jaqueh
500+ Head-Fier
- Joined
- Oct 2, 2010
- Posts
- 569
- Likes
- 18
Quote:
Ego plays a serious role around this debate. You think it, therefore you are correct and everyone else is wrong. Take Liams replies for example, he will see what ever he wants to see and read what ever he wants to read, no matter how hard you mash it right into his face or how gentle your counter point is, you will always get someone with a subjective view telling others their views are subjective or overly assertive. It's a "god complex". He is an audio remastering engineer, therefore he must be correct and his ears must be truly golden. In the nicest way possible, I respect all opinions and absolutely love reading everyones impressions on all subjects and I apologize if my reply seemed a bit harsh, that was not my intent. As I read back on it, it was clearly a retaliation in an egotistical manner and that is unlike me in ever facet. I apologize for that tone.
Tyll and I agree completely, the changes were small yet audible. I've said nothing to the contrary. I've said this many times before, there are many factors to add into the burn in equation like Weather and Temperature: Cold weather will absolutely make the innards of all electronics tense. Headphones that have been shipped on the back of a Fedex truck in the blistering cold will sound harsh and absolutely ugly right out of the box just like my HE500s were today. Out of the box this morning I wanted to vomit. Right next to my HE300, the HE500 sounded butt ugly and something I will never use. However, hours later as it settled into room temperature without any use beyond the first 5 minutes of opening the package and playing some tunes, they sound immensely smooth and tonally...let me rephrase...exceptionally beautiful in every way. Electronics do transmit electricity more efficiently over time, wiring wears out, batteries fail ect ect. In the case of audio drivers, the immensely tiny changes equate to audible differences. And there are many areas of sonic qualities that burn in effects
-Bass type, including texture and weight, thick or thin watery bass, how muddy and how broad, warmth or more neutral or cold?
-Soundstage size, how deep, how tall or wide, does it envelope, how spacious
-Separation qualities
-Tinny highs, how bright, how dull, how much snap, are they harsh or relaxed
So many of these factors are not testable right now and what ever physical changes occur inside the innards of audio gear will produce some audible changes in these areas. Dismissing the possibility without proof right now is poor science to me and something I just cannot do. I don't need to believe in it, I can hear it. I've heard it repeatedly for years and on almost every set of headphones I've ever owned. I need no real proof right now, I trust my own ears.
this I completely agree with. there is so much more to good audio than frequency curves. I think that the closest measurement of good audio is a square wave test but you need to have pretty good equipment for an amateur to do that