Perfecto, looks GREAT! Funny you mention Ableton, my PERSONAL use case on the team was to make M-80 a mobile production headphone when I use Ableton Live on tour for mastering/making remixes, mashups and live set recordings. Of course, other teammates and the others that tuned had other use cases, but my goal was a response curve I could
trust was flat yet "juicy". I
strongly feel the M-80 is the best on-ear producer headphone as the mids are flat (vs dip) and the highs don't spike like many other "studio" models. I talked to a lot of producers the last few weeks about the same thing, too many studio headphones spike!
PS - have you seen the new Traktor 2.5 Remix decks coming out?
FOR EVERYONE, FREE PLAYER W REAL TIME FREQUENCY ANALYZER HELPS JUDGE HEADPHONES BETTER
I urge everybody to get Serato Scratch Live or Traktor to use as a media player as it has a color-coded FR analyzer that let's you SEE how the track was mastered in real time! As Paul Oakenfold & Tiesto both told me when I started, "KNOW YOUR TRACKS INSIDE AND OUT". You can't judge a headphone without knowing how the song was mixed/mastered IMO. You can set loops to compare the same section of songs w diff headphones too...
Here is how one of my new songs looks:
and one of my fav mastered songs, Sharam Dont Say A Word:
Michael Jackson Billie Jean is great, so is Beat It: