Griffin Technology PowerWave
I. Specs
width: 5 11/16”
depth: 4”
height: 7/8”
Minimum RMS Output Power per Channel:
15 W + 15 W (10 Hz – 20kHz, 10W , 0.1% THD)
Input Sensitivity/Impedance
RCA in (Line Level Mode) –15.0dBu , Greater Than 20kOhms
RCA in (Mic Level Mode) –30.0dBu, 7000 Ohms
Maximum Input Signal
RCA in (Line Level Mode) 0.0dBu
RCA in (Mic Level Mode) –15.0dBu
Output Level/Impedance
RCA out –2.0dBu , 600 ohms
Frequency Response (20Hz –20kHz)
RCA IN to RCA Out, Via USB Loopback
+/- 1.0dB
Total Harmonic Distortion (20Hz – 20kHz)
RCA IN to RCA Out, Via USB Loopback
0.03% Line Level Mode
0.07% Mic Level Mode
Signal to Noise Ratio
85dB
Residual Noise
72dB below nominal input level
II. Out of Box
AC Power Supply
Speaker Breakout Cable
6-foot stereo mini-jack male to RCA male cable
7-inch stereo mini-jack male to RCA female cable
USB Male A to B cable
CD-Rom
III. Build
Even though it’s a plastic case (with a
REALLY BLUE LIGHT), it’s a decent quality plastic. The connectors aren’t bad, but don’t look for Cardas quality here. The power supply is a Potrans Elec Corp (unregulated) 12V.
IV. Sound
Test setup: PowerBook -> USB extension -> PowerWave headphone out -> Senn 580s
Test setup 2: PowerBook -> USB extension -> Radioshack Fusions -> Headsave Ultra II -> Senn 580s
Reference: Toshiba 3950 -> Radioshack Fusions -> Headsave Ultra II -> Sennheiser 580s
Test Music:
Paul Schwartz, Aria 2: New Horizon. “Addio”
Howard Shore, The Lord of the Rings: The Two Towers. “The King of the Golden Hall”
Howard Shore, The Lord of the Rings: The Fellowship of the Ring. “The Bridge of Khazad Dum”
Miles Davis, Kind of Blue “So What”
Louis Armstrong, Ella Fitzgerald, Best of Ella Fitzgerald & Louis Armstrong. “I’ve Got My Love to Keep Me Warm.”
Norah Jones, Feels Like Home. “Creepin’ In”
Emmylous Harris, Alison Krauss, and Gillian Welch, O Brother Where Art Thou. “Didn’t Leave Nobody But the Baby”
Loreena McKennit, The Book of Secrets. “The Mummer’s Dance”
Nirvana, Nevermind “Smells Like Teen Spirit”
3 Doors Down, Away from the Sun. “Here Without You”
Outkast, Speakerboxxx/The Love Below. “Hey Ya”
Eminem, 8 Mile. “Lose Yourself”
Note: I’ve only burned in the PowerWave for about 10 hours, and will update if anything major changes.
System vs System: Bass is where the PowerWave shines. When compared to the Toshiba-Pimeta, bass is clearly articulated (e.g. kettle drums are, uh, more “kettle drum-ish” and the PowerWave really brings out the male choir in “Khazad Dum” ). The soundstage is smaller than the Toshiba, and the highs are brighter (not un-listenable, just brighter). The PowerWave handles complex passages of music much better than the Toshiba (the Toshiba collapses during complex passages), and instrument separation is also better than the Toshiba.
Headphone out vs Pimeta: Unfortunately, I did some testing and realized that the left and right channels are swapped on my PowerWave, so it makes it difficult to do a real comparison. That said, I feel that the Pimeta, when driven by the PowerWave, relaxes the sound a bit, so the music feels like there's more space/ambience than the headphone out.
V. Issues
Volume Control: The PowerWave lacks any way to control the volume on the unit, making it unsuitable for a direct CDP -> PowerWave -> Cans setup.
Connectors: This is nitpicky, but if I had DIY skills, I’d start replacing the RCA connectors on this thing (and headphone jack)
EMI: When I first got my 580s and plugged them in I thought the noise floor was unacceptable, but now I’ve realized it was EMI from all the other junk on my desk. Now that I’ve apologized to my PowerWave, it still remains that the PowerWave is susceptible to it.
Quality Control: The left and right channel on the headphone out on my PowerWave are swapped.
VI. Verdict & Thoughts
Verdict: If you’ve got spare cash, get one and give it a shot.
I read the comments on AudioCircle, and I would caution about getting too excited over the PowerWave.
Edits: Suddenly realized the "well duh!" of how to test the headphone out. Yes, I'm a little slow sometimes.