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Hi @average_joe, does the em3pro also has the 3d soundstage from the sm3?
The SM3 does have a slightly different presentation than the EM3 Pro, as it seems to have better top-to-bottom space on some recordings. Comparing the two, the EM3 Pro has a more fixed sound stage size than the SM3, so when a track is playing that has average spatial information, there is little difference in the shape of the sound stage, but the EM3 Pro is bigger. Tracks with less spatial information cause the SM3 to recess more than the EM3 Pro, but when there are tracks with a lot of spatial information, which are fairly few that I have encountered, the SM3 shows the better top-to bottom sound staging. But that said, I have never wanted to switch back to the SM3 when I was using the EM3 Pro.
I also wanted to throw in that while I think the SM3 and EM3 Pro are great with most genres, I prefer other presentations with the recordings of most classical music, as the stage monitor sound with classical seems a little closed in to me. Others, such as the Fabs, EP-10 Plus, and Tesla T1 have presentations that are more suited to that music for my taste, and even the LCD-2 wasn’t my favorite with classical, although I did like it better than with the SM3/EM3 Pro.
The SM3 is also very tip dependent and while it always has a nice sized and well proportioned space compared with the other universals I have used, it does chance a good deal with tips. For example, the Monster triple flange tips had a smaller sound stage than the Sensorcomm tips and my custom sleeves has the biggest sound stage.