Reviews by thaslaya

thaslaya

500+ Head-Fier
Big Bass on a Budget
Pros: Price to performance
Big, deep bass
Soundstage
Accessories
Fit and comfort
Attractive design
Cons: Intermittent driver flex
V-shape might be too intense for some
Can be fatiguing over long periods
Thaslaya's star rating system:
☆☆☆☆☆ - Best in class/buy it now
☆☆☆☆ - Highly recommended
☆☆☆ - Sound for thee, not for me
☆☆ - Can't see the appeal
☆ - Product is a failure

Disclaimer:
This product was purchased by me and all opinions are my own.

Gear used:
●LG v30+
●Samsung Galaxy s22 Ultra
●Samsung dongle
●Hiby FC4

Source:
●Listening was done through Amazon Music HD or Ultra HD on an LGv30+ and Samsung Galaxy s22 Ultra. Iems were burned in for 30 hours prior to review.
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Introduction:
● Juzear is a newer brand on the market and they made a name for themselves with the release of the 41t to mostly universal praise in 2023. The Clear features a single 10mm LCP dynamic driver. It's currently priced at $49.90, $120 less than the 41t.
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Build, fit, ergonomics:
● The Clear are made from a nice blue resin and have an attractive understated design on the face. I was surprised at the size of the shell in person as it's quite small. I can't imagine fit will be an issue for most people, however, those looking for a deep insertion might not find it here. The included cable is one of the best stock cables I've owned and at this price point is surprising. It's a bit thick and nicely braided but not heavy. It also comes with varying sizes of both silicone and foam tips. The small brown zipper case is the cherry on top. Overall, the accessories are great. I did notice a slight driver flex from time to time when adjusting my fit but only if I inserted very deeply. Doesn't seem to affect the sound at all just a small nuisance.
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Sound impressions:
● The Juzear Clear is a V-shaped iem with boosted bass and treble. The frequency response is not my prefered signature for everyday use but I do enjoy V-shaped iems in my rotation. The soundstage has plenty of width but seems to lack a bit of depth. Instruments have room to spread but sometimes compete on the same level of the stage. Technicalities are very capable at this price point, no complaints at all. The Clear really shine with rock, rap, and EDM but they still perform well with genres like soft pop, soft rock, and country as long as you don't mind the boosted bass.

●Lows - The star of the show! The sub bass rumble really reaches low. Its not the deepest I've heard but its the best in ths price point by far. The entire bass spectrum has good texture and slam. Their is no detectable bass bleed to my ears. If you're looking for neutral or Harman tuning, you will be overwhelmed by the bass levels. However, if you're looking for a deep rumble and thumping bass, the Clear will please most bassheads.

●Mids - In typical V-shaped fashion, the mids are scooped so they won't be featured as strongly here. The vocals do sound natural and both male and female voices have good weight and texture, just a bit recessed due to the tuning. To my ear, the vocals and mids are well placed and are not actually recessed much in comparison to the rest of the frequency response. I enjoy their presentation and never found myself wishing for a boost in the mids.

●Highs - Treble is elevated to round out the V-shaped profile. It has an energy and excitement that plays well with the boosted bass. Music gets fun and comes to life in the higher frequencies but over time can get a bit fatiguing. I did notice an occasional sibilant quality here but definitely not the worst I've heard. I think the elevated bass goes a long way to making sure the treble stays fun and not shrill. For those that are treble sensitive, you will want to look elsewhere for that big bassy iem that doesn't get as hot in the highs.
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●Balanced:
The Clear are easy to drive so using a balanced connection with an amp isnt really necessary. Here i switched the cable to a NiceHCK Jialail JLY2 4.4mm and plugged it into the Hiby FC4. The bass sounds a bit fuller and the sub digs a little deeper with more power. The extra note weight on the bass helps to tame the slight treble peakiness I was picking up before. The sound is more colored and warmer with a bigger fuller bass that seems to bleed more into the midrange. My preference would be to drive them from the 3.5mm connection on the LGV30 or just a simple dongle since the bass was in a better spot without the extra juice.
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Summary:
The Juzear Clear is a successful follow up release to their debut 41t. It's v-shaped profile may not be for every listener. If you're looking for big deep bass and treble that doesn't take a back seat, you will find it here. Even though its not tuned to my personal preference, I do enjoy them when I'm in the mood for an energetic listening session. Taking price and accessories into account, the Clear is an easy recommendation if it suits your prefered tuning or for those looking to venture into something new.
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thaslaya

500+ Head-Fier
For $25 you can't go wrong!
Pros: + Price to performance
+ Solid tuning
+ Non-fatiguing - great for long sessions
+ Vocals
+ Fit and comfort
+ Lightweight
Cons: - Plastic
- Stock cable is bad
- Design may not appeal to everyone
- Soundstage a bit narrow (nitpick)
Thaslaya's ranking system:
☆☆☆☆☆ - Best in class/buy it now
☆☆☆☆ - Highly recommended
☆☆☆ - Sound for thee, not for me
☆☆ - Can't see the appeal
☆ - Product is a failure

Disclaimer:
This product was purchased by me and all opinions are my own.

Gear used:
●LG v30+
●Samsung Galaxy s22 Ultra
●Samsung dongle
●Hiby FC4

Source:
●Listening was done through Amazon Music HD or Ultra HD on an LGv30+. Iems were burned in for 30 hours prior to review.
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Introduction:
●7hz x Crinacle Zero 2 features a single 10mm dynamic driver. Like the original Zero, the 2 is a collaboration with acclaimed YouTuber and founder of In-Ear Fidelity, Crinacle. They are currently priced on Linsoul's site for $24.99 and are offered in 3 color variations.
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Build, fit, ergonomics:
●The Zero 2 are mostly built from plastic. The build quality leaves a bit to be desired but considering the price it's understandable. The nozzle is on the shorter side which could mean fit issues for some that prefer a deeper insertion. I was able to obtain a good seal and fit with the included multicolored tips with no discomfort over long listening sessions. The included cable is touted as an upgrade over the original by 7Hz but I personally don't care for it at all. I substituted for a Xinhs gold cable.
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Sound impressions:
●Technicalities and resolution take a hit but that's expected at this price point. The soundstage seems a bit narrow but overall satisfactory.

●Lows - Right off the bat I can tell the Zero 2 have a slight bass elevation. Sub bass can dig deep when pushed and mid bass slam is present without taking much away from other frequencies. The quality isn't the best and sometimes gets a bit bloated on certain tracks.

●Mid - To my ear, this is where the Zero 2 excels and gets things just right. Both female and male vocals sound great and are pushed forward slightly. The weight and texture are nice and there's no shoutiness.

●Highs - Treble is rolled off. I would have liked a bit more air and extension. On some tracks I detected a tiny bit of sibilance in S's, T's, and cymbals.
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●Balanced:
Switching over to the Hiby FC4 and Pac480 4.4mm cable, the soundstage seemed to open up a bit more. Note weight gets a bit of a bump across the spectrum and the bass digs a little deeper. The Zero 2 seem to come more alive and i can hear more of an energy across all frequencies. There is definitely good scaling with power but with that comes an added energy that may be fatiguing over long listening sessions.

●Sample Tracks
Below are a few songs I used to form my impressions. Let's break down a few.

"Begin Again" - Taylor Swift (Taylor's Version) - Taylor's voice has a bit of warmth and sounds great. The bass hits at the 0:31 mark and has a nice deep extension. Mid bass slam adds a nice weight without bleeding over into the mids. I do wish the soundstage was a bit wider and the treble extension went further to add more air.

"Sign of the Times" - Harry Styles - Harry's voice sounds perfectly placed at the beginning of the track. At the 1:21 mark the rest of the instruments hit and the whole spectrum gets more balanced with vocals taking a slight step back. Mid bass texture suffers on this track and sounds a bit bloated and boomy.

"Half of My Heart" - John Mayer - In the intro the guitar strumming timbre seems a bit off and metallic. John's voice is well placed at the front and has good timbre and weight. The elevated bass bleeds a little into the mids on this track.

"Save Your Tears" - The Weeknd - A nice intro with snare hits that don't have a hint of piercing quality. Sub bass hits well and deep at the 0:10 mark. The Weeknd's voice has good timbre and weight and seems to be well balanced. The highs have a bit of muted quality due to the treble roll off.

"I Hope You're Happy Now" - Carly Pearce & Lee Brice - A nice hitting bass right at the start does a good job of staying in its lane. Carly's voice has good timbre and weight. It is more forward throughout the song whereas Lee's sounds more balanced. A little more treble would help here to even out the spectrum.
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●Summary:
The Zero 2 has carved out a space for itself in the very crowded ultra budget tier. At only $24.99, it is a competent iem and a fairly solid all-rounder. It excels with more intimate, vocal heavy music but starts to struggle on complicated tracks. If you're looking for a slightly bass elevated, warm tuning with forward vocals, rolled off treble, and you have $25 burning a hole in your pocket then definitely give the Zero 2 some consideration.

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