how does the Z7 compare with a Final Audio Design Pandora Hope VI, if anyone has both, or listened to both?
I would like to know that too as both headphones are on my radar.
how does the Z7 compare with a Final Audio Design Pandora Hope VI, if anyone has both, or listened to both?
Briefly demo'd the Pandora at RMAF via an AK120 and it sounded good, better than I expected given Final Audio's oddly tuned gear. Z7 is better, IMO, mostly because of the soundstage. Somewhat similar signature, though, strong bass, but clear mids/highs. It would likely come down to soundstage preference, as I think they are roughly similar in ability.
If the z7 has the clarity of the pandora then its a wrap for a lot of headphones in its price. The Pandora has clarity in spades. Soundstage of the pandora though is only okay and it could use tighter bass even if its detailed.
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I will have a unit for review normaly, I will be able to make a real comparison with my TH900 on a home rig.
uh neither of those are better, the HP50 is a lot more bloated and the T70p has worse control
but even then you can't compare tyll's plots to the other one because they're not done with the same rig
Really interested in this comparison, as I'm also torn between this Z7 and the TH900.
Anyway, as much as I like the Z7, the new Ultrasone 880 seemed better in several significant ways, including better isolation, even better fit, better bass with an overall preferable sound signature, and foldability.
Pics of the d600 cables only show 1 ring on each earcup input vs. 2 on the sony. Although they fit, do they actually work and sound ok with the z7?
So how do they compare? Is the Ultrasone just a bass monster or are they better balanced/neutralish like the Sig Pro?
The 880 didn`t strike me as bassy, though I thought the bass was excellent - suprisingly, amazingly excellent. Overall, I would say more balanced and neutral than the Z7, for sure. If anyone is interested, these are the notes I made today in the Ultrasone room; most of my comparisons are vs the Z7:
I got there early and there were only 2 other people in the Ultrasone room, so I had a good, long listen. I then spent about 2 hours listening to other HPs, the ones I consider (my) rivals for the 880. They are :
Shure 1540
Sony Z7
Alphadog Prime
Then at the end I returned to the Ultrasone room and had another long listen. I was listening out of the iBasso DB2/PB2 balanced dac/amp set, using my dx50 as transport. Below are my notes, made while listening to the 880, and after asking a few questions to the suave Ultrasone rep:
Negatives
-They are somewhat plasticky, especially compared to the Z7 and even the 1540
-The cable is 3-wire, and one-sided, so I believe that effectively eliminates balanced operation
-On some of my more highly complex, high-dynamic range tracks (Shapeshifter; Erykah Badu`s `Stay` from the live album) there were hints of harshness in the higher frequencies that I heard. I worry that they may be fatiguing for longer sessions...
Positives
-Crazy light
-They fold to lay flat
-Includes L and S cables, pleather/velour pads, neoprene case. Short cable is like and IEM cable.
-Crazy awesome isolation; like having earplugs in (!). Better, for me, than any of the above rivals by a significant margin.
-Fit / Comfort is excellent. Headband is awesome - the silver inner parts that attach to the cups is very solid metal (my guess is aluminum) and the center of the headband is approx. 10cm of memory metal. I mentioned to the rep that the clamping force was quite high and he bent them out so far that you would be able to play tunes for your pet elephant with them. I bent them in again and experimented and found a blissful level of comfort/weightlessness with only a minimal loss of isolation.
-These are amazingly detailed to my ears. They were the only one of the four that made me think of closed HD800s. I`m serious. I have a lot of highly complex music and these things were mindblowingly good.
-The bass is unbelievably good, both with full-on deep electronica like Pitch Black and Kaya Project, and also on acoustic double bass in 24bit modern Jazz like Ahman Jamal and Marc Johnson. I was shocked, really; i did not expect bass like this from Ultrasone. I preferred the Ultrasone bass to the Shure and Sony, by a wide margin.
-These sound like a serious hifi headhone to me, with relatively flat FR and no messing around like the Shure and Sony (and Senn DJ HD80) which I think will work out better for me in the long run, as fun as those other cans are to listen to.
Okay this is from memory, and not all that fresh memory, because the Ultrasone room was on the 6th floor and Sony was on the 13th, so quick A-Bing was impossible. I was using the same 9 Flac tracks to demo all the `phones.
Ahmad Jamal - The Line and One 24bit
Shapeshifter - The System is a Vampire
Pitch Black - South of the Line
Kaya Project - The Fortress
Erykah Badu Live - Stay
Halie Loren - Whiter Shade of Pale
DaveMatthewsBand - Save Me 24bit
Cassandra Wilson - Soloman Sang 24bit
I believe the 880 has significantly more high-frequency details than the Sony; however, I would definitely say the Sony is smoother. As I mentioned, there was a threat, a seeming risk, of harshness in the 880 highs. I`m not saying they were or are harsh, just that I could easily imagine not liking the high frequencies coming out of it with some tracks. This is similar to my HD800 - never really bad, though sometimes almost. If that makes any sense. From what I`ve heard about Ultrasone, they have a reputation for harshness, or what many people perceive as harshness. I only demo`d one very high-end Ultrasone, A-Bing with HD800, HD700, T1, and I remember disqualifying it immediately, because of harshness/thinness.
Also, IMO the 880 is flatter FR overall than the Sony, which seems more v-like or at least bass-heavy, relatively.
Regarding soundstage, I would describe them as equal - equally great. Better than Alphadog Primes and 1540, in my memory.
Both the 880 and z7 are great phones. I would really really love to do a side-by-side with these two.....
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