Nick Dangerous
Mr. Tuberrific
- Joined
- Nov 19, 2001
- Posts
- 2,626
- Likes
- 31
Matt and I each had a headphone the other wanted to hear. We decided to do a short-term swap: my AKG-K1000 for his W100.
Today, I received the W100's and unwrapped them with glee. Fact is, they are visually stunning. "Woody" indeed. Even the spindly headphone cord is enclosed in a brown nylon jacket, resembling a coily twig on the forest floor. These are gorgeous cans, no doubt about it.
I plugged them into my MG Head OTL and spun a jazzy track from "Musipal" by Wagon Christ. I switched between both headphone jacks to give the W100 every opportunity to shine.
My first thought was, "Hey, where did my f**ing bass go?!?" As has been said by others, everything sounded as if it were coming out of a telephone. Guitar licks refused to *twang* with any sense of authority. The entire presentation sounded thin and lifeless.
...but after a few minutes, things began to change for the better...
My ears slowly accepted the unique characteristics of the W100's. Listening closely to Bach's Allegro Brandenburg Concerto No.4 revealed the "polite", "musical" nature of the W100. Strings and voices were rendered with a highly appealing, intimate quality. Aside from their visual beauty, the exceptional rendering of midrange sounds is the W100's strongest asset.
Perhaps it is the closed design of the W100 that contributes to its compressed soundstage. I agree with Matt's comments of "two ear blobs". The Sennheiser 580's soundstage is large and glorious by comparison. If the soundstage of the 580 was the size of a watermelon, the W100 would be a grapefruit. Crossfeed may alleviate this issue.
I have a problem with the W100's bass. Electronica, rock, even recordings such as Enigma's MXMXC A.D. are too polite. The lower octaves simply don't have enough energy to complete the presentation. Even classical pieces incorporating organs and tympanis refuse to excite. Greater authority in the lower octaves would help these cans become a better all-around performer. This may be the reason why some recordings sound wonderful with the W100, and others... well... suck.
Slogan for the W100: Polite cans for polite music.
Today, I received the W100's and unwrapped them with glee. Fact is, they are visually stunning. "Woody" indeed. Even the spindly headphone cord is enclosed in a brown nylon jacket, resembling a coily twig on the forest floor. These are gorgeous cans, no doubt about it.
I plugged them into my MG Head OTL and spun a jazzy track from "Musipal" by Wagon Christ. I switched between both headphone jacks to give the W100 every opportunity to shine.
My first thought was, "Hey, where did my f**ing bass go?!?" As has been said by others, everything sounded as if it were coming out of a telephone. Guitar licks refused to *twang* with any sense of authority. The entire presentation sounded thin and lifeless.
...but after a few minutes, things began to change for the better...
My ears slowly accepted the unique characteristics of the W100's. Listening closely to Bach's Allegro Brandenburg Concerto No.4 revealed the "polite", "musical" nature of the W100. Strings and voices were rendered with a highly appealing, intimate quality. Aside from their visual beauty, the exceptional rendering of midrange sounds is the W100's strongest asset.
Perhaps it is the closed design of the W100 that contributes to its compressed soundstage. I agree with Matt's comments of "two ear blobs". The Sennheiser 580's soundstage is large and glorious by comparison. If the soundstage of the 580 was the size of a watermelon, the W100 would be a grapefruit. Crossfeed may alleviate this issue.
I have a problem with the W100's bass. Electronica, rock, even recordings such as Enigma's MXMXC A.D. are too polite. The lower octaves simply don't have enough energy to complete the presentation. Even classical pieces incorporating organs and tympanis refuse to excite. Greater authority in the lower octaves would help these cans become a better all-around performer. This may be the reason why some recordings sound wonderful with the W100, and others... well... suck.
Slogan for the W100: Polite cans for polite music.