Reviews by mark2410
Pros: Awesome. Bass is thunderously capable. Highs are highly refined.
Cons: Its not a high isolator, bass isnt very neutral, mids could do with more air.
DUNU DN-1000 Quick Review
 
Full review at http://www.head-fi.org/t/686568/dunu-dn-1000-review
 
Thanks to DUNU for the sample.
 
Brief:  Taking names and kicking arse!
 
Price:  £125 so that’s about US$200
 
Specification:  Type: Dynamic (10mm) Balanced Armature, SPL:98+-2dB, Impedance 10 ohms, Frequency Response: 16Hz – 22KHz, Noise Attenuation: 26dB, Weight: 26g, Plug Size: 3.5mm, Cord Length: 1.2m.
 
Accessories:  Metal case, leathery baggy, 6.25 to 3.5mm adapter, aeroplane adapter, shirt clip, 3 types of acoustic rings, 4 of each type, 4 pairs of Comply tips, 3 pairs of clear silicon tips, 1 pair of bi flange tips, 3 pairs of thin grey silicon tips, a pair of ear guides and last of all a cleaning cloth.  Assuming you don’t count the chin slider and the attached cable tie.
 
Build Quality:  Excellent.  They are metal, weighty and frankly Dunu have probably the best build quality of any of the Chinese IEM makers.
 
Isolation:  Reasonably good, better than most dynamics ever are but not so great in comparison to most BA things.  Tolerable for the odd flight but not for a daily Tube commute.  Of course more than enough to get you run over.
 
Comfort/Fit:  Very good.  They are a bit heavy but wearing over the ear solves that otherwise, a shove in ear and done.  There are plenty of tips to assist in the matter.
 
Aesthetics:  A touch on the blingy, the silver is rather gleaming but silver is certainly much more tasteful than gold is.  Note they are more silver than the gunmetal they seem to look in photos but I think these may come in Gunmetal also.
 
Sound:  Awesome.  The bass is a little dominant but the quality is superb.  Deep, oh so deep, dark and rich.  The mid’s are a touch reticent but the detail is very good and the clearly cut through any amount of music.  The highs are superbly refined for a BA driver.  Maybe a little relaxed for some but they do a fantastic smooth and natural decay.  They don’t have the sharp edge many others do around this price, which some love of course.  It lends to an overall slightly dark feeling to the DN-1000 but the dynamics are spectacular.  Throw on something lively and they are astonishingly vivacious party machines.  Vigour and authority in the lows is epic but they never drown out the rest of the spectrum.  It’s a cacophony of aural drama!  Loving these little things!!!  Sure if you want slow and sombre they will do as you command and do it very well too.  The only downer I’d say is these aren’t very open or airy but that hardly a damming statement is it.  Of course these aren’t the most sonically neutral IEM in the world either.
 
Value:  Awesome.  These should be a real worry for the GR07 as you get a cracking bundle and they sound so kick ass.
 
Pro’s:   Awesome.  Bass is thunderously capable. Highs are highly refined.
 
Con’s:  Its not a high isolator, bass isnt very neutral, mids could do with more air.

Pros: Sound quality, its practically perfection.
Cons: Rather flavoured and if you want this quality you have to pay for i
HiFiMAN RE-600 Quick Review
 
Thanks to Head Direct for the sample.
 
Full review at http://www.head-fi.org/t/678638/hifiman-re-600-review
 
Brief:  HiFiMAN’s finest IEM to date.
 
Price:  US$400 so about £255 or £302 if HMRC spot it
 
Specification:  3.5mm mini plug, Mini adapter for regular earphone jack, Frequency Response: 15Hz-22KHz, Impedance: 16 Ohms, Sensitivity: 102 dB/mW, Weight: 0.48Oz (13.7g)
 
Accessories:  13 pairs of tips, 10 filters, balanced to normal adapter, cable wrappy thing and a little case.
 
Build Quality:  The best so far for HiFiMAN, the cable is supposedly all Kevlar coated and what not.  Still it’s a bit stiff for my liking.  The woven outer is nice to the touch but overall this doesn’t scream awesome build quality, its very ordinary visually.
 
Isolation:  For a dynamic very good.  Rather better than its predecessors too.  Still it’s not up there with the BA stuff but this I’d be relatively happy with a short flight.  Naturally more than enough for typical usage and to get yourself run over if you aren’t used to looking where you’re going.
 
Comfort/Fit:  Excellent.  This was one area where HiFiMAN had issues previously.  The 252 in particular was a nightmare for fit but the 600 has gone back to an old fashioned straight in the ear design.  Yey!  Just stuck in ears and that was it.
 
Aesthetics:  These in comparison to the 400 look fancy but compared to other things out there these look very pedestrian.  Not unattractive by any means but these don’t make me have much of an opinion on the matter.  They are glossy black.
 
Sound:  This is the bit where HiFiMAN stuff tends to shine and here is no different.  The 600 is possibly the best IEM I’ve ever heard.  It does everything exquisitely.  Everything thing on it is tremendously good.  The bass is spacious, offers scale and power yet fabulous clarity and agility.  It rather shows up what other high enders can do as this is a dynamic and that oft make bass more vigorous low down.  The quality is so outstanding and yet it can dial up enough to really power a bass line when its called for.  Then the mids, well they are like an improved 262 and they were about the best mids in existence already.  Here they are a little warm and a little liquid over perfectly neutral but by Christ they sound good.  They are so phenomenally enjoyable, even more enjoyable than they are technically proficient.  They are masterfully brilliant.  The highs too are staggeringly good.  They don’t appear in the abundance some may like but the clarity, detail and ability to that most difficult of things, produce a natural decay, is first rate.  Again of the high enders which are normally BA, it’s just not something a BA driver does well.  I’ve never thought a BA driver can ever truly do that shimmery decay of a cymbal perfectly in the way an excellent dynamic can.  It’s amazingly good stuff.  The downs now, the bass is rather bigger than neutral so purists may not be pleased but also it’s no IE8 to please bass heads.  The mids like all the best middy IEM’s out there are a bit over beautified and not strictly neutrally accurate.  The highs which may be stunningly good but haven’t the abundance some want and they are not so in your face apparent.  The 272 sounds immediately hyper detailed because it’s so much brighter.  Treble heads will crave greater abundance.
 
Other things, its soundscape is tremendous for an IEM. Its dynamic capabilities are outstanding.  Its detail levels are such that despite being a relatively friendly sound sig to poor recordings and sources are so high that if you feed it cack it will let you know.  So no 128k mp3’s!
 
Value:  Debateable.  Is any IEM really worth US$400?  Actually its biggest obstacle is its sibling the RE-400.  Side by side the 600 may smash it but the 400 is super good and super cheap.  Still if you want one of the best sounding IEM’s money can buy then arguably “value” doesn’t really matter anyway. 
 
Pro’s:   Sound quality, its practically perfection.
 
Con’s:  Rather flavoured and if you want this quality you have to pay for it.
lsamod
lsamod
mark2410  
Hey there, It seems you were really happy with these. They are now 249 AUD (140 GBP). Are there any better iems which cost less?? I'm looking for a fairly neutral sound + easy to drive iem. Thank you!
mark2410
mark2410
hi can i just point out you may be better asking in the full review thread as its better suited to conversation.
mark2410
mark2410
the link is near the top of the quick review
Pros: Bass, bass and bass. Sweet and delicate highs.
Cons: See Pro’s. Its sound sig is highly flavoured.
DUNU DN-23 Landmine Quick Review
 
Full Review at http://www.head-fi.org/t/676274/dunu-dn-23-landmine-review
 
Thanks to DUNU for the sample.
 
Brief:  An awe inspiring bass cannon.
 
Price:  US$85 or €79 (£68)
 
Specification:  Type HQ (10mm), Sound pressure level 120+-2dB, Impedance 16 ohms, Frequency response 16 Hz - 22 KHz, Noise Attenuation 26dB, Weight 28g, Plug Size 3.5mm Gold-plated, Cord Length 1.2 m
 
Accessories:  Everything.  A hard case, a soft baggy, a bunch of tips, 6.25 to 3.5 mm jack, aircraft adapter, shirt clip, and of course the greatly useful built in cable tie.
 
Build Quality:  Nothing short of excellent.  DUNU have about the best build quality you’ll see anywhere.
 
Isolation:  Rather good for a dynamic.  It’s sealed so you block out enough for most day to day things, not really quite up to daily Tube commutes or trips to New Zealand.  As ever easily enough to get you run over if our not looking where you’re going.
 
Comfort/Fit:  Great, no issues what so ever despite it being a sealed dynamic.
 
Aesthetics:  The finish on them is superb, that high lustre, burnished near black outer looks good.  It’s probably more subtle than some would like but it’s, in my opinion, first rate.  I also greatly like the red and blue accents on the buds.  In short they tick the boxes of everything I like visually in an IEM.
 
Sound:  BASS!!!!!!! I could really leave that as the full review and I don’t think it would be overly remise to do so.  The bass is entirely what the DN-23 is about.  It’s of an excellent quality being both highly impactful and full bodied enough to do essentially any bass style you should ask of it.  Fast punchy dancy pop or smooth, rich, sombre jazz it can do with equal effortlessness, but it’s still a bass cannon.  There is a lot of bass.  Lots and lots and then lots more on top and it never really goes away.  The mids and highs are very competent.  The mids are rich and flowing, the highs detailed, sweet and delicate.  I could say much praise worth about the highs but it’s all about the bass.  Just so much bass, so much power!  I haven’t the slightest fear that there are not loads of people that want just this sort of bass.  It is awesome. 
 
Awesome if you want a magnificent bass beast.  Less so if you don’t really want the bass overshadowing the rest.  It’s a bit of a shame as the rest of the sound spectrum is very competent particularly the highs, them I really liked.  It’s a very flavourful sound you’re getting here and as long as you’re happy with that flavour you’re on to a winner here.
 
Value:  Great bundle as always. Superb build too.  Sound is great but highly bass centric so great if you want that, if you want more balance then it’s not really the IEM for you.
 
Pro’s:   Bass, bass and bass.  Sweet and delicate highs.
 
Con’s:  See Pro’s.  Its sound sig is highly flavoured.
Pros: Fun in spades, build quality, accessory bundle.
Cons: Deeply not analytical or neutral.
DUNU Detonator DN-22m Quick Review
 
[size=12pt]Thanks to[/size] [size=12pt]DUNU[/size] [size=12pt]for the sample.[/size]
 
[size=small]Full review http://www.head-fi.org/t/666628/dunu-detonator-dn-22m-review[/size]
 
Brief:  A well timed, bassy fun machine.
 
Price:  £37.61 or circa the RRP or US$45
 
Specification:  Driver Size: 9mm, Microphone: -45 +5dB, Sound pressure level: 112+-2dB, F Response: 20Hz - 20KHz, Noise Attenuation: 26dB,  Weight: 27g, Cord: 1.2m
 
Accessories:  8 pairs of tips, shirt clip, a hard case and a soft baggy and a built in cable tie.
 
Build Quality:  Top class, really just top class given the cost.  Easily the equal of the far more expensive EB-50.
 
Isolation:  Very good for a dynamic, plenty enough to get you through normal day to day stuff and maybe the odd flight.  Certainly enough to get you run over if you aren’t looking where you’re going.
 
Comfort/Fit:  Pretty great, worn down the mic did catch my collar which is annoying but that’s all.  Despite being dynamic and sealed they gave me no air pressure issues at all.
 
Aesthetics:  Pretty understated.  They are mostly a shiny gun metal colour with a very helpful red or blue band to denote which ear they belong in.  they look like they could cost rather more than they do.
 
Sound:  On paper these have plenty of flaws.  They are too bassy, the bass is too humpy, the highs lack and yet have a bit of an edge.  But I find I forgive them all.  They have superbly fun timing and I just liked.  I liked them a lot.  They are so fun and bouncy. They are the antithesis of analytical which made them awkward to review but just step trying.  Sit back just listen to the music and enjoy it.  That’s what these want you to do and when you do you’ll stop noticing the technical failings.  They capture an entertaining whole.  The bass is so nicely timed.  There is just so much that I find enjoyable that I completely ignore its technical mishaps.  This is an IEM that doesn’t want you to listen to it but to the music and that it’s getting right.  It’s just such an enjoyable and pleasing style of rendition.  I really think it ought to please most if not all and in particular those who like a good chunk of bass.  Its firm, powerful and punchily potent!  Smiley face.
 
Value:  Great, its currently hard to actually buy one but they sound fab, bundle is superb and the build quality is outstanding.  I am really not sure what else you could want.  Unless you just want a completely different sound signature of course, neutral and analytical these are not.
 
Pro’s:   Fun in spades, build quality, accessory bundle.
 
Con’s:  Deeply not analytical or neutral.
Pros: Should survive much abuse, tremendous low end power.
Cons: Pricey for non americans, very bassy
[size=12.800000190734863px] Nuforce NE-700m Quick Review[/size]
[size=12.800000190734863px]  [/size]
[size=12.800000190734863px] Full review http://www.head-fi.org/t/666207/nuforce-ne-700m-review[/size]
[size=12.800000190734863px]  [/size]
[size=12.800000190734863px] Thanks to Nuforce for the sample[/size]
[size=12.800000190734863px]  [/size]
[size=12.800000190734863px] Brief:  Nuforce’s grown up IEM.[/size]
[size=12.800000190734863px]  [/size]
[size=12.800000190734863px] Price:  US$75 or £75 for the m US$65 or £63 for the non mic’d x version[/size]
[size=12.800000190734863px]  [/size]
[size=12.800000190734863px] Specification:  Driver Size: 8mm, Impedance: 16 Ohms, Frequency Response: 20 to 20kHz, Max. Input Power: 10 mW, Sensitivity: 105 dB+/-3d, Plug: 3.5mm, Directivity: Omni-directional, Max Input Sound Level: 115db S.P.L, Weight : 15.4 grams, Length: 54 inches, Warranty: 1 Year., Microphone Sensitivity: -38dB +/-3dB, Connector Specification: 3.5mm 4-pole stereo/iPhone compatible plug[/size]
[size=12.800000190734863px]  [/size]
[size=12.800000190734863px] Accessories:  3 pairs of single flange ear-tips, one carrying pouch (but I got 2 pairs of each tips)[/size]
[size=12.800000190734863px]  [/size]
[size=12.800000190734863px] Build Quality:  Very solid.  They are weighty and feel very sturdy.  They should survive a good while.[/size]
[size=12.800000190734863px]  [/size]
[size=12.800000190734863px] Isolation:  Quite a lot for a dynamic.  They are pretty well sealed and will provide more than enough isolation to get you run over if you aren’t looking where you’re going.  Should be fine for normal everyday use and the odd short flight.[/size]
[size=12.800000190734863px]  [/size]
[size=12.800000190734863px] Comfort/Fit:  Given their weight wearing down added to the mic catching it was annoying but worn up the weight vanishes.  Fit wise I could have done with them boing less sealed but adding a pair of foam tips fixed that for me.[/size]
[size=12.800000190734863px]  [/size]
[size=12.800000190734863px] Aesthetics:  If you get the m you get “Smoky Bronze” and x you get “Aqua Silver.”  In pics I think the grey looks nicer but I always think the one I didn’t get looks nicer.  So vastly different form the gaudy 770 these are much more grown up looking.[/size]
[size=12.800000190734863px]  [/size]
[size=12.800000190734863px] Sound:  Like other Nuforce IEM’s these seem to be largely about the bass.  The richness and the power it’s got behind it.  If you ask me it’s a bit slow to do fast party bass.  I want more agility there and this will just thunder through with powerful abundance.  I thought to continue its more mature theme was at its best with smoother slower music.  Big, thick, rich low end smoothness.  Mids are mostly natural sounding, a bit of over thickness to them but they sound nice.  They also cover up the failings of many modern “singers” with a hint of soft focus.  The highs are pretty laid back, touch muted affairs.  Smooth and gentle on the ear.  These are mostly about the bass though, lots of it and just spades of power behind it.  Something that is never going to need the use of a bass boosting amp.[/size]
[size=12.800000190734863px]  [/size]
[size=12.800000190734863px] Value:  Have a look at the prices above.  Huge price jump for UK and the rest of the world.  Otherwise at US prices you’re paying for a bit for the name and the premium metalness of it all.  I don’t think these are aimed at audiophiles but more the mainstream who appreciate sturdiness and bass as their foremost concerns.[/size]
[size=12.800000190734863px]  [/size]
[size=12.800000190734863px] Pro’s:   Should survive much abuse, tremendous low end power.[/size]
[size=12.800000190734863px]  [/size]
[size=12.800000190734863px] Con’s:  Pricey for non americans, very bassy[/size]
Pros: Look simply superb, sumptuous rich sound with Dirac in use.
Cons: It’s a big price jump for a mic and its essentially an Idevice only earphone.
t-JAYS Four Review and JAYS Curves Quick Review
 
Full review at http://www.head-fi.org/t/659123/t-jays-four-review-and-jays-curves-review
 
Thanks to JAYS for the sample.
 
Brief:  Uber fancy EQ stuff for Idevices
 
Price:  £80 for the t-JAYS Four £2 for JAYS Curves
 
Specification:  Driver Type 10 mm TCD Dynamic Speaker, Sensitivity 98dB @ 1kHz, Impedance 16 Ohm @ 1kHz, Frequency Response 15 Hz – 25 000 Hz, Earphones Finish  Rubber Coated Black / Metal, Isolation  -40dB @ 2kHz, Size (L)17.5 x (W)6.9 x (H)14.8 mm, Weight 10 grams (0.35 oz), Cord Type          Dividable TPE coated & Kevlar reinforced cables Length        60 cm (23.5 in) + 70 cm (27.5 in), Plug Straight, Silver-Plated Stereo Plug 3.5mm (1/8 in)
 
Accessories:  5 pairs of tips, a shirt clip and a rather cool case.
 
Build Quality:  The t-JAYS ooze sumptuousness.  They are an image of perfection and feel just as well constructed in the hand.
 
Isolation:  A bit so so.  Fine for a dynamic and no doubt perfectly adequate for normal situations.  Not something for a daily Tube commute though or a long flight.  With music going though enough to block out traffic noise so do look out, or you’ll get yourself run over.
 
Comfort/Fit:  excellent.  Worn up or down they were effortless and perfectly comfortable, even all day.  One caveat, worn down the mic did catch on my collar which annoyed me, up it did not.
 
Aesthetics:  One of the best looking IEM’s, period.
 
Sound:  Sans Dirac they are really, really bass heavy and I can’t say I liked them much.  Not for £80 anyway, I don’t care how nice they look!  Slap an extra £2 and you get the Dirac stuff which you can think of as a super fancy EQ setting.  It makes a huge difference and has clearly been aimed at compensating for the shortcomings of Idevices as it is improving the t-JAYS.  The Ipad 2 I used could make these sound good where it frankly struggled with comparably priced IEM’s.  Adding and amp of course solves the issue but I get people using an Iphone as a DAP aren’t going to do that.  The dirac stuff makes the t-JAYS sound into a smooth, lush sounding IEM.  Bass is still big and thick but not suffocating.  The mids are thickish and liquid but can actually flow, smoothly and I dare a say beautifully.  The highs are a bit soft and genteel to continue a warm theme but offer up a nice level of detail, shimmer and accuracy.  They are detailed but kind to the ear.  Smooth and warm with a hint of something else, sharp and tart, like a microwaved big slice of a Black Forrest gateau.
 
Value:  £80 for the t-JAYS Four is a bit steep when the Three is only £40, £40 is a lot to ask for a mic.  The £2 for the Jays Curves programme is however a no brainer.  If you’re an Idevice user and if you have a pair of t-JAYS (or also a-JAYS imo) then it’s the best audio upgrade you’ll ever see for £2. 
 
Pro’s:   Look simply superb, sumptuous rich sound with Dirac in use.
 
Con’s:  It’s a big price jump for a mic and its essentially an Idevice only earphone.

Pros: Tremendously good sound quality, cheap, great openness.
Cons: Visually interesting, a bit over dramatic and enthusiastic.
Telefunken TH-140 Quick Review
 
Full review at http://www.head-fi.org/t/653931/telefunken-th-140-review
 
Thanks to Topdogheadphones for the sample.
 
Brief:  A new bargain King?
 
Price:  £35
 
Specification:      Driver Unit: 10mm speaker, Impedence: 16Ohm +/- 15%, Sound pressure level: 100dB +/- 3 dB at 1kHz, Frequency Response: 20-20,000 Hz, Rated Power Input: 20mW, Maximum Input Power: 60mW
 
Accessories:  6 pairs of tips (3 thick, 3 thin) and a rather interesting triangular case.
 
Build Quality:  Seems pretty good, I particularly like the cable which feels very sturdy.  Jack and buds feel good too.
 
Isolation:  For a dynamic its right at the upper end.  Not at BA levels but I’d be happy using out and about, on a bus and probably even fine for a short flight.  As ever, more than enough to make you road kill if you’re not observant.
 
Comfort/Fit:  Both are very good.  A tiny bit of driver flex on the right bud but otherwise perfect.  Naturally I wore them up too and got no microphonics either, down you will.
 
Aesthetics:  These are touted as being “Resin” and they have a marbled cream and brown colour scheme.  Personally I didn’t love its looks and a friend said they looked cheap.  Hey at least you won’t get mugged for them, right?
 
Sound:  while they may not have nailed their looks they have nailed their sound.  they are frankly stunners.  So much so I had to go double take the price they were supposed to be!  Their sound is a touch on the dramatic; it’s pretty W shaped though so the mids stay super clear too.  The mids are really good, bit dry but soooooo open and clear sounding for something that’s closed, just fantastic detail in them too.  The treble too is super impressive, a touch crispy but so clear and articulate, again superb detail retrieval there.  The bass though is where they shine best I think.  Its rather midbassy but its quantity is pretty big but its quality its top notch.  Really quick and agile and very happy to power out a poppy bass line, fast as you like and with all the impact and power you could want.  And!!!!!!!! That bass doesn’t interfere with the mids, its bang on tuned for exactly what you want for stuff from the Top 40.  It’s got a superbly lively consumer sound with real skill and ability.  Its impressive stuff and its dirt cheap too, what more could you want.
 
Value:  I think I’ve just answered that.  Its utterly excellent value.
 
Pro’s:   Tremendously good sound quality, cheap, great openness.
 
Con’s:  Visually interesting, a bit over dramatic and enthusiastic.

Pros: Party and excitement time. So lively, bouncy, dynamic, wooo hoooo party time!
Cons: About at flat and analytical as mirror ball is sophisticated. ugly.
Telefunken TH-120 Quick Review
 
Full Review at http://www.head-fi.org/t/658969/telefunken-th-120-review
 
Thanks to Topdogheadphones for the sample.
 
Brief:  A no holds barred party IEM.
 
Price:  £52 for no mic, £60 for the mic one.  Roughly US$79 or US$91
 
Specification:  10 mm speaker, 16 Ohm+/-15%, 102 dB+/- 3 dB at 1kHz, 20 Hz - 22 kHz, 1.2 Meter Cable, 3.5 mm Plug
 
Accessories:  6 pairs of tips and a little triangle case.
 
Build Quality:  Seems very good.  The cable looks and feels rather sturdy and the buds are metal.
 
Isolation:  It’s okay.  For a dynamic its fine and what you’d expect.  Not daily Tube commute stuff but fine for normal use and with music going it’s still enough to get you run over.
 
Comfort/Fit:  Very good.  I had no trouble in the slightest with either, wearing up or down.
 
Aesthetics:  Errm.  Sorry Telefunken but did your design team come from 1980’s East Germany?  Maybe it’s an anti-theft thing?
 
Sound:  Wow!  There is a party in your ears and all the bass impact is invited.  All the everything else too!  Party, drama, excitement, dynamics you name it’s all in there.  These are all about having a tremendously fun and exciting time.  If you want purity then these are so not it.  These are W shaped to the point of being V shaped. (W but the middle bits rather small.)  With the bass taking a dominant role these are big and punchy stylistically.  The bass isn’t happiest doing smooth, slow rolling notes.  It wants constantly to jump up and punch you in the ears.  Powerful slamming bass.  The highs aren’t the best extended but they are vigorously apparent with a slightly softened edged.  It is attention capturing without being aggressive to the ear.  Mids are nice, a touch over shadowed and are suited much more to a popy, lively vocal set than to Nora Jones.  These are all about belting out a catchy tune and having you dance about the place to it.  Detail is really impressively too given its so non analytical.   Everything sounds so spectacularly lively with these, just massive fun to listen to.
 
Value:  ugly but sounds just excellent.  You’ll be hard pressed to find more fun IEM wise than these.
 
Pro’s:   Party and excitement time.  So lively, bouncy, dynamic, wooo hoooo party time!
 
Con’s:  About at flat and analytical as mirror ball is sophisticated.  ugly.
Pros: Super open sounding, Beautifully relaxed, Sony “house sound” nostalgia.
Cons: Its rather expensive, highs have a jumpy spike in them, isolate meh.
[size=12pt]Sony MDR-EX1000 Quick Review[/size]
 
[size=12pt](Thread here, http://www.head-fi.org/t/656811/sony-mdr-ex100-quick-review )[/size]
 
[size=12pt]Thanks to[/size] [size=12pt]SwimSonny[/size] [size=12pt]for the loan.[/size]
 

 
 
[size=12pt]Brief:  Sony shows what it can do when its wants to.[/size]
 
[size=12pt]Price: Circa £400[/size]
 
[size=12pt]Specification:  Driver Unit 16mm, Dome type (CCAW adopted), Sensitivity 108dB/mW, Power Handling Capacity 200mW, Impedance 32ohms at 1kHz, Frequency Response 3-30,000Hz, Magnet Neodymium, Cord 7N-OFC litz cord adopted Y-type / Detachable Cord Length 1.2m / 0.6m, Plug L-shaped stereo mini plug (Gold) (1.2m cord) / Stereo mini plug (Gold) (0.6m cord), Weight (Without Cord)           Approx. 8g[/size]
 
[size=12pt]Accessories:  Hybrid silicone rubber earbuds (SSx2, Sx2, MSx2, Mx2, MLx2, Lx2, LLx2), Noise isolation earbuds (Sx2, Mx2, Lx2), Carrying case, 1.2m cord / 0.6m cord, Operating Instructions.  You get more tips than you’ll know what to do with and the case, while lovely it’s not something to go in your pocket.[/size]
 
[size=12pt]Isolation:  A bit meh, they don’t isolate well at all.  They are rather open then they sound it too so if you want something for blocking out noise these aren’t it.  It’s barely passable for blocking out traffic noise and I wouldn’t bother with these for the Tube or a flight.[/size]
 
[size=12pt]Comfort/Fit:  Well these are a bit odd.  Firstly they are massive, secondly they are a really weird shape.  I had no bother with them but they sat so loosely on my ear they never seemed secure, not that they fell out or moved.  Comfort was rather good, they weigh nothing and were very gentle on the ear.[/size]
 
[size=12pt]Aesthetics:  They make a visual statement.  I can’t say I like that statement as they are massive, noticeable and they say I sure as hell am no freebie included set of buds.[/size]
 
[size=12pt]Sound:  So I’d seen lots of good things about these then they vanished from the radar.  Sony is a massive company that essentially has the potential to outspend every headphone maker and are probably the best known consumer electronics brand in the world.  They aren’t known however for rocking the earphone world, the old EX700 was regarded as good but a pain to use and never really stood out.  The EX1000 is rather more expensive and there is a lot more competition now.  Sony has come out with something really nice though.  I still don’t love its shape and its sound quality isn’t earth shattering.  You know that price tag is very high and I don’t think it quite commands it but acoustically Sony isn’t disappointing.  The on paper low end claims 3Hz which is ungodly low.  Likewise the highs on paper go well beyond human hearing so it should have no trouble with either.  The low end though with that massive driver I expected more volume.  Its very well behaved, smooth and a touch relaxed bass.  It’s one of those beguiling basses that are so reserved and polite until you demand more and it comes to life but still seems so laid back.  It is pretty fast yet has this relaxed gentility to it in the very Sony way.  It never seems hurried or stressed.  It’s a quite a beautiful presentation.  Mids too have this every no nonchalant air to them.  Sooooooo relaxed, so airy, so effortlessly offered up.  “Painters Song” feels so softly, clearly, openly and languidly presented.  It feels intimate but it’s not up close and personal.  In something’s this is super lovely but it seems incapable of bringing those vocal up and in your face like something’s need.  The highs, they do extend well but they in the lower high end have a bit of a spike.  They do have a habit of being peaky and randomly leaping out at you (the EX700 did this too as have many other Sony’s) the detail otherwise is rather good if not the most explicit.  This isn’t an analytical IEM, it’s about being beautiful.  This spike detracts from that beauty but these are still very nice.  The sound stage is rather big, above all they are a tremendous ability to sound distant and ever so open.[/size]
 
[size=12pt]The balance on them is fairly natural with a bit of an emphasis on the highish spike that can jump out and turn to sibilance.  Also I can’t help but feel these should have more bass, that driver is more than capable but I feel Sony steered away from big bass due to the recent trend of ridiculous bass levels in others.[/size]
 
[size=12pt]N.B.  It all works stupendously nicely with acoustic tracks.[/size]
 
[size=12pt]Value:  Hmm these are a prestige product and you pay for that Sony name and a fair premium. Still many of us grew up with the Sony “house sound” as they essentially owned the 80’s for consumer audio.  This is that same sound but with rather impressive clarity. [/size]
 
[size=12pt]Pro’s:  Super open sounding, Beautifully relaxed, Sony “house sound” nostalgia.[/size]
 
[size=12pt]Con’s:  Its rather expensive, highs have a jumpy spike in them, isolate meh. [/size]
lee730
lee730
Nice review Mark. I agree with you that treble spike in the upper mids/lower treble region is a bitch.
Pros: Bass both quantity and great quality, mids are lovely too, super fun.
Cons: Not balanced, things are physically huge.
Fanmusic MS-E1011 Quick Review
 
(Thread here, http://www.head-fi.org/t/656807/fanmusic-ms-e1011-quick-review )
 
[size=12pt]Thanks to SwimSonny for the loan.[/size]
 

 
 
[size=12pt]Brief:  Huge, huge bass and just physically ginormous.[/size]
 
[size=12pt]Price:  Circa £120 or US$200 we think.[/size]
 
[size=12pt]Specification:  Rated impedance: 16-15% of the Ω at 1 KHZ, Spirit acuity: 98 + 3 db/mW (at 1 KHZ), Frequency response: 5 hz - 20000 hz, Distortion : 0.2% or less 105 db (and μ pa), Rated power: 2 mw, The highest power: 10 mw, Headphones line length: 1.2 M, Earphone plug: φ 3.5 mm straight type.[/size]
 
[size=12pt]Accessories:  5 pairs of tips, 3 silicon and 2 foamies.  Also very unusually you get 2 cables.  Not a modular but they have replaceable cables and you get a spare one![/size]
 
[size=12pt]Build Quality:  Everything is metal and the cable looks great too.  With the spare cable these should outlast you.[/size]
 
[size=12pt]Isolation:  Fairly good for a dynamic.  I'd be fine using this out and about but flights and such maybe not, they'd do if you have nothing else but for a daily Tube commute I’d look elsewhere.  Still enough to make you road kill if you aren’t looking where you're going though.[/size]
 
[size=12pt]Comfort/Fit:  Well these really can't be worn up.  They are so big and the angle of the cable coming out means it just does work.  Other than that comfort and fit were fine despite their size.  Microphonics were a touch annoying, what happens if you wear down.[/size]
 
[size=12pt]Aesthetics:  These are visually striking polished metal.  They have a little red band on the buds that I feel was a missed opportunity, one red and one blue would have been fab.  Still these are not subtle yet I kinda like it.  (Goes well with the Hisoundaudio Studio 3rdAnniversary)[/size]
 
[size=12pt]Sound:  Lol.  These are so silly and so much fun.  The bass has no trouble making me smile every time I hear them.  It's not oppressive because it's really good quality but it's just silly.  They are hugely bassy party machines.  Sure I don’t think I'd want these in my ears all day everyday but god they are entertainers.  Bass is big bombastic and soooo deep yet so happy to spring all over the place, sure it's not the world's most agile but for the amount it's great.  So you think the mids must be over shadowed, nope.  Okay so they are a bit warm, a bit thickish but all rather well articulated and you know what, they can do Nora just fine.  They do prefer a blokes vocals and prefer to do power vocals than the delicate.  Mid clarity isn’t all it could be, things are slightly veiled but in pop you'd never notice as their vocals never tend to be that articulate anyway.  In the high end things, being a dual driver I had worries these would be super V shaped and super trebly just to show off that they can but they aren’t.  The highs are pretty damn good and delicate.  The extension is reasonable but above all as a really nice, natural decay and no brutality to the edges which then trails into a lovely shimmer.  So all this and then you slap in some wonderfully dynamic drama too.  Oh and it's got great power handling, you can just throw power and volume at it so if you like something you can deafen yourself with you'll find this happy to oblige.  Bonus, if you power it well you go from merely face slapping bass to punch you in the chest bass.  There was a touch of venting issues and they wanted a min or two to equalise themselves so not one for pulling out every two min. [/size]
 
[size=12pt]Overall I'm really impressed with these, super fun with everything be it party time or slow and gentle.  They did really like a brighter source and all the amp power you can give them, do both and these are spectacular entertainers.[/size]
 
[size=12pt]Value:  Great bundle with great build so should last you for ages.  Compared with other big bass monsters these compare quite favourably too in that they can do things other than bass.  so not jaw dropping value but still a rather fine bang for your money.  After the IE8 this is the second best bass cannon I can think of.[/size]
 
[size=12pt]Pro's:  Bass both quantity and great quality, mids are lovely too, super fun.[/size]
 
[size=12pt]Con's:  Not balanced, things are physically huge.[/size]
Pros: Good name, nice build quality
Cons: Terrible price to sound ratio
[size=14.666666984558105px] [size=12pt]ATH-CKW1000ANV Quick Review[/size][/size]
[size=14.666666984558105px]  [/size]
[size=14.666666984558105px] [size=12pt](Thread here, http://www.head-fi.org/t/656808/ath-ckw1000anv-quick-review )[/size][/size]
[size=14.666666984558105px]  [/size]
[size=14.666666984558105px] [size=12pt]Thanks to[/size] [size=12pt]SwimSonny[/size] [size=12pt]for the loan.[/size][/size]
[size=14.666666984558105px]  [/size]
[size=14.666666984558105px] [/size]
[size=14.666666984558105px]  [/size]
[size=14.666666984558105px]  [/size]
[size=14.666666984558105px] [size=12pt]Brief:  Audio Technica had an Anniversary[/size][/size]
[size=14.666666984558105px]  [/size]
[size=14.666666984558105px] [size=12pt]Price: Circa £456 on ebay before HMRC has a go at them[/size][/size]
[size=14.666666984558105px]  [/size]
[size=14.666666984558105px] [size=12pt]Specification:  Driver Diameter 14 mm, Frequency Response 5 - 30,000 Hz Maximum Input Power 200 mW, Sensitivity 103 dB/mW, Impedance 17 ohms, Weight 11 g without cable Cable 0.6 m, Y-type, Connector 3.5 mm (1/8") mini stereo, gold-plated,[/size][/size]
[size=14.666666984558105px]  [/size]
[size=14.666666984558105px] [size=12pt]Accessories:  Leather case; interchangeable earpieces (XS, S, M, L); 0.6 m extension cord; polishing cloth[/size][/size]
[size=14.666666984558105px]  [/size]
[size=14.666666984558105px] [size=12pt]Build Quality:  The thing is wood and Titanium, AT do some of the best build quality in the world.[/size][/size]
[size=14.666666984558105px]  [/size]
[size=14.666666984558105px] [size=12pt]Isolation:  Meh, very little.  These are really open and maybe that works for you but I wouldn’t use these out and about.[/size][/size]
[size=14.666666984558105px]  [/size]
[size=14.666666984558105px] [size=12pt]Comfort/Fit:  Rather nice.  They sit super shallow but were very comfortable and easy to stick in.[/size][/size]
[size=14.666666984558105px]  [/size]
[size=14.666666984558105px] [size=12pt]Aesthetics:  For something that wood and Titanium they look nothing special.  Tbh I didn’t realise they had wood on them until I saw it in their description and then I looked.  They are just dark and uneventful visually.[/size][/size]
[size=14.666666984558105px]  [/size]
[size=14.666666984558105px] [size=12pt]Sound: Meh.  These don’t sound especially good at all and never mind their price.  They aren’t terrible but their bass is really rolled off due to not being well sealed.  It not especially quick, it fairly quick and has a bit of punch to it but then I remember the price and I am underwhelmed.  The mids again are so so.  In fact they really come very close to being sibilant and I can’t say I’m wildly enjoying them at all.  It’s never a good a sign when I start turning down the volume and they are just not making me enjoy them.  The highs, meh.  They exist but are muted and lack extension.  I realise I’m not being overly technical but I don’t see a point.  These where limited edition so never freely available and now out of production so if you don’t have a set you probably won’t be getting one.  You won’t after this anyway.  They don’t sound terrible but with the standard you can get for £100 today I can think of no reason at all to buy these unless you want them for their rarity.[/size][/size]
[size=14.666666984558105px]  [/size]
[size=14.666666984558105px] [size=12pt]Value:  Terrible, insanely expensive for nothing but meh’ness.[/size][/size]
[size=14.666666984558105px]  [/size]
[size=14.666666984558105px] [size=12pt]Pro’s:  Good name, nice build quality[/size][/size]
[size=14.666666984558105px]  [/size]
[size=14.666666984558105px] [size=12pt]Con’s:  Terrible price to sound ratio[/size][/size]
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Hellbishop
Hellbishop
Thanks for the review mark2410. Nice to know what Audio Technica is up to when it comes to iem market. I have the ATH AD700 and have been thinking of getting something a tad more closed. Guess these wont do :D
Thanks again for your vote on an old post about the JBL Control Ones. Been enjoying them for two years as they keep sounding better and better. Cheers :D
Pros: Good name, nice build quality
Cons: Terrible price to sound ratio
[size=12pt]ATH-CKW1000ANV Quick Review[/size]
 
[size=12pt](Thread here, http://www.head-fi.org/t/656808/ath-ckw1000anv-quick-review )[/size]
 
[size=12pt]Thanks to[/size] [size=12pt]SwimSonny[/size] [size=12pt]for the loan.[/size]
 

 
 
[size=12pt]Brief:  Audio Technica had an Anniversary[/size]
 
[size=12pt]Price: Circa £456 on ebay before HMRC has a go at them[/size]
 
[size=12pt]Specification:  Driver Diameter 14 mm, Frequency Response 5 - 30,000 Hz Maximum Input Power 200 mW, Sensitivity 103 dB/mW, Impedance 17 ohms, Weight 11 g without cable Cable 0.6 m, Y-type, Connector 3.5 mm (1/8") mini stereo, gold-plated,[/size]
 
[size=12pt]Accessories:  Leather case; interchangeable earpieces (XS, S, M, L); 0.6 m extension cord; polishing cloth[/size]
 
[size=12pt]Build Quality:  The thing is wood and Titanium, AT do some of the best build quality in the world.[/size]
 
[size=12pt]Isolation:  Meh, very little.  These are really open and maybe that works for you but I wouldn’t use these out and about.[/size]
 
[size=12pt]Comfort/Fit:  Rather nice.  They sit super shallow but were very comfortable and easy to stick in.[/size]
 
[size=12pt]Aesthetics:  For something that wood and Titanium they look nothing special.  Tbh I didn’t realise they had wood on them until I saw it in their description and then I looked.  They are just dark and uneventful visually.[/size]
 
[size=12pt]Sound: Meh.  These don’t sound especially good at all and never mind their price.  They aren’t terrible but their bass is really rolled off due to not being well sealed.  It not especially quick, it fairly quick and has a bit of punch to it but then I remember the price and I am underwhelmed.  The mids again are so so.  In fact they really come very close to being sibilant and I can’t say I’m wildly enjoying them at all.  It’s never a good a sign when I start turning down the volume and they are just not making me enjoy them.  The highs, meh.  They exist but are muted and lack extension.  I realise I’m not being overly technical but I don’t see a point.  These where limited edition so never freely available and now out of production so if you don’t have a set you probably won’t be getting one.  You won’t after this anyway.  They don’t sound terrible but with the standard you can get for £100 today I can think of no reason at all to buy these unless you want them for their rarity.[/size]
 
[size=12pt]Value:  Terrible, insanely expensive for nothing but meh’ness.[/size]
 
[size=12pt]Pro’s:  Good name, nice build quality[/size]
 
[size=12pt]Con’s:  Terrible price to sound ratio[/size]
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Pros: Pro's: Sound super amazeballs good. Clarity and transparency are stellar.
Cons: Con's: As fancy as a plastic fork. Buds so low bass issues.
[size=12pt]Blox ANV3 Quick Review[/size]
 
[size=12pt](Thread here, http://www.head-fi.org/t/656806/blox-anv3-quick-review )[/size]
 
[size=12pt]Thanks to[/size] [size=12pt]SwimSonny[/size] [size=12pt]for the loan.[/size]
 

 
 
[size=12pt]Brief:  Blox proves it owns bud sound quality.[/size]
 
[size=12pt]Price:  US$63 in theory[/size]
 
[size=12pt]Specification:  Driver: Dynamic 15 mm, Frequency Response : 20Hz - 18KHz, Impedance: 2Ω, Sensitivity : 107dB/mW @ 1KHz, Cable : TPE 1.2 m. (3.5mm. plug)[/size]
 
[size=12pt]Accessories:  Err dont know sorry.[/size]
 
[size=12pt]Build Quality:  Erm, if someone told me these cost £2, just looking at them I could believe that.  Fancy these are not.[/size]
 
[size=12pt]Isolation:  None.[/size]
 
[size=12pt]Comfort/Fit:  Well they are buds and I dot get on well with buds.  I always want to hold them tight to improve the low end response but that swiftly gets painful.  Meh, you'll know if buds work for you or not.[/size]
 
[size=12pt]Aesthetics:  No one is ever going to mug you for these, bland bits of cheapish plastic.[/size]
 
[size=12pt]Sound: So up to this point this review has been pretty negative right?  Well this is what that turns around as these, like the m2c, sound insanely good.  Sure they have problems in that they are buds so no seal, so the bass falls off a cliff.  There is a bit of a mid bass hump to correct for this, it's just the nature of the form factor.  Otherwise they are magnificent for the money.  Stick on something acoustic with no bassy low end to miss and these are simply magnificent, just superb.  The mids are so open, airy detailed and nuanced that you could quite believe these cost a bucket load more than they do.  Find yourself some breathy vocals and their delicacy will astound, hell any good vocals will wow you with these.   The detail they offer up is phenomenal and the highs too are superb.  They may not have the crispy bight some are so fond of but they are instead wonderfully natural.  The timbre and decay are maybe a fraction on the cool and muted but I'm talking in absolutes not from what you get for US$63.  Extension is nice but isn't super duper high, again for the money you just can't complain.[/size]
 
[size=12pt]Balance wise they lack in the low end like all buds do.  The highs are maybe a touch behind the mids but with quality like this you won't mind that.  As for the bass for a bud its good but buds dont seal so it depends on how it fits your ear as to how much you'll get and how deep it goes.[/size]
 
[size=12pt]Value:  Stupid good.  These use the housing from the m2c which is just going to wow no one but who cares.  You want these for their sound quality which is for the money is jaw dropping good.  If you like buds I've heard none finer than this, you just can't get this clarity anywhere on anything at this price.  Its only competition in this regard is its sibling the m2c.  Magnificent.[/size]
 
[size=12pt]Pro's:  Sound super amazeballs good.  Clarity and transparency are stellar.[/size]
 
[size=12pt]Con's:  As fancy as a plastic fork. Buds so low bass issues.[/size]
Pros: Energy, Enthusiasm, Drama, BASS!!!!! Treble, Clarity
Cons: Too over dramatic and V shaped, aurally and physically tiring.
Yamaha HPH-Pro 500 Quick Review
 
Full review found at http://www.head-fi.org/t/653626/yamaha-hph-pro-500-review
 
Thanks to Yamaha UK for the sample.
 
Brief:  Yamaha does party time.
 
Price:  Circa £250 (Circa US$400 in Americaland)
 
Specification:  Design Over-ear, closed back, rigid aluminium alloy earcup, Driver Type Dynamic, neodymium magnet, Driver Unit    Φ2” (50 mm), Impedance 23 ohms @ 1kHz, Maximum Power 1,000 mW, Sound Pressure Level   106 dB ±3 dB (1 kHz, 1 mW), Frequency Response 20 Hz – 20 kHz, Weight (without Cable) 13 oz (369 g), Ports Dual 1/8” (3.5 mm) input/output, one each on the left and right earcups
 
Accessories:  2 cables, a case and a 6.25 to 3.5mm adapter
 
Build Quality:  Premium quality, what you’d expect from a premium brand at a premium price.
 
Isolation:  Rather good, enough to cover most traffic and general out and about noise.  Not what I’d want for Tube or long flights but as good as any over the ear I’ve tried. So a good option if you can’t do IEM’s.
 
Comfort/Fit:  Errrr a bit so so.  Firstly they are huge, they fit me fine with the headband at its minimum size, extended they get comedy huge.  Then the ear cups were a tiny fraction too small, they just didn’t quite make it over my ears entirely and so exerted a  bit of pressure around the top and bottom.  These never got painful but it was bothersome.  Also they have massive clamping force and that got tiring on the back of my jaw, again not painful but it was a relief to take them off after a few hours.  Granted you need that clamping force to keep them on if you’re out and about so it’s all a bit of a trade off.
 
Aesthetics:  Well they look nicer in the flesh but I’m still not wildly taken by them, maybe I’d have liked the black more?  It’s all just a bit flashy and that’s just not me but to each their own.
 
Sound:  There is no mistake that these are aimed at the consumer and not the actual professional market despite their name.  (Seriously, change the name Yamaha.) These have a pretty dramatic sound signature that’s pretty V shaped, the bass in particular is rather boosted.  The quantity isn’t ridiculous but still rather too much.  The quality though is awesome, depth is good being closed but what shines is the power.  The skull crushing power and yet with such swift agility and the impact is outstanding.  Mids too quality wise are excellent, a touch dry for a Yamaha but so open, airy and sooooooooo clear for a closed headphone.  The highs are just as good too, they extend well and move like lightning.  For a closed headphone it really is convincing is providing air and openness.  Overall its speed, power and enthusiasm make for a really dramatic and compelling sound.  Sure it’s a bit tiring on my ear for listening for too long but it’s deeply engaging.  The driver in these is a wonder, even more so that it can do so much even being driven out of poor sources like a phone.  Still they can do rather better if you power them well; I’d strongly advise you to do so if you buy a set.
 
Value:  Expensive but top class sound quality if you want a “consumer” orientated sound signature.  Compared with others in the class these slaughter the Beats I’ve heard.
 
Pro’s:   Energy, Enthusiasm, Drama, BASS!!!!! Treble, Clarity
 
Con’s:  Too over dramatic and V shaped, aurally and physically tiring.

Pros: Can buy in a real shop, lovely warm rich sound, big brand name.
Cons: Not the most exciting sound.
Yamaha EPH-20 Quick Review
 
Thanks to Yamaha UK for the sample.
 
Full review can be found http://www.head-fi.org/t/646495/yamaha-eph-20-review
 
Brief:  Solid, big brand quality.
 
Price:  £20
 
Specification:  1.2m cable with gold 3.5 L-type plug, Weight: 3g (without cable); 10g (with cable), 20 Hz - 21 kHz
 
Accessories:  3 pairs of tips
 
Build Quality:  Seems all right.  Buds seem solid as does the jack.
 
Isolation:  Reasonable, around the norm for a dynamic.  Enough to make you road kill if you don’t look where you’re going.
 
Comfort/Fit:  Just fine.  Worn up or down they were a case of shove in and done.  Comfort wise they weigh nothing so very easy to forget they were there at all.
 
Aesthetics:  They come in 5 colours, I went with blue, blueish purple if you ask me though, and they are nice but nothing special.  Of course if you love more dramatic colouring like the bright pink or green then they are likely to appeal greatly.  Pleasant but nothing amazing.
 
Sound:  They have the traditional Yamaha house sound, thick, weighty, rich and warm.  It’s the sensible choice of sound sigs too in something that’s fairly low end.  It makes for a pleasantly rich and enjoyable sound that I found very pleasing to the ear.  It’s not dramatic and exciting so if you’re a big rock fan then maybe you’ll find it too soft but I liked its big warm mellowness. The bass quantity is a bit much really but I doubt many will object to that. Likewise the treble is dialled down a bit which is wise in this price range anyway.   For jazz, choral or orchestral stuff it works particularly well.  Scale, power and a sense of fullness that the orchestral stuff in particular benefits from.  When they claim “Concert sound quality” I think this is what they meant and what they used to test the 20’s with.  It’s a decent showing that offers a mature and capable sound from a brand with huge name recognition.
 
Value:  Solid, respectable, rather better than I expect from a company that has such a brand name but ultimately nothing more than solid.  You can find better value if you know where to look but here’s the rub, these come in 5 colours.  Okay, okay, I kid but the real rub is that you can walk into a John Lewis and pick up a pair, you sure as hell cannot do that with most things.  For something you can pick up in the high street these are going to be very much harder to best than most of the dross.
 
Pro’s:   Can buy in a real shop, lovely warm rich sound, big brand name.
 
Con’s:  Not the most exciting sound.

 
Pros: Sound quality, battery life, sound quality, real buttons.
Cons: Erm, not sure there is any really. The UI isn’t stellar.
Full Review at http://www.head-fi.org/t/634747/hisoundaudio-studio-v-3rd-anniversary-edition-review
 
[size=12pt]Hisoundaudio Studio V 3rd Anniversary Edition Quick Review[/size]
 
[size=12pt]Thanks to Hisoundaudio for the sample.[/size]
 
[size=12pt]Brief:  Hisoundaudio updates the Studio V.[/size]
 
[size=12pt]Price:  Circa US$450 or £265 (pre HMRC.)[/size]
 
[size=12pt]Specification:  Good Question, I don’t know bar what’s up for the Studio V.[/size]
 
[size=12pt]Accessories:  A US plugged USB power charger, a USB cable and a pair of the PAA-1 earphones. [/size]
 
[size=12pt]Build Quality:  Not as perfect as the sharp edged old one but it’s still essentially a block of machined aluminium.  You’re not going to break it short of hitting it with a sledge hammer.[/size]
 
[size=12pt]UI:  It is still what I might call eccentric.  The central button is play, pause, menu and power on and off control.  You do get used to it pretty quickly but it’s weird and you will accidently turn it off trying to get to the menu now and then. [/size]
 
[size=12pt]In the Hand:  It’s less severe than its predecessor but it’s still an unyielding block.  No girly curves to fit the contours of your hand or any of that nonsense.  It’s right out of the Brutalism movement.  Still it bothered me not a jot and I really liked the easily felt buttons.  They are nicely pronounced and I had no trouble at all controlling the device while it resided in my pocket.  Never once did I accidently hit a button without meaning to.[/size]
 
[size=12pt]Aesthetics:  So it’s in silver, hmm I think I liked black better but who cares.  This product is all about function, the bare metal just lends itself to that concept, pure and unfettered by such trivialities.  Think Corbusier.[/size]
 
[size=12pt]Sound:  As good as I have ever encountered.  The amp it contains is horrifyingly good, the power it can unleash is incredible yet it has zero issue with the most sensitive IEM’s out there.  It is a near perfectly neutral sounding DAP with simply tremendous extension at both ends.  Lows on every headphone go on as far as I’ve ever heard them do so and the same for the highs.  Mids are spectacularly open and transparent too.  There may be a slight enhancement of the highs which I found meant it didn’t suit the brightest of IEM’s, but then I’m always treble sensitive.  The sound quality otherwise is pretty much flawless.   As open, transparent and dynamic as I’ve ever heard a DAP be, its gloriously and spectacularly good sounding. Its timing too is utterly impeccable.[/size]
 
[size=12pt]Value:  Okay it’s not cheap but you get easily what you pay for.  It sounds tremendously good.[/size]
 
[size=12pt]Pro’s:  Sound quality, battery life, sound quality, real buttons.[/size]
 
[size=12pt]Con’s:  Erm, not sure there is any really.  The UI isn’t stellar.[/size]

 
Pros: Everything. Sound great and god help me I love that metal case. Can change the sound to suit your tastes.
Cons: Cable is a bit flashy and the dampener ports may stab you.
See full review at http://www.head-fi.org/t/634470/dunu-tai-chi-dn-19-review
 
[size=12pt]Thanks to DUNU for the sample.[/size]
 
Dunu Tai Chi (DN-19) Quick Review
 
Brief:  Dunu rising up the quality chain.
 
Price:  £84.50
 
Specification:  Driver Type HQ(10mm), Sound Pressure Level 100+-2dB, Impedance 16 Ohms, Noise Attenuation 26dB, Frequency Response 16Hz – 26KHz, Weight 18g, Plug Size 3.5mm Gold-plated, Cord Length 1.3m.
 
Accessories:  A metal case, a baggie, a case to keep your accessories in, an airplane adapter, a 6.25mm to 3.5mm jack, ear guides, shirt clip, cleaning cloth,  a bunch of dampeners 4 pairs of black hybrid type tips and 3 pairs of grey silicon tips.  (Note I can’t find the airplane adapter or the 6.25 to 3.5 adapter but I’m sure they were there.)
 
Build Quality:  Unlike its siblings these are plastic but fear not.  DUNU have no trouble in this area, they feel nice and the cable especially is first class.  I’m not keen on the little plastic dampeners but they give you a bunch for when you will no doubt lose one or two.
 
Isolation:  Rather good.  About average so don’t expect to want to use these in a long flight but good enough to make you road kill etc etc.
 
Comfort/Fit:  I did have to remove to ear guides to be able to rotate them enough to stop the sticky out bit with the dampeners from stabbing me.  That done it was all fine but all may not be so lucky.  Otherwise these were fine, very light weight, felt practically weightless in the ear.
 
Aesthetics:  The buds themselves look nothing special but the cable is just lush.  Its gleaming silver covered with a transparent sheath.  It could be a little flashy for some there is no denying its eye catching.  Plus I’m a sucker for silver, always much preferred it to gold. 
 
Sound:  Top quality.  First of all you can change the sound by changing the tips and using or not the dampeners.  Essentially altering how open they are or not.  I liked them with dampeners and the grey tips so giving a lighter, fractionally midcentric sound.  The treble felt effortlessly extended and delicate.  The lows were superbly controlled but then didn’t go as deep or be as full bodied as without the dampeners.  Still it was very much to my tastes.  Its all a very well integrated sound given you can alter it so.  The mids is particular are very enjoyable.  Full of detail and life, that lets you pick out what you want and still capture the soul of the vocalist.  Regularly caused me to burst in to song while sat writing them up, not to mention dancing in the chair and looking like a fool.
 
Value:  Great sound for the money and a truly exceptional accessory package.
 
Pro’s:   Everything.  Sound great and god help me I love that metal case. Can change the sound to suit your tastes.
 
Con’s:  Cable is a bit flashy and the dampener ports may stab you.
Pros: Drama, Bass, Treble.
Cons: Dry, Mids
RHA MA-350 Quick Review
 
Thanks to RHA for the sample.
 
Brief:  Teeny tiny inverse trumpets.
 
Price:  £30
 
Specification:  Drivers 10mm Mylar, Frequency range 16-22,000Hz, Impedance 16ohms, Sensitivity 103dB, Rated/max power        3/10mW, Weight 11g, Cable 1.2m Fabric braided, Connections 3.5mm Gold plated
 
Accessories:  3 pairs of tips and a little baggie.
 
Build Quality:  Premium.  Machined aluminium buds and a weave covered cable sleeve all makes this feel like you’ve spend rather more than you have.  The cable is a little ridged but I cannot deny if feels nice in the hand.  Y splitter and chin strap are nice too.
 
Isolation:  For a dynamic really not bad, thankfully it didn’t give me any driver flex problems as is common with sealed dynamics.  Se while it’s not as much as I’d want if going to New Zealand its easily enough for normal sat on a bus type stuff.  As always my warning, it’s also enough to turn you into road kill if you aren’t looking where you’re going too.
 
Comfort/Fit:  Given its sealed and its metal with great big looking buds I expected trouble, I didn’t really get any though.  There was a touch of air pressure issues but it was no trouble making these sit right, plus they were happy to be worn up so their metal weight I never noticed at all.  Their outer edge may be big but the taper rapidly so I had no fit trouble at all, I wouldn’t expect anyone too either.
 
Aesthetics:  Not what I call exciting but they do look discreet with their black outer.  The inside of them is pretty aluminium but you’ll never actually see that, why no all black or an all silver version?  Still when you look at them in your hand they look nice and premium, the woven cable too looks tre posh.
 
Sound:  It’s not trying to be flat so if you want that, look elsewhere.  The sound here is a big and brash V shaped sound.  Big bass that reaches deep and bright crispy edged treble in abundance.  Mids are very dry and airy which is just as well, they need it to stay clear when they are living in that great big V. Vocals don’t stand out but they are always clear and articulate.  The bass is very impressive and I found I rather liked them for film watching, Jurassic Park type rumble and roars were a great deal of fun, just the sort of thing for a long train journey if you ask me.  The highs were a bit over crispy and over dramatic but if you want that in your face drama and excitement it brings to the table then I’m not sure you’ll get that for similar money elsewhere.  It’s a hard thing to do with ballsing it up or spending a ton of cash.  That RHA have gone for something so hard and done a really impressive job is admirable.  Truly tremendously dramatic bass output here.
 
Value:  If you want a really V shaped sound you’ll have trouble nearing this for £30.
 
Pro’s:   Drama, Bass, Treble.
 
Con’s:  Dry, Mids
 
Full Review http://www.head-fi.org/t/631859/rha-ma-350-review

 
Pros: Bass
Cons: Bass
TFTA-2100-2V1S Review
 
Brief version is at the end
 
 
Thanks to TFTA.EU for the sample. 
 
First impressions:  Well my first thought is this thing needs a better name because I can’t see any one remembering it.  My second is that these very much are reminiscent of the Denon C751 to look at and I can see a comparison coming.  Actually given some of the crazy stuff I’ve read about these it makes me wonder just what sort of stuff they should be getting compared to.  The box isn’t very inspiring and I’m a touch disappointed that they have no case which I think any £100 IEM ought to.
 
First listen and what instantly strikes me is these are sealed and venting issues, after about 2 minutes I decide that I’m finding a pair of Comply’s as I cannot be arsed getting them to sit just right so I can pull them back out to compare to something as one tends to do when reviewing.  Once you get them sitting right though they are stupid powerful.  Insane!  Looking back at the box to check, nope these aren’t the Extra bass 3V2B ones (seriously rename all of them please) I wonder if they maybe put the wrong ones in the box?  Holy crap these are powerful beasts.  Think JCB meets rocket engine.  Burn in time.
 

 
Source 5G iPod Video line out through a Practical Devices XM5 with LM6171 opp amps, 1G iPod Shuffle with a 75 ohm adapter added and an HM-601
 
Lows:  Power, power and then a little bit more power.  Honestly I can’t think what the extra bass one must be like as these are just a torrent of abundant force.  Oh god they are powerful.  They move a vast amount of air, just gargantuan amounts.  In small doses it’s very much entertaining but I have delicate little ears and these are raucous brawling brutes that feel like they have strapped my hearing to a rocket sled, they just utterly power through anything.  Make no mistake whatsoever, these are bass monsters.  The bass is so tactile and forceful I can see why some have been so awe struck by it.  It really is a force to be reckoned with!  Quality of the bass is superb too and almost miraculously it can go away a bit if asked to.  However if there is the slightest consideration of there being a low end note then it leaps back into action.  It’s very agile and super quick to respond, and oh so achingly powerful.  Honestly its way too much for me but then big bass has never been my thing.  It’s stupid deep and stupidly good at holding a low note, given its massive size it’s remarkably punchy too.  It’s not uber tight but much better than it should be at this quantity.  This may be the ultimate in basshead IEM’s. 
 

 
Mids:  Okay they are very clearly not what’s centre stage but ignoring quantity the quality’s pretty good.  You would expect the mids to get more lost in the sea of bass or suffer with a mid / bass bleed but nope, mids are pretty dark given the dark overall feel of these but tonally you can feel them trying to be a little dry.  Striving and reaching for the dry and light but not really quite making it.  It balances the vocals out and I must say they are lovely.  Of course they are way too far back for my own tastes but they do stay crisp and clear no matter what I tried with them.  They did prefer a dry voice though as the more liquid they go the more the darkness obscures.  Not that it’s likely to matter as if you’re a big Nora Jones listener then you’re probably not buying these anyway.  These are for things like Britney’s “Hold it Against Me” the bass and lows on it with it pulsing rhythm you’ll either love it or hate it.  In my case these things do a fine job of pumping out her warbling but the bass actually made me feel sick.  Holy crap these are scary.
 
Sorry, yes the mids, good for the price and do a fine job of holding their own but they are only ever a supplementary here, if a good one.  They ensure all the lyrics are there if you want to have them but it’s not something for rich swooping vocals.  It’s about getting the job done capably and efficiently.
 

 
Highs:  Good, but I rather think they could have afforded to be less refined and offer up a bit more edge and crispiness.  Taken on their own they are very nice and I’d normally praise their ability to shimmer and decay.  They do stand clear and are easily audible but they are overshadowed in abundance by that mammoth bass.  The highs could do with a bit more bight to be more in line, but maybe that’s how they are supposed to be.  You can’t have 3 super stars on a stage and the treble isn’t what you’ve come to hear.  Its good stuff though, not outstanding, blow you away but good enough to keep up with the better stuff and for the money pretty nice.  It’s not up to IE8 levels of clarity and refinement but surely gives the IE7 a run for its money.  It easily out paces the aging C751 too.  I do like the level of refinement and control they show.  They also have a pretty damn good extension which you don’t often see in this sound signature, very good quality and behaviour just wildly in the shadow of the bass.  That shadow makes these all rather dark and foreboding and it makes it really temping to hit the treble boost button to balance things out a bit.
 

 
Soundstage:  These can sound voluminous but they are closed in, they offer the feeling of being in a closed if biggish room.  Their dark nature doesn’t lend themselves to any sense of air and openness but still they have power and offer a good sense of scale.  Placement is more about distance than good positioning.  This is all what happens when you have a dynamic and close it in.  Instrument separation is pretty good, vocals in particular always being clear and distinct.
 
Fit:  Their closed nature gave me venting issue and driver flex.  If you don’t get the pressure equalised then these sound meh so make sure you get it right and you will be rewarded.  Or you could do what I did and stick on Comply’s but they don’t last very long.  I’m sure they would equalise if you gave a them a minute or two but when reviewing you don’t get to stick them in and leave them for hours, in normal use it should be okay.
 

 
Comfort:  Physically totally fine, I may have been concerned given they are giganto but the C751 are about the same size and they never ever gave me any trouble, turns out these didn’t either.  However they move so much air then actually can make me feel queasy.
 
Cable:  Nice.  It’s pretty good, not blowing me away and not doing anything to make me dislike it.  No complains but nothing amazing either.  Nicely integrated chin slider though.
 
Microphonics:  Not a lot but then I was using Comply’s which helps.  That said if you wear them up and if needs be use the chin slider then you’ll get none.  It’s really up to you but that’s how I would and did wear them.
 

 
Amped/Unamped:  These loved power, the more the better.  They improved markedly with the more power available to them.  At £100 it’s not something than naturally belongs with a good amp but they do scale very well.  Not that they needed volume, the Shuffle with the 75 ohms added could easily make them go too loud but they never mustered the same clarity and detail retrieval that they could when driven with the XM5. Amp them and be rewarded, just don’t really go for a thick or bassy amp, these don’t need leaning in that direction any.
 
Isolation:  Very good for a dynamic.  Of course it has all the corresponding venting issues and what not but if you want isolation then these are rather good.  Maybe not right up and every day on the Tube level but easily enough for most environments.
 

 
Value:  There are coming in at £100 and there is a ton of stuff that sits around that magical round number.  So would I pay that for them?  Hell no.  I know me and these are not to my tastes.  However having seen a couple of people’s reactions to them I can tell you that there are people out there that would pay it and more.  These are crazy stupid bass behemoths; god only knows what the extra bass ones must be like.  Any bass heads out there should be falling over themselves to throw money at TFTA for a pair of these.  So to a bass head, yes these are jolly fine value for money!
 

 
Conclusion:  These do so much so well and bit of me thinks oh wow! Then they begin to move so much air the pressure on my ears makes me a little queasy.  Yes these right now give me that sensation my mouth is about to water up and then I’m going to get to see lunch again.  Oh god there is there is so much energy and power in the bass it’s phenomenal, it goes stupid deep and there is no roll off, absolutely none.  The bass is masterful in its abilities but for the love of god there is too much.   If you are after bass monster then this has got to be on your list, absolutely got to be.  The bass is stunning in its quantity and its control of the enormous volume.  Sure you can etc better bass, cleaner, quicker, tighter even at this price but there is no way you get this good at this quantity.  Holy crap there is a lot of bass and it’s of an excellent quality.  I can really see some adoring this and its dark heavy, overpowering sound.  Everything else it does too is very fine but were largely irrelevant.  This is all about the bass plain and simple, it just happens to have good mids and highs but they are not important. 
 
The TFTA-2100-2V1S (seriously you have to rename these things) is a pretty incredible IEM.  It is by no means perfect, even amped up it’s not up at IE8 levels of clarity particularly in the mids but it’s crazy ass bass is on another level.  The IE8 bass is pretty midbass humpy and does roll off but this thing, it’s vast and has no roll off at all that I can tell.  It’s like being in a small sealed room with a sub cranked up full.  It wasn’t to my tastes but if that’s the sort of stuff that floats your boat then you really ought to give these a try.  They are just crazy stuff.  To call these bass cannons is to overinflate the capabilities of a cannon, this is more akin the guns on a good old fashioned battleship, you know the kind Cher likes to drape herself over when singing to sailors.  Whether you will like it or not I can’t say but I promise it’s certainly impressive in its sheer power.
 
 
 
TFTA-2100-2V1S Quick Review
 
Thanks to TFTA.EU for the sample.
 
Brief:  Holy crap that’s some bass!
 
Price:  £100
 
Specification:  In-ear Silver Metal Housing, Driver unit 10.0mm, Impedance 16ohms, Rated power input 2mW, Max power input 30mW, Frequency response 20-20,000Hz, Sensitivity 100dB at 1KHz, 1mW, R/L output difference <3dB at 1KHz, 1mW, Distortion <2% at 1KHz, 2mW, Connector 3.5mm stereo plug
 
Accessories:  3 pairs of tips but I believe it is being upped to 5.
 
Build Quality:  Great, metal and shiny and I have nothing at all to fault.
 
Isolation:  Very good for a dynamic.  It’s not quite what I would choose for everyday on the Tube or for a lengthy flight but more than enough to cope with the rigours of day to day use.  Easily enough to get you run over if you aren’t keeping your eyes peeled for death on wheels.
 
Comfort/Fit:  I did have some venting issue and more than a bit of driver flex.  I gave up and used Comply’s which solved the issue.  Time would have I’m sure worked too but I’m impatient.  That aside they were not a problem, very comfortable in use despite their large size.
 
Aesthetics:  I like them.  Aesthetics is always a rather subjective matter but I like their shiny gun metal finish.  It’s pleasing to the eye yet not too bling bling.
 
Sound:  Bass by container ship load.  Hell, bass by the fleet of container ship loads.  The bass is gargantuan.  It’s so vast, so deep, so powerful it’s like being in a small room with a sub cranked all the way up.  Did I say one sub, I meant twelve.  Its quality is pretty faultless so long as you choose not to fault the quantity.  There is just so much, so ungodly much I don’t care that its awesome it can physically move so much air as to make me queasy.  It’s mental!  Mental good or mental bad is entirely for you to decide but it’s not something my delicate little ears would or could live with.  The mids are good, a bit dark and dry which balances it a touch but not really enough.  The highs are pretty impressive, very nicely extended and delicate but don’t really have a much of a bight.  Given the bass the highs somewhat sit in the dark and a bit more edge would have helped them stand out.  Not a bad thing just a sound signature choice. 
 
Value:  If you’re a bass head then these are pretty much what you aspire to.  Stupid depth and power with mesmerizing quantities of low end everything.  If that is what are looking for then you aren’t likely to do better than these.
 
Pro’s:   Pretty, isolate well for a dynamic, it’s a bass deity
 
Con’s:   The phrase “power overwhelming” springs to mind, venting issues, it could make me feel ill.
Pros: Treble
Cons: Treble
Phiaton  PS320 Review
 
First Impressions:  These really do have some lovely packaging, so solid feeling it really gives the impression they must be housing an item of substantial quality.  Having a look at these is my hands they look so small but when I put them on they fit perfectly well.  Hmm the finish on the chrome outside appears to have little blemishes on them, that’s a little disappointing so I’ll have to see if I can give that a little clean and fix it.  (It did.)  The pads look and feel lovely, they smell of real dead cow which I like greatly.  Tre posh.
 

 
Acoustic first impressions running of the iPod shuffle with 75 ohms added are not so great.  Having been told by Phiaton that these are bass lightish I was expecting a brighter sound but the bass seems absolutely fine.  It seems pretty nicely balanced; maybe they’ll get brighter with a burn in?  It’s now a few days in and it occurred to me that these being dual drivers will have a crossover and that accordingly they may not like the additional impedance as many BA things with crossovers don’t.  Upon testing this with the XM5 and the 75 ohm button I can safely say this is the case and the difference is really quite significant.  With additional impedance these get very very muddy.
 

 
Source 5G iPod Video line out through a Practical Devices XM5 with LM6171 opp amps
 
 
Lows:  Having been previously told by Phiaton that these were bass light in what felt like an almost worrying tone I was rather concerned about just how bass light these would be.  They are not.  I can see why some would say they are given the bass is clearly not what’s dominant here however with more bass but a button push away I’ve never felt the need to press it, when I do to try it, it just feels too much and out of step with everything.  The bass that is here isn’t vast in quantity but it’s always very clear and consistent which I’m sure is helped by being closed.  It also has a very natural feel to it; a double bass comes across very nicely if not in exquisite detail.  Looking at the frequency response graphs on headroom shows the bass holding on all the way down and I can safely say my ears agree (I get a pretty good seal with these.)  The bass here is just how I like it to be and its especially noticeable in tracks where the bass is of a more smooth and gentle nature, maybe even a little soft.  If it’s hard hitting punchy bass your after then you’re not really going to find it here.  Even hitting the bass boost button won’t give that impactful slam that some like; personally I hate that as it feels like some small child kicking me in the ears.  The bass you get here is smooth in every way which I’ll agree isn’t always what’s called for but it’s very pleasant.  Bass should be complimentary not dominant.  It also can rise up as required within the song, the opening sequence of “Malchik Gay” sounds as it should with the lows standing out clearly.  A potential issue I can foresee however is if you don’t get the seal just quite so then the bass quickly looses its depth and range.  How big a problem that will be I can’t say but should you buy and feel there is something lacking spend some time repositioning.
 
Regardless of whether I like the bass, in terms of sheer quantity they are not bass monsters.  While the general populous may balk at the lack of bass given all they are used to are mostly small ear attached sub woofers these will feel bass light.  For those of who have heard a little more I’m sure will have no great issue with the bass level here.  It feels perfectly natural as it is.
 

 
Mids:  As I’m sure many will know I like mids.  I feel mids are where everything important happens in music and that the bass and highs ought to be there merely to compliment those mids.  The mids here I can’t quite make up my mind about.  On one hand I recognise they are really quite beautiful blending a wonderful combination of the smooth with a cool, dry hint to keep them from being lush.  For an artist such as Tori Amos this is bang on perfect.  That touch of dryness gives her voice a wonderfully open, airy natural sound.  All of her songs sound just fantastic on the 320’s, Velvet Revolution, Winters Carol, Raspberry Swirl Professional Widow, Pretty Good Year, Winter, Hoocie Woman (bass is just great on this too,) Mr Zebra etc etc I really could go on and on.
 
The vocals on these remind me somewhat of the Grado 325is but with a richer feel.  The problem with this is that the Grado's can get a little shouty.  When trying out the sibilance monster that is Lilly Alan’s “22” all I can really say is ouch.  The Grado esq peek in the upper mids every so often leaps out stabbing you in the ears and that’s a real disappointment.  More so given they manage to play Relient K’s “Curl Up and Die” without the faintest hint of sibilance, something few manage.  This really isn’t a major problem but when it does it’s a real bother largely because otherwise the mids are so good.   On the whole the mids are quite lovely and are evenly placed quantity wise being neither forward nor recessed.
 

 
Highs:  If you are buying these I suspect it for the highs. These are without mistake treble abundant especially in the very high end.  This you will either love or like me find really tiring after too long but that’s not to say it can’t be enjoyable.  The treble here is bright, in your face and shimmery.  On “Raspberry swirl” that triangle takes clear and centre stage ringing out very loud and very clear, it has such exuberance and energy.  The highs have so much energy and sharpness that if you like that sort of thing I’m sure you will love these.  I must say that being rather treble sensitive I found after a while I really couldn’t bare any rock on these.  There is just so much energy up there particularly right at the top even above the grado’s (which I’m sure is there to assist with the airiness these project) but for me it was just too much.  The more I listen to these the more I want to compare them to the 325is.    In classical (Danse Macabre) the treble is great it’s of a more refined gentle nature but their relative abundance only serves to emphasise the fine detail.  This is why Etymotic is always recommended for classical.  In modern types particularly rock there can be sooooo much energy in the highs from the recording that when played on these they really begin to dominate more than I’m sure the producers intended. (Note this is because they assume you’re listening on crap equipment so emphasis them more than they ought to.)  Nevertheless the result is that these have more treble than I want. 
 
The quality of the treble is great, very good for the money and far exceeding the V-Jays abilities but my little ears yearn for less.  Treble lovers will probably need a box of tissues after listening to the PS320’s
 

 
Soundstage:  Rather nice, quite airy and open.  Separation is good, nothing magical but is noticeably better lower down, middle of the mids on down.
 
 
Comfort:  As always comfit depends utterly on you but for me not so good.  On first wearing these they initially were very very comfortable, very soft and gentle pads with minimal clamping force.  After a couple of hours the backs of my ears really began to ache where my ears were being pressed onto the legs of my glasses.  Clearly this isn’t Phiaton s fault but it’s still only fair to point out this may be an issue for some.
 
 
Fit:  I did mention earlier fit was important to get the best out of the low end on these.  For me this wasn’t any problem at all, a handful of seconds at worst, YMMV.
 
 
Cable:  Well boys and girls I cant say I love the cable these have.  I really must say that there is not a thing wrong with it, its light, flexible, never gets in the way (unlike Grado garden hoses) it’s just the right length too.  So why don’t I love it?  Well I can’t decide if I like the cable being single sided, it’s nice and freeing but it brings back memories of J cables and god I hate them but that’s all really just a matter of preference.  What I do feel is the clincher that the cable isn’t detachable.  I can’t single out Phiaton  as being the only one who does it but I cant help feeling the nice non bothersome cable on these is daring you to yank it and kill them.  The cable itself is of a nice quality but really why couldn’t you have put on a detachable cable?  Pretty please make a version 2 and give it a detachable cable.
 
Microphonics:  Very little to none and of course only on one side.
 
 
Amped/Unamped:  Very little difference, the usual things did get better but the difference was so slight these things really couldn’t care less if they are amped or not.  They do however hated having impedance added.  Many things with crossover change in odd ways and these do not like it one tiny bit.  Hiss was no trouble so it wasn’t really a problem.
 
 
Isolation:  As above with the fit, get it right and it’s not bad at all.  You won’t want to be using these instead of a set of ER4’s on the tube but otherwise quite reasonable for the type.  The isolation these give is not so much for keeping sounds away from you but preventing those near you from wanting to beat you with a stick.  These isolate almost as well as a set of dynamic IEM’s do.
 
 
Build Quality:  I was somewhat unhappy with the slight blemish I noticed on removing these from the box but otherwise these feel very sturdy.  I have no fear about accidently breaking the hinges on these or them falling to bits.  (I’d say they were built like a brick poop house but I’m not sure it’s a phrase that works outside the UK.)  From the instant you touch the box with its thick luxurious card it just screams quality and substance at you.  I approve wholeheartedly.
 

 
Accessories:  Minimal, they come with nothing other than a bag but really I don’t see what else you would want anyway.  The bag they do come with is quite lovely.  The bag is very nicely finished and feels like a little effort has gone into it, so much so that I’d wager it could pass for a square clutch for a needy girlfriend / wife / overly swishy boyfriend.  They might even get bonus points for being so avant garde buying something from this new mysterious designer, PHIATON. 
 

 
Value:  With an RRP of us$200 but easily available at us$150 id say yes with a notable caveat.  If you buy these you have to love treble in abundance or have very narrow musical tastes.  On treble light songs I really, really enjoy these but songs with abundant, aggressive treble I just found so very tiring.  If you think the sound signature is for you then by all means these are very fine buy.  It is a bit of a shame that these don’t seem to be available anywhere in the UK so looking on eBay I can see 2 available.  One claims to be an official retailer based in Japanland and wants £185ish for them, the other from the US makes no claims of officialdom but is a much more reasonable £115ish.
 

 
Conclusion:  I have no doubts that there are many who will hear these and love them.  On Head-Fi I often see people extolling the virtues of Grado’s for rock, people out there do love that bright aggressive treble and I can’t help but think of these as being a closed Grado.  If Etymotic and Grado made a baby and put it in a closed Sennheiser like form factor then this is what it would be like.
 
As I don’t doubt you have figured out the sound signature of these really wasn’t for me.  I’m rather treble sensitive and these are treble monsters especially really high up.  I happen to have an unusually high frequency range in my hearing and the top on these is just too much even with the iPod on treble reducer.  Swapping over to the 325is immediately I can hear they don’t have quite the quantity right at the very top but otherwise very similar.
 
It’s a shame there is quite so much top end as the mids and bass are both really very good but I feel as though Phiaton have felt the need to justify there being two drivers rather one as anything other than a gimmick, accordingly they ratcheted up the treble quantity.  It is possible it was done to give them more of an airy feel they otherwise would not have.  Either way I simply find it too much.  I have had them on all while I have been writing this review and presently they have been on my ears all day and it’s just too much.  Now if it’s for an hour or so here and there I can really see these being a lot of fun and sparkly but I can’t help feeling that id like these more if they only had one driver in them.
 
Having recognised these aren’t for me just who are they then?  Grado lovers, that’s who.  These just remind me so much of the 325is but with a little bass boost.  If you are a lover of that Grado sound but have yearned for one that was closed then yearn no more.  Grado’s are known for being utterly open and sound leaking yet still some wear them out.  If you’re a Grado loving chappy but don’t want everyone within 20 feet of you to hate you then look no further.  If you really like Grado’s then I’d very strongly suggest the PS320 as a closed alternative.
 
I know I haven’t loved the PS320 but there really is a lot to love about them.


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