isquirrel
Headphoneus Supremus
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- Dec 29, 2012
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Even though you are already comparing state of the art gear against the Nagra and as you like the Nagra for more reasons than just SQ, I think you owe it to yourself to also audition a TotalDac. It's creator, Vincent Brient, is a brilliant guy with an interesting engineering background that makes him well suited to doing what he does and unlike some other companies, DACs are all he makes and he hand makes each one using very expensive 0.01% tolerance Vishay Foil Resistors (and not the cheaper 0.1% or even 1% variety) that many consider the finest resistor there is. Even with the less expensive d1-dual, my sense is it will compete well with the Nagra and for directly driving an HE-1000, it may even outdo the Nagra. You cannot underestimate it based on price (even though 9,100 Euros is not cheap) because Vincent Brient sells directly whereas with Nagra, MSB and others, you have to pay a dealer and so the price you pay is inflated. Should you wish to aim higher, he makes a d1-monobloc with 400 Vishay Foil Resistors all the way up to his flagship, the d1-twelve which contains an unheard of 12 ladders or 600 Vishay Foil Resistors for about the price of a dCS Vivaldi. With his equipment, the price you pay actually goes towards something since he doesn't have to pay a big staff (he is a one man show). Vincent is so confident of his products that he will give any customer 14 days to audition his items and will take them back without question and without a restocking fee if you're not satisfied (although you would be responsible for shipping). He is also very responsive and patient to answer numerous questions via e-mail. During your next visit to Europe, you should strongly consider a visit as we would all value your impression on this DAC given your vast knowledge of so many fine DACs.
A quick correction, I do not have the Nagra yet, hopefully this time tomorrow night. My interest in the Nagra is as I said earlier in the thread is primarily because they have gone a whole step further and attacked the very manner in which the files are played back in software. Other DAC manufacturers are as you point out improving the topology of the DAC but the in most cases the file is not reconstructed to the same extent as Nagra + Andreas Koch are doing. One thing iOS for sure we will find out if they have succeeded. My ears pricked up when I read how they considered the timing playback methodology to be a critical component. I see Music Servers becoming increasingly popular and recognised for their importance.
The source is the music and how it is recorded, I have recordings that are PCM and yet sound better than high res examples of others. Next down the line is the streamer/laptop or Transport, the more noise and in a Transport's case the more mechanical errors then there will be errors in the bitstream.
Jitter is time based error. There are many factors that can increase jitter error and high frequency noise is an area that is overlooked by many designers.
Noise is the cause of jitter at its most basic level. The old argument that zero's are zero's and therefore USB cables, Transports and DAC's don't matter is completely ignoring the basic fact that the bitstream is carried in the physical domain so with the introduction of any mechanical and or other noise (power supplies etc etc) then the bitstream will not be read correctly and there will be errors. There is no such thing as a perfect bitstream. Various methods have been tried to overcome this including up sampling, different filters etc but that's all messing with the bits and I have found over the years that NOS DAC's tend to sound less mechanical and more natural.
DAC technology will continue to evolve at a steady pace, new innovations such as Meridian's MQA address the issue of noise at the root level so are more likely to offer major advances than DAC tech. You only have to look at Turntables and see the continued evolvement of a technology which is now quite mature and you can see how far they have come in the last 5 years.
The biggest single change in how audio companies are addressing technological advances is in the field of damping, vibration control and high frequency noise reduction. Power supplies and the accuracy of the clocks are also dominating the current thinking of Streamer & DAC designers.
All this is in an attempt to reduce the ear/brain perception of timing errors. We still do not understand exactly how this works and perhaps we never will. Some people believe that time based errors are more noticeable to the human ear than frequency based. The DAC's I hear that are sounding better, do so because they are sounding more realistic, analog like if you follow that we are not a digital species. The only advantages digital has over analog is the easy transport and distribution of material, dynamic range and S/N ratio. So when I see a DAC designer who has worked to improve his products power supplies and reduce internal electrical noise that is inherent in digital to analog conversion, this is a good thing. This noise is very high frequency and is very destructive, people think that its best if DAC's are shielded from External noise but the opposite is true it is other components that needs shielding from DAC's
Suggested good reading is Bob Stuart (Meridian) white paper re MQA as he gives a very thorough but technical explanation of where he see's DAC/digital design going in the future.