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XBA-30iP: Improved XBA-3iP for sure January 9, 2013
By
Headphone junkie
Note:
I initially published this review mistakenly on the XBA-30iP Gold page, but I have the silver. My guess is they sound exactly the same.
Last year Sony released a new lineup of in-ear phones, XBA-1, XBA-2, XBA-3 and XBA-4. The number indicates the amount of balanced armature drivers with each phone (they also come in iP versions, which has iPhone mic/controls, at a higher price).
I recently bought the XBA-3s (second time I owned them but they were too expensive the first time so I returned them) for $129 via a special purchase and I really found them to be excellent, though not perfect. The treble, while good, was the weak spot. It sounded a little off, perhaps a bit harsh at times. But all in all, I really did like them. They also require a shirt clip for walking, since they are not over the ear designs. The microphonics were a bit off-putting, but with the shirt clip, it was tamed for the most part. You can wear them over ear, but you really have to swap L to R, because of the way they are designed. You also have the iPhone controls a bit higher up, though that's not a major issue.
So I recently learned how to buy direct from Japan via Tenso (a forwarding company) and decided to try out the XBA-30s, which are not available in the U.S. (only the XBA-3s). For some strange reason, the XBA-3iP is $149.50 on Amazon, but the regular XBA-3 is listed at $278. Go figure. I have no idea why the difference.
Today the package from Tenso arrived and I took out the XBA-30s (Sony also has much better packaging for its Japanese customers. The XBA-3 packaging had to be pretty much destroyed to get the phones/case. Not so with the 30s. Brilliant design).
I picked one of the toughest tracks in my collection, a cover of the Stones' Gimme Shelter by Djin Djin, and did a quick A/B comparison. All I can say is the different cable (the only actual difference I believe) really does create a different sound, a bit fuller, more robust. The bass is thumping but not mushy or loose, the mids and highs are there, not overpowered by the bass. So it's a pretty balanced phone with a bit of warmth, which is exactly what I prefer these days (not more Etys, too analytical, and no more Westones, too warm). The Sony XBA-30 strikes the perfect balance.
Getting them from Japan the cost was $184 plus shipping. So they are more expensive than the XBA-3iP. But the #35 difference is well woth the price.
The cable difference? The 30s are PCOCC (Pure Copper by Ohno Continuous Casting) while the 3s are OFC (oxygen free copper). I am not going to get into the differences because they are way over my head. Also, I know there are people who are going to dispute that different cables create different sound. Not interested in the debate, I just know that I prefer the 30s over the 3s listening to at least my first trial track. Of course, Sony might have done something internally with crossovers and such (both have 3 BA drivers. No idea. All I can trust is my ears, and the ears prefer the 30s. Could it be because they cost more? Possible. But I have a relatively decent experience level so I don't believe so in this case.
As for things other than sound, I like the fit/comfort, but they are pretty much the same as the 3s. The cable texture on the 30s feels a bit more rigid (if that's the right word), maybe more substantial. But not miles apart. The case is fine, and the tip selection is a bit better as the 30s have the yellow and purple sleeved tips (shades of the EX600) but the 3s do not. So you get more sizes/choices with the 30s. I really liked the yellow with the EX600s, so I am happy to see them again.
All in all, if you are deciding on whether to get the 3s at $150 or the 30s at $185 (really about $200 with shipping via Tenso), for me it was an easy decision. I am going to sell my XBA-3s, no regrets.
I went back and listened to a selection from my headphone "audition" playlist, which includes different genres, styles and such, and the XBA-30s sound fantastic no matter what I throw at them. And this is with my iPhone 5 HP out using 192-320 AAC rips, not the tube amp I have on my desktop or my Arrow/iPod Classic combo with lossless. If they improve via amp, all the better. I expect they will.