What's the point to burn money on digital cable?

It's summer already, LME49990s AD797BRZs are toooo hot in E1. So I decided to start rolling some opamps again. LPF: ADA4627-1brz, I/V: Muses8920D, Buffer: ADA4637-1brz (600Ohm headphone, seems stable for me), , wow, i just can not stop listening.

Quote: My AD797s on LPF(from audiojade@ebay) are cooler than LME49990 on I/V. Also, LT1358 sounds great on LPF, especially for recordings like Friday Night in San Francisco. Anyone has tried OPA1611/OPA1612 on LPF/Buffer?

Quote: I don't find any sibilance problem in better vocal recordings. I'm using SPL Vitalizer MK2-T(mostly off) and Sonalksis Ultimate-D tracking/mastering VSTs in uLilith.

I'm settled with 2*Dual AD797BR LPF, 4*LME49990MA I/V, 2*OPA2211AIDDA Buffer. Problem is, now there is too much freaking sibilance in those pop, rock, r&b flacs. I loved The Hill of Thieves from Cara Dillon, but now i just can't stand her essssss...on the other hand, Diana Krall the Girl in...

Quote: I think there must be some problem with your E1. With DT880 600 Ohm on E1 I usually set the headphone knob at 11 o'clock, DT1350 on 9 o'clock.

4 dual LME49990 on I/V are so freaking hot, even hotter than LT1358 on LPF, and because of the adapter, i can't use any heatstink. Sound amazing though.

using J.Meier setting right now, I find it sounds much better than Naive plugin with default setting.

Kate St. John "Songs and Silhouettes" Jennifer Warnes " Famous Blue Raincoat"

it's an 24k gold edition with 4 bonus tracks， Joan Of Arc live,oh dear. i'm searching for a lossless version... ps: now i'v seen the sticky thread...

has anyone tried LT1364 as headphone opamp?