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Originally Posted by nick_charles /img/forum/go_quote.gif
Actually you are quite wrong about vinyl, vinyl is not 24/192 or anything like it. If you are going to quantify vinyl in information science terms you need to understand information theory.
While vinyl can contain frequencies above 22khz, it does not have 24 bit resolution since the maximum dynamic range of pristine vinyl is no more than about 80db, this is about 13 bits and way below the 144db that 24 bits gives you.
I would also really like to see any evidence of any *LP* that actually really has non noise frequencies above 50K let alone stretching to 96khz. I do not think a cartridge could track anything with such high frequencies (96khz) could it ?
Also you are wrong about SACD. SACD unlike CD is not PCM it is DSD which uses single bit and ~2.28mhz sampling so it is not quantified in quite the same way and in fact tops out at ~120db dynamic range this would be in fact equivalent to approximately 20 bits.
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hehe. I was going to type a similar reply but I was just so bewildered by that poster's statements I thought I would just leave it alone and just roll my eyes for a bit
Anyway, I used to think the high frequencies on vinyl were "real", but now I think it is just noise or harmonic distortion.
If we take Bernie Grundman's simultaneous remasterings of those old Everest recordings for example (he simultaneously remastered the 35mm film to vinyl, 24-192 and 16-44), there ain't anything whatsoever on the 24-192 versions above around 22 - 25 khz maximum. But vinyl goes up to the high 30 Khz. Since 192 Khz sampling can easily capture ultra high frequencies, that was enough to convince me that the high frequencies on vinyl don't actually exist in the source material.
And then there are the modern recordings made by TACET usig vintage analogue equipment and mastered to both vinyl and high res digital. There is absolutely
nothing on those beyond 20 Khz. Nothing whatsoever, whether it be the vinyl or CD version.
Plus none of those high res Linn / Pentatone / whatever downloads have anything much beyond 20 khz either.
Sure, I can believe there is
real stuff on great analogue master tapes and high res digital to around 25 khz, but at that point, the tape machines and microphones are completely stuffed
But I stand to be corrected. If anyone has any evidence of a natural acoustic musical instrument producing tones above 25 Khz that are also clearly captured in a spectrogram in a modern high resolution digital recording, then I am genuinely interested to see that.