I've got an off topic joke for you guys to take a break from all the crack talk.
(In reference to the Nitendo 64 game Mario Karts and such).
What pants does Mario wear?
Go on then I will be the patsy,
I don't know what pants does Mario wear?
I've got an off topic joke for you guys to take a break from all the crack talk.
(In reference to the Nitendo 64 game Mario Karts and such).
What pants does Mario wear?
The TS 5998 and E80cc are my Cracks daily drive. I save the GEC and Osram tubes (they are the same) for premium listening session when the house is quiet and I am able to relax and just focus on the music.
I also feel the GEC is more refined in the mids, upper mids and treble. Though I really only use it for one genre of music if you like artists like Eva Cassidy, The Wailin Jennys, Cara Dillon, Simon & Garfunkel, Melody Gardot, Alison Krauss etc then the GEC6as7g is for me the stand out tube. I find the Vocals are just stunning.
I have seen Cara Dillon perform a number of times now small venues and from only a few meters away. After listening via my crack soon after the GEC and T1 nailed it big time I was simply amazed at how well the music was reproduced when compared with the live performance.
I am absolutely on the same page as Skeptic when it comes to the costs and that the price performance ratio is out of kilter. but that's just supply and demand and no different to spending $1000 on a interconnect. As per the previous topic you can get some good deals on tubes, over the last couple of months there have been about a dozen or so NOS TS 5998 going for $100 a pair and a few GEC gas7g brown base's for around the $75 mark.
The real performance stars are the better sounding 6080's which often slip under the radar and go for only a few dollars.
You're comparing headphone listening to a live performance?
Are you listening to your crack or smoking it...lol?
Do try the T1s if you ever get a chance. They're relatively warm despite the treble peak and the Crack helps to keep them sounding nice and smooth - not quite HD6x0 smoot, but still smooth.
Can I use the crack for my studio monitors? I Read somewhere that its not a good idea to amplify something that's already amplified, but I can't find that anymore.
Can I use the crack for my studio monitors? I Read somewhere that its not a good idea to amplify something that's already amplified, but I can't find that anymore.
This means your monitors are active? In that case, yes, it would work well. I needed a little line level boost in the PA setup I put together for a Jacqui Naylor show last fall and we ended up putting a Crack in line as a variable boost ahead of the long cables feeding the amps. Worked great. Of course you would need an adapter to go from TRS to RCAs or TRS to XLRs, depending upon your monitor inputs.
I do the same and have noticed no difference. I have just brought a second splitter awaiting arrival as I found the first ones connections put an unequal force on to the dac's rca sockets which made for a poor connection.
This is the new one
this is the one I am waiting on
Yes, they're active. Holy ****. I just got so much more excited! Very curious to how it would sound to the JBL LSR305's.
Oh wow these look nice. Where can I get that?