XXhalberstramXX
100+ Head-Fier
- Joined
- Jun 22, 2001
- Posts
- 476
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- 16
Quote:
I hear ya, but still for me the most important thing is by far is the proformance quality. This is why i have a Toscanini box set of Beethoven's symphonies and why i listen to my rather dry (with coughs) Horenstein live proformance of Mahler's eighth much much more than my much newer Chailly recording.
For me, it'll always be the music that inspires me, and although the deep sound of the timpanis and the blare of the horns brings chills to my spine, if they aren't artfully and skillfully conducted, they just sit there.
I think the model should be something like what Stereophile has. i personally don't see a lot of importance in an associated equipment section, people should be able to judge for themselves what a bright/warm/dry recording is based on other recording they've heard (in other words, in context). just my two cents
oh yeah, and the AAD recording of Puccini's Turandot with Pavarotti and Sutherland has great sound, and is probably the best recording you can buy.
And it's important to me, and (I assume) to others that listen to classical, to be able to know in advance of purchasing whether or not a recording has good sound quality or is just an old crappy AAD CD. |
I hear ya, but still for me the most important thing is by far is the proformance quality. This is why i have a Toscanini box set of Beethoven's symphonies and why i listen to my rather dry (with coughs) Horenstein live proformance of Mahler's eighth much much more than my much newer Chailly recording.
For me, it'll always be the music that inspires me, and although the deep sound of the timpanis and the blare of the horns brings chills to my spine, if they aren't artfully and skillfully conducted, they just sit there.
I think the model should be something like what Stereophile has. i personally don't see a lot of importance in an associated equipment section, people should be able to judge for themselves what a bright/warm/dry recording is based on other recording they've heard (in other words, in context). just my two cents
oh yeah, and the AAD recording of Puccini's Turandot with Pavarotti and Sutherland has great sound, and is probably the best recording you can buy.