WilliamLeonhart
Headphoneus Supremus
It shouldn't be personal per say, it should be tested. The reason I say that is that typically any high resolution release will cost more than the 16bit version, sometimes quite a bit more. It also has people re-purchasing parts of their catalogue again so given that the stakes financially can be quite high I can't imagine why people wouldn't do some really valid testing. It is also important to level match because one favorite trick of remasters or high-rez issues are to make the album louder which has the potential to make us feel the music sounds better when it is simply a rise in amplitude of the signal, not any change in the signal quality at work.
The few people I know who have actually tested all seem to come to the conclusion that they couldn't tell the difference, but that is a small sample and in no way am I suggesting it is fact. Frankly, that is why I wish more people would do level matched, blind listening testing, just so we had more information about this. Hell, I would gladly pay more money if the technology made an audible difference believe me, and I hope it does.
IMHO testing doesn't mean as much in audio as in other businesses. There're tons of measurements and yet it all comes down to the fact that each person's hearing ability would differ. Next comes their preferences. And then there's the fact that some people would try to make themselves like something for no practical reason at all.
So it's very hard to come to a consensus for anything except proclamation such as "this is good" and "that is not as good as [something else]". Sure people would appreciate the fact that testing provide fine guidelines, but let's say if testing proves that A is better than B but to one person's impression B is better than A, then testing is meaningless to that person.
We're really opening a can of worms. Is hi-res that much better? Does "USB purifiers" improve quality? Should I buy an optical interface? Sure there can be testing and results to provide a concrete "yes" or "no", but whether that matters to your ears (and your mind) is another matter entirely.
There's these anecdotes that I've told more than once on head-fi and elsewhere:
- Took my friends to a big audio shop in Sg and let them listen to a pair of PS500e run on a iFi stack. 2 (inc. me) say the left side has louder volume, 2 others say it's the right side.
- A friend in the Grado thread suffers from some sort of medical conditions and can't stand bright headphones for long. He had to sell his Grados for that reason. His next Grado for a few years till now? The SR325e, which is supposed to be one of the brightest Grado line.
- Based on measurements alone, the O2 is supposed to be the pinnacle of mid-range and low-range equipment. I liked it a lot, but I don't share that opinion. Any argument would not have a decisive ending.