12345142
500+ Head-Fier
- Joined
- Nov 14, 2009
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Preface and unboxing process
I was caught by a strain of upgraditis a few weeks ago, when I was comparing my Monster Turbine and Etymotic ER6, two polar opposites at similar prices. The former had tons more bass and was much more musical, but the latter had much more detail and separation, lucid vocals, and a crisp treble I was missing, although it also sounded violently sibilant and the lack of bass sucked the life out of my alternative rock. So, after finding faults with these expensive (well, to most others) IEMs, I took the Head-Fi solution; buy even more expensive earphones! I settled on the Phiaton PS200s, seeing as few people seemed to have them. Plus, they look cool; sorry, TripleFi owners. I paid about $200 including shipping, and they arrived in a week. Some unboxing pictures:
A hard plastic box, somewhat reminiscent of Apple's packaging.
The frosted sleeve slips off to reveal the instantly recognizable 'jet engine' design of these earphones.
The box's halves are attached by tape, one side of which I've pulled off. The bottom is mostly barcodes and technical jargon. On that note, the PS200s have an impedance of 32 Ohms. The sensitivity is only 95 db/sPL, but they're actually quite easy to drive. My P3 can probably drive them to damaging levels, although I haven't done so myself.
Inside the box is another thin plastic box.
Inside the box inside the box, is another box. The carrying case simply slides out, and I can say that it makes Westone's and Etymotic's pouches look tacky by comparison.
Below the gap where the case was lies the warranty slip and a user's manual, the latter of which's importance is questionable.
The earphones themselves are held in a chokehold in the box, which comes apart rather elaborately. Unfortunately, the tips that were on them have been squished flat like Klipsch oval gels. On a side note, if Klipsch were to ever produce those gels for other earphones, like Comply, I'd snatch them up in an instant.
The carrying case unfolds like so, with a plastic frame to store the earphones and extra tips. At first I thought the piece in the center was just a decorative logo, but it's actually an airline adapter.
It's an interesting adapter - the line-out is actually in the center, so good luck using wider headphone plugs on a plane. The prongs actually fold out individually, and one of them is a stereo plug. When trying the stereo plug out, it actually seems to act as a volume attenuator, reducing the volume significantly, which is useful.
Here's the entire package, with the earphones in their carrying case. The cable conveniently winds around the plastic piece. In all, there's not much to see. From pictures I've seen on the Internet, Phiaton supplies about as many accessories as the audio-technica CK10 and and Earsonics SM2, but compared to other competitors like the q-JAYS and Turbine Pros, none of which I own, mind you, it's rather stingy. Although I don't like foam pieces, because they don't last very long, Phiaton could have included some in the package.
I was caught by a strain of upgraditis a few weeks ago, when I was comparing my Monster Turbine and Etymotic ER6, two polar opposites at similar prices. The former had tons more bass and was much more musical, but the latter had much more detail and separation, lucid vocals, and a crisp treble I was missing, although it also sounded violently sibilant and the lack of bass sucked the life out of my alternative rock. So, after finding faults with these expensive (well, to most others) IEMs, I took the Head-Fi solution; buy even more expensive earphones! I settled on the Phiaton PS200s, seeing as few people seemed to have them. Plus, they look cool; sorry, TripleFi owners. I paid about $200 including shipping, and they arrived in a week. Some unboxing pictures:
A hard plastic box, somewhat reminiscent of Apple's packaging.
The frosted sleeve slips off to reveal the instantly recognizable 'jet engine' design of these earphones.
The box's halves are attached by tape, one side of which I've pulled off. The bottom is mostly barcodes and technical jargon. On that note, the PS200s have an impedance of 32 Ohms. The sensitivity is only 95 db/sPL, but they're actually quite easy to drive. My P3 can probably drive them to damaging levels, although I haven't done so myself.
Inside the box is another thin plastic box.
Inside the box inside the box, is another box. The carrying case simply slides out, and I can say that it makes Westone's and Etymotic's pouches look tacky by comparison.
Below the gap where the case was lies the warranty slip and a user's manual, the latter of which's importance is questionable.
The earphones themselves are held in a chokehold in the box, which comes apart rather elaborately. Unfortunately, the tips that were on them have been squished flat like Klipsch oval gels. On a side note, if Klipsch were to ever produce those gels for other earphones, like Comply, I'd snatch them up in an instant.
The carrying case unfolds like so, with a plastic frame to store the earphones and extra tips. At first I thought the piece in the center was just a decorative logo, but it's actually an airline adapter.
It's an interesting adapter - the line-out is actually in the center, so good luck using wider headphone plugs on a plane. The prongs actually fold out individually, and one of them is a stereo plug. When trying the stereo plug out, it actually seems to act as a volume attenuator, reducing the volume significantly, which is useful.
Here's the entire package, with the earphones in their carrying case. The cable conveniently winds around the plastic piece. In all, there's not much to see. From pictures I've seen on the Internet, Phiaton supplies about as many accessories as the audio-technica CK10 and and Earsonics SM2, but compared to other competitors like the q-JAYS and Turbine Pros, none of which I own, mind you, it's rather stingy. Although I don't like foam pieces, because they don't last very long, Phiaton could have included some in the package.