
After launching a sub-brand named Celest, Kinera introduced the Gumiho and Pandamon to the market with its in-house developed square planar driver, the 'SPD'.

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The Pandamon has been praised for its excellent value for money, but its 'unique' panda faceplate design has been criticised as "It does sound good, but it looks a bit odd".

The Pandamon '2.0' has a completely revamped design that makes it hard to find any trace of the 'panda'. It's not just the way it looks, but also the way it sounds, as it has an enclosed structure with typical duct holes, as opposed to its predecessor, which had a wide mesh that was almost open.

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Huge thanks to HiFiGo for providing a sample unit for this review.
However, this review fully reflects the my honest opinion without anyone else's interference.


Btw, are you more familiar with Korean?
So am I, and If that's the case, I think you'd be better off reading my review written in Korean here.

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As expected from a Kinera product, it's full of nice accessories.
  • The Celeste Pandamon 2.0 unit itself
  • 3 pairs of 'Celeste 221' vocal enhancement eartips (grey)
  • 3 pairs of 'Celeste 608' eartips (red)
  • 0.78 2-pin to 3.5mm cable
  • Manual
  • Leather case
For such an inexpensive product, it's impressive that it comes with a decent quality cable and leather case.

The Pandamon 2.0 is available in 'Black' and 'Blue' colours, the latter being the one I'll be showing you today.

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There's a circular, leather carrying case, which is pretty good in quality.

There's not a lot of space inside, but there's a mesh pocket for eartips or silicagel.
It's a hard case that holds its shape, so your earphones will stay safe in there.

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The bundled cable is made of 48 strands of high-purity 5N silver-plated copper wire.

As you'd expect from a company that's been making custom cables for a long time, the components are of high quality, and the wire is quite flexible for a good fit.

I also like the fact that you can choose between 3.5mm or 4.4mm terminals to suit your personal preference when buying the earphones.

Since the SPD drivers are quite sensitive, so if for no other reason, I'd recommend sticking with the 3.5mm.

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There are two types of eartips available for Pandamon 2.0.

The 'Celest 608' eartips with red core have a moderate height and moderate bore size for a well-balanced sound.

The 'Celest 221' eartips, on the other hand, have a wider bore, which favours a relatively shallow fit, which can have the effect of bringing the treble peak a little bit forward and emphasising the vocals.

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The most significant change with the Pandamon 2.0 update is the design.
With a background of shimmering particles that resemble crashing waves, a golden Celest logo is placed at the top of the faceplate.

Compared to other products in its price range, I think it's rare to see a faceplate design that's as good as the Pandamon 2.0.

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Unlike its predecessor - which was more of an open design with a huge mesh - Pandamon 2.0 has a more conventional enclosed design.

There's a huge space at the back of the driver, with a single small duct hole pointing outwards to control airflow.

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Inner chamber of this IEM is separated and isolated by SPD driver, and if you look closely at the unit, you will see that there is a small channel between these two chambers.

This design, which was made possible by the use of a precise 3D resin printer, allows airflow in front of and behind the driver, which helps to reduce the uncomfortable eardrum pressure that can occur when wearing earphones and contributes to a comfortable fit.

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Inside the unit, you'll notice a 10mm SPDSquare Planar Driver with a square shape.

It's a fairly unique driver with a square shape. That's different from the typical planar driver, and Celest uses SPD drivers in a variety of products, including the 'Gumiho' and the 'Plutus Beast'.

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Like their appearance, SPD drivers have a slightly different internal structure than a typical planar driver.

While the features of a flat plate driver can be observed in the fact that powerful magnets are placed in front and behind the diaphragm in the form of a flat surface,

You can still see some of the features of a planar driver - it has a flat, sheet-like diaphragm, between powerful magnets placed in front of and behind it.

However, the features of a dynamic driver can also be found, by the fact that the voice coil is not evenly etched on to the diaphragm, rather, rolled into a rectangular shape.

Compared to a planar driver, where the key is to spread the coils evenly over as wide as possible, the voice coil is concentrated in a specific area, which is slightly disadvantageous in terms of vibrating the diaphragm evenly.

But, it has the advantage that the sensitivity can be reduced to a very low level, making it easier to drive with low power output devices like smartphones.

Overall, SPD drivers can be thought of as a combination between a dynamic driver, and a planar driver. something in between.

-

Measured with IEC 60318-4 (711) while maintaining 94dB@500hz.
The sample used for the measurement does not represent the characteristics of the entire product.


Following Measurements are available at silicagel775.github.io

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When you first try Pandamon 2.0, you'll notice that you don't get much of characteristics of planar driver.

I suspect this is likely due to the unique design of the SPD driver, which is a combination between a planar and a dynamic driver.
Some may appreciate the lack of the distinctive bass texture and excessive treble of a planar driver.

The bass, which runs almost straight through from the mid-bass range, has a slightly relaxed feel to it, but still has a decent amount of punch to it. It's a far cry from the deep, resonant bass of a Harman-ish sound, but the Pandamon 2.0's smooth bass is quite appealing.

Vocals, which tend to be neutral in Pandamon 2.0, are accompanied by highs that seem to roll off a bit early, making the overall sound feel relaxed without sibilance.

Products with planar drivers often have a somewhat shouty sound to show off their treble extension, but the Pandamon 2.0 takes a different route. They don't have a great sense of openness and resolution due to this, but that doesn't mean they sound too dark or muffled.

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Pandamon 2.0 comes with a red 'Celest 608' balance tip and a grey 'Celest 221' vocal tip.
If you compare the measurements taken using the two ear tips, you'll notice a slight change in the treble characteristics.

The grey vocal tips have a wider shape that encourages the earphones to be worn shallow, which can have the effect of bringing the treble peak slightly forward. When I switched to the grey 'vocal tips', I personally noticed a slight widening of the soundstage and a slightly brighter sound.

For those who find the sound of the Pandamon 2.0 a little muddy, I recommend trying the grey tips and wearing it a bit shallow.

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So far, we've taken look at the Pandamon 2.0 from Celest, a sub-brand of Kinera.

With SPD - a unique driver, balanced somewhere in between planar and dynamic, the Pandamon 2.0 inherits its predecessor's strengths of affordable price and ultra-compact design, while also shedding the 'unique' panda design for a more aesthetically pleasing look for broader audience.

It's a bit of a hard sell if you're looking for the genuine planar experience, but if you take the keyword 'planar' out of your mind, it's a well-built single-driver IEM.

So, if you're new to the audio hobby, I can easily recommend it.
Even if you're not, you might want to consider buying this if you're looking for a IEM that doesn't irritate you from sound to comfort.

What's more, despite being an entry-level device with a list price of $59, it has a beautiful design and packed with full of nice accessories, making it a great choice for a gift.

As the Pandamon has evolved into an even more appealing product with the 2.0 upgrade, I think the Gumiho, with its sound for treblehead made by using balanced armature with the SPD, might have a successor in the near future, and I can't wait to see what it will look like.

Thank you for reading!

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Non-Affiliated Link (if you're interested)
Last edited:
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SilicaGel

New Head-Fier
Pros: Comfortable and Elegant Aluminium Design
Nicely packaged with full of great accessories
Tight, Punchy sub-bass expression with Clear highs
Affordable price
Cons: Bland unit design that looks almost identical to its predecessor - 'Klanar'
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KEFINE Delci :: 1DD IEM :: $59 (At the time of writing this review)

A somewhat unfamiliar brand, KEFINE debuted in last October with its first product - the Klanar, which used 14.5mm flat-backed drivers.

For a new brand's first product, it has attracted the attention of many people thanks to its surprisingly good quality, and if you look at some reviews, there is a mention that it is a sister brand of SIVGA / Sendy Audio, which has already made a name for itself as a high-performance headphone manufacturer.

hmm, now I get it.

KEFINE's second product, the Delci, is an IEM with high-performance 10mm dynamic driver made of DLCDiamond-Like-Carbon + PU composite, featuring a CNC-machined aviation aluminium unit for a lightweight, comfortable fit and an affordable price point.

-

Huge thanks to HiFiGo for providing a sample unit for this review.
However, this review fully reflects the my honest opinion without anyone else's interference.


Btw, are you more familiar with Korean?
So am I, and If that's the case, I think you'd be better off reading my review written in Korean here.

This entire review was translated from Korean article using DeepL Translator with some refinement by myself.

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This is the package of KEFINE Delci.

Once you open the package and remove the manual, you'll see the unit and a leather case.

There's also a protective film over the KEFINE logo at the unit.

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Here are list of the full components
  • KEFINE Delci unit
  • 0.78 2PIN to 3.5mm copper cable
  • 4 pairs of narrow-bore eartips (S, M, M, L - M size preinstalled)
  • 3 pairs of wide-bore eartips (S, M, L)
  • Leather Hard case
Interestingly, an extra pair of M sized narrow-bore eartips were preinstalled to it.

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If you look closely at the eartips, you'll see that there are differences in the size of the holes, as well as the overall shape of the eartip and the length of the core.

Eartips with wider holes have a more flattened shape and a shorter core, which naturally encourages the user to wear the earphones relatively shallow, resulting in a different overall sound characteristic.

We'll discuss this in more detail later.

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This bundled cable is said to be the best match for Delci's Diamond-Like-Carbon (DLC) diaphragm.

It's a 54×2 + 28×2 copper cable, and thanks to the flexible yet lightweight characteristic of material, it was very comfortable to wear.

Combined with tight-fitting connectors and a great finish, and it was hard to find any flaws with it.

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The leather hard case is very spacious inside, making it very easy to store the earphones.

There's also a mesh pocket on the top of the lid, perfect for storing ear tips or silica gel.

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The KEFINE Delci has a precision CNC-machined aviation-grade aluminium unit design.

Based on an aluminium alloy, it was anodised to create a distinctive gun metal color, making it durable and scratch resistant.

Compared to other products, it has slim, light-weight, compact unit design. This makes them very comfortable to wear, and they don't protrude out of my ears at all.

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A rather thick nozzle, about 6.1 mm thick, has a unique patterned mesh at the end, and a fairly dense damper is attached to it.

The faceplate design is a little underwhelming.

With the KEFINE lettering imprinted on it. It almost feels like a recycled Klarnar unit, and I honestly think it would have been better to have a circular logo instead of just engraving text on it.

But the more I look at it, the more I realise that it's actually not that bad.

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'KEFINE Delci' uses a single 10mm dynamic driver.

This high-performance driver features a Diamond-Like-Carbon (DLC) + PU-based composite diaphragm with a Japanese Daikoku CCA voice coil.

A Dual-Cavity construction with it allows precise airflow to create a distinctive bass texture.

Measured with IEC 60318-4 (711) while maintaining 94dB@500hz.
The sample used for the measurement does not represent the characteristics of the entire product.


Following Measurements are available at silicagel775.github.io

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Unusual for a single DD IEM, KEFINE Delci has a very impressive bass that stretches out linearly, as if was drawn with a ruler.

The sound is heavily weighted in the sub-bass, offering a deep rumble balanced between tightness and fullness, with just the right amount of punch.

Depending on the song, there's a little chance that the vocals can sound like they've taken a half-step back, but I got the impression that they have a crisp and clear midrange overall. They don't particularly stand out, but they don't diminish their presence either.

Instead, there's a good amount of treble, so despite having a fair amount of bass, it doesn't feel like it's muffled.

Overall, the KEFINE Delci has a rich resonance and a slightly crisp treble, with more of a U-shape than a V-shape sound.

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I mentioned that there are two types of eartips available, each with different characteristics.

And from my measurements, there doesn't seem to be much difference except for a change in the treble characteristics - the treble seems to be slightly better with the narrow bore eartip.

However, in my listening experience, I got the impression that the bass rolled off a little bit with the wider bore eartips, shifting the centre of gravity away from the sub-bass and towards the treble.

The product description states that the 'bowl shaped eartips have a UV finish and wide bore for a more transparent sound', which kinda makes sense to me.

I'm not sure what's a 'UV finish', but I suspect it's similar to UV treatment that some gaming mouse manufacturers use to give a nice matte finish.

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Normally, when measuring earphones, the insertion depth is adjusted to ensure that the resonance peak is matched at 8kHz so that it can be compared to other measurements.

However, KEFINE Delci had to be inserted considerably deeper than usual to achieve 8kHz.

Therefore, I think the purple graph is a little closer to the actual hearing characteristics than the blue graph shown earlier, and if you find the treble to be irritating, I would recommend reducing the size of eartip and try a deeper insertion.

It may not look like it, but the nozzle length is quite long, so the Delci's insertion depth is on the deeper side than normal.

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So far, we've taken look at the KEFINE Delci 1DD Wired Earphones.

Delci is a pair of high-performance dynamic driver IEM that deliver punchy bass and sparkling highs, but there's a lot more to them than just the sound. A comfortable fit, flawless build quality, and decent accessories beyond the price point.

The only downside for me is the slightly bland unit design, but otherwise, they're a great value for money and a very well-built product.

I conclude this review with the thought that KEFINE, who has created another well-made 1DD IEM, is a brand worth keeping an eye on in the future.

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Non-Affiliated Link (if you're interested)
https://hifigo.com/products/kefine-delci
Last edited:
InfiniteJester
InfiniteJester
I think that they are tuned to USound instead of Harman.
D
drakar06
How does DELCI COMPARES TO QKZ HBB? Could ur answer be a bit detailed : -)
S
SilicaGel

SilicaGel

New Head-Fier
Pros: Sennheiser signature sound, Wirelessly on the go!
Connectivity issue solved. - sort of.
One of the few TWS earbuds fully capable of aptX Lossless & 'LE Audio'
Cons: Not much has changed externally - still no wind shield?
$50 price increase to $300
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Sennheiser Momentum True Wireless 4 :: $299.99 :: 7mm TrueResponse Transducer

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MTW4 features the same '7mm TrueResponse transducer' and 'Acoustic Back Volume' - that are also used in wired in-ear IE series, IE600 and IE900 - to deliver Sennheiser signature sound.

As a top-of-the-line flagship, they are powered by Qualcomm's latest Snapdragon Sound platform - the 'S5 Gen2' chipset, making them one of the very few to fully support Bluetooth 5.4 and the next generation wireless audio standard - 'LE Audio'.

-

They allowed me to try it out few weeks earlier, by providing a sample unit for this review.
However, this review fully reflects the my honest opinion without anyone else's interference.


Btw, are you more familiar with Korean?
So am I, and If that's the case, I think you'd be better off reading my review written in Korean here.

This entire review was translated from Korean article using DeepL Translator with some refinement by myself.

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With carbon neutrality becoming the norm, the packaging has been streamlined, with a greater use of easily recyclable paper materials.

You can find several components inside the package.

- Sennheiser Momentum True Wireless 4 itself
- USB-A to C charging cable
- 3 pairs of silicone earwing sets (S/M/L, M Pre-installed)
- 4 pairs of silicone eartip sets (XS/S/M/L, S Pre-installed)
- User manuals

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Unlike its predecessor, the eartips of the MTW4 don't have sponge dampers inside.
The damper has been removed in favor of a 'silicone filter' structure made from the same material as the eartips.

It should improve treble performance and make it easier to keep the eartips hygienic - one of the more welcome changes for me personally.

The earwings help to keep the earphones in your ears.
The smallest ear wing does not have bulge, so people with smaller ears can still wear them without problem.

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On the outside, things are pretty much the same as last gen.

Except for a slightly less dense mesh at the tip of the nozzle, which, along with the eartip without the sponge damper, should improve treble reproduction.

I was a little disappointed that there's still no 'wind deflector' mesh to cover the microphone hole. This is something that pretty much every wireless earbud is trying to implement, as it can greatly reduce wind noise.

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Fortunately, there are some improvements inside the unit.

MTW4 is equipped with Qualcomm's latest 2nd gen Snapdragon Sound platform - the 'S5 Gen2QCC5181' chipset.

It supports not only the popular aptX Adaptive codec, but also the aptX Lossless codec, which can transmit 16bit/44.1kHz sound sources accurately and losslessly, bit by bit.

While it's exciting to be able to listen to lossless music without wires, it's very difficult to reliably transmit such a large data of lossless music without wires with current Bluetooth technology. I think most people who have used existing high-resolution codecs will agree.

As a subset of the aptX Adaptive codec, the aptX Lossless codec is only automatically activated when certain conditions are met. If you have a device that supports aptX Lossless and it doesn't seem to be activating, check to see if the following conditions are met.

- Your device must support aptX Adaptive V2.2 or higher (Snapdragon 8 Gen1 or higher, support may vary by device)
- WiFi must be switched off or using the 5GHz band. (2.4GHz overlaps with Bluetooth)
- The music source you want to play must be 16bit/44.1kHz or 16bit/48kHz. (48kHz sound sources are downsampled to 44.1kHz)
- Your wireless connection strength must meet a certain level.

The last requirement is that the connection quality must be above a certain level for the lossless codec to be activated.

Fortunately, MTW4 doesn't just support the lossless codec, but Sennheiser claims to have worked with Qualcomm to redesign the antenna and use the latest communication technology to maximise connection stability.

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You can see the difference by comparing photos of the inside of the housing.

The placement and area of the antennas is crucial for good connection reliability.
Unlike its predecessor, which used a single antenna, the MTW4 has two antennas, giving it a considerably larger overall coverage area.

With the significant improvements to the physical antenna design, I definitely noticed a significant improvement in the connection stability that many people who used the previous gen pointed out.

I rarely experienced any dropouts, even in a crowded subway during my commute and in a large cafe with a lot of communication equipment.

My only complaint was that when I started to move away from my multipoint-connected device, I would experience dropouts, even if the main device playing the sound was still close by.

Considering that other products with the Qualcomm 'S5 Gen1QCC5171' chipset, which also supports aptX Lossless, have the same issue, I suspect this is a bug shared by devices with the latest Qualcomm chipsets.

I have sent feedback to Sennheiser about this problem and a new firmware update went online few hours ago. I haven't tested it yet to see if it's fixed, but hopefully the firmware update will fix it.

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The quest to enjoy lossless music without wire doesn't stop there.

We mentioned earlier that Sennheiser have not only revamped communication design but also applied the latest technology for stable lossless music listening.

The 'latest technology' we are referring to is 'LE Audio' - the next generation Bluetooth audio standard.

LE Audio is based on Bluetooth LE, an ultra-low power communication technology that is completely different from the Bluetooth Classic we've been used to. This allows it to consume much less power and operate much more efficiently given the same bandwidth.

By "more efficient," we mean lower latency while maintaining the same sound quality, or even better sound quality while maintaining the same connection reliability.

When you connect MTW4 to a Snapdragon 8 Gen2 or newer device, the aptX Adaptive (aptX Lossless) codec will most likely operate on the next-generation standard - 'LE Audio' - rather than the existing 'Bluetooth Classic'.

I don't have the latest Android device to test this, but it will allow more stable connection performance when playing lossless music.

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I've described LE Audio as a new technology for stable, lossless music listening, but it's hard to say that's all it is - there are so many exciting new features.

One of the most iconic features is 'AURACAST'.

To put it simply, the 'Auracast' technology included in 'LE Audio' is something that breaks the frame of 'one-to-one' communication with a clearly defined 'receiver' and 'sender' - like a 'phone call'.

The 'Auracast' enables 'one-to-many' communication via Bluetooth, just like listening to the radio.



In fact, those who first led the development of 'LE Audio' was hearing aid companies.

The 'Auracast' technology is expected to be a perfect replacement for 'telecoil' devices that have not been widely used due to high installation costs. You'll be able to experience the importance of 'telecoils' in helping hearing impaired people with hearing aids to better hear voices in noisy and crowded places after watching the video above.

This doesn't mean that 'Auracast' is a technology that can only be used in limited areas - there are already smart TVs on the market that can connect three or more Bluetooth earphones simultaneously through 'Auracast' technology, so it has a lot of potential to bring new experiences to everyone in the future.

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I've probably already spilled too much alien language, so let's answer the question "so what does it sound like".

The Momentum True Wireless 4 has the same 7mm TrueResponse transducer.

This, coupled with the 'Acoustic Back Volume' construction, achieved Sennheiser signature sound in wireless earphones by naturally regulating the airflow behind the drivers without the need for manipulating the signal with DSP.

-

Measured with IEC 60318-4 (711) while maintaining 94dB@500hz.
The sample used for the measurement does not represent the characteristics of the entire product.

Following Measurements are available at
silicagel775.github.io

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This is a basic sound measurement with active noise cancellation enabled.

Note that, as with its predecessor, it was impossible to align the resonance peak to 8kHz. I inserted them a little deeper than usual to bring the peak down to 7kHz.

In many ways, the signature Sennheiser sound from the wired IE series is quite visible on this unit as well. I would describe it as a right-skewed, slightly V-shaped sound.

Compared to the in-ear target, they have a slightly drop at sub-bass and a more body in the bass range, especially in the mid-bass, giving them a slightly smoother and fuller bass.

They do a great job of reproducing the resonance and texture of instruments without sounding muffled, and compared to their predecessors, I think this is a positive change that better represents the TrueResponse driver's charm.

Compared to previous Sennheiser earphones, the emphasis in the midrange is more towards the highs, which makes the sound more natural. and the way in which the TrueResponse driver's excellent treble extension is handled by gradually pushing the highs down until to 6kHz, while simultaneously giving a slight dip at 8kHz, ensures that the sound is not overly shouty.

Despite this, there is still a generous amount of upper treble, making for a clear highs.

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MTW4's dedicated app - 'Sennheiser Smart Control' includes a 5-band equalizer with two features.

The 'Bass Boost' feature works with the five-band equalizer and, based on the sound you set, it gently adds ~3dB of bass from 500Hz onwards. It's shown that they are adjusting the overall sound as if you were putting on a preamp to avoid clipping and other adverse effects.

For the 'Podcast' feature, the sound is locked to a bass-reduced sound to make the voice band more audible, and the ability to modulate the sound, including the 5-band EQ, is disabled.

Take a look at the measurements above to see how each feature works!

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In addition to this, there are 7 EQ presets pre-generated by Sennheiser using 5-band equalizer.

Each of the seven genre-specific EQs - 'Rock', 'Pop', 'Dance', 'Hip-Hop', 'Classical', 'Film' and 'Jazz' - has a different sound, and you can see how they compare to the Harman in-ear targets in the measurement image above.

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Additionally, to give you an idea of how each of the five bands present in the dedicated app equaliser affect the sound, I've taken measurements with 6dB increments of each.

I hope this helps you on your journey to finding your own sound.

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+ ANC

I've noticed that the sound changes slightly depending on whether Active Noise Cancellation is enabled or not, but the change is subtle enough that most people won't notice it.

There seems to be some disagreement on how well the noise cancelling performs, but I personally think it does a good job of blocking out noise, just not quite up to par with some of the best performing ones. It doesn't reduce the noise to the point of complete silence, but the range of noise cancelling is quite wide, and I found that it does a good job of blocking noise in the mid-to-high range.

According to Sennheiser, the MTW4's noise cancelling strength automatically adjusts to the level of ambient noise, but there's no way to lock the noise cancelling strength to the maximum, so I suspect there may be variations in noise isolation performance depending on the situation or wearing conditions.

Unfortunately, as I mentioned earlier, there is still no wind deflector mesh in this new model, but the algorithm does a good job of cancelling out wind noise, so I didn't feel the need to use the 'anti-wind mode' through the app. Personally, I think the 'anti-wind' feature is only necessary if you're running or in a extremely windy conditions.

+ Transparency Mode

The transparency mode, which lets you hear your surroundings, does a good job - it doesn't make you feel like you're not wearing earbuds, but it balances out a fairly wide range of ambient sounds and feels quite natural.

You can adjust the volume of the ambient sound through the app, but I personally felt that the default of 70% was a bit low, and turning the volume up to 100% definitely made the ambient sound more natural. but it will amplify the white noise and make it even more susceptible to wind noise.

I really wish they had a wind shield on it. You hear a lot of wind noise when you're in transparent mode.

-

So far, we've taken a look at Sennheiser's latest flagship wireless earbuds - the Momentum True Wireless 4 (MTW4).

While the Sennheiser signature sound achieved with the 7mm TrueResponse transducers and Acoustic Back Volume in the previous iteration has been praised by many consumers and critics alike, the MTW4 introduces next-generation wireless technology to push the boundaries of wireless audio even further.

While 'lossless audio without wires' is still some time away from becoming the norm, the pace of progress suggests it may be closer than we think.

Of course, the sound of the aptX Adaptive codec, which can transmit up to 24bit/96kHz, is already compelling enough, but the fact that the redesign was aimed at "wireless, reliable, lossless music listening" and that other fundamentals such as "connection stability" were also addressed during the redesign process, I think there are some changes to convince even those who are still far away from lossless music to try it.

As with the previous MTW Series, the MTW4 is definitely recommended for those who want to experience Sennheiser's signature sound wirelessly, but it's even more recommended for those who want a glimpse into the future of 'LE Audio' and other next-generation audio technologies at the forefront of wireless technology.
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S
SkyfoxL
Heard that sound personalization or eq were adding compression to the sound, should I avoid them?
S
SilicaGel
@SkyfoxL I haven't really felt any compression with EQ or Sound Personalization, but I think they might be more accurate on this because I'm one of those 'Minimize EQ, Listen to the product as-is' type of person.

Using EQ does lower the entire volume to mitigate the clipping problem. People may think of this phenomenon as 'compressed sound'.
S
SkyfoxL
Yep I am in the same boat, I think I will just not eq or use the sound personalization, to use the product as it was tuned/thought for, thank you !

SilicaGel

New Head-Fier
Pros: Gorgeous looking IEM
Nicely packaged with full of great accessories
Well-built Hybrid 1DD+1BA configuration for its price
Small, lightweight unit makes it easy for everyone to use
Cons: Some people might find the bass too strong
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NiceHCK DB2 :: 1DD+1BA Hybrid IEM :: $22.99 (At the time of writing this review)

NiceHCK is an audio manufacturer primarily known for its custom cable line, such as DragonScale. but the company has been producing earphones as well for quite some time. The YD30, and NX7 Mk4 earphones have gained some popularity at Korean community.

NiceHCK DB2 have a similar attractive design from aforementioned NX7 MK4, and a 1DD+1BA hybrid design that combines one dynamic driver and one balanced armature driver, but at an accessible price of $22.99.

-

Huge thanks to HiFiGo for providing a sample unit for this review.
However, this review fully reflects the my honest opinion without anyone else's interference.


Btw, are you more familiar with Korean?
So am I, and If that's the case, I think you'd be better off reading my review written in Korean here.

This entire review was translated from Korean article using DeepL Translator with some refinement by myself.

-

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Opening the package, the first thing you see is a postcard with anime girl illustration.
The postcard has the words - 'Tian Hui' on it, which I assume means 'gift from heaven'.

Underneath the postcard is a leather pouch with cable and eartips in it.

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For such an inexpensive product, it is quite rich in accessories.

- NiceHCK DB2 unit
- 3 pairs of Gray tips
- 5 pairs of NiceHCK 07 tips
- 0.78 2-pin high purity OFC 3.5mm cable (QDC type)
- Velcro cable organizer
- Leather carrying case
- Warranty card, user manual, and postcard

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The DB2 comes with three pairs of generic gray tips and five pairs of NiceHCK 07 eartips.
They're not super high quality, but they're not bad either. they're pretty standard eartips.

I like that the 07 eartips provide you 5 different size options of eartips.

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This is the high-purity, oxygen-free copper cable that came with the DB2.
For a company that focuses on custom cables, this is a decent quality cable for a fairly inexpensive pair of earphones.

They're very flexible and lightweight, so even if you're not used to 'over-ear' type earphones, this will be easy to get used to.

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The PolyCarbonate(PC) unit - finished with an aluminum edge and a resin faceplate, is a design carried over from the much-loved NX7 Mk4.

The overall finish is quite good for the price point, as is the design, which is similar to that of products costing over five times as much.

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DB2 features a "QDC type" 0.78mm 2-pin connector,
which has a slightly protruding terminal and a cable that wraps around it.

This design aims to provide a more secure fit.

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To ensure linearity of the sound, a balanced armature is fitted inside the metal nozzle.
Behind it, is a 10mm dynamic driver with a titanium and graphene composite diaphragm.

Despite it has the two drivers, the unit is quite small in size.
They fit comfortably in my ears without any discomfort, so I was able to use them for a long time.

-

Measured with IEC 60318-4 (711) while maintaining 94dB@500hz.
The sample used for the measurement does not represent the characteristics of the entire product.

Following Measurements are available at
silicagel775.github.io

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DB2 is characterized by rich bass and smooth highs.

The bass is gradually emphasised, mainly on a mid-bass, giving a warm and rich sound. The heavy punch makes the sound quite entertaining, but it may also sound a bit muffled in some tracks.

The vocals aren't the most prominent, but they're clear and on point, with just the right amount of distance to keep the listener from feeling thirsty. It might sound a bit dull for some tracks, but some might appreciate the lack of sibilance.

The treble is not as prominent as the bass, which puts a bit of distance from the 'crisp' highs. However, they do not sound too dull either, and they have a comfortable amount of treble that does not tire the ears even after prolonged listening.

You may find yourself subconsciously turning up the volume, but I'm really just nitpicking at this point. The overall sound quality is quite impressive considering the price.

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There is little to no difference between the two eartips that come with DB2.

I personally recommend using the NiceHCK 07 (white) eartips, which are slightly softer and come in a variety of sizes.

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So far, we've taken a look at NiceHCK's DB2 hybrid IEM.

At a fairly low price of $22.99, they are a great value for money, with an attractive appearance and 1DD+1BA hybrid configuration.

One of their strengths is the beautiful design, which is inspired by their higher-end product, and the high-quality accessories. These features make them stand out from other products in the same price range.

This product has excellent sound quality, which makes it a great choice for anyone looking for a warm and balanced sound with a touch of excitement.

In many ways, I believe it could serve as a perfect gift for people who aren't interested in earphones.
... As long as you and your friend are okay with the cover art. haha

-

Non-Affiliated Link (if you're interested)

Aliexpress:https://www.aliexpress.com/item/1005006486403517.html
HiFiGo: https://hifigo.com/products/nicehck-db2
Amazon US: https://www.amazon.com/dp/B0CT5F6FHY/nicehck+db2/
Amazon JP: https://www.amazon.co.jp/dp/B0CT5K3Y9G/nicehck+db2/

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SilicaGel

New Head-Fier
Pros: Smooth, Neutral Sound backed by great Distortion / Dynamic Range performance
5 Switchable Digital Filters
High output power upto 300mW@32ohm / 4Vrms
Can't hear any noise even with very sensitive, 115dB/mW earphone
UAC1.0 compatibility for Nintendo Switch & PS5
Cons: Included manual does not cover every feature it has ... why?
Single LED could be confusing when using its features
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AFUL SnowyNight :: USB-DAC :: 3.5mm UNBAL + 4.4mm BAL

Founded in 2018, 'AFUL Acoustics' is a newly established Chinese earphone manufacturer.

The company's Performer Series and MagicOne IEM, which are based on a patented crossover circuit design and an acoustic engineering design exquisitely realised using high-precision 3D printers, have received good reviews since their release.

After the successful launch of three IEMs in a row, AFUL's next product was not another pair of earphones, but a USB DAC. It was a bit of a surprise, but in hindsight, given AFUL's strength in circuit design, a DAC might be a good fit.

-

Huge thanks to HiFiGo for providing a sample unit for this review.
However, this review fully reflects the my honest opinion without anyone else's interference.


Btw, are you more familiar with Korean?
So am I, and If that's the case, I think you'd be better off reading my review written in Korean here.

This entire review was translated from Korean article using DeepL Translator with some refinement by myself.

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After removing the package box, you'll find a simple Instruction Manual and Warranty card inside.

The user manual is written in English, but there are a few things missing.
We'll get to those as we go through the review.

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Inside the package, you'll find the SnowyNight DAC itself, and the cable - which AFUL has taken great effort to make.

My review unit came with a USB-C to C cable, but you can also choose a USB-C to Lightning cable for your iPhone at the time of purchase.

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This is the USB-C cable bundled with SnowyNight.

It features 6N OCC single crystal copper wire, which has undergone an additional heating treatment to further enhance its purity compared to the usual oxygen-free copper wire. At the same time, it's said to be a cable that AFUL put a lot of work to match the SnowyNight, including hardware and software design to increase signal transmission stability.

Since it is a digital cable that transfer digital signals, so it would be hard for the human to tell the difference in sound compared to a cable of a decent quality.

However, most 'USB DAC' products are powered externally via a USB cable, rather than being self-powered via an inbuilt battery, so the quality of the cable could be relatively important for a USB bus-powered DAC, even if it's the same digital cable.

The high quality, gold-plated USB-C sockets and fabric-covered, flexible wires speak for themselves without the need for a lengthy explanation.

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Looking at the SnowyNight USB DAC itself, you'll notice a distinctive design that keeps the overall thickness as low as possible.

It's 13mm thick in the area where the relatively bulky 3.5mm unbalanced and 4.4mm balanced terminals are located, and then naturally drops to 10mm as you move to the area where the USB-C terminals are located.

At 55mm in length and 22mm in width, the portability is top notch compared to its competitors, thanks to a design that sheds as much bulk as it can.

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On the opposite side is the USB-C socket, with a snowflake-shaped LED on top and a snowflake pattern around it to hide it.

Next to it are the volume buttons, which can do more than just control the volume.

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AFUL SnowyNight supports USB Audio Class 2.0, so you can connect it directly to Windows PC and Mac, or mobile devices including Android and iOS.

However, if you are using an older PC with Windows 7 or earlier, the DAC may not be recognised immediately, in which case AFUL has provided a separate driver for Windows via the link below.

https://drive.google.com/file/d/1nh5q0bbpuhDJnhy_HmdvpUcJ-cGo_9V3/view?usp=sharing

Due to the nature of the CS43198 DAC chipset which doesn't have an integrated amplifier in it, SnowyNight uses the separate amplifier chip. However, it still remains power-efficient which makes it a great match for mobile devices.

This means that smartphones - especially iPhones - which are limited to the amount of current they can draw, were able to be reliably driven without ticking or disconnecting, even when plugged into Planar headphones that demand quite a bit of power.

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As mentioned earlier, most DACs on the market today use the UACUSB Audio Class2.0 specification to support high bitrates, which is not yet fully supported by some game consoles, including the Nintendo Switch and PlayStation 5. Connecting a DAC that only supports UAC2.0 to these devices can cause compatibility issues where no sound is played.

So if you're looking for a DAC to use with a game console, it's important to make sure you can force the device to use UACUSB Audio Class1.0, and the AFUL SnowyNight comes with a feature to force UAC 1.0 for compatibility with game consoles.

This is the 'missing feature in the manual' we talked about earlier, and you can force it to use the UAC 1.0 specification by simply holding down the Volume + button while plugging in your DAC. With this feature enabled, you can see that the external DAC is now recognised by the Nintendo Switch, as shown in the photo above.

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As another hidden feature, SnowyNight has the ability to adjust the output gain.

Low Gain mode for high sensitivity devices, such as single BA earphones,
High Gain mode for devices that require a lot of power, such as Planar headphones.

To switch between the gain modes, simply press the volume - and volume + buttons simultaneously,
You'll see the white light flash once for Low Gain and twice for High Gain.

This is handy because the gain mode is stored even after the DAC is switched off, but it's worth checking that the volume isn't too high when switching between listening devices to protect your hearing.

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The hidden features don't stop there.
AFUL SnowyNight includes the ability to switch between 5 different digital filters.

All delta-sigma DACs use a 'low-pass filter' to smooth out the waveform during the process of converting a digital signal to an analogue signal. The 'Digital Filter' setting is what determines the shape of this 'low-pass filter' and is therefore an important factor affecting both frequency response and impulse response.

I was unable to find any information on what digital filters are implemented in SnowyNight, but looking at the datasheet for the CS43198 DAC chipset used in this device, it mentions that there are exactly 5 digital filters built in, so I'm guessing it's a function for switching between the filters built into the chipset.

Pressing and holding the Volume + and Volume - buttons together for one second will cause the LED to flash once, cycling through the digital filters. If switching to the 5th filter, the LED will flash twice, so you can guess which filter you're using.

Since no filter can be perfect in both 'frequency response' and 'impulse response', many DAC manufacturers offer a wide range of 'digital filters' so that you can choose your favourite. It's not easy to hear the difference in sound between digital filters, but it can be fun to listen to music as you switch between them.

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With all of these great features, what does SnowyNight sound like?

As you can see from the fairly good THD performance and Dynamic Range numbers, SnowyNight sounds neutral and smooth across the entire bandwidth, from sub-bass to treble.

In particular, with a very low noise floor of just 1.5μV, the low-noise design is well-engineered to block out all sorts of external noise, so I didn't notice any noise at all, even with the earphones having a fairly high sensitivity of 115dB/mW. I also didn't notice any noise when the device was near network equipment such as smartphones and routers, so I'd say the noise shielding is pretty good.

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Despite its fairly small size, it has excellent low-noise, low-distortion performance. What's more, it's capable of delivering a high output of up to 300mW, 4Vrms, but thanks to its solid energy-efficient design, it's also highly compatible and has low heat dissipation.

There are a lot of USB DACs on the market these days, but it's rare to find one that combines portability and functionality with solid fundamentals. It's hard to find any downside from this device, and SnowyNight will serve as a great way to enjoy high-fidelity sound whenever and wherever you connect it to a variety of devices.

If you're looking for a high-performance USB-DAC with high portability and wide compatibility, this is one to consider.

- Non-Afiiliated Purchase Links

Amazon US:
https://www.amazon.com/dp/B0CSSHBYF6/aful+snowynight/

Amazon JP:
https://www.amazon.co.jp/dp/B0CSSXHHDC/aful+snowynight/

HiFiGo:
https://hifigo.com/products/aful-snowynight

Aliexpress:
https://www.aliexpress.com/item/1005006476607781.html
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domq422
domq422
Your photos are absolutely STELLAR, man. Fantastic job with this one
S
SilicaGel

SilicaGel

New Head-Fier
Pros: Unique Configuration of Drivers - Bone Conduction + BA + Planar
Distinctive Bass texture from Bone Conduction driver
Non-Fatiguing sound, which is quite rare in Planar
Robust Build Quality with Comfort
Cons: Sounds a bit different from 'Planar Sound' - lacks the uniqueness of 'Planar', if you were expecting that.
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Kinera Celest Plutus Beast :: $89 :: 1 Bone Conduction + 1 Balanced Armature + 1 SPDSquare Planar Driver

After launching a sub-brand named Celest, Kinera introduced the Gumiho and Pandamon to the market with its in-house developed planar driver, the SPDSquare Planar Driver.

These two models were praised for their excellent performance for its price. The new 'Plutus Beast' builds on the SPD driver of the previous two models, adding a balanced armature driver and a bone conduction driver.

-

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Driver Configuration : 1 Bone Conduction + 1 Balanced Armature + 1 SPDSquare Planar Driver
Sensitivity : 108dB
Impedence : 8 ohms
Frequency Response Range : 20Hz - 20kHz
Cable Length : 1.2m
Interface : 0.78 2-PIN

Huge thanks to HiFiGo for providing a sample unit for this review.
However, this review fully reflects the my honest opinion without anyone else's interference.


Btw, are you more familiar with Korean?
So am I, and If that's the case, I think you'd be better off reading my review written in Korean here.

This entire review was translated from Korean article using DeepL Translator with some refinement by myself.

-

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The unit is nicely packaged with handful of components.

- High-purity 5N silver-plated copper cable (0.78 2-pin, 1.2m)
- 3 pairs of Celest 221 vocal eartips (black core)
- 3 pairs of Celest 608 balanced eartips (red core)
- 'Plutus Beast' metalic bookmark
- English/Chinese manual
- Carrying case
- Cleaning tool

The metalic bookmark is based on the illustration of 'Plutus Beast', which inspired Kinera designing this unit.
An Mythical creature of ancient Chinese legend - the 'Plutus Beast' is said to bring luck and fortune while warding off disaster.

It's a unique component that's hard to find in other products, making it feel special.

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The circular leather carrying case has fairly good overall quality.

The internal space isn't quite as roomy, but there is a compartment to stash eartips or silicagel inside.

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There are two types of eartips that come with the 'Plutus Beast' -
Celest 608 balanced eartips with a red core, and Celest 221 vocal eartips with a grey core.

Compared to the red balanced eartips - which follow the general shape of the eartips,
The grey vocal eartips have shorter stem, a wider shape, and a slightly larger sound bore.

With these characteristics, the grey eartips naturally encourage a shallow insertion of the earphones, bringing the treble peak a bit a forward, which in turn can have the effect of slightly accentuating the vocals.

I'll explain more about this later.

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The quality of the cable is also quite good.
It has 48 strands of high-purity 5N silver-plated copper wire.

As you'd expect from a company that's been making custom cables for so long, the quality of the ports and other components are good, and the wire is quite flexible, making for a comfortable fit.

I also like the fact that you can choose either 3.5mm or 4.4mm port at the time of purchase to suit your personal preference.


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With a seamless black resin shell created using 3D printing technology,
Its faceplate is impressively designed with a sparkling backdrop that reminds me of the blue Milky Way.

Said to be hand-painted, the 'Plutus Beast's faceplate has a seamless finish that makes it look like it's one piece with the high-precision 3D printed unit.

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While the overall shape does feel a little bulky, it isn't that huge in person, even though the unit is packed with several drivers.

As a result, there's considerably less strain on the ears, making them comfortable to wear.

If you turn the unit around under the light, you can see the SPDSquare Planar Driver, an in-house developed planar driver in a square shape, as shown in the photo. It's hard to tell due to the dark colour, but I'm guessing there's a balanced armature just in front of the nozzle to ensure the sound is directly headed to eardrum, and a bone conduction driver behind the SPD driver.

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At the bottom of the internal view above, is Kinera's bone conduction driver.
You can see that it has a very different design compared to Sonion's bone conduction actuator and the piezo-driver-based bone conduction driver.

It's hard to tell exactly how Kinera's bone conduction driver works, but based on the internal view of the product, it appears to have a very similar structure to the 'Linear Resonant Actuator (LRA)' which can be easily found as a linear vibration motor in smartphones.

This speculation is somewhat supported by the fact that you can hear the sound, which feels like a mass attached to the spring bouncing inside, when you tap the unit with your finger while wearing it.

Of course, since no one wants to have smartphone-level vibrations pounding into their eardrums(...), so it's hard to say that the design is exactly the same, but it does seem to have a very favourable design for generating 'vibrations', which is the key to 'bone conduction'.

-

Measured with IEC 60318-4 (711) while maintaining 94dB@500hz.
The sample used for the measurement does not represent the characteristics of the entire product.

Following Measurements are available at
silicagel775.github.io

스크린샷 2024-01-05 022754.png

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The 'Plutus Beast' has a unique design based on the previously proven full-range SPD planar driver, with a bone conduction driver and balanced armature driver.

With a planar at the heart of the sound, there is an inherent bass texture throughout that is very responsive, with clean reproduction all the way down to the sub-bass. With that said, I felt a unique depth of resonance that was different to what I've ever experienced with planar driver IEMs.

I suspect that the bone conduction drivers used to complement the SPD driver's bass range contribute to this unique texture, which is hard to describe in words - it's as if they pull the focus of the planar bass - which stretches all the way to the very bottom - slightly towards the mid-bass. This gives the impression of a more emphasised bass dynamics and soundstage than traditional planar products, but it's not quite the same as the reverberant bass of a dynamic driver.

The balanced armature drivers also make a difference in the treble range.

Compared to planar IEMs, which are often criticised for being a bit harsh in the highs, the highs are quite subdued. Points where people might find irritating are pressed down enough that it's hard to feel sibilance, so it's a bit of a departure from the crisp, clear treble of Planar Driver.

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That said, the vocals don't get too distant, and they maintain a decent amount of distance and presence, so they do a good job of delivering what you'd expect from what you are listening.

'Plutus Beast' is one of those IEMs where your impression of the vocals can change a lot depending on your eartips, so if you find the vocals to be lacklustre, you may want to try a different pair of eartips.

The measurements shown at the first - were taken with the insertion depth controlled, without taking into account the characteristics of the eartips. So it's hard to tell the difference in sound between the two ear tips.

In practice, if you use the grey eartips, which are more suited to wearing the earphones in shallow insertion, you may find that the treble peaks are pulled back and the vocals are accentuated - as shown in the green graph.

By contrast, if you reduce the size of the eartips, or use red eartips for deeper insertion, you would get the effect of pushing back the treble peaks, reducing the impact of the highs- as shown in the blue graph.

-

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So far, we've taken a look at Kinera Celest's new Planar hybrid IEM, the 'Plutus Beast'.

It's now 2024, and it's not uncommon to find IEMs with planar drivers. With so many different manufacturers releasing their own variants, it's clear that Kinera's 'Plutus Beast' is a product that has thought hard about how to differentiate itself from the market.

With a combination of bone conduction drivers and balanced armature drivers, 'Plutus Beast' adds a new colour to planar IEM market and has a unique appeal.

If you've ever been intimidated by the harsh highs of conventional Planar IEMs,
or you're a basshead looking for something fresh, this is a product I can easily recommend.

Thank you for reading!

-

Non-Affiliated Link (if you're interested)

HiFiGo Web:https://hifigo.com/products/kinera-celest-plutus-beast
Amazon JP:https://www.amazon.co.jp/dp/B0CR63TMB2/kinera+celest+plutus+beast
Amazon US:https://www.amazon.com/dp/B0CR5QNDD9/kinera+celest+plutus+beast
Aliexpress:https://www.aliexpress.com/item/1005006408658667.html

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SilicaGel

New Head-Fier
Magical One
Pros: Truely 'Full-Range' sounding, well-balanced Single BA IEM
Excellent build-quality from the inside to the outside
Comfortable fit and small unit size
Cons: Not for those who want 'Fun-Sounding', or 'V-Shaped' IEM
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AFUL MagicOne :: $139.99 :: 1BA

After the success of AFUL's 'Performer Series', they shifted away from the Hybrid configuration utilizing multiple drivers.

AFUL’s latest IEM features Single BA configuration, which is quite unique these days. As I will discuss later, the 'MagicOne' is a true testament to the company's acoustic engineering skill.

-

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Driver Configuration : 1 Balanced Armature
Sensitivity : 103dB/mW
Impedence : 38 ohms
Frequency Response Range : 5Hz - 35kHz
Cable Length : 1.2m
Interface : 0.78 2-PIN

Huge thanks to HiFiGo for providing a sample unit for this review.
However, this review fully reflects the my honest opinion without anyone else's interference.


Btw, are you more familiar with Korean?
So am I, and If that's the case, I think you'd be better off reading my review written in Korean here.

This entire review was translated from Korean article using DeepL Translator with some refinement by myself.

-

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Opening the package, the warranty card and manual are the first things you'll see.

Inside the package, there is an iron case and a MagicOne unit.

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With a metal top and bottom lid held together by a silicone structure in the middle, it looks as much like a macaron as it feels like one.

The inside of the case is lined with fabric, so you don't have to worry about scratching or damaging the unit.

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Inside the case, there are 0.78 2-pin cable and eartips.

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You get a 32+37 core hybrid cable that's made of 'Oxygen-Free Copper' and 'Silver-Plated Oxygen-Free Copper' woven together in a 'Litz Type 4 method'. It's quite flexible, and the quality is decent.

When purchasing the product, you can choose either 3.5mm or 4.4mm connector, depending on your preference.

The cable used in the review is a 3.5mm cable.

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You also get two different types of eartip, which are nearly identical in shape and other characteristics - except for the difference in material.

The white ear tips are slightly firmer and the black ear tips are slightly softer, so it's a matter of comfort and preference.

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The faceplate is quite attractive, with a silver decoration that repeats a snowflake pattern against a backdrop of fluffy white particles.

This is paired with a transparent resin shell that is fully visible on the inside, creating a design that is reminiscent of cold snowflakes and ice.

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Nevertheless, the eye is naturally drawn to the internal structure of the unit.

It contains a single balanced armature driver, which is tiny, measuring less than 5 mm long and 2.5 mm thick, but the sheer complexity of the acoustic engineering that fills the rest of the unit never ceases to amaze the eye.

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To ensure the straightness of the sound, the balanced armature driver is placed in a straight line directly to the nozzle.

The eye is natually guided to a maze of winding passages around the driver.

Named the 'Nautilus Acoustic Maze technology', the design utilizes AFUL's high-performance 3D printing technology to create a large resonator box connected to the BA driver, which is then connected to an external hole via a long resonator tube.

The vast resonator box, housed in a space as small as a fingernail, is connected to a series of very thin resonator tubes, as thin as 0.91mm, and the total length of these tubes is a whopping 7.7cm.

This creates an effect similar to a low-pass filter, and goes a long way to improving the bass reproduction, which is one of the weak points of single BA earphones.

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Above the resonator structure, which takes up more than half of the unit, is a complex circuit of large capacitors arranged in rows.

Unlike most IEM earphones that use only resistors and capacitors to tune the sound, AFUL has been using crossovers based on its in-house developed RLC circuit since its first product - the Performer 5.

Designed with additional inductors as well as resistors and capacitors, the RLC circuit has more favorable characteristics for controlling the dip and peak of the sound from the driver.

The circuit with this design, is combined with AFUL's core acoustic technology - 'SE-Math', which compensates the difference between the driver's inherent sound and the sound that has gone through a complex acoustic design structure, is said to further improve the sound characteristics of the MagicOne's Treble.

-

Measured with IEC 60318-4 (711) while maintaining 94dB@500hz.
The sample used for the measurement does not represent the characteristics of the entire product.

Following Measurements are available at
silicagel775.github.io

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Measured with included black tip.

Not to be outdone by the Harman in-ear targets, the MagicOne has a nice, smooth tonal balance across the entire frequency from sub-bass to treble despite being a single BA IEM.

the MagicOne's bass - Completed with a resonator design that takes up more than half of the unit's internal space - is hard to believe it's coming from a single BA. With the decent amount of body-ness, the bass still has a slight resemblance of a balanced armature with a fast responsiveness, resulting in a clean and natural sounding bass.

This is followed by a smooth midrange, and a wide bandwidth that stretches all the way to the top end, completing the crisp and clean sound.

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Measured with the included white tip.

You won't see much difference from the black tip measurement.

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Here's a direct comparison of the two measurements.

We can safely assume that there is no significant difference.

-

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I remember when AFUL's first product, the 'Performer Series' first landed, it created quite a sensation, not only because of the ‘unique’ company name, but also because of the quality of the product. I hadn't personally had the opportunity to own any AFUL products, but their presence was enough to make an impression on my mind.

So when I came across the news that AFUL was releasing a new pair of single BA earphones, I have to admit I was a little bit intrigued.

Because a Single BA design - As you might already know, is a form factor that's not often explored these days, as hybrid designs that mix new types of drivers to differentiate themselves have become more mainstream.

What's more, the 1BA structure has clear limitations if approached casually, but I was pleasantly surprised to see that AFUL took on the challenge and delivered a very high level of achievement.

The use of a high-performance balanced armature driver, coupled with a clear recognition of its limitations and the acoustic engineering design to overcome them - the ‘MagicOne’ - is a testament to AFUL’s technical understanding and mass production skills.

With ‘MagicOne’, following on from the 'Performer Series', I believe that AFUL has once again demonstrated their acoustic engineering design capabilities.

The design of the unit, showing off the interior, almost makes you wonder if the choice was partly a reflection of its character as a 'technology showpiece’ to demonstrate their skills.

Thank you for reading!

-

Non-Affiliated Link (if you're interested)

HiFiGo Official Store:
https://hifigo.com/products/aful-magicone

HiFiGo Aliexpress Store:
https://www.aliexpress.com/item/1005006184207746.html

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SilicaGel

New Head-Fier
Pros: A well-built, minimalist unit
Comprehensive package with high quality eartips and carrying case
Smooth, warm and musical sound
Cons: Some may feel lack of treble
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Tangzu X Divinus FuDu verse 1 :: $89 :: 1DD+2BA

Tangzu’s latest - FuDu is their first product under ‘Zen’ Hybrid IEM Series.

It is also the first product they have released in collaboration with other company, Divinus. - featuring two sets of premium eartips - Tangzu’s ‘Tang Sancai’, and Divinus‘Velvet’.

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Driver Configuration : 1 Dynamic Driver + 2 Balanced Armature
Driver Specifications : 10 mm DD + 2 Balanced Armature
Distortion Rate : ≤1% at 1kHz
Sensitivity : 106dB ±≤1dB at 1kHz
Channel Difference : <1%
Impedence : 16 ohms
Frequency Response Range : 20Hz - 20kHz
Cable Type : 25*0.05 Silver plated
Cable Length : 1.25m
Interface : 0.78 2-PIN

Huge thanks to Divinus - a part of this collaboration and also, a long-time distributor of Tangzu in South Korea - for providing a sample unit for this review.

Btw, are you more familiar with Korean?
So am I, and If that's the case, I think you'd be better off reading my review written in Korean here.

---

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Named after China’s one of the greatest poets, FuDu has a quite large package.

At the back, you can see the specification I wrote above.

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Opening the package, you're greeted with some plenty of accessories.

* 3 pairs of Tangzu ‘Tang Sancai’ tips
* 3 pairs of Divinus' ‘Velvet’ tips
* Silver-plated Oxygen-Free Copper Cable inside the Carrying case

The two premium eartips that come with the FuDu are not cheap by no means - costing a total of $40 when purchased individually (Korean retail price), but when combined with the FuDu unit, they make a quite noticeable difference to the sound - bringing the joy of switching eartips.

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Inside the carrying case, you’ll find a 4.4mm silver-plated oxygen-free copper cable.

It's not a shockproof hard case, but the overall build quality is pretty good, and it feels like it's been put together with a lot of thought, like a separate compartment for eartips and silica gel.

Personally, I already have a hard case for my earphones, so it was nice to have a pretty case that I could slip into my bag and carry around.

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Included 0.05 x 25-wire 4-core silver-plated OFC cable comes with two options, 3.5mm and 4.4mm, so you can choose according to your preference.

I like the fact that we can choose the 4.4mm cable at no extra charge.

The cable is finished in a matte, rubbery material that feels soft to the touch, and the 2-pin connector that fits securely with the unit is a testament to its quality.

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When you pull out the unit, you'll see that it's surprisingly equipped with a pair of standard eartips.

While they're not bad, they certainly look a little bit shabby compared to the two premium eartips that come with the unit. They're also only available in one Medium size, so it's unlikely you'll ever use them.

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The black translucent resin shell that forms the unit was created using 3D printing techniques to ensure various drivers precisely fitted with minimal error.
And it is finished with CNC-machined aluminum plates and brass-coloured metal nozzles.

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Compared to Tangzu's predecessors, FuDu has a more subdued and simple design, which is likely to appeal to a wider audience.

Frosted aluminum faceplate around the smooth triangle in the center is really attractive, regardless of price point.

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Also, despite the 1DD+2BA hybrid configuration, the unit is fairly small and very comfortable to wear.

Thanks to this, the nozzle looks really long in the photos, but when you compare it directly to other products, you'll see that the nozzle length is about average.

–--

Measured with IEC 60318-4 (711) with 94dB@500hz.
The sample used for the measurement does not represent the characteristics of the entire product.

Following Measurements are available at
silicagel775.github.io

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This is a FR graph, measured with the pre-installed tips.

The sound is well-balanced overall, with a nicely pumped up bass above Harman Target, and a treble that's comfortably mellow without being irritating, thanks to a decent dip at 3kHz and 5-8kHz.

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True to their name, Divinus' ‘Velvet’ eartips are micro-embossed for a unique, yet soft touch.

The special surface treatment makes it easy to remove debris and allows the earphones to gradually release pressure after some time in the ear.
Also, combined with its unique shape - which tapers towards the tip like a jar - allows for deeper insertion .

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This is a comparison between the ‘pre-installed eartip’ measurement and the ‘velvet tip’ measurement.

The measurements don't show much of a difference except in the upper treble, because we control the insertion depth during the measurement.
However, as mentioned above, the unique structure of the velvet tip allows for a deeper insertion, which seems to slightly improve staging, and extend the sub-bass with better isolation performance.

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Like the velvet tips, Tangzu's ‘Tang Sancai’ eartips are also quite unique.

They've got a really interesting pattern on the surface. It relieves pressure and, most importantly, reduces sub-bass when worn.

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When we compare the ‘velvet tip’ measurement with the ‘Tang Sancai’ measurement, you can see that this characteristic has created a visible difference in the sub-bass.

It didn't make that much of a difference on a metallic ear simulator, but personally, it felt like the bass was being reduced quite a bit and the vocals and treble were being emphasized a bit more, resulting in a slightly more balanced sound.

This is the first time I've used Tangzu's ‘Tang Sancai’ ear tips, and while I don't feel like the seal is any worse than with other eartips, the reduction of the sub-bass was quite surprising.

It's fun to try different eartips depending on your preference.

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A hybrid earphone with a minimalist design and exquisite tonal balance, FuDu is a compelling product in its own right.

Plus, the two premium eartips that come with the FuDu add to the richness of the package, giving you the satisfaction of unboxing them and the fun of switching between eartips to enjoy different sounds.

Whether you're an enthusiast who wants to experience the sound changes that come with different eartips, or a beginner looking for a pair of IEM with smooth, warm, musical sound in the $100 range, I can easily recommend this.

Thank you for reading!

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SilicaGel

New Head-Fier
Pros: Unique Denon Signature Sound
Well-made features we'd expect on Flagship TWS
Special experience of 'my own sound' using OAE test
Cons: Slight connectivity issue
OAE test might not go as well as expected
Higher price compared to the competition
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Denon PerL Pro - is their second True Wireless Stereo earbuds on the market.
It features Personalized Sound with Masimo Adaptive Acoustic Technology, World's first AptX Lossless support, and much more.

I received this unit from Distributor in Korea, but these are my honest review.
Btw, are you more familiar with Korean?
So am I, and If that's the case, I think you'd be better off reading my review written in Korean here.

Package & Design

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The package is very simple, and it provide following additional accessories -

* Charging cable
* 3 pairs of Silicone eartips (XS, S, L) - M size eartip preinstalled
* Single pair of Memory foam tips
* Single pair of extended wing tips. - shorter version of wing tips preinstalled

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The charging case does not feel super premium considering its price, but it can be charged in either wired or wireless.

Definitely bigger than competitors, but I would still consider this barely 'pocketable' in my pants. (35mm x 31.5mm x 72mm)

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Unlike the 'outer circle' of the unit, the inner part is relatively small. I had no problem wearing this, but I don't think this would fit nicely to everyone.

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We can see there's wear detection sensor, and feed-forward microphone - placed quite aggressively close to ear.

Sound

–--

Measured with IEC 60318-4 (711) with 94dB@500hz,
with Denon PerL Pro connected to Sennheiser BTD600 using AptX Adaptive 24/96.

The sample used for the measurement does not represent the characteristics of the entire product.


Default + Immersive 0.png


If we look back at the FR Graph of Denon's previous TWS - AH-C830NCW, we can see quite a lot of similarities. In an interview with Denon Sound Master - Shinichi Yamauchi san, he explained this sound signature as "Vivid & Spacious".

It's definitely more of a love-it-or-hate-it sound, but it's actually not bad - at least for me.

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You can adjust the amount of bass by changing 'Immersion Level' in Denon Headphones App.

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And here's how the sound changed after personalising it with my own ears: the uniqueness of the 'Default Mode' sound is somewhat diluted, becoming more generic, bassy and... kinda weird in the treble. I had to reduce the bass by turning 'Immersion Mode' down by 2 to get it to sound like what you see in the image above.

One thing I have noticed is that the personalised sound - especially the mid/high range - is slightly shifted to the left, no matter how many times I try to re-measure my ear. Measuring with foam tips was my closest approach to a balanced sound, but I can still feel the midrange shifting to the left. It's a little scary to think that I might be so used to having ears with different hearing that I'm awkwardly perceiving a truly balanced sound.

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Anyway, toggling the ANC mode on and off, or activating 'Social Mode' also changes the sound. This change in bass also applies when using 'Default Mode'.

You cannot turn ANC off without using the application, so this could be a bummer for some.

Features

Denon PerL Pro is packed with latest Qualcomm SoC with AptX Lossless support, so everything you would expect for a flagship TWS in this price range - like, multipoint, ANC, Spatial Audio - is here for you.

ANC

Thanks to good physical sound isolation, ANC performs better than I thought. It's quite close to the second-generation AirPods Pro, but the algorithm feels a little less mature. I can feel it struggles to compensate the occlusion effect noise when my feet hits the floor.

Microphone Quality

Microphone Quality is also great, I had no problem while calling someone at noisy environment.



You can experience the quality of ANC / Social Mode and Microphone with the video above.
(I'm talking in Korean tho)

Connectivity

It supports AptX Lossless - which can transmit 16/44.1 CD Quality audio without compressing it, but there's not much device that can transmit audio signal using it. I used AptX Adaptive on PC and AAC on iPhone.

For the most part, the connection was stable, but there were areas in my house where it was strangely stuttering. There are no routers or anything else around to cause signal interference, so I'm assuming that moving away from a device connected to the multipoint causes stuttering, even if you have a device with sound playing nearby, but I'm not sure.

Final Thoughts

Denon PerL Pro is indeed a unique piece of hardware, packed with special OAE measurement features and Denon's own 'Vivid & Spacious' sound signature.

In the crowded market of flagship-class TWS, the concept of finding your 'own sound' certainly makes the Denon Pearl Pro stand out. The use of the latest Qualcomm chipset and support for Snapdragon Sound with aptX Lossless codec is also an attraction that music lovers can't ignore. I'm not sure if they'll ever make it to the region of you - the readers - but they're definitely worth checking out at least once.
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B
brodyphone
Thanks a lot! Very relevant.
Any chances you could compare it with the Devialet Gemini?
S
SilicaGel
@brodyphone I haven't tried Devialet Gemini yet, so I can't compare with it. sorry!
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