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Ok, here is my quick impression after testing N5 fw 2.0 for about 10min.
1) There is a delay when you press Play after the pause. Almost like N5 goes to sleep and you wake it up; delay is noticeable and not exactly pleasant.
2) Hissing is still there with sensitive low impedance IEMs, just not when N5 is idle (paused), but you can hear it when fast-forwarding (noticeable with 8 ohm DN2000J). But in general you won't hear it with typical common impedance IEMs. This also proves my theory that when you hit Pause, N5 goes into some deep sleep with output stage being disabled.
3) Sound is a touch warmer, a little smoother, more organic, and feels like bass is a bit deeper, but the retrieval of details still remains the same. I actually like this, brings it more into A&K and L&P territory of natural/organic tones.
4) In balanced 2.5mm output, soundstage is a little wider now.
Can you verify that 2.5mm is still quite bright, while 3.5mm is a good bit warmer than before?
I just want to make sure I'm not losing my mind.
Of course, I am testing those outputs with two different IEMs. Angie on balanced, IM03 on single-ended. But their profiles are close enough, I think I'm hearing it right.
I have Whiplash Audio modular TWag v3 pure silver cable with interchangeable 3.5mm (SE) and 2.5mm (balanced wired) connectors. Using the same IEMs and CIEMs and going between 2.5mm and 3.5mm yields NO difference in sound signature, but I do hear slight improvement in soundstage expansion (particularly in width).