productred
1000+ Head-Fier
- Joined
- Dec 13, 2006
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@crinacle I was about to ask where does the UERR rank in your list.......then found it below the UERM.
I understand your love for the UERM..........I partly share that love but ultimately found it way less reference sounding than UERR over prolonged usage. The UERR's highs are too much better than the sometimes hard-to-control and somewhat peaky but not as well extended highs from the UERM. The extra sparkle of the UERM, probably due to a swelling in the high-mids region, may gives a feeling of more air at times but spiky at other times. Coming from the Ety family long ago, thought the UERM would be the natural heir to the ER4 but nope it just wasn't. The UERR did it better (and my UERR is "only" the to-go version, while the UERM is CM, if that matters). The UERR had become my ultimate tool for arranging music and for recreational cum critical listening (admittedly too bass light for onstage use though). These my U18 can also do nicely, but somehow for work purposes I love the UERR's last bit of neutrality and details (yes details.....who said 3 drivers can't reproduce more details at times than their 18-drivers counterpart?)
Know there are too many things out there to test out, but when you have the time do give the UERR more ear time if possible. The highs are simply insane. BTW I am no UE fanboy, far from it. I simply hate each and every generation of the 18pro/18+. A few of my friends in the industry kinda regretted getting it for work. And when the UE folks know how to tune things like the UERR, I am at a loss why they'd roll out something like the 18+ or the Live......
Just my (fairly long) two cents after discovering the UERR ranks below the UERM in your table. YMMV. Good work so far bro.
I understand your love for the UERM..........I partly share that love but ultimately found it way less reference sounding than UERR over prolonged usage. The UERR's highs are too much better than the sometimes hard-to-control and somewhat peaky but not as well extended highs from the UERM. The extra sparkle of the UERM, probably due to a swelling in the high-mids region, may gives a feeling of more air at times but spiky at other times. Coming from the Ety family long ago, thought the UERM would be the natural heir to the ER4 but nope it just wasn't. The UERR did it better (and my UERR is "only" the to-go version, while the UERM is CM, if that matters). The UERR had become my ultimate tool for arranging music and for recreational cum critical listening (admittedly too bass light for onstage use though). These my U18 can also do nicely, but somehow for work purposes I love the UERR's last bit of neutrality and details (yes details.....who said 3 drivers can't reproduce more details at times than their 18-drivers counterpart?)
Know there are too many things out there to test out, but when you have the time do give the UERR more ear time if possible. The highs are simply insane. BTW I am no UE fanboy, far from it. I simply hate each and every generation of the 18pro/18+. A few of my friends in the industry kinda regretted getting it for work. And when the UE folks know how to tune things like the UERR, I am at a loss why they'd roll out something like the 18+ or the Live......
Just my (fairly long) two cents after discovering the UERR ranks below the UERM in your table. YMMV. Good work so far bro.