Quote:
Originally posted by neb
...It may be a cd that you don't actually like... |
Not a good idea. You should definitely pick something you like, as you're going to have to listen to it over and over and over again. And since it's
not going to sound the same on every system, you really do need to listen to it repeatedly, to try to glean what it sounds like underneath all the different veneers.
Also, I don't abide by the philosophy of most audiophile magazines -- they use a lot of sparsely recorded material -- blues and jazz and whatsername, Holly Cole and Paula Cole and Cowboy Junkies first album. Blech! Almost all systems sound good with that stuff, it's not "testing". I mean, solo instruments have their place -- especially piano, has a lot of upper harmonics, but you need to be extremely familiar with the recording to know that any faults do not lie there -- to pick out particular problems -- such as THD -- but I think busy music is a much better test of the way a system reacts to different frequency combinations and compression-causing problems.
Here are some of the CD's/tracks that I use:
Holst
The Planets (von Karajan on DG version; especially the first -- dynamic! -- and last -- ethereal choir, very hard to reproduce "correctly" -- tracks)
Nine Inch Nail
Broken (especially the first full track, "Wish")
Stabbing Westward
Darkest Days (especially the busier tracks -- "When I'm Dead", "Sometimes It Hurts", "The Thing I Hate" -- but also the slow ones that sound closely mic'd, "Drowning" and "Goodbye"; is also HDCD)
Specifically for headphones, "Shine On You Crazy Diamond" from Pink Floyd's
Wish You Were Here album has a great laugh on it, towards the end of Part V (I.E., track 1). Also, Jean-Michel Jarre's "Equinoxe Part IV" (studio version) should tickle.