AKG K3003 High End 3 Way System Headphone - Page 28

Quote:

Originally Posted by spkrs01 

an equivalent of US$1,650

In PL you can have them for €975

Personally, I think it's great that a universal IEM is going toe-to-toe with the big boys of customs and taking a few rounds.  Or even winning the fight is some instances.

Given a choice between a custom and one of the aforementioned universals in this thread, I'd take the universals in a minute.  The reason is that I don't necessarily need what customs (potentially) surpass the universals on.  Sound isolation...not that important.  Perfect fit...I've never really had many problems with universals.

Besides, I tend to take the IEMs out on a regular basis while at work.  In 'n' Out (man, I miss those burgers!) all day long.  That wouldn't work too well with customs from everything I've gathered.

The ease of use and how they fit into my audio lifestyle dictates that universals are the best option for me.  Maybe some day I'll look into getting a pair of these.  But for now both Uncle Sam and Cardas stand in the way.   

Quote:

Originally Posted by tomscy2000 

It's the TWFK

If that's correct, then this would be by far the best tuning of a TWFK imo. Rather sceptical though, since every TWFK based IEM I've heard so far had pretty distinctive "metallic" timbre, but not the K3003.

Quote:

Originally Posted by james444 

If that's correct, then this would be by far the best tuning of a TWFK imo. Rather sceptical though, since every TWFK based IEM I've heard so far had pretty distinctive "metallic" timbre, but not the K3003.

Actually AKG's diagram shows TWFK.

Maybe what makes K3003 so expemsive is that AKG asked Knowles to redo TWFK to match AKS's demand like motor changes inside drivers. Something that JH has done.

Quote:

Originally Posted by piotrus-g 

Actually AKG's diagram shows TWFK.

Maybe what makes K3003 so expemsive is that AKG asked Knowles to redo TWFK to match AKS's demand like motor changes inside drivers. Something that JH has done.

 

JH is said (by another custom manufacturer I spoke to) to use a DWFK in its JH16. The metallic timbre was very much present in the jh16 demo that I spent some quiet time with.
 

Quote:

Originally Posted by Kunlun 

JH is said (by another custom manufacturer I spoke to) to use a DWFK in its JH16. The metallic timbre was very much present in the jh16 demo that I spent some quiet time with.
 

 

There's no DWFK only DFK

DFK (2xFK) is a dual tweeter TWFK(wbfk+fk) is woofer-tweeter or in many cases mid-tweeter

Remeber that JH is using standard frequency shaping with dampers. AKG uses also tips which tweek sound

One driver can really sound very different in a different application.

Quote:

Originally Posted by james444 

Well, UE700, Brainwavz B2 and CK10 all use TWFK with tips and still sound "metallic".

Do Westone 3 UM3x 4 or SM3 sound metalic?

Quote:

Originally Posted by piotrus-g 

Do Westone 3 UM3x 4 or SM3 sound metalic?

ES5 does not sound metallic.  Very organic.  I've never heard anyone say the ES5 sounded artificially bright or metallic in the treble.

Quote:

Originally Posted by piotrus-g 

Do Westone 3 UM3x 4 or SM3 sound metalic?

Nope for the W4 and SM3, haven't heard the others. Do all of these use the TWFK? I wasn't aware of that.

Quote:

Originally Posted by james444 

Nope for the W4 and SM3, haven't heard the others. Do all of these use the TWFK? I wasn't aware of that.

From a SM3 review of one friend i read SM3 has a "" transducer balanced armature double for medium and high frequencies, is the model of Knowles: TWFK-30017-000. This driver is also in the Jays q-Jays, dba Fisher-02 Audio, Ultimate Ears 700 and Audio Technica CK-10. The bass transducer has four times the size of TWFK essential to produce more vibration and consequent movement of air.""

For anyone who may be interested, I have posted a brief review here:

http://www.head-fi.org/t/597655/the-akg-3003-a-brief-preliminary-review

Best, Kevin

Quote:

Originally Posted by james444 

Thanks for your impressions, Kevin. While I don't agree with everything said (imo EX1000 don't have typical IEM soundstage, FAD1601 are lavish and fascinating, but ultimately flawed), I certainly concur with your overall take on the K3003

Well, you caught a "misspoke". I meant that the EX1000 has a soundstage typical of the best IEM levels of soundstage (and applicable to the K3003 also), not typical for IEM's in general.

And I agree wholeheartedly with your comments about the FAD1601 and hoped that had come through in my comments. They certainly are tonally flawed. But, but, but... Their tonal flaws somehow seem to flatter the music more often than detract. And in terms of soundstage, dynamics and instramental separation, they make most other IEM's in my experience sound like toys. I consider the FAD a guilty pleasure. And I often wonder whether their tonal flaws mean the designer dropped the ball or was a genius. Perhaps the "flaws" were intentional and necessary to the overall impression they convey. There's kind of nothing like them. Their flaws are so obvious and their excellences so great.

What I see I didn't properly convey is that the K3003 strikes me as taking the basic "rightness" of the EX1000 sound and add in elements of the FAD. The FAD, for all its flaws, struck me as the first IEM I had heard to start to bridge the gap between IEM and full size headphones (and stand up to some comparisons with the full size world). To me, the K3003 continues this, adding a generally neutral tonal balance to higher levels of dynamics, less overhang on notes (really noticable on piano trills and the like) and extended perceived dynamic accuracy and low level information retrieval. They still fall behind full size phones on expansiveness of soundstage and ability to play mega-loud (if that's your thang...) 

I would say the EX1000 is a great IEM, but the K3003 is an excellent headphone.

Best, Kevin
 

Quote:

Originally Posted by k3oxkjo 

Well, you caught a "misspoke"...

I see, thanks for clarifying :)