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I guess I don't see why Bob Dylan can't get the type of mastering he want's. I think he wants to have his cake and eat it too, complain about over-compressed recordings but still do it to make money. |
I don't feel that Dylan's new CD is overly compressed or overly engineered. I think his stuff sounds great, but I haven't critically listened to it. When you go back and listen to his early stuff, you can definately hear the difference in the quality of the instruments' (his voice?) sound. This isn't a compression issue, this is the advancement of the technology we used to record sound waves.
When you listen to Spector produced music, its a wall of music. But its not loudness, its just layers and layers of sounds. Piles of sound. Unheard of when introduced but its a totaly different animal than overly compressed walls of sound.
When I listen to Californication from the Peppers, its not thick and rich. its just loud, punked and an assault on my ears. Maybe, this is the sound they are after. I've never listened to vynil cuts of their stuff. I know that the sound of Fly's bass is clipped. The drums are distorted.
Its like Ok Go or Jet. Their CDs sound like recordings of Garage bands. Jet is overly compressed, at least for Get Born. I would like to think thats the sound they wanted. That raw, rocking, just plugged in sound thats loud enough to piss off the neighbors who are trying to sleep next door (or impress their 16 year old daughter).
In my perfect world I hope thats how they want me to hear them. If its too loud, maybe they want me to feel too old.
But honestly, Music is dynamic. Its the Crash of the waves on the rocks or the gentle ebbing of the tide from the sandy shore. Its the whisper of a sigh or gasp of breathing. It is the pounding of the drums or the screaming of an electric guitar. it is the breath of the fingers sliding over the strings of an accoustical guitar. (Chains, Fleetwoodmac's Rumors. Sounds like voices, but I believe its lindsey buckingham's fingers on the strings). Its hearing the sound of the piano's peddle coming up when the song is over. Its the smile that comes to your mind durning the pause between tracks.
Music is supposed to be made of segments that are Loud and parts are soft. The thorns on the stems and the velvet smoothness of the petals. I honestly feel it should be recorded that way and left to the listener to decide how loudly he or she wants to play it back.