Quote:
Originally Posted by TMHBAT
Oh, I see. For Wagner, anyway, you might try [Der fliegende Holländer]. It is the earlliest of the ten canonical Wagner music dramas, and it still employs many of the conventions of opera (it's also half the length of the later works). I have no particular recording of that work to recommend, though.
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There are four recordings for this one that merit serious consideration:
The standard is Otto Klemperer's set on EMI. It has a lot of good points, and lacks most of flaws of other recordings. It is also one of Klemperer's few outings in a complete Wagner opera. He is still Klemperer, so don't expect some grand changes in concept. However, he cut his teeth at the Kroll in Berlin, so opera was nothing new to him.
Then, there is Georg Solti's set on Decca. The cast isn't as good, but the chorus is thrilling - especially the big scene in Act III. The recording is also a bit strange, for a lot of reasons.
James Levine has a recording on Sony Classical. It probably has the best modern cast, but Levine plays this opera like he would play
Parsifal. The moments that should sizzle don't.
Then there is the Sinopoli set on DG, which a lot of people seem to like. However, if you want a controversial
Holländer and can find Böhm's Bayreuth set, that might be a better bet.