A little about me
I'm an audiophile but not the Graphs and number ones, more of a music lover type of audiophile who seeks the best true sound quality. My Genre of choice is Classical music from renaissance to Classism and abit of nationalism like Grieg, Dvorak.
Unboxing & accessories
The box is simple cardboard box White with an amplified product Image, removing the outer cardboard you get a Black jewe-like box with the SONY Logo embossed in silver painting. The usual-Bling bling factor of the Black cloth used in previous Boxes was replaced by a meh! Foamie mold to hold the WM1A in place.
This time sony skimped in accessories only including tons of papers such as warranty card, contact info and a basic user manual, and the USB cable for charging and Data transfer. not much to say here, I wish they had at least included a screen protector or a silicone case.
Build Quality
The build quality it self is The best i have ever seen in a DAP after the NWZ-A818 back in 2007. A single block of aluminum CNC'ed, there is no seams, all aluminum chassis. The top where the Headphone jacks are located the finish is smooth aluminum and the rest downards is finely "scratched" finish. The front of the DAP has the screen which for me is fine (don't care for an HD display on a DAP intended just for music), covered in glass, the W logo is now protected by the glass it self. The back has a Genuine leather grip and the W logo has a Golden finish adding a nice touch. The bottom we have the charging and data transfer port AKA WM-port and the micro Sd card slot cover and a strap hole. On Top we have two Headphone jacks, one 3.5mm Single-end and TRRS separate grounds and the other is the balanced output Jack of 4.4mm a new JEITA std. Left side we have just the Hold switch to lock the operation of the player. and finally on the right we have a set of playback Buttons and the power button which click nicely.
The WM1A is the heaviest DAP i've had at 267g is hefty but actuaññy feel the quality sony did put into the product.
Usability of the User interface
The UI of the WM1A changed from the legacy sony OS found in the ZX100 and older walkman models. The UI is more simpler and intuitive to use, as it has less menus. the Main screen is no longer a Home screen with icons of diverse functions found in older walkmen such as: Radio, Picture, Music, Movies etc. Now, the WM1A has as "home" screen the Now-playing screen and other screens are revealed in a cross-swipe pattern on the touch panel.
A) Library screen: Swipe downwards (top to bottom) and you have the library screen which has additional two pages which have all the Catehroies plus new ones.
Traditional categories found in older and new Sony OS
- All Songs
- Album
- Artist
- Release Year
- Genre
- Playlists
- Hi-Res (for filtering hi-res audio content)
- Folder
- Sensme Channels (previously in old sony OS this was a separate "app")
New additions
- Recent Transfers
- Composer
B) Line-Up screen (aka tracks listing): swipe to the Left (Right to left) and you get the tracks of the current selection so you can quickly select a track, kind like ipods did in cover flow presented a track list from the selected álbum. Here you can add a track to a bookmark or a playlist
C) Bookmarks (on-the-go playlists): swipe to the right (left to right) and you get 10 book marks with up to 500 songs each, here you can manage them such as reordering songs, deleting individual songs from the lists or clearing them entirely.
D) Audio effects screen: Swipe towards the top (bottom to top): you get the DSPs screen: Disale the source direct switch toggle and you can use the following DSPS
- EQ or Tone control (selectable from settings menú): EQ now has 10 bands and has a -10 to +10 db steps in 0.5db increments for finer tuning. The tone control is a simplified EQ with three base frequencies BASS, MIDDLE and TREVLE from -10 to +10db in 1db increment /decrement. It is very responsive EQ the best to date on a walkman
- DSEE HX: sony Upscaling technology (32-bit 384KHz) and now has 5 modes to smooth the upscaling (female, male , percussion, stabdard and Strings)
- DC Phase linearizer: According to sony it mimics the phase shift displayed by traditional analogue amplifier. It has 6 modes (High/standard/low A & High/standard/low B), ppersonally toghetehr with the DSEE nad this one i haven´t Heard a difference
- Dynamic Normalizer: sony's response to replay gain and iPod sound-check. Found it makes music sound LOUDER.
The SOURCE DIRECT is a quick ON/OFF toggle to disable or enable DSPs. DSPS will literally "eat" the battery (last less)
The main screen, features a nice design, three big rounded buttons for FF, REW and play/pause, progress display, códec with bit-depth and simple rate. Volume bar (touching the volumen bar displays a volumen pop-up with a big nice old-school volumen knob and +/- buttons to fine tune).
The music área displays the song title in big whiet letters nice for blind people like me, Artists (now also featuring álbum artista or Artist) and álbum name.
Also the new OS has three display modes accesible from the settings menú
- STANDARD: Cover art (jpg)
- SPECTRUM ANALYZER
- ANALOGUE METER: two analogue needles to measure loudness on each cannel LEFT and RIGHT
.
My Listening was made with MDR-Z7 and XBA-Z5 both on SE, using classical music as usual for me .
New Features
- Dual Gain (for both SE and BALANCED) H and standard gain
- L/R balance that actaully Works to balance off-centered records. Values from -3db (L) to +3db (R) in 0.5db increment
- Native DSD play back (in BAL only in SE is converted to PCM)
- Improved volumen steps 120 total steps vs 30 of old sony OS
- Improved EQ bands and responsiveness (31, 62, 125, 250, 500Hz, 1K, 2K, 4K, 8K & 16K)
- Ability to save three different sound "profiles" with diverse combinations with the DSPs mentioned above
- Increased power output in SE 60mW per cannel and in BAL 250mw per cannel both @16ohm
OVERALL SOUND SIGNATURE: Smooth and Lush with great detail retrieval, very very Organic and realistc sound, instruments come to life and i get soemthing i never got even from the zx100: ability to feel the emotions conved by the musicians. Clean signal across all the frequency spectrum. Not neutral but close to it with s nice warmth added to it.
BASS: well controlled and kicks Deep and rumbles when necessary, the bass of the WM1 has actually a presence in the body of the music unlike the previous zx100 tended to lack bass body. Cellos sounds so realistic, organs, especially the chamber organs kick some serious bass that rumbles and tickles. The WM1A bass is clean, resonant, rumbly not at all boomy, doesn't leak to the other frequencies. You can feel the vibrations of the bass instruments. My Z7 big drivers got to work here
, perhaps it makes the XBA-Z5 a bit bassy but well controlled as well.
MIDS: The mids are lush, delicate. They contribute to the airiness of the music, Flutes don't shout, female vocals and male singers sound great and natural, violins, violas, piano, show their air on each instrument, Theres no sign or distorting, nor splashy mids. perhaps a bit recessed but not that much to sound dark. Coherent with the highs and lows don't feel detachment
HIGHS: Wow Terrific highs! not Harsh at all, well controlled highs and still capable of micro and macro details, aiiry and delicate highs. Now the Harpsichord becomes tolerable without the harshness associated with this bright instrument as well Organ register with much brightness like principal become bearable. They contrinute to the space, airiness of the player and realism it has to the sounds. Reverb tails deccay with such a NATURAL REALISM slowly and slowly fading away.
INSTRUMENT SEPARATION: Simply WOOOOW The best i have Heard to date, well pin-pointed locations and nice distributed in the sound field space. All instruments have their Air, even in complex orchestral Works it is caple of rendering instrumnets well and CLEAR even if they are played in a pianisssisiimo . You get the natural, YES NATURAL charcter fo the instruments, you can feel the instrumnest come to life and display their inner resonances and air.
SOUNDSTAGE: Huge the biggest and accurate sounstage depending on the recording, I can actually feel the size of the room the music was recorded at, be a catedral, a small studio fro mozart's time, a studio or a concert hall. I can Pin point from where is the sound coming f.e a Cathedral organ i can actaully feel it is coming in front of me from a very distant or back in a similar fashion. WM1A display the soundstage only if the recording has it.
I could describe the stage as spehrical 3D , enveloping you from everywhere, notes come from everywhere like a real presentation I am so woed by this Little bugger.
BALANNCED (1/JUNE/2017)
The Blanaced circuit is more porwerful and uses the more robust 4.4mm output.
Battery life seems the same as with Single-ended circuit.
To let you know you are using the balanced connection it display a small Brown rectangle wit the Word BALANCED in the Upper left corner
Equipment used for this update in the review, same MDR-Z7 with 4.4mm to dual 3.5mm TRS adapter made by @Whitigir and now i got a MDR-Z1R balanced cable for my Z7s
The same 4.4mm to 3.5mm dual TRS is used for the XBA.Z5
The SOUND QUALITY OF BALANCED is very well presented, it has better detail and microdetailing than the single ended circuit, separation and layering is also superior. more enveloping stage and bigger in depth and width.
BASS: The bass hits deeper and is tighter and more controlled, before burn-in the bass was very light and was a bit dissappointed, but after 500 hours the bass is nice and runbly.
MIDS: The mids are nicely spread on both Z7 and Z5, but Z7 gets a bit more mids with the MDR-Z1R 4.4mm cable, more stage and details than the std cables., the components of vocals, female vocals is so nice represeted as well strings music. Reverb is accurately represented, very natural deccay.
HIGHS: with highs you get a nicely detailed DAP with lots of background details going unnoticed on older players, even for 16/44.1 FLAC files, reverb decay, microdetailings of harmonics and background instruments/details just wow. Harmonics of violin strings on a reververous room wow just wow. threw a Liszt live recording and the coughs amazed me how natural they sounded (irony).
Separation/Stage: very accurate room feeling, very 3D stage wow, separation between instruments is also better than single ended, you can distinguish the sections of an orchestra very well, the Basson over the strings in the vivaldi basson concertos of the Naive edition.
Older recordings do shine i've got rid of some "bathrrom-recorded" feeling from some recordings, CD quality flacs also shine adnd gets better with Hi-res music, all formats i threw (only CD quality and studio masters) sounded pretty natural that amases me and causes me the chills.
Final toughts. REAL SOUND AS IT WAS RECORDED with airy soundstage, notes come from every where, able to display instruments feelings and inner resolution of each instrument THIS WITH 16/44.1 FLACs! and in SE... This means thah Bad records will sound Bad and good ones will SHINE BALANCED Makes everything better more realistic SQ, more powerful as well
SUMMARY
PROS
+ LIFE-LIKE sound quality
+ stellar battery life with FLAC (16/44.1KHz)
+ Easy to use interface
+ 256GB microSD support!
+ Responsive EQ and L/R balance
+ Composer View at least
+ H gain option, 120 steps in volumen
+ Improved USB transfer speeds 25MB/s
+Powerful OUTPUT for botn SE (60mw) and BALANCED (250mw)
+GREAT SQ from BALANCED, makes older recordings shine and makes you question the real value-added of so called "hi-res" music over standard CD quality flacs
CONS
- Software a bit Buggy Random rebooting at times, lags Fixed as of Feb 21 2017
- DSD native only in BALANCED
- Lack of a basic screen protector by Sony and overall lack of accessories
+/- using the SD with the SD adapter in the USB 3.0 Slot because the sony is a bit slow
+/- Slow Boot times