Had: Schiit Gungnir, Naim DAC V1, Channel Island VDA•2, Naim NAP 100.
Media, 16/44, 16/48, 24/44, 24/48, 24/88, 24/96, 24/176, and 24/192 audio files (ie the whole gamut) sourced from CD, DVD-A, Blu-ray or downloaded from sites such as Linn Records.
IXOS Optical for both Benchmark DAC1 and DAC3 L; I've found these DACs like to be electrically decoupled from the source, at least with my consumer grade equipment.
VAC•1 Power Supply for the VHP•2.
Other Audio Equipment:
Madrigal Audio (Mark Levinson at the time) Proceed 3 Amp, Dynaudio speakers.
Re-capped a Naim Flatcap power supply (electrolytics only).
Re-capped a Naim Pre-amp (electrolytics only).
Built power supply for DAC-in-the-Box.
Re-capped DAC-in-the-Box (electrolytics only).
Re-capped Madrigal Audio Proceed 3 Amp replacing all the electrolytic capacitors; the main filters with Cornell Dubilier, the rest with Nichicon KZ - and did they need it, the caps were all dried out and on their last legs due to the relatively "compact" nature of the amp and the amount of heat generated for a 450W amp! I completely removed one channel as I didn't need a three channels amp and it allowed the other two amps (150W each) in the case to be much more effectively cooled. I think the Proceed 3 is the hens teeth of amplifiers in the UK; I effectively paid chump change for a Mark Levinson amp, which after re-capping sounds phenomenal when fed from the Benchmark 3L via balanced XLR.
Pop, Jazz, Rock, Some Classical, anything that engages me.
Cannon 1Ds mk1, Sony a7ii, Cannon L-Series lenses.