Eros II 8 Wire Review
Before I get to the review of the cable, I think it important to say thank you to @Eric and @EffectAudio for going above and beyond in making sure that my purchase experience with Effect Audio remained top notch. What many people don’t realize is the story behind my Eros II Bespoke cable. I had the privilege of jumping on the Bespoke Offer program several weeks back, which allowed me to upgrade my Thor Silver II cable to an 8-Wire Eros. What ended up happening is the cable I sent for the upgrade got lost in the mail somewhere between the USA and Singapore, and rather than put the blame on anyone or force me to wait indefinitely or make another purchase, Eric and Effect Audio honored my purchase and sent me a brand new cable. . . with expedited shipping. Everyone says the customer service of Effect Audio is top notch, and from this experience, Effect Audio’s reputation stands confirmed and true.
Preamble
Cables. . . ah what wonderful arguments they weave in the pages of forums for audiophiles and engineers alike! The debate rages on, and rather than involve myself in the webs they weave, I rather just allow my listening experience to dictate my decisions. The great sensei @Twister6 makes the foundational claim that what you hear through a cable is a synergy of multiple pieces, with the cable being the last piece, and I completely agree. I have recently started to get into the world of cable pairings, and it has slowly began to create within me an addiction to seeing just how different cables change the flavor of the listening experience, but like any addiction, one eventually begins to look forward to the next high.
About Effect Audio
Anyone who has operated in the audiophile online community long enough will eventually cross paths with information or products by the company known as Effect Audio. Based out of Singapore, and founded by Suyang in 2009, the company has grown to be one of the leading companies in high quality earphone cables. They have a steady growing populace of followers, and they pride themselves in being the forerunners in pushing the limit and experimenting. The cables fall in one of three categories. . . The Premium Series is the company’s tried, tested and true line of cables. The Heritage Series is the company’s venture to unexplored territory of material mixture and design, The Hall of Fame is the top of the line, no expense withheld series of cables. They also have a Bespoke service that through consultation allows you to create your own special blended cable. The customer service is excellent, and their presence is felt in the audiophile community around the world.
My Journey
I enjoy listening to music. I love picking out nuances in a song. I love being transported into rich, emotion filled productions, or just laying back and listening to music while reading a book or excercising or traveling. When I am in exploration mode and trying to discover new things in my listening experience, the one question that both pushes me to want to explore more, and at the same time leaves me amazed in my discoveries is:
“Can music sound any better than this?!”
Every piece of hardware I’ve owned in the past, or have listened to revolves around answering that one singular question. At times I’ll have a set that has me satisfied for a season. . . but after some time the itch returns and I begin to seek out what else is out there that can answer my driving question. Every review I do is founded on that singular focus.
Eros II Bespoke
The Eros is a cable in Effect Audio’s Premium Series. It consists of both Thor II and Ares II cables interwoven together into a tight four wire construction. With their Bespoke service, they are able to increase the wire count to 8 wires. Aesthetically speaking, the cable is beautiful to look at. In certain light it just sparkles beautifully, almost like a copper and silver piece of artwork. Effect Audio is able to terminate it with plenty of options, from 2.5mm all the way up to 4.4mm and 2-pin to JH specific connection on the IEM side. They also give you the choice between their Rhodium plated plug or their upgraded PSquared plug. With some educational instruction from Eric, I learned that the PSquared has a sort of matte finish, whereas the Rhodium has a chrome finish.
One of the areas that Effect Audio is known for is in the suppleness of the cable. They have one of the softest and most flexible cables, without sacrificing performance of design. This has a lot to do with their proprietary flexible insulation. The quality it top notch. The 8-wire is naturally slightly stiffer than the 4-wire, but I found that I actually preferred the 8-wire size to its smaller sibling. From the PSquared termination, you get a tightly woven 8-wire braid that extends up to the Y-split, where it leaves the Y split as two 4-wire variants that connect to the IEM. Despite its thickness, it is still soft and pliable, but it has just enough stiffness to prevent entanglement and to keep my CIEMs securely locked in my ear at my desk or on the road. There is no chin slider on the 8-wire, but to be honest I didn’t even notice that it wasn’t there. I’ve gotten used to the weight and don’t even notice it anymore. Microphonics have been evicted.
Sound Opinion
All of my listening was done using my 64 Audio A18T connected to my Hugo2 and music played through Audirvana. The reason I named the review the way I did has everything thing to do with the sound signature of this cable. It is an uncolored cable, and so it sort of disappears into the background. Its not a particularly “fun” cable as a result, but it still performs to give you a pleasurable listening experience that is reference in nature but not one that is boring. It is a cable that does it job without complaining.
I have owned the 4 wire version of both Thor II and Ares II. Individually, the Ares II is a warm cable with increased treble response from traditional copper based cables. Thor II, on the other end offers great treble and detail typical of silver cables, but was somehow able to still provide some low end thump. It was not a warm cable, but it did certain possess character that borrowed from warm cables, making it not your typical silver cable. With the Eros II 8-wire, what I seemed to notice is that they performed more like their stereotypical cable signatures, because of the breathability the other cable brought to the design. So the warmness of the Ares II portion of the cable was able to shine through more and the detail portion of the Thor II (without brightness) was able to shine out more. This led to a tug of war that ultimately left things balanced in delivery. Each cable ensured that the other didn’t overpower its signature. As such Eros II 8-wire operates sort of like a Ying-Yang cable.
What the 8-wire improved in comparison to the individual 4-wire variants (including its own 4-wire variant) is stage width and transparency. Musical renditions seemed more spaced out across the stage, but the stage wasn’t hugely WIDER. It was just wider and more holographic enough to notice a difference. For example, in Bebe Winan’s “This Song” I was able to pick up on some of the reverb more clearly, and got a better sense of being in a live performance of the song. Layering and transparency is wonderfully present, but relaxed at the same time, improving the delivery and giving a better sense of depth. Vocals sound a bit more forward in comparison to instrumentation but the presentation as a whole felt laid back. There is still a sense of a little congestion around voices, but they still come through with enough clarity and poise to give realness and intimacy to their presentation. Norah Jones, Celine Deion, Whitney Houston all still sound beautiful. One thing I did seem to notice is that good production music (and bad ones too) were much easier to pick up on with the Eros II 8-wire. I have a certain annoyance with music that is loud but not clean, and I felt I was able to pick up more on songs that possess this annoying characteristic with the Eros.
Bass
The linear characteristic of the Eros8 begins really with mid bass in my opinion. My sub bass test song is “On My Level” by Wiz Khalifa, and the cable just doesn’t reach for and present that sub bass too well. Not that it is not there, but it just doesn’t shine to a level that you feel it. However the mid bass on the cable has its presence known, and begins the linear delivery with control and body typical of a reference cable. There is a level of boominess in certain songs, but for the most part bass is clean in its delivery.
Mids
Because of the linearity of the cable, vocals in this category have a sense of natural warmth to them. You get the best of both worlds with the mids, in that it performs with both warmth and clarity. The voices in “Lea Halalela” come through and just sound. . . well they sound delightfully natural. As mentioned earlier, there is a slight bit of congestion, but nothing too noticeable.
Treble
This is not a bright sounding cable. Treble is rolled off well short of being bright. The tia drivers in the A18t have a tendency to cause signatures to be too bright if paired with the wrong cable, but the Eros8 does its tug of war dance very well and pulls back before tipping over to being bright. Treble is not overpowered, but not underpowered. It comes through balanced and smooth.
I really enjoy having my Eros8. Is it the best cable I have heard to date? No, that title as of now goes to the PW Audio 1950. But that cable is also about 3.5 times the price. But the Eros8 is better than the 4-wire Ares II, Thor II and Eros II cables. It improves stage width, clarity, transparency, and performance. The Eros8 is beautiful in design, in ergonomics, and in presentation. It is the stable girlfriend of cables. One that you may take for granted, but find yourself coming back to because it doesn’t stress you out and just supports your music. As such, the cable will pair well with just about any type of IEM or CIEM without causing problems. For the price and the performance you get from it, you get a great mid-level cable. It is balanced, and it fades into the background, allowing you to just enjoy the music you are listening to. It will be a contender in my cable comparisons going forward, since it provides a great starting reference point.
Happy Listening Folks!
LikeImThere
Before I get to the review of the cable, I think it important to say thank you to @Eric and @EffectAudio for going above and beyond in making sure that my purchase experience with Effect Audio remained top notch. What many people don’t realize is the story behind my Eros II Bespoke cable. I had the privilege of jumping on the Bespoke Offer program several weeks back, which allowed me to upgrade my Thor Silver II cable to an 8-Wire Eros. What ended up happening is the cable I sent for the upgrade got lost in the mail somewhere between the USA and Singapore, and rather than put the blame on anyone or force me to wait indefinitely or make another purchase, Eric and Effect Audio honored my purchase and sent me a brand new cable. . . with expedited shipping. Everyone says the customer service of Effect Audio is top notch, and from this experience, Effect Audio’s reputation stands confirmed and true.
Preamble
Cables. . . ah what wonderful arguments they weave in the pages of forums for audiophiles and engineers alike! The debate rages on, and rather than involve myself in the webs they weave, I rather just allow my listening experience to dictate my decisions. The great sensei @Twister6 makes the foundational claim that what you hear through a cable is a synergy of multiple pieces, with the cable being the last piece, and I completely agree. I have recently started to get into the world of cable pairings, and it has slowly began to create within me an addiction to seeing just how different cables change the flavor of the listening experience, but like any addiction, one eventually begins to look forward to the next high.
About Effect Audio
Anyone who has operated in the audiophile online community long enough will eventually cross paths with information or products by the company known as Effect Audio. Based out of Singapore, and founded by Suyang in 2009, the company has grown to be one of the leading companies in high quality earphone cables. They have a steady growing populace of followers, and they pride themselves in being the forerunners in pushing the limit and experimenting. The cables fall in one of three categories. . . The Premium Series is the company’s tried, tested and true line of cables. The Heritage Series is the company’s venture to unexplored territory of material mixture and design, The Hall of Fame is the top of the line, no expense withheld series of cables. They also have a Bespoke service that through consultation allows you to create your own special blended cable. The customer service is excellent, and their presence is felt in the audiophile community around the world.
My Journey
I enjoy listening to music. I love picking out nuances in a song. I love being transported into rich, emotion filled productions, or just laying back and listening to music while reading a book or excercising or traveling. When I am in exploration mode and trying to discover new things in my listening experience, the one question that both pushes me to want to explore more, and at the same time leaves me amazed in my discoveries is:
“Can music sound any better than this?!”
Every piece of hardware I’ve owned in the past, or have listened to revolves around answering that one singular question. At times I’ll have a set that has me satisfied for a season. . . but after some time the itch returns and I begin to seek out what else is out there that can answer my driving question. Every review I do is founded on that singular focus.
Eros II Bespoke
The Eros is a cable in Effect Audio’s Premium Series. It consists of both Thor II and Ares II cables interwoven together into a tight four wire construction. With their Bespoke service, they are able to increase the wire count to 8 wires. Aesthetically speaking, the cable is beautiful to look at. In certain light it just sparkles beautifully, almost like a copper and silver piece of artwork. Effect Audio is able to terminate it with plenty of options, from 2.5mm all the way up to 4.4mm and 2-pin to JH specific connection on the IEM side. They also give you the choice between their Rhodium plated plug or their upgraded PSquared plug. With some educational instruction from Eric, I learned that the PSquared has a sort of matte finish, whereas the Rhodium has a chrome finish.
One of the areas that Effect Audio is known for is in the suppleness of the cable. They have one of the softest and most flexible cables, without sacrificing performance of design. This has a lot to do with their proprietary flexible insulation. The quality it top notch. The 8-wire is naturally slightly stiffer than the 4-wire, but I found that I actually preferred the 8-wire size to its smaller sibling. From the PSquared termination, you get a tightly woven 8-wire braid that extends up to the Y-split, where it leaves the Y split as two 4-wire variants that connect to the IEM. Despite its thickness, it is still soft and pliable, but it has just enough stiffness to prevent entanglement and to keep my CIEMs securely locked in my ear at my desk or on the road. There is no chin slider on the 8-wire, but to be honest I didn’t even notice that it wasn’t there. I’ve gotten used to the weight and don’t even notice it anymore. Microphonics have been evicted.
Sound Opinion
All of my listening was done using my 64 Audio A18T connected to my Hugo2 and music played through Audirvana. The reason I named the review the way I did has everything thing to do with the sound signature of this cable. It is an uncolored cable, and so it sort of disappears into the background. Its not a particularly “fun” cable as a result, but it still performs to give you a pleasurable listening experience that is reference in nature but not one that is boring. It is a cable that does it job without complaining.
I have owned the 4 wire version of both Thor II and Ares II. Individually, the Ares II is a warm cable with increased treble response from traditional copper based cables. Thor II, on the other end offers great treble and detail typical of silver cables, but was somehow able to still provide some low end thump. It was not a warm cable, but it did certain possess character that borrowed from warm cables, making it not your typical silver cable. With the Eros II 8-wire, what I seemed to notice is that they performed more like their stereotypical cable signatures, because of the breathability the other cable brought to the design. So the warmness of the Ares II portion of the cable was able to shine through more and the detail portion of the Thor II (without brightness) was able to shine out more. This led to a tug of war that ultimately left things balanced in delivery. Each cable ensured that the other didn’t overpower its signature. As such Eros II 8-wire operates sort of like a Ying-Yang cable.
What the 8-wire improved in comparison to the individual 4-wire variants (including its own 4-wire variant) is stage width and transparency. Musical renditions seemed more spaced out across the stage, but the stage wasn’t hugely WIDER. It was just wider and more holographic enough to notice a difference. For example, in Bebe Winan’s “This Song” I was able to pick up on some of the reverb more clearly, and got a better sense of being in a live performance of the song. Layering and transparency is wonderfully present, but relaxed at the same time, improving the delivery and giving a better sense of depth. Vocals sound a bit more forward in comparison to instrumentation but the presentation as a whole felt laid back. There is still a sense of a little congestion around voices, but they still come through with enough clarity and poise to give realness and intimacy to their presentation. Norah Jones, Celine Deion, Whitney Houston all still sound beautiful. One thing I did seem to notice is that good production music (and bad ones too) were much easier to pick up on with the Eros II 8-wire. I have a certain annoyance with music that is loud but not clean, and I felt I was able to pick up more on songs that possess this annoying characteristic with the Eros.
Bass
The linear characteristic of the Eros8 begins really with mid bass in my opinion. My sub bass test song is “On My Level” by Wiz Khalifa, and the cable just doesn’t reach for and present that sub bass too well. Not that it is not there, but it just doesn’t shine to a level that you feel it. However the mid bass on the cable has its presence known, and begins the linear delivery with control and body typical of a reference cable. There is a level of boominess in certain songs, but for the most part bass is clean in its delivery.
Mids
Because of the linearity of the cable, vocals in this category have a sense of natural warmth to them. You get the best of both worlds with the mids, in that it performs with both warmth and clarity. The voices in “Lea Halalela” come through and just sound. . . well they sound delightfully natural. As mentioned earlier, there is a slight bit of congestion, but nothing too noticeable.
Treble
This is not a bright sounding cable. Treble is rolled off well short of being bright. The tia drivers in the A18t have a tendency to cause signatures to be too bright if paired with the wrong cable, but the Eros8 does its tug of war dance very well and pulls back before tipping over to being bright. Treble is not overpowered, but not underpowered. It comes through balanced and smooth.
I really enjoy having my Eros8. Is it the best cable I have heard to date? No, that title as of now goes to the PW Audio 1950. But that cable is also about 3.5 times the price. But the Eros8 is better than the 4-wire Ares II, Thor II and Eros II cables. It improves stage width, clarity, transparency, and performance. The Eros8 is beautiful in design, in ergonomics, and in presentation. It is the stable girlfriend of cables. One that you may take for granted, but find yourself coming back to because it doesn’t stress you out and just supports your music. As such, the cable will pair well with just about any type of IEM or CIEM without causing problems. For the price and the performance you get from it, you get a great mid-level cable. It is balanced, and it fades into the background, allowing you to just enjoy the music you are listening to. It will be a contender in my cable comparisons going forward, since it provides a great starting reference point.
Happy Listening Folks!
LikeImThere