I just received the Sennheiser HD600 as a Christmas gift a few days ago and I had the chance to try them a little early. Just like I had experienced several months back, I am consistently floored by them. In another thread, I mentioned how I had the chance to demo the Sennheiser HD600 alongside the Sennheiser HD800, HD650, AKG K812, and Shure SRH1540 at Sweetwater in Fort Wayne, Indiana this summer. It is also worth noting that I have previously owned the Beyerdynamic DT880 Pro, DT860, DT990 Pro, DT990 Premium 600-ohm; AKG Q701; Shure SRH940; Audio Technica ATH-m50; Sennheiser HD595 and HD201. I have also thoroughly evaluated the entire Grado line, the Sennheiser Momentum line and PSB M4U 2. Among all these headphones, no other headphone offers better overall enjoyment and accuracy for me than the HD600. Here is a review.
The Sound
Starting from the top: As a flute player, I am attuned to natural metallic resonance and high and extreme treble. To my surprise, the HD600's treble is sharper and more detailed in the high and extreme treble than the DT990, DT880, Q701, DT860 and SRH940 without having their treble peaks. In fact, it has the most believable cymbal purr and reverberation I have heard to date. Kudos to the air around female vocals that is not etched or overly sharp. Treble is dead neutral and clear as day--no veil at all. I am beginning to believe the veil controversy stems from the HD650. The HD650 I also heard had an audible -7 dB deficiency in the extreme treble compared to the HD600. Cymbals did not pop or ping, air around vocals was dead and metallic resonance was muffled. (What was Sennheiser thinking with the HD650? They sound way off from real Hi-Fi. If I want that, I will use an equalizer. Those are definitely not my cup of tea.)
The HD600's midrange is a clear winner. It was once remarked that its midrange rivals that of electrostatic and planar speakers. This is undeniable. There is a holographic realism to sounds, especially vocals and instruments, that makes them float and have a stable, visible image in the soundstage. Its associated soundstage is small in the sense that these headphones do not project further than the original microphone distance. Unlike other models, there is no attempt to have a diminished upper midrange or lower treble followed by a emphasized middle or upper treble to try to simulate a larger than natural listening field. Rather, tonality is crisp and clean with neither a touch too much warmth or extra coolness. The neutrality is simply exquisite.
The bass is the weakest area of the HD600 but it is by no means disappointing. It is fast and present when necessary and just a little shy in the lowest registers. The bass does rise very little in the upper bass. However, this rise is only 1 or 2 decibels. It is actually less than my previous Q701 and certainly not distracting like the DT990's upper bass. Its lowest bass is lacking a bit of punch and drive to give absolute perfect verve and life. However, there is no bass hole or irregularities. Meanwhile, the rest of the integrity throughout the rest of the spectrum keeps the sound flowing convincingly. There is just a gradual, smooth roll-off starting around 40 to 50 Hz. Surprisingly, the DT880 sounds worse from its bright treble peak and attenuated upper midrange and lower treble. Astoundingly, only the HD650, ATH-m50 and SRH1540 can reach lower and maintain intensity, while introducing many issues in tonality and neutrality in each case.
In the following graph, the orange line is approximately what I hear on the HD600. I derived it using charts from JaZZ's excellent thread "Some more frequency-response graphs" and my general listening impressions in conjunction with HeadRoom graphs of the HD600 and HD650 for comparison and for reference. The graph goes from 10 Hz to 40 KHz and it has a scale of approximately 5.9 dB according to JaZZ.
Recap
In short, the HD600 provides the most lifelike, convincing treble and midrange presentation of all dynamic headphones under $1000 with a decent bass performance. By all accounts, the HD600 truly has legendary neutrality and naturalness. Detail and sound remains constant and comfortable at all times at soft, medium and loud volumes. The HD600's are just so balanced and so authentic that they are a proverbial window to the music that lets the dynamics of the recording effortlessly pour through. Unless the HE560 or T90 can offer a more neutral or entertaining listen for me, I am finally at my end-game headphones. Now, back to the music!