The AKG K550 revisited.
At the time, shortly after I bought my Audio Technica A900Xs I had auditioned the AKG's and I felt my choice for the A900Xs was the right one. I felt the K550s had this weird grating low treble peak that showed up just too often, unlike the low-treble/high mid peak of the Denon D5000s that only got aggressive ocassionally.
The price at the time for the K550s was 300 euro, the A900Xs I got for just 150 euro.
Fast forward in time: the K550 (MKII) now sell for 150 US dollar and encouraged by some reviewers who mention that the MKII version solved the problems of the MKI, no longer a grating treble peak, better clamping and fit and slightly increased bass I took the shot and bought them.
Maybe my ears have changed or the K550 MKII really is an improvement over the MKI version, I dunno, but the low treble peak just isn't there anymore. I tried the most difficult recordings with soaring highs and big contrasts in dynamics. Baroque violin concertos, where the lead violins are recorded so up close that it is impossible to get away with some aching or grating. And some choral works, where most crescendos will make the headphones loose control and start to ring a bit.
To name a few:
Geminiani Concerti Grossi (After Corelli) - Chiara Banchini
Bach Violin concertos - Elizabeth Wallfisch
Haydn Die Schopfung - John Eliot Gardiner
Haydn Die Schopfung - Rene Jacobs
With the violin concertos mainly the slower adagio parts are the difficult parts, because it are HIP (historically informed performance) recordings in where the violins play without vibrato, so the long legato lines, close-miked can grate very easily.
The difficult choral parts are the ones in where the choir all of the sudden sing much louder.
None of my headphones, including the Sony MDR-Z7 (which is universally qualified as extremely inoffensive sounding) handle these recordings without problems.
The AKG K550s don't sweat, they sound so even over every frequency.
Therefore they surely must lack something? Maybe a soul?
Nope. They just don't loose control, that's it.
They sound big, have a great soundstage with good width and depth, excellent for classical music. But they don't sound thin and too bright with smaller scaled music, something I do feel ocassionally with the BeoPLay H6s.
The bass is big enough to give music body...talking about body...if I must find something the K550s lack a bit is some low-mid warmth or coloring, something the A900Xs have and what make their sound one of a kind. But the A900Xs can sound grainy, something the K550s never do.
All those years I have dismissed a pair of headphones that are easily one of the best pair of closed headphones under 600 US dollar...and they can be had for a mere 150 US dollar.
At the time, shortly after I bought my Audio Technica A900Xs I had auditioned the AKG's and I felt my choice for the A900Xs was the right one. I felt the K550s had this weird grating low treble peak that showed up just too often, unlike the low-treble/high mid peak of the Denon D5000s that only got aggressive ocassionally.
The price at the time for the K550s was 300 euro, the A900Xs I got for just 150 euro.
Fast forward in time: the K550 (MKII) now sell for 150 US dollar and encouraged by some reviewers who mention that the MKII version solved the problems of the MKI, no longer a grating treble peak, better clamping and fit and slightly increased bass I took the shot and bought them.
Maybe my ears have changed or the K550 MKII really is an improvement over the MKI version, I dunno, but the low treble peak just isn't there anymore. I tried the most difficult recordings with soaring highs and big contrasts in dynamics. Baroque violin concertos, where the lead violins are recorded so up close that it is impossible to get away with some aching or grating. And some choral works, where most crescendos will make the headphones loose control and start to ring a bit.
To name a few:
Geminiani Concerti Grossi (After Corelli) - Chiara Banchini
Bach Violin concertos - Elizabeth Wallfisch
Haydn Die Schopfung - John Eliot Gardiner
Haydn Die Schopfung - Rene Jacobs
With the violin concertos mainly the slower adagio parts are the difficult parts, because it are HIP (historically informed performance) recordings in where the violins play without vibrato, so the long legato lines, close-miked can grate very easily.
The difficult choral parts are the ones in where the choir all of the sudden sing much louder.
None of my headphones, including the Sony MDR-Z7 (which is universally qualified as extremely inoffensive sounding) handle these recordings without problems.
The AKG K550s don't sweat, they sound so even over every frequency.
Therefore they surely must lack something? Maybe a soul?
Nope. They just don't loose control, that's it.
They sound big, have a great soundstage with good width and depth, excellent for classical music. But they don't sound thin and too bright with smaller scaled music, something I do feel ocassionally with the BeoPLay H6s.
The bass is big enough to give music body...talking about body...if I must find something the K550s lack a bit is some low-mid warmth or coloring, something the A900Xs have and what make their sound one of a kind. But the A900Xs can sound grainy, something the K550s never do.
All those years I have dismissed a pair of headphones that are easily one of the best pair of closed headphones under 600 US dollar...and they can be had for a mere 150 US dollar.