DAC/AMP volume setting help please

Jul 15, 2017 at 7:07 PM Thread Starter Post #1 of 14

LCMusicLover

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My new DAC (OPPO Sonica) and my new amp (Matrix M-Stage HPA3B) both have volume knobs. In addition, the amp has 3 gain settings (5, 10, 20).

So is there a 'better/best' way to manage the volume and gain between the two devices? Connections are balanced out from DAC into amp (dual 3-pin XLR), balanced out from amp to headphones (4-pin XLR).

Right now, I'm running amp on lowest gain, volume @ approximately 12:00. DAC volume setting used to control output @ 55/100 to 80/100 for IEMs and full-sized cans.

Max voltage from amp is 4 Vrms.
 
Jul 15, 2017 at 8:00 PM Post #2 of 14
Ideally for a normal setup, you'll want your source volume at max (Windows/OSX), and use the amp for volume control. I don't know too much about DACs with volume knobs but I would guess you'd be fine maxing it out and using your amp for volume adjustment. All I know is that maxing the amp is bad; I haven't heard much for DACs though :/ Good luck!
 
Jul 15, 2017 at 8:08 PM Post #3 of 14
Ideally for a normal setup, you'll want your source volume at max (Windows/OSX), and use the amp for volume control. I don't know too much about DACs with volume knobs but I would guess you'd be fine maxing it out and using your amp for volume adjustment. All I know is that maxing the amp is bad; I haven't heard much for DACs though :/ Good luck!

Thanks. I forgot to mention that output to the DAC is maxed (Windows/FooBar2000)

The reason I've been adjusting volume on the DAC is there's a remote control app for it on my phone. That way I don't have to get up to adjust -- lazy :)
 
Jul 15, 2017 at 8:49 PM Post #4 of 14
Haha nice, I'm sure dac volume isn't as picky as amp volume. I would assume it doesn't distort at max volume
 
Jul 16, 2017 at 1:46 AM Post #5 of 14
My new DAC (OPPO Sonica) and my new amp (Matrix M-Stage HPA3B) both have volume knobs. In addition, the amp has 3 gain settings (5, 10, 20).

So is there a 'better/best' way to manage the volume and gain between the two devices? Connections are balanced out from DAC into amp (dual 3-pin XLR), balanced out from amp to headphones (4-pin XLR).

Right now, I'm running amp on lowest gain, volume @ approximately 12:00. DAC volume setting used to control output @ 55/100 to 80/100 for IEMs and full-sized cans.

Max voltage from amp is 4 Vrms.

Check the Sonica manual if its preouts can be set to do fixed voltage output (like how AudioGD uses the same port but has a switch to select if if passes through the preamp stage) and use the amp's volume control.
 
Jul 16, 2017 at 1:58 AM Post #6 of 14
Check the Sonica manual if its preouts can be set to do fixed voltage output (like how AudioGD uses the same port but has a switch to select if if passes through the preamp stage) and use the amp's volume control.

Already know it can. But @ 4Vrms it forces me to set the amp volume very low, even on low gain setting. The question is whether there's a reason not to use my current approach (leave amp volume alone and adjust volume on DAC)?
 
Jul 16, 2017 at 2:34 AM Post #7 of 14
Already know it can. But @ 4Vrms it forces me to set the amp volume very low, even on low gain setting. The question is whether there's a reason not to use my current approach (leave amp volume alone and adjust volume on DAC)?

Well at this point you don't have much of a choice given the too high output voltage out of the DAC
 
Feb 8, 2019 at 5:07 PM Post #8 of 14


Fast forward to around 24 mins mark when DMS and Z were discussing the DAC pushing hot signal into amp resulting in distorted bass. I wonder how that happened if the prevalent advice is to max out the volume at the source (DAC). Someone care to explain?
 
Feb 9, 2019 at 6:45 AM Post #9 of 14
Fast forward to around 24 mins mark when DMS and Z were discussing the DAC pushing hot signal into amp resulting in distorted bass. I wonder how that happened if the prevalent advice is to max out the volume at the source (DAC). Someone care to explain?

Max source volume is not always the same as a hot signal.

If a properly designed DAC or CDP follows Sony Redbook standard then it outputs a fixed voltage of 2V, which even amplifiers made before digital audio wouldn't have a problem with.

Now, if you're using such a properly designed DAC with a computer, setting the OS volume lower will make its output lower than 2V, if you're even starting out with 2V to begin with since some DACs that have acceptably clean output have lower than 2V by default, ex. the Schiit Modi and Modi2, portable DAC-HPamps with line outputs, etc.

A hot signal is when you have an active preamp in the system prior to an amp that isn't a pure power amp output stage circuit, ie, it has its own active preamp circuit. Now you're sending a hot signal over 2V into an amp that will preamp that signal even further, and even on a 0dB gain the problem is you're already starting with a hot signal. In some other cases the DAC or even CDPs have an output stage designed for a hot signal output, like the SuperPro 707 which outputs 6.5V when using USB input and a power brick, which you may notice isn't being recommended to buyers anymore.

Other circuits like the preamp output on car audio receivers and DSPs have up to 4V output. Go to a car audio forum and you'll find 2V Denon and Nakamichi users on one side and everybody else on the other side, probably railing against ///////ALPINE for going down to 2V. The reality is they're both actually partly wrong. Yes, 2V signal is loud enough. No, just because a receiver or DSP can do more than 2V, it doesn't mean you'll never get a clean signal much less always get the rated 4V (most Alpines and Sonys, some Pioneers) or 6.5V (some Pioneers) or hell even 8V (Eclipse), since you're going to set the gain structure. Everybody using the over 2V receivers and DSPs for sound quality set ups will tune the gain structure based on audible noise, so chances are some of them aren't even at 2V if they're tuning the car with the engine off inside a building that isn't a busy parking lot (like the custom installer's shop after hours), everybody else who just wants to squeeze all the dB's out of their 1,000watt amps driving huge subwoofaz in gigantic fancy port enclosures wouldn't give a hoot about noise (and up to a point, not even clipping), so now they have up to 8V of a hot signal to work with for a lower sensitivity subwoofer trying to hit 150dB.

So again, if you're just using a computer with a DAC, OS at max nets you a ~2V signal. Using an active preamp between that DAC circuit and the active preamp stage of another amp is when you can get a hot signal...and then there's the question of how you find ~2V. This is why it's recommended to use max OS volume setting and not using two active preamps in the same signal chain. Even active monitors like car amps just have a gain setting on a knob as opposed to a switch as on headphone amps.

Again, think of Gran Turismo or Forza (or an actual car except you have to have a seriously set up car to be tinkering with this on a real car) transmission settings. The source signal is like the Final Drive ratio, the gain on the preamp (on the amp) is like the six gears, amplifier power is engine power. You can make the signal as hot as you want but if there isn't enough power it's going to distort and clip the same way that just making that visual graph for the transmission settings have steeper lines that reach up instead of the right side of the screen isn't exactly just going to give you infinitely better acceleration (except in this case the constant gear shifting can cost you as much as just staying in the meat of the power band on the engine for three gears down the straight or five gears on a quarter mile sprint) regardless of power, regardless of whether you're adjusting final drive (which affects all the other gears) or the six gears.

In short, confusing a max OS volume setting to mean it will make a hot signal is like assuming that you'll run out of revs at sixth gear, or that cranking up the stove to max will automatically burn a steak based on how you have to use lower heat because the soy sauce with glucose component marinade burns and thinking that anybody cranking up their stove top to cook a steak have no idea what they're doing (in reality, marinades just burn at lower temps, which is why this is used for thin cuts, and when somebody wants to use an Asian marinade to spice up a thick filet mignon, it's used as a finishing glaze during the cook-through phase after searing the surface).
 
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Feb 9, 2019 at 7:40 AM Post #10 of 14
There should be no way a headphone amplifier will clip (distort) from a hot signal (if the volume is appropriate). The only headphone amp I'm aware of that will do this is the O2. That's because the volume pot is placed between the amplification stage and buffer stage of the amplifier circuit. It was a sneaky way to lower the noise test results of the amplifier. However, there's nothing to attenuate the signal in its amplification stage, so it can easily clip if the source is hot.

For every other headphone amplifier designed, the volume pot is the first thing in the signal path after the source connection. So the pot will attenuate any signal. The question is at what point in the volume pot travel is the signal attenuated enough for convenient listening and adjustment. This is a result of the combination of the strength of source plus the gain of the amplifier. Volume pots aren't perfect. If the resulting range of adjustment is in the lower travel of the volume pot (9 o'clock and below), then a typical volume pot may not have good channel matching. That can get irritating in the use and listening.

In any event, satisfactory attenuation is a fact and the amplifier will only clip if you turn the volume up too high (given its gain, etc.).

IMHO, the best recommendation is to adjust your amplifier for maximum volume, then just use the volume control on the DAC. That ensures only one volume pot is affecting the signal path (there are distortion and noise penalties with volume pots). The DAC volume is going to provide all the needed attenuation, assuming your amp is not an O2.

There are examples of very high-end setups that work this way. ECP Audio, for instance, sometimes supplies high-end headphone amplifiers without a volume control and the volume is adjusted in their accompanying - but totally separate - DAC.
 
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Feb 9, 2019 at 11:40 AM Post #11 of 14
There should be no way a headphone amplifier will clip (distort) from a hot signal (if the volume is appropriate). The only headphone amp I'm aware of that will do this is the O2. That's because the volume pot is placed between the amplification stage and buffer stage of the amplifier circuit. It was a sneaky way to lower the noise test results of the amplifier. However, there's nothing to attenuate the signal in its amplification stage, so it can easily clip if the source is hot.

For every other headphone amplifier designed, the volume pot is the first thing in the signal path after the source connection. So the pot will attenuate any signal. The question is at what point in the volume pot travel is the signal attenuated enough for convenient listening and adjustment. This is a result of the combination of the strength of source plus the gain of the amplifier. Volume pots aren't perfect. If the resulting range of adjustment is in the lower travel of the volume pot (9 o'clock and below), then a typical volume pot may not have good channel matching. That can get irritating in the use and listening.

In any event, satisfactory attenuation is a fact and the amplifier will only clip if you turn the volume up too high (given its gain, etc.).

IMHO, the best recommendation is to adjust your amplifier for maximum volume, then just use the volume control on the DAC. That ensures only one volume pot is affecting the signal path (there are distortion and noise penalties with volume pots). The DAC volume is going to provide all the needed attenuation, assuming your amp is not an O2.

There are examples of very high-end setups that work this way. ECP Audio, for instance, sometimes supplies high-end headphone amplifiers without a volume control and the volume is adjusted in their accompanying - but totally separate - DAC.

This seems to go against the conventional wisdom. So let me understand more thoroughly...

So the main reason to go with amp at max rather than DAC at max is to avoid channel imbalance (if amp set too low)?

I understand the signal has to be attenuated at some point. But at source seems to 'degrade' the sound right out of gate?:confused:
 
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Feb 9, 2019 at 2:03 PM Post #12 of 14
This seems to go against the conventional wisdom. So let me understand more thoroughly...

So the main reason to go with amp at max rather than DAC at max is to avoid channel imbalance (if amp set too low)?

I understand the signal has to be attenuated at some point. But at source seems to 'degrade' the sound right out of gate?:confused:

No to both, although it depends on the quality of the volume pot, if they differ. Obviously, if you have a very poor volume pot on the DAC, but an excellent quality volume pot on the amplifier, then this advice would not apply. You can then do what hundreds of people around here recommend to those using a DAP with an amplifier or similar - adjust for midrange (or whatever's comfortable) of the source and then use your amp's volume pot to control volume to your headphones.

If the quality of the volume pots are similar, however, you could do it right:
  1. Volume pots introduce noise. Some do it more than others, but they all do it to some degree. So, if you don't figure out a way to bypass one pot or another, you have twice the noise (and distortion, probably) with twice the volume pots. If it truly sounded OK that way, no one would ever make a line-level device or even have an industry standard for a line-level device.
  2. Racking the volume pot all the way to 100% effectively shorts the pot. That means it's the same as a simple resistor in the signal path, much less obtrusive than a volume pot set at something less than 100%.
  3. If you suspect the DAC (source) is overly strong or "hot," you can't rack the pot all the way to 100%, or your amplifier will clip. At the worst, the volume travel will be restricted in the bottom portion of adjustment, meaning it probably won't operate very well unless we're talking something of very high quality/cost.
  4. You can rack the volume pot of the amplifier, effectively removing the pot from the circuit, as long as you use the DAC volume pot to adjust things.
Again, this assumes your DAC volume pot is of equal quality or better, otherwise you might be better off just using both volume pots and finding some sort of happy medium that satisfies your taste. If - and this is a side issue, not the primary problem - you find that you are adjusting your listening volume in the bottom quarter of your DAC's volume travel, then you need to lower the gain of the amplifier. Or, purchase an ALPS RK27, TKD similar pot, or a quality stepped attenuator. Then you can adjust your volume in the bottom quarter adequately. Unfortunately, you'll still feel better if the gain was adjusted so that comfortable listening was in the middle of the dial.
 
Feb 10, 2019 at 1:50 AM Post #13 of 14
This seems to go against the conventional wisdom. So let me understand more thoroughly...

So the main reason to go with amp at max rather than DAC at max is to avoid channel imbalance (if amp set too low)

That's if the source or DAC can only output a variable preamp signal, like with a Fiio E10K, which ideally you shouldn't be doing in the first place. At worst, a DAC with a preamp has to control powered speakers with variable gain, so you set the gain on the built in speaker amps at the highest they can go without noise that gives you control over system volume on the DAC's or DAC-HPamp's preamp output, so you don't stand up to move the knob on the Master speaker or two knobs on each symmetrical speaker (or stop the car, get out, open the trunk, and then move the gain knobs on the amp). Even then, you're not actually going to listen at max on the "source" ie the source's active preamp output, you're just setting this up so the source's preamp will serve as the master control so you don't get up and move other knobs (or worse, walk over to the trunk to do the same).

The "conventional wisdom" of max at source pertains to OS volume at max so the DAC's line stage output is at ~2V, or lower in the case of the Modi and Modi2, even lower on portable DAC-HPamp line outputs. Move the OS volume slider lower, and you get less than 2V (less than 1.5V in the case of the Modi and Modi2, portable DAC-HPamp line outputs, etc).

The first one is an active preamp boosting the line signal. The second is the line signal that is being boosted by the hardware in the first case.

I understand the signal has to be attenuated at some point. But at source seems to 'degrade' the sound right out of gate?:confused:

It can, but not always.

But the thing is, setting the OS to 100% when using a DAC that sends out a clean 2V or weaker signal will just make that weaker, so now your amp will have to be cranked up higher. The amp is more likely to add noise if not also distortion by working harder with a weaker signal that has no reason to be weaker when it can output a clean 2V (or whatever lower than 2V it is at 100% on the OS) to begin with.

Going back to the car analogy, it's like putting a very low final drive ratio on a car, so now you really have to downshift to second and then really mash the throttle redlining to get to third just to get past a truck (ignore how if this is a diesel redlining regardless of the transmission setting is counterintuitive given its regressive torque curve).
 
Feb 7, 2021 at 3:01 AM Post #14 of 14
I now have two different rigs with based on each almost identical Lenovo ThinkPad L390 set up. I am mainly listening using Tidal via Audirvana.

Both rigs have each Pre Box S2 Digital, and one of them has the older Pro-Ject Head Box S (2011), and the other a new Pro-Ject Head Box S2. (See pictures.)

I have read a lot of confusingly – and thoroughly explained WHY (also here) - things about where the volume should be controlled from, also depending on differences at the dac/amp-brands and so on. I cannot find any agreement or consensus that I can get a grip around somewhere in my head... Maybe I should ask someone who understands the Pro-jects? I dont know, but maybe anyone here knows? To put it short:

Should I max out the amplifier, and control all the volume from the dac? Or should I max out the dac, and control all the volume from the amplifier? Or – a combination of both at different levels?

forum vennlig.jpgOppsett dac1.jpg
 

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