Rob Watts
Member of the Trade: Chord Electronics
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In case anyone was following my earlier tirade about the EQ filters… Rob Watts has confirmed on another thread that the filters are, in fact, much more reasonable and well thought-out than they appear in Chord’s literature. He has actually shared the graphs with the EQ plots at the various settings. I think this is above and beyond and I’m impressed by the transparency. Luckily, in this case, it will help them sell more units. I couldn’t think of a better EQ implementation given 4 bands to suit a wide variety of headphones.
Post in thread 'Watts Up...?'
https://www.head-fi.org/threads/watts-up.800264/post-16797744
Thank-you. I spent a lot of time worrying about the settings - I didn't want something that would create an artificial, overblown sound, but would meaningfully compensate for transducer deficiencies. So I am very pleased that at least someone thinks i got it right.
I am not convinced on that yet. I left it off and connected overnight with the magenta light up. In the morning the mojo was slightly warm to the touch which indicates that something is going on even on desktop mode and when the mojo is off. Would like to know what
So the internal charger circuit is still on (but not charging), and that means the FPGA is active too (albeit in low power mode), as this provides the intelligence for the charger. Also, it will top up the battery every 11 days by applying a trickle charge cycle, to replenish the batteries internal discharge. So running it for months in desktop mode will ensure the battery is ready to go fully charged. Note also that the full charge voltage is at the long term safe voltage level, not the maximum possible.
Additionally Mojo 2 will still function via the charger port if the battery fails - even if it shorts internally. When off and charging into a short, the menu button will flash red indicating a battery fault. Turning it on, it will still function from the charger, as the shorted battery is disconnected.
What you are asking for is going to be "The Hook" that sells many many Mojo 2's.
I suspect in the near future there will be all kinds of DSP settings being shared for many headphones and IEM's. We will see posts claiming one specific DSP setup for headphone XYZ transforms it into something far beyond what it is. Soon there will be posts claiming certain Mojo 2 DSP settings for headphone ABC make it sound better than their $15,000 desktop system.
My comments aren't to suggest the Mojo 2's DSP functionality isn't terrific, it probably is. However, I do think Rob Watts is going to be laughing all the way to bank due to this coming phenomena.
Commercial success is always welcome, but this wasn't my primary motivation. What was important to me was being able to give Mojo 2 the warmth or bloom that Mojo had, but without sacrificing transparency, as at this price level transducers can sound rough, so being able to tame them I felt was essential. Then there was the intellectual challenge of designing a DSP core that was perfectly transparent, and would fit into Mojo 2's FPGA. I had a lot of fun doing that.
Indeed, I was worried that audiophiles wouldn't get the DSP features and see it as a gimmick, so I am delighted that it seems to be going down well.
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