Vosper
100+ Head-Fier
- Joined
- Apr 23, 2003
- Posts
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I know! I was really surprised they'd got another album out so quickly after Reise, Reise. Well, I don't think it's actually out, but I've got my hands on it just now and I'm giving it a spin, so this review is based on just my initial impressions after the first listen.
Before I begin, let me give you a bit of barometer:
First, I didn't know this album existed until I got it, so I didn't have any hopes/expectations about it.
I don't know any German, and I make a point of not learning what the lyrics mean because this has always detracted from Rammstein (for me).
I like Sehnsucht, am fond of Herzeleid and ambivalent about Mutter.
I really like Reise, Reise because I am not a big metal head, and it had just the right mix: menacing-sounding German vocals and pop-sensibilities. There were some great moments on Reise, Reise: The call-and-response vocal on Moskau, lyrics like "Coca-Cola / Sometimes war" on Amerika, the guitars / weird-fiddle on Los, the chiming piano on Dalai Lama...
On Rosenrot, most (if not all) of this is gone, replaced by a sludge of generic-sounding industrial churning. The instrumental flourishes that made Reise, Reise stand out seem to be gone. And there's a love song. A really, REALLY bad love song featuring someone called Sharleen Spiteri, and it's called "Don't die before I do". I have no idea what the German part is about, but Spiteri's English section features such lyrical gems as:
He comes to me every night
No words are left to say-ay-ay
With his hands around my neck
I close my eyes and pass away
I don't know who he is
In my dreams he does exist
His passion is a kiss
And I cannot resist
In short, it's horrible.
Later on there's a Spanish language track featuring the cheesiest Mexcian trumpets you've heard in a long time, and a chorus of hags screeching in off-key Spanish. This song sucks as well. The next tracks sounded like the rest, and I stopped listening to the album.
If I bother listening to Rosenrot again I'll come back and post some revised criticism. It's a big 'If'.
Before I begin, let me give you a bit of barometer:
First, I didn't know this album existed until I got it, so I didn't have any hopes/expectations about it.
I don't know any German, and I make a point of not learning what the lyrics mean because this has always detracted from Rammstein (for me).
I like Sehnsucht, am fond of Herzeleid and ambivalent about Mutter.
I really like Reise, Reise because I am not a big metal head, and it had just the right mix: menacing-sounding German vocals and pop-sensibilities. There were some great moments on Reise, Reise: The call-and-response vocal on Moskau, lyrics like "Coca-Cola / Sometimes war" on Amerika, the guitars / weird-fiddle on Los, the chiming piano on Dalai Lama...
On Rosenrot, most (if not all) of this is gone, replaced by a sludge of generic-sounding industrial churning. The instrumental flourishes that made Reise, Reise stand out seem to be gone. And there's a love song. A really, REALLY bad love song featuring someone called Sharleen Spiteri, and it's called "Don't die before I do". I have no idea what the German part is about, but Spiteri's English section features such lyrical gems as:
He comes to me every night
No words are left to say-ay-ay
With his hands around my neck
I close my eyes and pass away
I don't know who he is
In my dreams he does exist
His passion is a kiss
And I cannot resist
In short, it's horrible.
Later on there's a Spanish language track featuring the cheesiest Mexcian trumpets you've heard in a long time, and a chorus of hags screeching in off-key Spanish. This song sucks as well. The next tracks sounded like the rest, and I stopped listening to the album.
If I bother listening to Rosenrot again I'll come back and post some revised criticism. It's a big 'If'.