takato14
Headphoneus Supremus
Well, the K1000 and Abyss also suck.
I still have hopes for the K1000 but the abyss definitely does suck
I just didn't want to cause a complete ****storm
Well, the K1000 and Abyss also suck.
What setup did you hear the Abyss on Takato14? When you listened to them, what stood out the most as weaknesses?
the Orpheus doesn't deserve to be up there
and the R10 shouldn't be up there because they're all going to be dead very soon
but otherwise this
In an effort to get this thread back on track, here's my most recent list:
1. SennGrado
2. DT880 Pro
3. D2000
4. ZMF V1
5. MDR 7506
6. HiFlight Modded KSC75
This ranking is totally based on percentages of head-time.
Now that is a curious turn of events. What makes the GradHeisers outperform the 880pro's ?
Good question. Lemme do some A/Bing and get back. It beats mentioning that the SGs have sentimentality on their side as I basically assembled them from scratch.
3.1) Audeze LCD-3 (Classic)…yes the 2's at #2 and 3's are at #3
What's your reason for putting the LCD-3 lower than the LCD-2? I have yet to hear a pair of LCD-3s, so I don't know my own opinion of them at this point.
LCD-3 is "technically" a better headphone. More transparency, more resolving, best mids heard on a planar (although HD800 beats it for me with ease). The sub bass on the LCD-3 is actually deeper with more body like Denon's. Imaging is better on LCD-3, although the 2's are more than enough. I lived with both for many months.
The problem is that I found the LCD-3 to kind of lag with fast paced music. I think the LCD-3 is more suited for slower and medium paced genres. The LCD-3 does vocals well. Although for anything fast paced like electronic over 100 BPM and it doesn't have that slam. The LCD-3 tends to bloom rather than punch. I found LCD-2 to sound just perfect with every genre, with no fatigue and better PRaT. LCD-2 if you listen to everything with all paced music. LCD-3 for that slower/medium paced music.
I missed the LCD-2's when I sold them for the LCD-3 as I kept feeling something was not right, despite still sounding audibly better in some regards (FR coherency, black space, treble extension) and more technically equipped. Also, LCD-2 pairs much better with all kinds of rigs at all prices. The LCD-3 on the other hand, I absolutely couldn't get it to sound the best without spending at least $4500 on a Luxman speaker amp. Not even a BHA-1 or Conductor did the trick with the LCD-3 for me. The LCD-2 had less hassles in amp pairings. Of course, price doesn't relate to performance, but with LCD-3s I sincerely couldn't find anything below $3k that sounded right with them.
Of course, both were Classic models and not the new Fazor models.