Quote:
Please show the schematics of your successful projects just using buffers as headphone amp |
pretty much variations of a theme so for background
http://www.headwize.com/projects/sho...awliw1_prj.htm
http://www.stereophile.com/solidpreamps/54/
hint-download and install this program :
http://sector7g.wurzel6.de/pdfcreator/index_en.htm the go to the Stereophile article,scroll down until you see "print this article",click that and a window will pop up that has the entire article intact as a single file,go to "file" on your browser then click "print" and when the window opens choose "PDF Creator" as the printer and print the whole damn ball of wax directly to your desktop for either later printing out a hard copy or storing on a CDROM with other articles
The National "LH" buffers are obsolete,have been for a long time but there are a few kicking around the internet at a premium price plus I beleive are being "cloned" by another semiconductor manufacturer that purchased the rights though not sure on this.
The Military/Aerospace ceramic DIP package I doubt you will find nor the LH0063 and why I guard mine as if a treasure coveted by others
Whats makes these parts nice is they are old school inefficient designs being more a "four transistor discrete on a common chip" than high density monolithcs and also because of this low density design can run class-A for the majority of operation there being no need then to cram a bazillion devices into a battery operated hand held device.In fact the 63 is the size of a small power amp when mounted on the heat sinks yet I figure the output is no more than 2 Watts (if that
) and the current delivery an embarrassment when compared to modern buffers.
BUT !
Quality over quantity.Having gobs of current is not always a good thing if that current delivered is better suited to driving a servo-motor than it is headphones and the LH0033/63 are musical even if current shy by modern standards.
The closest I get is the LT1010 which is again current shy when compared to the commonly used buffer chips and
AGAIN to my ears has a better SQ than the competition but it is a bipolar input device so if you can't drive it with an impedance in the 50-100 ohm range you are feeding the device with a source that can actually showcase the ability and why most toss an op-amp in front,which as you noted is an SQ killer because
IT will dominate the final sound of the amp.
Then they take a buffer that is fine "out of the loop" and like everyone else doing buffers (no damn imagination
) screw it up even more by creating a path from the output terminal to the opamp input terminal which worse case lets in cantamination AND all this while not adding any loop protection from this potential inlet of RFI so a worst case nightmare scenario...........
The answer was provided by a once readily available "Mods" file at the Welborne site that has been absent for many years but using ANOTHER TOOL (Rick likes his tools
),the "
Wayback Machine" was able to dig out a copy of the perfect solution,a solution I
beleive designed by Erno Borbely of Hafler and Borbely Audio fame.....(10MB download !!!!!!!! But a virtual design manual for audio so worth it.)
link
Scroll down to the Headphone Amp page and there it is.Simple,low cost and will work with ANY buffer not having an FET buffered input for driving the internal output stage (BUF634
).
Not rocket science but working backwards away from all the complications most seem intent on adding and that ALL impact the SQ of the end project.Simple is always best when there is a choice as are options so it is my way to add as many
usable features as I can when it comes to the Switching/Input/Output matrix but to make the active circuitry as minimal as I can and still have it do the job asked.Far better to concentrate on feeding the active device than to throw more active devices in the mix,shaking it it then HOPING what comes out the other end is not a total sonic butcher
As usual just my opinion.Not the only path just the path that serves me best in MY system according to my own taste in what makes for good sounding audio
oh yeah-The Welborne article shows 45 ohms 1/2 watt for "R3" .This sets the bias of the output stage,how far into Class-A it will go,so for more you would decrease this resistor,less increase it but there
IS a limit to how far you can go before burning up the chip !
I have used as low as 20 ohms and fried a couple while others survived but they got noisy over time from the abuse so the lowest possible value would be 22 or so ohms with the best "safe" value all else considered 25 or 27 ohms.I also suggest you go to a higher wattage part here and to steer clear of resistors with a high inductance.My personal fave' in that position is a big a*ss 5W Mills available from Sonicraft or Welborne Labs