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+1! Now go onto greatness!
I generally prefer my MA900 but the SA5000 has a special sound to it that can be quite chilling...
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So here are my very early impressions of the Mirosoft Surface Pro, which I got to replace a MacBook Air / Wacom Tablet / Nexus 7...
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The stylus is by far the most important aspect of the Surface Pro and why I got it. And it's fantastic. The digitizer is by Wacom, supports pressure sensitivity and feels incredibly smooth and precise. One caveat: out of the box the digitizer was not completely accurate and was badly mapped by more than a few pixels, especially to screen corners. This was okay in the Not-Metro interface but for some programs where the UI elements are tiny on a 1080P screen (ie: Photoshop) this essentially rendered the stylus unusable. The default calibration routine for the digitizer uses 16 points of reference which seemingly was not enough to get an accurate mapping. I ended up finding a posting online that detailed how to run the calibration through a 200+ point routine, which was a chore to do (you have to tap on the screen 200 times on different points on a grid) but now the digitizer is accurate within a few pixels.
Because the digitizer supports pressure sensitivity the Surface Pro essentially becomes a very cheap Wacom Cintiq with a whole computer and battery in one. This really is the killer app of the Surface Pro. I've tried just doing a little sketching on Autodesk Sketchbook on the Surface and it's great fun. I haven't yet tried photo editing on the Pro but again this seems like it would be a good usage scenario - though it will probably be better once Adobe updates the Photoshop UI to work better with touch controls.
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So you have to either really have to find the size and weight appealing, or have a very good idea of what you want to do with the stylus. In that sense the Surface Pro is a $1000 magic sketchbook. Do not get the Surface Pro if you cannot think how the stylus would be useful to you.
I don't know if I will keep this machine - I'll have a better idea when the window of opportunity starts closing to return it - but right now I'm sitting in a waiting room typing out these impressions and I really quite like it. I'm really looking forward to seeing the kinds of things I can actually do or create with the stylus.
I think that this is something that artists / designers should take a closer look at.